John M. Weatherwax Collection SPC.2015.005
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Fascist Danger in U.S
Hearings Underscore Fascist Danger in U.S. ------------------------------------------- ® --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- TV Show Ends Build a Labor Party Now! With McCarthy Still Unchecked By L. P. Wheeler The Army-McCarthy hearings closed June 17 after piling up 36 days of solid evidence that a fascist movement called McCarthyism has sunk roots deep into the govern ment and the military. For 36 days McCarthy paraded before some 20,000,000 TV viewers as the self-appointed custodian of America’s security. No one chal lenged him when he turned the Senate caucus room into a fascist forum to lecture with charts and pointer on the “menace of Communism.” War Launched by State Dept. This ghastly farce seems in credible. Yet the “anti-<McCar- thyites’’ in the hearing sat before the Wisconsin Senator and nodded in agreement while he hit them over the head with the “menace of Communism.” And then they blinked as if astonished when he Against People of Guatemala brought down his “21 years of treason” club. The charge of treason is the M cCa r t h y “Eventually” - But Not Now ready-made formula of the Amer SWP Defends Guatemalans ican fascists for putting a “save many unionists, minority people United Fruit Co. -
RESISTANCE MADE in HOLLYWOOD: American Movies on Nazi Germany, 1939-1945
1 RESISTANCE MADE IN HOLLYWOOD: American Movies on Nazi Germany, 1939-1945 Mercer Brady Senior Honors Thesis in History University of North Carolina at Chapel Hill Department of History Advisor: Prof. Karen Hagemann Co-Reader: Prof. Fitz Brundage Date: March 16, 2020 2 Acknowledgements I want to thank Dr. Karen Hagemann. I had not worked with Dr. Hagemann before this process; she took a chance on me by becoming my advisor. I thought that I would be unable to pursue an honors thesis. By being my advisor, she made this experience possible. Her interest and dedication to my work exceeded my expectations. My thesis greatly benefited from her input. Thank you, Dr. Hagemann, for your generosity with your time and genuine interest in this thesis and its success. Thank you to Dr. Fitz Brundage for his helpful comments and willingness to be my second reader. I would also like to thank Dr. Michelle King for her valuable suggestions and support throughout this process. I am very grateful for Dr. Hagemann and Dr. King. Thank you both for keeping me motivated and believing in my work. Thank you to my roommates, Julia Wunder, Waverly Leonard, and Jamie Antinori, for being so supportive. They understood when I could not be social and continued to be there for me. They saw more of the actual writing of this thesis than anyone else. Thank you for being great listeners and wonderful friends. Thank you also to my parents, Joe and Krista Brady, for their unwavering encouragement and trust in my judgment. I would also like to thank my sister, Mahlon Brady, for being willing to hear about subjects that are out of her sphere of interest. -
Theological Criticism of the Bible
Currents FOCUS Reformation Heritage and the Question of Sachkritik: Theological Criticism of the Bible Paul E. Capetz Professor of Historical Theology United Theological Seminary of the Twin Cities New Brighton, Minnesota new era in Protestant theology was inaugurated with the publication of Karl Barth’s ground-breaking commentary ince Bultmann was a Lutheran on Paul’s Epistle to the Romans (1919, 1922).1 This his- Atorical judgment is in keeping with the impact that Barth himself Swhereas Barth was a Calvinist, their hoped the book would have on his contemporaries. Negatively, debate in the matter of Sachkritik can he intended it to signal a break with the regnant historical-critical method of biblical exegesis (“historicism”) that had characterized be viewed as a modern reprise of the liberal Protestant theology in the nineteenth century. Positively, he aspired to recover the sort of “theological exegesis” of Scrip- earlier difference between Luther and ture exemplified by Luther and Calvin in the sixteenth century. Calvin. Distinctively twentieth-century Protestant theology thus began with Barth’s critique of one approach to biblical exegesis coupled with his call for retrieval of another approach. Both critique and mann perceived an inconsistency in Barth’s practice, since Barth retrieval stood in the service of his overriding concern to make had opened the door to Sachkritik in his Romans commentary the Bible central again to the preaching and theology of his own (even if he himself refused to walk through it, a point to which day much as it had been to that of the Reformers. Bultmann drew attention in his review). -
California Un-American Activities Committees Records
http://oac.cdlib.org/findaid/ark:/13030/ft9p3007qg No online items Inventory of the California Un-American Activities Committees Records Processed by Archives Staff California State Archives 1020 "O" Street Sacramento, California 95814 Phone: (916) 653-2246 Fax: (916) 653-7363 Email: [email protected] URL: http://www.sos.ca.gov/archives/ © 2000 California Secretary of State. All rights reserved. Inventory of the California 93-04-12; 93-04-16 1 Un-American Activities Committees Records Inventory of the California Un-American Activities Committees Records Collection number: 93-04-12; 93-04-16 California State Archives Office of the Secretary of State Sacramento, California Processed by: Archives Staff Date Completed: March 2000; Revised August 2014 Encoded by: Jessica Knox © 2000 California Secretary of State. All rights reserved. Descriptive Summary Title: California Un-American Activities Committees Records Dates: 1935-1971 Collection number: 93-04-12; 93-04-16 Creator: Senate Fact-Finding Subcommittee on Un-American Activities, 1961-1971;Senate Fact-Finding Committee on Un-American Activities, 1947-1960;Joint Fact-Finding Committee on Un-American Activities in California, 1941-1947;Assembly Relief Investigating Committee on Subversive Activities, 1940-1941 Collection Size: 48 cubic feet and 13 boxes Repository: California State Archives Sacramento, California Abstract: The California Un-American Activities Committees (CUAC) files (identification numbers 93-04-12 and 93-04-16) span the period 1935-1971 and consist of eighty cubic feet. The files document legislative investigations of labor unions, universities and colleges, public employees, liberal churches, and the Hollywood film industry. Later the committee shifted focus and concentrated on investigating communist influences in America, racial unrest, street violence, anti-war rallies, and campus protests. -
ABSTRACT Title of Document: from the BELLY of the HUAC: the RED PROBES of HOLLYWOOD, 1947-1952 Jack D. Meeks, Doctor of Philos
ABSTRACT Title of Document: FROM THE BELLY OF THE HUAC: THE RED PROBES OF HOLLYWOOD, 1947-1952 Jack D. Meeks, Doctor of Philosophy, 2009 Directed By: Dr. Maurine Beasley, Journalism The House Un-American Activities Committee, popularly known as the HUAC, conducted two investigations of the movie industry, in 1947 and again in 1951-1952. The goal was to determine the extent of communist infiltration in Hollywood and whether communist propaganda had made it into American movies. The spotlight that the HUAC shone on Tinsel Town led to the blacklisting of approximately 300 Hollywood professionals. This, along with the HUAC’s insistence that witnesses testifying under oath identify others that they knew to be communists, contributed to the Committee’s notoriety. Until now, historians have concentrated on offering accounts of the HUAC’s practice of naming names, its scrutiny of movies for propaganda, and its intervention in Hollywood union disputes. The HUAC’s sealed files were first opened to scholars in 2001. This study is the first to draw extensively on these newly available documents in an effort to reevaluate the HUAC’s Hollywood probes. This study assesses four areas in which the new evidence indicates significant, fresh findings. First, a detailed analysis of the Committee’s investigatory methods reveals that most of the HUAC’s information came from a careful, on-going analysis of the communist press, rather than techniques such as surveillance, wiretaps and other cloak and dagger activities. Second, the evidence shows the crucial role played by two brothers, both German communists living as refugees in America during World War II, in motivating the Committee to launch its first Hollywood probe. -
Download Original 7.82 MB
WELLESLEY COLLEGE BULLETIN ANNUAL REPORTS PRESIDENT AND TREASURER ^^ 191 6= J 8 WELLESLEY, MASSACHUSETTS DECEMBER, I9I8 PUBLISHED BY THE COLLEGE IN JANUARY, MAY, JUNE, NOVEMBER, DECEMBER Entered as second-class matter December 20, 1911, at the post-office at Wellesley. Massachusetts, under Act of Congress of July 16, 1894. SERIES 7 NUMBER 6 WELLESLEY COLLEGE ANNUAL EEPOKTS PBESIDENT AND TREASURER 1916-1918 PRESIDENT'S ANNUAL REPORT To the Board of Trustees of Wellesley College:— I have the honor to present in one the report of the two years from July 1, 1916, to June 30, 1918. Heretofore the annual reports of the President and Treasurer due June 30 have been published in the following March. It was decided to publish these hereafter in December. To avoid publishing two reports in the 1918 series, the report for 1916-17 was de- layed, and is here combined with that for 1917-18. The sup- plementary reports of the Dean, the Librarian, and the Chair- man of the Committee on Graduate Instruction will also cover two years. These two years have brought many losses to the College. On February 12, 1917, Pauline Adeline Durant, the widow of the founder of the College, died at her home in Wellesley. Mrs. Durant gave the heartiest co-operation to Mr. Durant's plan for founding the College, and throughout his life assisted him in every way. After his death in October, 1881, she accepted the care of the College as a sacred trust from her husband, and gave to it thought, time, and money. Mrs. Durant had been an invalid confined to her home for more than three years before her death, but until these later years no meeting of the Board of Trustees nor any college function was complete without her presence. -
ITALIANS in the UNITED STATES DURING WORLD WAR II Mary
LAW, SECURITY, AND ETHNIC PROFILING: ITALIANS IN THE UNITED STATES DURING WORLD WAR II Mary Elizabeth Basile Chopas A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2013 Approved by: Wayne E. Lee Richard H. Kohn Eric L. Muller Zaragosa Vargas Heather Williams ©2013 Mary Elizabeth Basile Chopas ALL RIGHTS RESERVED ii ABSTRACT Mary Elizabeth Basile Chopas: Law, Security, and Ethnic Profiling: Italians in the United States During World War II (under the direction of Wayne E. Lee) The story of internment and other restrictions during World War II is about how the U.S. government categorized persons within the United States from belligerent nations based on citizenship and race and thereby made assumptions about their loyalty and the national security risk that they presented. This dissertation examines how agencies of the federal government interacted to create and enact various restrictions on close to 700,000 Italian aliens residing in the United States, including internment for certain individuals, and how and why those policies changed during the course of the war. Against the backdrop of wartime emergency, federal decision makers created policies of ethnic-based criteria in response to national security fears, but an analysis of the political maturity of Italian Americans and their assimilation into American society by World War II helps explain their community’s ability to avoid mass evacuation and internment. Based on the internment case files for 343 individuals, this dissertation provides the first social profile of the Italian civilian internees and explains the apparent basis for the government’s identification of certain aliens as “dangerous,” such as predilections for loyalty to Italy and Fascist beliefs, as opposed to the respectful demeanor and appreciation of American democracy characterizing potentially good citizens. -
Robert W. Kenny Papers, 1823-1975
http://oac.cdlib.org/findaid/ark:/13030/tf3199n6b1 No online items Register of the Robert W. Kenny Papers, 1823-1975 Processed by Mary F. Tyler; supplementary encoding and revision supplied by Xiuzhi Zhou. Southern California Library for Social Studies and Research 6120 S. Vermont Avenue Los Angeles, California 90044 Phone: (323) 759-6063 Fax: (323) 759-2252 Email: [email protected] URL: http://www.socallib.org © 2000 Southern California Library for Social Studies and Research. All rights reserved. Register of the Robert W. Kenny MSS 003 1 Papers, 1823-1975 Register of the Robert W. Kenny Papers, 1823-1975 Collection number: MSS 003 Southern California Library for Social Studies and Research Los Angeles, California Contact Information: Southern California Library for Social Studies and Research 6120 S. Vermont Avenue Los Angeles, California 90044 Phone: (323) 759-6063 Fax: (323) 759-2252 Email: [email protected] URL: http://www.socallib.org Processed by: Mary F. Tyler Date Completed: 1984 © 2000 Southern California Library for Social Studies and Research. All rights reserved. Descriptive Summary Title: Robert W. Kenny Papers, Date (inclusive): 1823-1975 Collection number: MSS 003 Creator: Kenny, Robert Walker, 1901-1978 Extent: 17 document cases 15 cubic feet Repository: Southern California Library for Social Studies and Research. Los Angeles, California Language: English. Access The collection is available for research only at the Library's facility in Los Angeles. The Library is open from 10 a.m. to 4 p.m., Tuesday through Saturday. Researchers are encouraged to call or email the Library indicating the nature of their research query prior to making a visit. -
Background Guide for Elaboration on This System and Its History
1 Note from the Crisis Director Hello delegates! My name is Amelia Benich and I’ll be your CD for FCMUN. I am ecstatic to finally get to run this JCC and I hope you are as excited as I am. This is my final FCMUN as I graduate in May and I am determined to make it the best crisis committee to ever be run...or close. I have done Model UN every year I have been in college and have been in so many crisis committees as a delegate I recently had to be reminded of all of them. With this experience both as a delegate and having run 3 committees before both at FCMUN and abroad at LSE’s conference, I can assure you I’ve seen it all and am preparing to stop the common committee frustrations before they begin. As you prepare for the conference, I want you to be fully aware of the parameters of our note system before you plan out a crisis arc. Electronic notes will speed things up, however for this committee to keep things running smoothly, there will be an approximate word limit for notes. Try to keep all notes around 250 words or less (about two paragraphs/a page double spaced), and expect each committee session to get approximately 3 notes answered, meaning your crisis arc should be accomplished in 12-15 notes, assuming notes get shorter and more direct towards the end. Of course, I will do my best to answer faster and get more notes through, but this is to help you both plan effectively and also stay engaged in-room as well. -
The Creation of Identity in the Radicial Plays of Langston Hughes
BLACK OR RED?: THE CREATION OF IDENTITY IN THE RADICIAL PLAYS OF LANGSTON HUGHES A dissertation submitted by Catherine Ann Peckinpaugh Vrtis In partial fulfillment of the requirements for the degree of Doctor of Philosophy in Drama TUFTS UNIVERISITY May, 2017 ADVISOR: Downing Cless © 2017, Catherine Vrtis i ABSTRACT Langston Hughes, despite his reputation as the measure of an “authentic” black identity in art, was self-consciously performative in his creation of self through his writing. While this is hidden in most of his work due to his mastery of the tropes of “writing race,” the constructed nature of his public personae is revealed through his profound shift of artistic position, from primarily racially focused to primarily class oriented and Communist aligned, during the decade of the 1930s. As demonstrated by his radical works, Hughes’ professional identities were shaped by competing needs: to represent his sincere political beliefs and to answer the desires of his audiences. As he supported himself exclusively through his writing, Hughes could not risk alienating his publishers, but he was also not willing to support any ideology for profit. His radical plays, more so than his other Red writing, track Hughes’ negotiation of this tension during his Communist years. Hughes already had sympathies with the Communist cause when he broke with his patron, Charlotte Mason, at the beginning of the Great Depression, and instability of the period only deepened his radicalism. Freed from her expectations and in need of an audience, Hughes sharply shifted his public and artistic persona, downplaying his “Negro Poet Laureate” identity to promote his new Red one. -
Bibliography
BIBLIOGRAPHY Abbott, Edwin A., The Kernel and the Husk: Letters on Spiritual Christianity, by the Author of “Philochristus” and “Onesimus”, London: Macmillan, 1886. Adams, Dickenson W. (ed.), The Papers of Thomas Jefferson (Second Series): Jefferson’s Extracts from the Gospels, Ruth W. Lester (Assistant ed.), Princeton, NJ: Princeton University Press, 1983. Addis, Cameron, Jefferson’s Vision for Education, 1760–1845, New York: Peter Lang, 2003. Adorno, Theodore W., and Max Horkheimer, Dialectic of Enlightenment, John Cumming (trans.), London: Allen Lane, 1973. Agrippa, Heinrich Cornelius, The Vanity of the Arts and Sciences, London: Printed by R. E. for R. B. and Are to Be Sold by C. Blount, 1684. Albertan-Coppola, Sylviane, ‘Apologetics’, in Catherine Porter (trans.), Alan Charles Kors (ed.), The Encyclopedia of the Enlightenment (vol. 1 of 4), Oxford: Oxford University Press, 2001, pp. 58–63. Alexander, Gerhard (ed.), Apologie oder Schutzschrift für die vernünfti- gen Verehrer Gottes/Hermann Samuel Reimarus (2 vols.), im Auftrag der Joachim-Jungius-Gesellschaft der Wissenschaften in Hamburg, Frankfurt: Insel, 1972. ———, Auktionskatalog der Bibliothek von Hermann Samuel Reimarus: alphabe- tisches Register, Hamburg: Joachim-Jungius-Gesellschaft der Wissenschaften, 1980. Alexander, H. G. (ed.), The Leibniz-Clarke Correspondence: Together with Extracts from Newton’s “Principia” and “Opticks”, Manchester: Manchester University Press, 1956. © The Editor(s) (if applicable) and The Author(s) 2019 375 J. C. P. Birch, Jesus in an Age of Enlightenment, Christianities in the Trans-Atlantic World, https://doi.org/10.1057/978-1-137-51276-5 376 BIBLIOGRAPHY Allegro, John M., The Sacred Mushroom and the Cross: A Study of the Nature and Origins of Christianity Within the Fertility Cults of the Ancient Near East, London: Hodder and Stoughton, 1970. -
The Roots of Post-Racial Neoliberalism in Blacklist Era Hollywood
The Roots of Post-Racial Neoliberalism in Blacklist Era Hollywood A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Andrew Paul IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Lary May, Tracey Deutsch March 2014 © Andrew Paul 2014 Acknowledgements Writing this dissertation would not have been possible without the support of countless others. First, I acknowledge the generosity of my dissertation committee. My advisors, Lary May and Tracey Deutsch offered enthusiastic guidance, criticism, and support. Lary’s own contributions to the historiography of the blacklist were second in value only to his personal attention to my work, and his questions yielded important research leads. Tracey helped me to think across sub-fields and pushed me to improve my writing. Both of them encouraged me to take intellectual risks and to make bold claims and interventions. Elaine Tyler May, Riv-Ellen Prell, and Malinda Lindquist all shaped my development as a scholar as well. With thoughtful and critical attention to my writing, they challenged me to clarify my ideas and helped me to see how my work was entering different conversations, and how it might stand to enter others. It was a privilege to be able to discuss my ideas with this committee. I was awarded generous financial sums from the University of Minnesota’s Harold Leonard Memorial Film Studies Fellowship and the University of Minnesota Foundation, which allowed me travel to archives in California, Wisconsin, and New York. In these locales, at the Charles Young Research Library at the University of California Los Angeles, the Margaret Herrick Library and the Paley Center for Media, both located in Beverly Hills, the Wisconsin State Historical Society in Madison, and at the Center for Jewish History in New York City, numerous archivists assisted me in my work., and for this I owe them my gratitude.