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Ahead of Their Time
NUMBER 2 2013 Ahead of Their Time About this Issue In the modern era, it seems preposterous that jazz music was once National Council on the Arts Joan Shigekawa, Acting Chair considered controversial, that stream-of-consciousness was a questionable Miguel Campaneria literary technique, or that photography was initially dismissed as an art Bruce Carter Aaron Dworkin form. As tastes have evolved and cultural norms have broadened, surely JoAnn Falletta Lee Greenwood we’ve learned to recognize art—no matter how novel—when we see it. Deepa Gupta Paul W. Hodes Or have we? When the NEA first awarded grants for the creation of video Joan Israelite Maria Rosario Jackson games about art or as works of art, critical reaction was strong—why was Emil Kang the NEA supporting something that was entertainment, not art? Yet in the Charlotte Kessler María López De León past 50 years, the public has debated the legitimacy of street art, graphic David “Mas” Masumoto Irvin Mayfield, Jr. novels, hip-hop, and punk rock, all of which are now firmly established in Barbara Ernst Prey the cultural canon. For other, older mediums, such as television, it has Frank Price taken us years to recognize their true artistic potential. Ex-officio Sen. Tammy Baldwin (D-WI) In this issue of NEA Arts, we’ll talk to some of the pioneers of art Sen. Sheldon Whitehouse (D-RI) Rep. Betty McCollum (D-MN) forms that have struggled to find acceptance by the mainstream. We’ll Rep. Patrick J. Tiberi (R-OH) hear from Ian MacKaye, the father of Washington, DC’s early punk scene; Appointment by Congressional leadership of the remaining ex-officio Lady Pink, one of the first female graffiti artists to rise to prominence in members to the council is pending. -
Razorcake Issue #25 As A
ot too long ago, I went to visit some relatives back in Radon, the Bassholes, or Teengenerate, during every spare moment of Alabama. At first, everybody just asked me how I was my time, even at 3 A.M., was often the only thing that made me feel N doing, how I liked it out in California, why I’m not mar- like I could make something positive out of my life and not just spend N it mopping floors. ried yet, that sort of thing. You know, just the usual small talk ques- tions that people feel compelled to ask, not because they’re really For a long time, records, particularly punk rock records, were my interested but because they’ll feel rude if they don’t. Later on in the only tether to any semblance of hope. Growing up, I was always out of day, my aunt started talking to me about Razorcake, and at one point place even among people who were sort of into the same things as me. she asked me if I got benefits. It’s probably a pretty lame thing to say, but sitting in my room listen- I figured that it was pretty safe to assume that she didn’t mean free ing to Dillinger Four or Panthro UK United 13 was probably the only records and the occasional pizza. “You mean like health insurance?” time that I ever felt like I wasn’t alone. “Yeah,” she said. “Paid vacation, sick days, all that stuff. But listening to music is kind of an abstract. -
Alt-Nation: New Discs and Summer Shows
Alt-Nation: New Discs and Summer Shows The McGunks – Highlights for Lowlifes Photo by John Capitão It’s been a while since we had some new material from everyone’s favorite pub-punks, The McGunks! They did have a live album last year, but what the world really needed was some fresh new material from The McGoons. The McGunks give The Pogues a run for their money when it comes to drinking songs. That is cool, I like to drink. Highlights for Lowlifes kicks off in vintage McGunks style with “Bad Decision” about staying at the bar a little too long. “Beer and a Beaten’” reminds a little of The Queers with the harmonies. Singer/guitarist Bob Kadlec has a very gruff voice, but he knows how to use it. “Dead to Me” has a fist pumping sing-a-long chorus and a voice that gets you jumping. It reminds me a lot of the second album by Marky Ramone and The Intruders, The Answers to Your Problems, which was an excellent record despite my hatred for the wig man. The McGunks throw a curveball with the instrumental “Halfway to Hell,” which while an enjoyable punk romp, it’s debatable whether that would better be left as something to open shows with. “One for The Road” is a slower mid-tempo that has a tinge of a Supersuckers flavor. “Speaking of Crazy” revs thing back up while serving as an open letter to someone who is apparently bat shit loco. “The Devil Was Right” is a slab of just really well done punk rock and is my favorite tune of the bunch. -
Clamor Magazine
'*^- * SPECIAL EOmOl ,, IVE YEARS OF CLAMOR INTERVIEWS: Howard Zinn • Chuck D • Mikte Davis Studs Terkel • Dead Prez • Boots Riley Laura Flanders •Elizabeth Martinez • Parenti • Derrick Jensen Christian John K. SamsQi^ Carol Leigh The Revolution of Everyday Life (years of t interviews PI-US:. * ,u > Fall 2005 • Issue 33.5 1 new interviews with JftmSO US/ $6.95 Canada^ 9> Ian MacKaye & 1 Todd SolQitdz 1 ' 25274 96769 8 , USTSEE[]S.()f?Gl PRINTS - GRAFFITI - ZINES - BOOKS - STENCILS CELEBRATE PEOPLE'S HISTORY POSTERS - POLITICAL T-SHIRTS 4 wm^ ^'m, 2 C^Pd--^"^ 1 free T-Shirt (men's I /M^ women's sizes on u.s made shirts) $15 (€ Cochabamba poster bj Swoon $3 tc»W to PRISONS ''*,-rrr- X/.euT Cut and Paint Stencil Zii atlTOKCIMSi on D f IIVMIEK«NE 'Cx*^\ Prisons: Slaveships ^'VAn^alusia ^« "lii'V liwfn^ii-^ ';if(//lll\\\\\n\M SJAVF SHIPS -t5 >1^to/;(7/77yT-Shirt(mens ' women's sizes on u. I \ \ \\X <i'i ()SDin'L\ND » » ^Ml made shirts) NEW RADICAL CULTURE - WWW.3USTSEEDS.DR -— v^ A >^^ \A >i '1 (jku K We've spent all day crunching the numbers, and It's true. You can save $1.50 off the cover price of each issue of Clamor when you subscribe. It's also the single-best way to support your favorite independent mag. Subscribe online at www.clamormagazine.org. Or simply send a check payable to Clamor to: Clamor • PO Box 20128 • Toledo, OH 43610 : EOlTORyPUBLISHERS Jen Angel & Jason Kucsma from your editors CULTURE EDITOR WEB DESIGN EncZassenhaus Oerel( Hogue We thought that the best way to celebrate Clamor's first five years was to look back to some of ECONOMICS EDITOR INTERNS the you have forgotten or missed. -
Traditions of Punk and the Politics of Empowerment
Anyone Can Do It: Traditions of Punk and the Politics of Empowerment By Pete R.W. Dale Re-submission for PhD ICMuS Newcastle University 2010 Blank page ii Anyone Can Do It: Punk, Folk and the Politics of Empowerment Contents Title Page Page i Contents Page Page iii Introduction page vi Chapter One page 1 i. What Is Punk? Style vs. Substance page 2 ii. What Is Folk? Getting the Folk ‘Us’ in Focus page 27 iii. Punk as Folk: Two Sides of the Same Coin? page 57 iv. Chapter Conclusion page 84 Chapter Two page 88 i. Punk, Avant-gardism and Novelty page 90 ii. Marxism, Anarchism and the Issue of Universality page 119 iii. Justice to Come and the Micromatic Recoil page144 iv. Chapter Conclusion page 183 Chapter Three page 189 i. An Original Re-Birth? page 191 ii. There Is No Authority, But… : Anarcho-punk page 195 iii. Indie-Pop Ain’t Noise Pollution: The Cutie Movement page 231 iv. Chapter Conclusion page 269 iii Chapter Four page 275 i. Still Birth? page 277 ii. The Arrival of a New, Renegade, Girl-Boy Hyper-Nation: Riot Grrrl page 284 iii. Delivering the Groceries at 128 Beats per Minute: Math Rock page 326 iv. Chapter Conclusion page 366 Conclusion page 369 Bibliography page 389 iv Blank page v Introduction When the word punk is invoked, a majority of people – in the UK, at least – will think of the Sex Pistols, safety pins through the nose and other such bands and signifiers from the late 1970s. The purpose of this research, in large part, is to show that punk has in fact been a persistent and consistent tradition in the decades since. -
Clamor Magazine That IS Accessible to People from a Variety of Backgrounds
vashing i ion on TV I Re-Organized Labor 9 • BiliiiB 1 r iM; May/June 2005 • Issue 32 I uia: L ,»- «' i •• • iTcHU^^^ *-- i $4.50 us/ $6.95 Canada &t^??^'^:>rx 06 > Radical publisliers AK Press celebrate M»>* '252 74 "96769" r their 15th anniversary this year. ' ' ^n' I mr^^^w BRIGHT EYES petforming songs from DIGini UH IN A DIGini URN t THE miNT VISIT SADDLE-CREEK.COM FOR TOUR DATES eoMwi; soo/v - MAm TAKoe- tt:fr-epoc(rMAf24 • books, zines, CDs, DVDs, posters, gear, and much more • secure online ordering • fast shipping • new titles weekly • independent as fuck ! M I just a few of the items available at: CldlTIOr www.clamormagazJne.org/infGSHOP : EOlTORyPUBLISHERS Jen Angel & Jason Kucsma from your editors CULTURE EDITOR WEB DESIGN Eric Zassenhaus Derek Hogue Fuck tradition. It's the sort of thing that jails us and keeps us from moving forward — it ties ECONOMICS EDITOR INTERNS our hands with convention. It keeps from earning they deserve. It Arthur Stamoulis Melissa Cubria women what keeps people Dan Gordon of color shut out from resources they need to survive. Mainstream convention tells us that MEDIA EDITOR we need to adhere to tradition to maintain our roots, but what traditions are we encouraged Catherine Komp VOLUNTEERS Mike McHone to adhere toi* Traditions that keep certain people in power while others are left to fend for PEOPLE EDITOR Sheryl Siegenthaier themselvesJ* What about the traditions of resistance that encourage us to continue fighting Keidra Chaney PROOFREADERS for a better world for all of us? Noam Chomsky once suggested that "intellectual tradition is SEX &GENDER EDITOR Mike McHone. -
Press Release (PDF)
t r a n s f o r m e r FOR IMMEDIATE RELEASE CONTACT: Victoria Reis/Marissa Long April 30, 2010 202-483-1102 Framework Panel #13: BUILT TO LAST? – truths & myths of sustainable cultural production June 3, 2010, 6:30 - 8pm Carnegie Endowment for International Peace 1779 Massachusetts Avenue NW In the “Choate Room” on the 1st Floor Presented in tandem with Sustainability Lab & Cornfield, this panel will look back and look ahead at the ever-evolving Do-It- Yourself ethic and inherent aesthetics as it relates to cultural production. Timed with the 30th anniversary of Washington DC's Dischord Records - an internationally recognized independent record label supporting punk rock music that has been artist run since its inception - this panel will examine the DIY organizing model that grew out of punk rock subculture and is tied to punk ideology and anti-consumerism. How is DIY being redefined as aspects of that culture shift from being an underground mantra to a cable TV station slogan and Urban Outfitters commodity? What can cultural producers learn from sustainable food producers? How can a volunteer-run operation be sustainable? Panelists: Nancy Bannon, artist, DC & NYC; Bryce Dwyer, InCUBATE, Chicago; Ian MacKaye, co-founder of Dischord Records, DC; Eve Mosher, Seeding the City, NYC; Abigail Satinsky, InCUBATE, Chicago Moderator: Jeff Hnilicka, cultural worker, Member of Hit Factorie and organizer of FEAST, Brooklyn About the panelists: Nancy Bannon performed for many years as a dancer with Doug Varone, Tere O'Connor and Lar Lubavitch and as an actor focusing mostly on the development of new work. -
The Creative Independent
September 30, 2016 - Ian MacKaye founded Dischord Records in 1980 with the other three members of the band he played bass for in high school, the Teen Idles. Their original intention was to distribute a 7" from their recently defunct band. Later that year, MacKaye and Teen Idles drummer, Jeff Nelson formed the hardcore band, Minor Threat. After that group broke up in 1983, MacKaye went on to be a member of the short-lived band, Embrace, in 1985, and then in 1987 he formed Fugazi with Joe Lally, Brendan Canty, and Guy Picciotto. Fugazi toured the world and released records for the next 15 years before announcing an “indefinite hiatus.” Since 2003, MacKaye has played with his wife, drummer Amy Farina, in the Evens, and continues working on new music. He is still running Dischord Records after 36 years of documenting music coming from the DC punk underground. As told to Brandon Stosuy, 6399 words. Tags: Music, Independence, Focus, Inspiration. Ian MacKaye and Brandon Stosuy on independence, creativity, and The Creative Independent NOTE: This is a section of a longer conversation between Ian MacKaye and Brandon Stosuy that took place at Kickstarter’s Theater at 58 Kent Street in Greenpoint on August 24, 2016. It was not an interview. It was a conversation. It was also a free public event. After MacKaye and Stosuy talked, the audience asked questions. The tone throughout was lighthearted, the audience often breaking into laughter. Ian: [looks out at audience] Thanks for coming out for the conversation. We were just discussing what we’re going to talk about, and Brandon said he would like to talk about independence but I said, “Why don’t we start with this?” And this is how we’d like to start: Can you please explain to me, what is The Creative Independent? Brandon: Sure, I’ll give context. -
Montana Kaimin, November 30, 2012 Students of the Niu Versity of Montana, Missoula
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 11-30-2012 Montana Kaimin, November 30, 2012 Students of The niU versity of Montana, Missoula Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Students of The nivU ersity of Montana, Missoula, "Montana Kaimin, November 30, 2012" (2012). Montana Kaimin, 1898-present. 5582. https://scholarworks.umt.edu/studentnewspaper/5582 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. MK apocalypsekaimin * end of the world Volume CXV Issue 49 Friday, November 30, 2012 UM’s Independent Campus Newspaper Since 1898 @KaiminNews Montana Kaimin 2 OPINION Friday, November 30, 2012 SCIENCE COLUMN EDITORIAL CARTOON THE HUME’N EXPERIENCE Question everything By Alice Martin “To know the history of science is to recognize the mortality of any claim to know universal truth,” Evelyn Fox Keller said. This semester I invested significant time into trying to con- vince the four of you still reading this column that science is a worthwhile endeavor, not only on a personal but also on a pub- lic scale. From wolves to evolution, climate change and bighorn sheep, I earnestly tried to explicate the reasons why the contro- versies arising from science often come from those unacquaint- ed with science instead of internally. -
From Viva La Revolutión-Ish to the Free Space: Toward a Theory of Guerrilla Rhetoric Cheri Lemieux Spiegel Old Dominion University
Old Dominion University ODU Digital Commons English Theses & Dissertations English Winter 2014 From Viva La Revolutión-ish to the Free Space: Toward a Theory of Guerrilla Rhetoric Cheri Lemieux Spiegel Old Dominion University Follow this and additional works at: https://digitalcommons.odu.edu/english_etds Part of the Rhetoric and Composition Commons Recommended Citation Spiegel, Cheri L.. "From Viva La Revolutión-ish to the Free Space: Toward a Theory of Guerrilla Rhetoric" (2014). Doctor of Philosophy (PhD), dissertation, English, Old Dominion University, DOI: 10.25777/shhd-6506 https://digitalcommons.odu.edu/english_etds/66 This Dissertation is brought to you for free and open access by the English at ODU Digital Commons. It has been accepted for inclusion in English Theses & Dissertations by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. FROM VIVA LA REVOLUCION-ISH TO THE FREE SPACE: TOWARD A THEORY OF GUERRILLA RHETORIC by Cheri Lemieux Spiegel B.A. December 2004, Virginia Polytechnic Institute and State University M.A. May 2006, Virginia Polytechnic Institute and State University A Dissertation Submitted to the Faculty of Old Dominion University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY ENGLISH OLD DOMINION UNIVERSITY December 2014 Approved by: Kevin Eric DePew (Director) Louise Wethf rbee Phelps (Member) UMI Number: 3662381 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
262 Giugno 2019.Qxd
ANNO XXVIII NUMERO 273 SETTEMBRE 2020 IN PRIMO PIANO IN QUESTO NUMERO L’ODISSEA DELLO SKATEBOARDING PARK › Da anni i ragazzi resistono tra buche e rischi nell’impianto del Q2 ad Ancona. Unica speranza: che il Comune vinca il bando ministeriale per farne uno nuovo e funzionale a Posatora RIVIERA DEL CONERO, CACCIA AI RIFIUTI PLASTICI › Al via col natante Pelikan il primo progetto del nuovo centro di multi-ricerca a Marina Dorica ANCONACREA, STREET ART NO STOP › Writers autofinanziatisi salvano l’Edizione 2020 Nuovi murales riqualificano Capodimonte OSIMO, DOLCEZZE SENZA HANDICAP › I “diversamente abilissimi” del microbiscottificio Frolla URLO REPORT DA FRIGOLANDIA › La libera Repubblica di Giano dell’Umbria oasi di cultura, arte e pensiero minacciata di sgombero dalla Giunta comunale Sos per difendere “la fantasia al potere” › Le fanta-avventure editoriali di Vincenzo Sparagna & C Veronica Fabbri, dell’Urlo fan club Forte Altavilla, Pietralacroce, Ancona (foto di Silvia Breschi) S o m m a r i o PAGINA.......................................................................................................3 L’ANCONA “ROTTA” › La “crew” dello skateborading “in trappola”: da anni i ragazzi resistono tra buche e rischi nell’impianto del Q2. Comune partecipa “Tangenti” per Mezzavalle, indaga la Procura a bando per farne uno nuovo e funzionale a Posatora Almeno uno steward avrebbe chiesto soldi ai turisti per accedere senza la prenotazione con l’app di i- › Mercato delle Erbe: rotto l’artistico e storico Beach: è stato sospeso. orologio della facciata, ferme le lancette an- (tratto da www.ilrestodelcarlino.it dell’8/9/20209) che di quello interno. Comune inattivo PAGINA.......................................................................................................4 RIVIERA CONERO, CACCIA AI RIFIUTI PLASTICI Fabriano - Parcheggia l’auto in garagee si ritrova › Al via col natante Pelikan il primo progetto di Paola Frontini del nuovo centro di multi-ricerca con vari circondata dai cinghiali: paura per una donna partner a Marina Dorica. -
Neue Wege in Washington
# 2020/21 dschungel https://jungle.world/artikel/2020/21/neue-wege-washington Das neue Album von Coriky, der Band des Ex-Fugazi-Gitarristen Ian MacKaye Neue Wege in Washington Von Jens Uthoff Coriky, das derzeitige Bandprojekt des ehemaligen Fugazi-Gitarristen und Eigners des Dischord-Labels, Ian MacKaye, nimmt viele Anleihen beim Post- Hardcore der achtziger Jahre aus Washington, D.C., entwickelt ihn aber auch weiter. Erst erklingen leicht verzerrte Gitarrenakkorde, dann schiebt sich ein grooviger, hüpfender Basslauf in den Vordergrund. Es folgen ein betonter Schlag auf die Snare – und ein Break. Der Staccato-Bass, die Pause als Stilmittel, all das kommt einem bekannt vor. Noch ehe Ian MacKaye und Amy Farina im Zwiegesang die ersten Verse singen (»Beautiful is dirtier / beautiful is blurrier«), sind die Assoziationen da: So klingt nur D.C.- Post-Hardcore, so klingt nur jener Musikstil, der sich im Umfeld des Labels Dischord in Washington, D.C. seit den frühen achtziger Jahren entwickelt hat. Keine Überraschung sind die Haltung und der Gestus, mit denen die Band Coriky auftritt. Wie schon bei der Vorgängerband Fugazi beschränkt man die Außendarstellung auf das Nötigste. Der Song, um den es hier geht, heißt »Say Yes« und findet sich auf dem Debütalbum der Band Coriky. Coriky sind ein bereits seit 2015 bestehendes Trio aus Washington, D.C., in dem Ian MacKaye (Gitarre, Gesang) und Joe Lally (Bass), beide ehemals Kollegen bei Fugazi, mit Amy Farina (Schlagzeug, Gesang) gemeinsame Sache machen. Kein Wunder also, dass »Say Yes« mit diesem breakreichen, funkigen und noisigen Klang deutlich an Fugazi erinnert. Und es gibt noch eine weitere Vorgängerband aus dem Hause Dischord Records, die in Coriky gewissermaßen ihre Fortsetzung findet: Unter dem Alias The Evens haben MacKaye und Farina (ehemals The Warmers und Ted Leo and the Pharmacists) als Duo in den Jahren 2001 bis 2012 insgesamt drei Alben veröffentlicht, die musikalisch zwischen Singer / Songwriter und Indierock angesiedelt sind.