Sex with Wittgenstein: Language, Narrative and Repetition in Duras, Sartre and Genet

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Sex with Wittgenstein: Language, Narrative and Repetition in Duras, Sartre and Genet SEX WITH WITTGENSTEIN: LANGUAGE, NARRATIVE AND REPETITION IN DURAS, SARTRE AND GENET by Zachary Alexander Moir BA, Taylor University, 2003 MA, Ohio University, 2005 Submitted to the Graduate Faculty of the Dietrich School or Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2012 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Zachary Alexander Moir It was defended on December 3, 2012 and approved by Dr. Lina Insana, Associate Professor, French and Italian Dr. David Pettersen, Assistant Professor, French and Italian Dr. Todd W. Reeser, Professor, French and Italian Dr. Thomas Ricketts, Professor, Philosophy Dissertation Advisor: Giuseppina Mecchia, Associate Professor, French and Italian ii Copyright © by Zachary A. Moir 2012 iii SEX WITH WITTGENSTEIN: LANGUAGE, NARRATIVE AND REPETITION IN DURAS, SARTRE AND GENET Zachary Alexander Moir, PhD University of Pittsburgh, 2012 This project argues for the usefulness of Ludwig Wittgenstein’s view of language as a lens through which to study literature in its use of the blurred-edged concept of “sex”. I examine this concept in relation to Marguerite Duras, Jean-Paul Sartre, and Jean Genet, in whose works sex and sexuality are prevalent, and play an essential role in narrative characterization and construction of self. Wittgenstein permits a reading of Duras that places her incestuous relationship with her brother at the center of her trilogy, Un barrage contre le Pacifique, L’Amant, and L’Amant de la Chine du Nord. The portrayal of incest asks us to reconsider the caring and salvific nature of an act that is often seen as repulsive. In Sartre’s Les Chemins de la liberté, Wittgenstein again permits us to shift focus and raise a previously under-appreciated aspect of the narrative to the limelight – the character of Daniel. This project brings Daniel to the level of unrecognized protagonist, arguing that his narrative is unique in making him the only character who can act in good faith in relation to sex. Lastly, a Wittgensteinian lens allows us to look at the abject sex that permeates the Genetian narratives Miracle de la Rose, Pompes funèbres, and Journal du voleur, to see a character, Jean Genet, that is concerned with iv knowledge of the world, and that encourages the reader to use his character as a mirror for seeing the world anew. “Self,” then, becomes the ultimate telos of the exploration of sex in the narratives of Duras, Sartre, and Genet. This is not surprising, since for these authors, sex is an activity that offers unique insight into their characters, and so explorations of sex cannot help but end up at questions of self-understanding. But more than just to the abstract relationship between self and sex that is expressed, the self is tied tightly to narrative, episodic encounters realized entirely on a linguistic surface. In this sense, then, talk of sexual practices leads to talk of self, and reveals self to be as blurred-edged a concept as sex. v TABLE OF CONTENTS PREFACE ................................................................................................................................... viii 1.0 WITTGENSTEIN, KNOWLEDGE AND LITERARY SCHOLARSHIP ................... 1 1.1 INTRODUCTION ................................................................................................. 1 1.2 A REFERENTIAL UNDERSTANDING OF LANGUAGE AND LITERATURE ....................................................................................................... 4 1.3 WITTGENSTEIN .................................................................................................. 6 1.4 THE PHILOSOPHICAL INVESTIGATIONS ..................................................... 9 1.5 THE BEGINNING OF THE INVESTIGATIONS ............................................ 12 1.6 FIXITY OF MEANING ...................................................................................... 16 1.7 ON WITTGENSTEIN’S REJECTION OF THEORIES OF LANGUAGE .. 27 1.8 MAKING ROOM FOR LITERATURE ........................................................... 30 1.9 LITERARY SCHOLARSHIP ............................................................................ 32 1.10 LOOKING AHEAD ............................................................................................ 46 1.11 GESTURING TO THE AUTHORS .................................................................. 50 2.0 “THEN YOU WILL KNOW THE TRUTH, AND THE TRUTH WILL SET YOU FREE”: DURAS AND SEX AS A PAINFUL DELIVERANCE ................................. 52 2.1 REPEATING LOVE ........................................................................................... 52 2.2 THE DURASSIAN WORLD .............................................................................. 58 2.2.1 Bodies of Water ........................................................................................ 58 vi 2.2.2 The Waters of Baptism ........................................................................... 65 2.2.3 Writing and Repetition ........................................................................... 69 2.3 DURAS’S TRUTHS ABOUT SEX AND LOVE .............................................. 71 2.3.1 Incest: Reciprocity Instead of Unity ...................................................... 71 2.3.2 Set-Apart: Sex and Knowledge of Self ................................................... 74 2.3.3 Courage: Compassion and Salvation in Sex ......................................... 82 2.3.4 The Lover: Sex and Love as Transitional Space .................................. 91 2.3.5 Transgressive Love: The Relative Power of Sex ................................... 96 2.3.6 Language and Truth ................................................................................ 99 3.0 “ANGELS STAGGERING ON TENEMENT ROOFS ILLUMINATED”: SEX, FREEDOM AND GOOD FAITH IN LES CHEMINS DE LA LIBERTÉ ................ 102 3.1 DANIEL’S SPECIFICITY ............................................................................... 105 3.2 WHAT IS DANIEL DOING AND HOW DO YOU SAY IT? ....................... 110 3.3 THE POWER OF THE NON-NORMATIVE ................................................ 112 3.4 DANIEL AS EVIL ANGEL ............................................................................. 120 3.5 DANIEL ACCORDING TO WITTGENSTEIN ............................................ 127 3.6 GIDE, THE “PÉDÉRASTE PAR EXCELLENCE” ...................................... 130 3.7 DANIEL’S LETTER ......................................................................................... 135 3.8 MORE ON DANIEL AND THE SACRED: BATAILLE .............................. 138 3.9 DANIEL’S GOOD FAITH ............................................................................... 141 4.0 “CE MONSTRE DÉLICAT, - HYPORCRITE LECTEUR, - MON SEMBLABLE, - MON FRÈRE!”: GENET AS THE READER’S LOOKING GLASS ..................... 151 4.1 SAINT GENET ACCORDING TO SARTRE ................................................ 156 4.2 CONTRA SARTRE: JEAN GENET UNBOUND .......................................... 161 vii 4.3 JEAN GENET AND HIS MIRRORS .............................................................. 166 4.4 IDENTITY CRISIS AND ROYAL SELVES .................................................. 173 4.5 WITTGENSTEIN, SEX AND SELF ............................................................... 183 4.6 THE PRESENCE OF ABJECT SEX IN GENET .......................................... 185 4.7 ABJECT, ABEJCT SEX, AND MIRRORS .................................................... 192 4.8 REFLECTIVE SELF-CREATION IN GENET ............................................. 196 4.9 HOMOSEXUALITY AS IDENTITY: DANIEL’S FAILURE REVISITED ....................................................................................................... 204 5.0 CONCLUSION .............................................................................................................. 208 BIBLIOGRAPHY ...................................................................................................................... 221 viii PREFACE This dissertation was made possible, first and foremost, by the support and encouragement of my parents. Their love and optimism were a constant source of strength, as was their ability to take in stride the frustrations and trials that are a part of having a child in graduate school. It is a tribute to them that this degree has been completed at all. To Jamie Staples, whose eye for detail was almost as invaluable to finishing this project as was his love and support. I doubt very much that this dissertation would have been finished in such a timely manner, and with my sanity intact, were it not for him. To Dr. Charlotte Leforestier and soon-to-be Dr. Amy Romanowski who have, in France and the United States respectively, gone through the PhD at the same time as myself, and been an invaluable source of advice, encouragement, and empathy. To Dr. Georges-Claude Guilbert and Dr. Frédérique Fouassier, whose guidance while in France and after has provided great insight, perspective, and helped guard my sanity. To my committee – Dr. Lina Insana, Dr. David Pettersen, Dr. Todd Reeser, and Dr. Thomas Ricketts – whose patience and guidance have been invaluable. Of course, a deep thanks is owed ix to my advisor, Dr. Giuseppina Mecchia, for her continuous commitment, tireless support, and keen editorial eye. Dr. Mecchia’s creativity and thoroughness opened avenues of research that I would have been blind to otherwise. x 1.0 WITTGENSTEIN,
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