DOCSLIB.ORG

The City Record. Vol

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The City Record. Vol THE CITY RECORD. VOL. LVI. NUMBER 16794. NEW YORK, TUESDAY, AUGUST 21, 1928. Plus E 10 CZNTS. THE CITY RECORD. Invoice Received Finance Dates or in Depart- Voucher Contract ment of Name of Payee. Amount. OFFICIAL JOURNAL OF THE CITY OF NEW YORK. No. Number. Finance. Published Under Authority of Section 1526, Greater New York Charter, by the Department of Docks. BOARD OF CITY RECORD. 133695 7-30-28 8- 9-28 Granville-Sellers, Inc. 9 60 JAMES J. WALKER, 'MAYOR. 130101 88514 8- 1-28 Allen N. Spooner & Son, Inc. 80,106 75 GEORGE P. NICHOLSON, CoRPoi&TION COUNSEL. CHARLES W. BERRY, COMPTAOLLu. 122833 82577 7-17-28 Carleton Co., Inc. 7,207 50 129108 87968 7-30-28- N. J. Contracting Co. 5,896 80 STEPHEN G. KELLEY, SUPEAVISOL Department of Education. 135251 87144 8-13-28 F. S. Banks & Co., Inc. 23 90 Supervisor's Office, Municipal Building, Manhattan, 8th floor. 133987 6- 8-28 84282 8- 9-28 Baker & Taylor Co. 10 01 Distributing Division, 125 and 127 Worth st., Manhattan. Published daily, at 9 a. m., except Sundays and legal holidays. 135273 73328 8-13-28 D. Appleton & Co. 99 41 Subscription, $20 a year, exclusive of supplements. Daily issue, 10 cents a copy. 135272 6-25-28 73328 8-13-28 D. Appleton & Co. 4 32 SUPPLEMENTS: Civil List (containing names, salaries, etc., of the City employees), $5; 135359 87184 8-13-28 Manhattan Supply Co. 56 13 Official Canvass of Votes, $1; Registry Lists, 20 cents each assembly district; Law Department Supplement, $1; Assessed Valuation of Real Estate, $2 each section; postage extra. 134139 6- 6-28 87172 8- 9-28 Chicago Apparatus Co. 19 00 ADVERTISING: Copy for publication in the CITY Recoan must be received at least TWO (2) 133951 5-23-28 86917 8- 9-28 Peckham, Little & Co. 11 76 days before the date fixed for the first insertion; when proof is required for correction before 132291 84290 8- 6-28 Henry Holt & Co. 38 44 publication, copy must be received THREE (3) days before the date fixed for the first insertion. 132292 84290 8- 6-28 Henry Holt & Co. 76 70 COPY, for publication in the corporation newspapers of Brooklyn must be received at least THREE (3) days before date fixed for the first insertion. 134125 6- 8-28 84290 8- 9-28 Henry Holt & Co. 2 55 Entered as Second-class Matter, Post Office at New York City. 132231 84282 8- 6-28 Baker & Taylor Co. 98 32 132219 84290 8- 6-28 Henry Holt & Co. 12 15 TABLE OF CONTENTS. 132822 5- 3-28 8- 7-28 J. D. Gordon 75 13 ---0 — 132968 5-22-28 8- 7-28 Jos. Green 37 60 Board Meetings 7017 Notice to Bidders at Sales of Old Buildings, 133030 5-24-28 8- 7-28 Thos. F. Mulligan 42 46 Brooklyn, Borough of— Etc. 702, 133033 5-17-28 8- 7-28 Thos. F. Mulligan 46 16 Proposals 7022 Official Directory City Record, Board bf— 7016 132755 6-23-28 8- 7-28 Gertrude Furst, assignee of H. Archibald 29 00 Proposals 7017 Plant and Structures, Department of— Proposals 7017 130497 5-24-28 8- 7-28 Julius Haas & Son 52 25 Docks, Department of— 132802 6- 1-28 8- 7-28 Henry Saal 26 94 Proposals 7017 Police Department— Education, Department of— Owners Wanted for Unclaimed Prop- 132800 5-31-28 8- 7-28 Watson Elevator Co., Inc. 29 70 Proposals 7023 erty 7017 131463 4-27-28 87169 8- 3-28 J. T. Baker Chem. Co. 107 51 Education, Higher, Board of— Public Welfare, Department of— 134443 73391 8-10-28 Trade Bank of N. Y. assignee of Uni- Proposals 7017 Proposals 7020 5-31-28 Elections, Board of— Purchase, Department ot— versal Map Co., Inc. 93 52 Proposals 7019 Proposals i 7019 134691 6- 1-28 8-10-28 W. C. Stanke Subscription Agency .... 5 05 Finance, Department of— Queens, Borough of— 134698 6-26-28 Confirmation of Assessments—Notices Proposals 7018 8-10-28 Singerg Sewing Machine Co. 2 58 to Property Owners . 7021 Richmond, Borough of— 134701 6-27-28 8-10-28 A. B. Dick Co. 6 50 Corporation Sale of Buildings and Proposals 7018 134703 2-23-28 8-10-28 Royal Typewriter Co., Inc. 12 00 Appurtenances Thereto on City Street Cleaning, Department of— e Real Estate by Sealed Bids 7020 Proposals 7021 134726 8-10-28 Stanl Yy Bowmar Co. 35 85 Interest on City Bonds and Stock.... 7021 Supreme Court, First Department— 135487 6-27-28 8-13-28 Comstock Pub. Co. 12 19 Sureties on Contracts 7021 Filing Tentative Decree—Notice to File 135012 8-11-28 A. B. Dick Co. 38 80 7024 Vouchers Received August 20, 1928.. 7015 Objections 1 55 Warrants Made Ready for Payment Supreme Court, Second Department— 135022 5-29-28 8-11-28 American Multigraph Sales Co. August 20, 1928 7013 Filing Bills of Costs 7026 135023 5-31-28 8-11-28 Royal Typewriter Co., Inc. 2 25 Health, Department of— Filing Tentative Decree—Notice to File 135190 6-12-28 8-11-28 Louis Bigolet 22 10 Proposals 7020 Objections Instructions to Bidders on Work to Be Notices to File Claims 70267025 135196 6-21-28 8-11-28 A. Glaser 29 50 Done and Supplies to Be Furnished... 7026 Transportation, Board of— 135197 6-18-28 8-11-28 Sam Gottfurcht 13 50 Manhattan, Borough of— Invitation to Contractors 7023 135198 6- 6-28 8-11-28 H. J.. Happel 4 50 Proposals 7019 Notice of Public Hearing Municipal Civil Service Commission— Water Supply, Board of— 7023 134689 6-19-28 8-10-28 Frank Teicher 12 24 General Instructions Regarding Ex- Proposals—Contract 302 7021 130720 5-25-28 8- 2-28 Royal 'Co. of N. Y., assignee of Philip aminations 7022 Water Supply, Gas and Electricity, Depart- Dimentstein 52 35 Notices of Examinations 7022 ment of— Proposed Amendment to Classification 7023 Proposals 7021 132405 5-21-28 8- 6-28 Alfred Helwig, assignee of A. W. __ Brauer 42 05 132969 6- 6-28 8- 7-28 West New Brighton Bank, assignee of DEPARTMENT OF FINANCE. Joseph Haggerty 9 95 `~` 134999 6-16-28 8-11-28 John Manton 11 50 WARRANTS MADE READY FOR PAYMENT IN DEPARTMENT OF FINANCE j35379 3- 2-28 86981 8-13-28 W. E. Pruden Co., Inc. 2 50 MONDAY, AUGUST 20, 1928. 135377 6-19-28 87674 8-13-28 A. B. Dick Co. 35 51 Below is a statement of warrants made ready for payment on the above date, 131501 88519 8- 3-28 Simplicator Corp. 295 00 showing therein the Department of Finance voucher number, the dates of the invoices 134072 6- 4-28 87172 8- 9-28 Chicago Apparatus Co. 46 78 or the registered number of the contract, the date the voucher was filed in the 131496 87172 8- 3-28 Chicago Apparatus Co 24 07 Department of Finance, the name of the payee and the amount of the warrant. 133957 84288 8- 9-28 Ginn & Co 26 21 Where two or more bills are embraced in the warrant, the dates of the earliest 134098 84288 8- 9-28 Ginn & Co 41 10 and latest are given, excepting that, when such payments are made under a contract, 132226 84288 8- 6-28 Ginn & Co 27 39 the registered number of the contract is shown in the place of the second invoice date. 132295 84288 8- 6-28 Ginn & Co 68 30 Where the word "final" is shown after the name of the payee, payment will not 132216 84288 8- 6-28 Ginn & Co 3 67 be made until thirty days after the completion and acceptance of the work, but all 135540 7- 3-28 8-13-28 Arnold, Constable & Co 19 95 of the other warrants mentioned will be forwarded through the mails unless some 127477 5- 3-28 7-26-28 James E. Delaney 76 70 reason exists why payment is to be made in person, in which event written notice will 129632 5-17-28 7-31-28 Sam Gottfurcht 96 98 be promptly given to the claimant. 129694 4-17-28 7-31-28 Richard E. Struse 32 16 In making a written or verbal inquiry at this office for any of the above men- 128005 6- 6-28 7-27-28 Fred A. Buser Sons, Inc 161 00 tioned warrants, it is requested that reference be made by the Department of Finance 125148 3-24-28 7-23-28 Frank Teicher 50 33 voucher number. CHARLES W. BERRY, Comptroller. 129692 4-26-28 7-31-28 A. D. Evertsen Co 47 55 Invoice Received 128920 5-22-28 7-30-28 Kroepke Plumbing & Heating Co 54 15 Finance Dates or in Depart- 129928 5-26-28 8- 1-28 Master Craftsmen of America, Inc 56 56 Voucher Contract ment of Name of Payee. Amount. 135139 6- 428 8-11-28 Harper & Bros 3 20 No. Number. Finance. 134436 6- 9-28 82254 8-10-28 M. J. Tobin Co., Inc 51 40 135306 73481 8-13-28 Harper & Bros 900 Armory Board. 135250 3-30-28 86737 8-13-28 National Biscuit Co 32 78 109072 6-19-28 Electro-Sun Co., Inc. $4 08 135259 6-14-28 87358 8-13-28 Charles E. Merrill Co 1 20 130708 5-31-28 26 44 Bellevue and Allied Hospitals. 8- 2-28 Irving Glasser 134667 6-13-28 8-10-28 John Byrns, Inc 35 00 125526 5-29-28 7-23-28 Inter.
Load more

Recommended publications
  • Image Carrier Poster
    55899-11_MOP_nwsltr_poster_Winter11_v2_Layout 1 2/11/11 2:25 PM Page 1 The Museum of Printing, North Andover, MA and the Image Carrier www.museumofprinting.org Relief printing Wood cuts and wood engravings pre-dated moveable type. Called “xylographic printing,” it was used before Gutenberg for illustrations, playing cards, and small documents. Moveable type allowed corrections and editing. A wood engraving uses the end grain, where a wood cut uses the plank grain. Polymer plates are made from digital files which drive special engraving machines to produce relief plates. These plates are popular with many of today’s letterpress printers who produce invitations, and collectible prints. Metal relief cylinders were used to print repetitive designs, such as those on wrap - ping paper and wall paper. In the 1930s, the invention of cellophane led to the development of the anilox roller and flexographic printing. Today, flexography prints most of the flexible packaging film which accounts for about half of all packaged products. Hobbyists, artists, and printmakers cut away non-printing areas on sheets of linoleum to create relief surfaces. Wood cut Wood engraving and Metal plate Relief cylinder Flexographic plate Linoleum cut Foundry type began with Gutenberg and evolved through Jenson, Garamond, Moveable type Caslon and many others. Garamond was the first printer to cast type that was sold to other printers. By the 1880s there were almost 80 foundries in the U.S. One newspaper could keep one foundry in business. Machine typesetting changed the status quo and the Linotype had an almost immediate effect on type foundries. Twenty-three foundries formed American Type Founders in 1890.
    [Show full text]
  • Oak Knoll Special Catalogue No. 19 1 OAK KNOLL BOOKS 310 Delaware Street, New Castle, DE 19720
    Oak Knoll Special Catalogue No. 19 1 OAK KNOLL BOOKS www.oakknoll.com 310 Delaware Street, New Castle, DE 19720 Oak Knoll Books has handled many examples of type specimen catalogues over the years. One would think that interest in old books showing type faces would have gone by the wayside long ago but nothing could be further from the truth. I was recently give a book by Tony Cox, a bookseller friend of mine, for bedside reading while I was visiting him in England and found the stories of type and their development fascinating (Simon Garfield. Just My Type). For those of you who have seen the film Helvetica you can relate to the impact type faces have on our lives. We are now offering you a selection of interesting specimen books and booklets that might inspire those of you doing design work or educate those of you that are doing research. And go back and reread McGrew’s American Metal Type Faces of the 20th Century and Annenberg’s Type Foundries of America and Their Catalogues (both Oak Knoll Press publications) for their invaluable information (see last page of our catalogue for more details). Happy hunting! Oak Knoll Books was founded in 1976 by Bob Fleck, a chemical engineer by training, who let his hobby get the best of him. Somehow making oil refineries more efficient using mathematics and computers paled in comparison to the joy of handling books. Oak Knoll Press, the second part of the business, was established in 1978 as a logical extension of Oak Knoll Books.
    [Show full text]
  • American Type Founders Typefaces Notes for ATF Typefaces Spreadsheet Version 4 (Mar
    American Type Founders Typefaces Notes for ATF Typefaces spreadsheet version 4 (Mar. 2009): * This listing is provided by the American Amateur Press Association. Please visit our Web site at http://www.aapainfo.org * The ATF ID numbers are from Mac McGrew's American Metal Typefaces of the Twentieth Century . * 10 ATF catalogs identified by the year printed (plus 1909, 1917, and 1941 supplements) are listed in the spreadsheet * The "BBS25" column lists faces in Barnhart Brothers & Spindler catalog 25 (1925). BB&S was purchased by ATF about 1911 and it operated independently until about 1930. BB&S ID#s are 1500 through 1942. * The entries for each catalog are the page numbers the typefaces appear on. * A brown italic page number indicates a slightly different name was used in the 1897 or 1899 catalog. For example, Cushing No. 2 appears as Cushing in the early catalogs. (Adding or changing a number usuallly indicates the typeface was realigned for the point system.) * An "s" appears before a page refers to a supplement; "s" alone if the face was issued subsequently. * The "McG" column gives the page number where the typeface is discussed in McGrew's book. * ATF ID#s 807 - 944 are for faces acquired with Keystone Type Foundry. * If a typeface was reissued under a different name, that name appears {within braces} and has its own entry. * Corrections and additions are encouraged. Send e-mail to [email protected] or write to David M. Tribby, 1529 Fantail Ct., Sunnyvale, CA 94087 Name ID # 1897 1899 1903 06/09 12/17 1923 BBS25 1934 1941
    [Show full text]
  • Robert Wiebking Geboren 1870 in Schwelm, Gestorben Am 25
    Robert Wiebking Geboren 1870 in Schwelm, gestorben am 25. Juni 1927 in Chicago. Er kommt 1881 mit seinem Vater Hermann Wiebking, einem Graveur, in die USA. 1884 Graveurlehre in Chicago. Seit 1892 selbständiger Stem- pelschneider in Chicago. Verbessert die Matrizengraviermaschine, die sein Vater bereits in Deutschland entwickelte. 1900 gründet er die Advance Type Foundry. 1914 wird sie mit der Western Type Foundry fusioniert und 1919 von Barnhart Bros. & Spindler übernommen. Schnitt Schriften für Frederic W. Goudy, Bruce Rogers und Robert H. Middleton. Goudy und Middleton lernten bei ihm das Stempelschneiden. Advertisers Gothic 1917 Western Type Foundry www.myfonts.com Advertisers Gothic Cond. 1917 Western Type Foundry Advertisers Gothic Outline 1917 Western Type Foundry Advertisers Gothic Out. Cond. 1917 Western Type Foundry Artcraft 1911 Western Type Foundry Linotype ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890 Artcraft Italic 1912 Western Type Foundry Artcraft Bold 1913 Western Type Foundry Linotype zuerst Craftsman bei Advance Type Foundry http://www.klingspor-museum.de Baron’s Boston Newsletter* 1904 Corporate Font Bodoni Light 1923 Ludlow Bodoni Light Italic 1923 Ludlow Bodoni Bold 1925 Ludlow Bodoni Bold Italic Ludlow Caslon Catalog Advance Type Foundry Caslon Clearface 1913 Western Type Foundry Caslon Clearface Italic 1913 Western Type Foundry Caslon Light Italic 1922 Barnhart Bros.&Spindler Centaur* 1914 Metropolitan Museum Linotype Collier Old Style* 1919 Corporate Font Engravers Litho Barnhart Bros.&Spindler
    [Show full text]
  • The Reflected Works
    ADVERTISING The Reflected Wo r k s S.D. Warren Advertising 1911–1916 S.D. Warren Advertising For more than a century, through various names and incarnations, our message and mission have remained the same — to make the means through which the world communicates better and more beautiful. From the beginning, our advertising has been Explore a collection of these ads from 1911–1916 prominently featured in leading national newspapers for messages that still resonate. By looking and well-respected trade publications, which highlights back through the pages, we can look forward our commitment to the printed page as one of the best to a future of exciting possibilities. ways for brands to communicate clearly and effectively. 1911–1916 Visit sappietc.com /1,ft. -45:17.!Xt.r. , BES TEDa2BOOKLET ERICA 1111121111111111 EMErfil 1/4) afg-.4 - c714'n the I WARREN AWARD encouragement of fine printing The next time your printer tackles the job of getting out your catalog, we want him to experience a little of the thrill that stirs an artist when he is conceiving his masterpiece. We want your printer to forget all about the competitive price you may unwisely hold him to; we want him to forget petty compromises and meagre profits; we want him to say to himself, with vehement pounding of his desk, will produce the best buoktet printed in America." That is why we shall award some printer A high-grade, seven-passenger, 1917 Automobile for the Best Booklet printed in America The Winning Booklet will be Handsomely Featured in a Full Page of this Paper This seeming munificence is really pure selfish- Wouldn't it help both you and your printer to the inventive genius of chemists, the idealism of ness on our part.
    [Show full text]
  • Americana Ancient Roman Antique Extended No. 53 Artcraft Italic
    Serif There are three principal features of the roman face Americana Century Schoolbook Craw Clarendon MacFarland Van Dijck which were gradually modified in the three centuries Ancient Roman Century Schoolbook Italic Craw Clarendon Condensed MacFarland Condensed Van Dijck Italic from Jenson to Bodoni. In the earliest romans, the serifs were inclined and bracketed, that is to say, the Antique Extended No. 53 Cheltenham Craw Modern MacFarland Italic underpart of the serif was connected to the stem in a curve or by a triangular piece. On the upper case Artcraft Italic Cheltenham Bold Deepdene Italic Nubian the serifs were often thick slabs extending to both Baskerville Cheltenham Bold Condensed Eden Palatino Italic sides of the uprights. In the typical modern face serifs are thin, flat and unbracketed. In between the two Baskerville Italic Cheltenham Bold Extra Encore Palatino Semi-Bold extremes various gradations are found. In all early Condensed romans the incidence of colour or stress is diagonal, Bauer Bodoni Bold Engravers Roman Paramount Cheltenham Bold Italic while in the modern face it is vertical. If an O is Bembo Engravers Roman Bold Pencraft Oldstyle drawn with a broad-nibbed pen held at an angle to Cheltenham Bold Outline the paper, the two thickest parts of the letter will be Bembo ITalic Engravers Roman Shaded Rivoli Italic diagonally opposite. This was the manner in which Cheltenham Italic Bernhard Modern Roman Garamond Stymie Black the calligraphers of the fifteenth century drew an O; Clarendon Medium but by the year 1700 the writing masters, whose work Bernhard Modern Roman Italic Garamond Bold Stymie Bold was being reproduced in copper-engraved plates, had Cloister Oldstyle adopted the method of holding the pen at right angles Bodoni Garamond Bold Italic Stymie Bold Condensed to the paper, thus producing a vertical stress.
    [Show full text]
  • Sa Chronology Of
    s A Chronology of Typographical Pantographs Dr. David M. MacMillan Abstract The history of the development and use of pantographic techniques in the making of metal printing type has never been recounted either com- prehensively or accurately. This is a first step, necessary but necessarily incomplete: a raw chronology of events, together with references to the sources of our knowledge. 1 ◆ Introduction While it is beyond question that the mechanization of the making of punches, patrices, and matrices for metal letterpress printing types in the late 19th century was one of the most important events in the history of type, most accounts of this are inadequate. They tend to oversimplify both history and technology and to reduce a complex technological transition to a myth of a lone genius. Moreover, most narratives today are seriously in- accurate in their details and their understanding of the technologies. They conflate different methods of type-making and often leave out important methods entirely. As a result, this is perhaps the least well understood of all of the technological transformations that have shaped our world. This chronology is not a complete analysis of this history; it’s justa first step. It lays out all of the presently known events in this history in order to provide a better, and better documented, context. It also identifies events which are still recounted as a part of this history but which never really happened. This Chronology also includes non-typographical pantographs, partic- ularly in its early sections. The purpose of this is to counter the tendency in typographical history to see the adaptation of pantographic technology to metal type-making as something that happened in isolation.
    [Show full text]
  • Smashing Ebook
    IMPRINT Imprint © 2013 Smashing Media GmbH, Freiburg, Germany ISBN: 978-3-943075-54-0 (Version 1: April 2013) Cover Design: Ricardo Gimenes PR & Press: Stephan Poppe eBook Strategy and Editing: Vitaly Friedman Technical Editing: Cosima Mielke Planning and Quality Control: Vitaly Friedman, Iris Lješnjanin Tools: Elja Friedman. Syntax Highlighting: Prism by Lea Verou. Copywriter: Clarissa Peterson Idea & Concept: Smashing Media GmbH About This Book Typography is everywhere. If you walk out the door, you will be hard pressed to find any element of our daily lives that doesn’t involve or re- ly on typography. The prevalence of typography is not limited only to the analog world. This eBook introduces historical and cultural aspects of type and how they relate to the Web industry. Find out about chang- ing fads in type, about the complexities of Japanese characters and about typographic applications for different situations. You are sure to learn something that you didn’t know before from our great authors. TABLE OF CONTENTS Japanese, A Beautifully Complex Writing System ..........................................3 Respect Thy Typography........................................................................................16 Typography Carved In Stone................................................................................ 27 Industrial-Strength Types.....................................................................................46 Legitima Typeface: An Experience Of Fossils And Revivals ......................69 When Typography
    [Show full text]
  • Skyline Type Foundry Specimen Book & Catalog
    Skyline Type Foundry Specimen Book & Catalog Specimen Size 3.50 wide; check Keep Ratio Arboret No. 2 Price Code: 12pt 12-A 7-1 H 24pt 5-A 4-1 H Ornament Suite 245 Pieces L This florid face was patented February 12, 1885, by the MacKellar, Smiths & Jordan Co. It was only made three sizes, of which we present two. The matrices are from Charles Broad's antique revival in the 1960s. The specimen shown is 24pt. The 12pt font includes the same 46 characters plus pound sterling. There was a total of thiry-one (31) ornamental elements designed for exclusive use with Arboret No. 2, in the exceedingly elaborate style then fashionable. Each of the three type sizes (12, 18, 24) was furnished with a selection of seventeen of these—some ornaments were specific to a single point size font, and some common to all sizes. The set of matrices created by Charlie Broad includes nineteen ornaments. These consist of eleven of the original seventeen furnished with 12pt fonts, and fourteen of seventeen for the 24pt. We have done a comprehensive search of the Skyline matrix vault and selected substitutes for three of the missing elements. This brings the count up to all seventeen for the 24pt, and fourteen of seventeen for 12pt. At left is a form composed with both size fonts and the ornamentation, to illustrate how they are intended to be used together to re-create that over-the-top Victorian era typography. Please note that certain of the ornaments function as word spaces, so although they are sold separately, we recommend getting an ornament suite if either font is purchased.
    [Show full text]
  • Barnhart Bros. & Spindler
    Barnhart Bros. & Spindler Hermann F. Toepfer, Schriftgießer aus Sachsen, wanderte um 1850 in die USA aus. Seinen ersten Betrieb gründete er in New York. Dann siedelte er nach Chicago um. Der Betrieb wurde vereinigt mit der Chicago Type Foundry, später bekannt unter dem Namen Mar- der, Luse & Company. 1868 trennten sich die Firmen wieder und Toepfer gründete nun die Great Western Type Foundry. Diese wenig erfolgreiche Firma wurde 1869 von den Brüdern Barnhart mehr- heitlich übernommen. Seit 1883 als Charles E. Spindler Teilhaber wurde firmierte sie Barnhart Bros. & Spindler. 1871 wurde die Gie- ßerei bei einem Großfeuer vernichtet, jedoch wieder neu errichtet. 1911 wurde sie von der American Type Founders Comp. übernom- men aber zunächst selbstständig weitergeführt. 1929 wurde der Schriftguß eingestellt und 1933 schloß der Betrieb endgültig. http://www.klingspor-museum.de Acme 1886 Acme Title 1890 Adcraft Light 1911 Adcraft Medium 1910 William A. Schraubstadter Adcraft Black Adstyle Series 1906 Sidney Gaunt Adstyle Italic vor 1912 Sidney Gaunt Adstyle Wide vor 1912 Sidney Gaunt Adstyle Condensed vor 1912 Sidney Gaunt Adstyle Extra Condensed Sidney Gaunt Adstyle Headletter Series vor 1912 Sidney Gaunt Adstyle Black vor 1912 Sidney Gaunt Adstyle Black Outline 1910 Sidney Gaunt Adstyle Shaded 1914 Sidney Gaunt Advertisers Upright Script Anglo ca. 1890 Angular 1886 Angular Light 1886 Antler 1886 Arcade 1889 Archer 1892 Argus 1892 Armenian 1879 C. E. Heyer Armenian Extended 1879 C. E. Heyer Arno No. 2 vor 1900 Artistic Script vor 1900 Asteroid 1887 Astoria vor 1894 Authors Roman 1902 Sidney Gaunt Authors Italic 1902 Sidney Gaunt Authors Condensed 1915 Sidney Gaunt Authors Bold 1909 Sidney Gaunt Authors Bold Condensed 1916 Sidney Gaunt Authors Wide 1902 Authors Old Style vor 1912 Authors Old Style Italic vor 1912 Sidney Gaunt Bamboo Series Bank Script 1895 James West Bank Script No.
    [Show full text]
  • Galley Nameplate
    Volume 31 • Issue 2/3 • Fall 2010 Message from the President In This Issue Museum information .....................2 The photo below says lot about the Museum of Printing. Ted Leigh and Dan Abugov are under a Vandercook SP-25. The proofi ng press was a donation from Printing Arts Fair ...........................3 the Wall Street Journal, which once had its major production site in Chicopee, The Metal Press ..............................4 MA. Somewhere along the line, the roller mechanism was mis-wired and would QWERTY ........................................5 move in one direction but not in the other. The malfunction was traced to an Type Specimens ..............................6 ancient capacitor on an ancient printed circuit board. Boxcar Base ...................................7 A lot of help came from a visitor one day. As he entered, we asked if he was an Fall Programs .................................8 electrical engineer. “Yes, how did you know?” he said and we promptly put him Fall Programs .................................9 to work. Interrobang ..................................10 Ted fi rst called other SP-25 sites and then found a supplier of ancient electrical Garamond .................................... 11 parts. He replaced the capacitor and the press was back in business. Because Donnelley Building ......................12 of the large press bed, the Vandercook will be used to proof our growing wood Louis Moyroud .............................13 type collection. Glenn LeDoux has been sorting and classifying wood type and The Daye Press .............................14 will now be able to proof it. Museum Visitors ..........................15 This is what our volunteers do. They work tirelessly to preserve and protect the Membership Form........................ 16 craft of printing. They bring ancient machines back to life. On-going Exhibits Freedom of the Press and the Colonial Print Shop Gary Gregory and the Museum staff have created an exhibi- tion of a wooden common press (replica) and a wooden intaglio press (genuine).
    [Show full text]
  • The Inland Type Foundry, 1894-1911
    The Inland Type Foundry, 1894-1911 T HE Inland Type Foundry opened its doors on 2 January 18941 at 217-219 Olive Street in Saint Louis,2 and for seven- DO teen years it was one of the most successfulenterprises the industry had ever known. It was established by three sons of Carl Schraub- stadter (1827-97), who had been one of the owners of the old Cen- tral Type Foundry in the same city. The three sons were William A. Schraubstadter (1864-1957), Oswald Schraubstadter (1868- 1955) and Carl Schraubstadter, Jr. (1862-1947), and they were president, vice-president, and secretary and general manager, re- spectively, of the new venture. According to Henry Lewis Bullen,3 the Inland Type Foundry probably never would have come into existence if the Central Type Foundry had not been sold to the American Type Founders Com- pany in 1892. * William Schraubstadter, then only twenty-eight years old, was superintendent of his father's foundry at the time it was sold to the new combination. (A narrow policy prevented his retention in that position, and so the services of the best typefoun- der of these times were lost and a formidable competitor created.'3 Many years later Nicholas J. Werner4 recalled that William had operated a punch-cutting machine as early as 1882 in his father's foundry, and credited the young man with being one of the first to carry out direct engraving of matrices with such a machine, al- though Bullen5 wrote that the machine (lacked precision and re- quired to be supplemented by hand work'.
    [Show full text]