Sex with Wittgenstein: Language, Narrative and Repetition in Duras, Sartre and Genet
SEX WITH WITTGENSTEIN: LANGUAGE, NARRATIVE AND REPETITION IN DURAS, SARTRE AND GENET by Zachary Alexander Moir BA, Taylor University, 2003 MA, Ohio University, 2005 Submitted to the Graduate Faculty of the Dietrich School or Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2012 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Zachary Alexander Moir It was defended on December 3, 2012 and approved by Dr. Lina Insana, Associate Professor, French and Italian Dr. David Pettersen, Assistant Professor, French and Italian Dr. Todd W. Reeser, Professor, French and Italian Dr. Thomas Ricketts, Professor, Philosophy Dissertation Advisor: Giuseppina Mecchia, Associate Professor, French and Italian ii Copyright © by Zachary A. Moir 2012 iii SEX WITH WITTGENSTEIN: LANGUAGE, NARRATIVE AND REPETITION IN DURAS, SARTRE AND GENET Zachary Alexander Moir, PhD University of Pittsburgh, 2012 This project argues for the usefulness of Ludwig Wittgenstein’s view of language as a lens through which to study literature in its use of the blurred-edged concept of “sex”. I examine this concept in relation to Marguerite Duras, Jean-Paul Sartre, and Jean Genet, in whose works sex and sexuality are prevalent, and play an essential role in narrative characterization and construction of self. Wittgenstein permits a reading of Duras that places her incestuous relationship with her brother at the center of her trilogy, Un barrage contre le Pacifique, L’Amant, and L’Amant de la Chine du Nord. The portrayal of incest asks us to reconsider the caring and salvific nature of an act that is often seen as repulsive.
[Show full text]