JENNIFER POMPA Eyes: Brown SAG/AFTRA

Total Page:16

File Type:pdf, Size:1020Kb

JENNIFER POMPA Eyes: Brown SAG/AFTRA Height: 5’ 7” Hair: Brown JENNIFER POMPA Eyes: Brown SAG/AFTRA Film/TV/Commercials: Character/Role Prod.Co/Director. Chicago Fire (TV)-Ep.711 Co-Star (Denise) Paul McCrane Empire (TV)-Ep.501 Co-Star (Nanny) Sanaa Hamri The Shade Shepherd (Film) Judy Chris Faulisi WTTW Television Pledge Host Self WTTW Chicago/PBS Imperfections (Film) Wendy David Singer AVOTE TV & Radio (26 VO Spots) Voiceover Adelstein-Liston/Studio 300 Eden Court (Film) Danny’s Mom Paul Leuer Stories of Sorrow (2 Industrial spots) Foster Mom Governors State Univ. Maytag Skybox Commercial, “Tempted” Silver (Lady of the Evening) Gaffney Films, Ltd. / Leo Burnett The Jamie Kennedy Experiment (TV) Miss Deep Dish 2002 Big Ticket Pictures, Inc. AOL 8.0 Commercial Mom being interviewed Letca Films American Tragedy (Short Film) Radio Host One Raw Pork Chop Schmeckman! (Short Film) Bar Patron Matt O’Neill dot (Film) Jennifer/Woman being interviewed Simeon Schnapper & Brett Singer Sears Grand Challenge (Commercial) Woman purchasing garden supls. STI Communications Theatre: Play/Production Character/Role Location/Director Tony ‘n Tina’s Wedding Mrs. Vitale (Mother of Bride) Chicago Theater Works/Paul Stroili Comedy Roast of Mr. Scrooge Tiny Tim Chicago Theater Works/Gregory Dodds Flanagan’s Wake Kathleen Mooney, Fiona Finn Chicago Theater Works/Jack Bronis & Bonnie Shadrake We Gotta Bingo Mary Ed Sullivan, Rosa Dimini Chicago Theater Works/Ross Young American Wee-Pie Linz Rivendell Theatre Ensemble/Megan Carney Impenetrable Andie Stage Left Theater/Theater Wit/Greg Werstler Ren Faire! A Fistful of Ducats Tammy Factory Theater/Prop Theater/Kyle Hamman White Trash Wedding & A Funeral Gladys Factory Thtr/Angel Island/Prop Thtr Nick Digilio/Steve Walker/Scott OKen Hunky Dory Aunt Sue Factory Theater/Prop Theater/Josh Graves Janice Dutts Goes to Life Camp Regina Factory Theater/Prop Theater/Eric Roach Brutality of Fact Corrine/Kate Eclipse Theatre/Victory Gardens/Nathanial Swift Being At Choice Lois Factory Theater/Prop Theater/Nick Digilio The Violent Sex Penny Visions & Voices/ Chicago Dramatists/Jessi D. Hill The Cider House Rules (Parts I & II) Melony Famous Door/Victory Gardens David Cromer & Marc Grapey Poppin’ & Lockdown Heather, Grandma Factory Theater/Angel Island/Steve Walker The Death & Life of Barb Budonovich Barb Budonovich Factory Theater/PSNBC(N.Y.)/Kevin Rich Go! Speech Team! Mrs. Randolph (Mom) Factory Theater/Athenaeum/Michele Suffredin The Vinyl Shop Liz Factory Theater/ Nick Digilio Golden Boy Anna Steppenwolf Theatre/David Cromer Bastards Murray Annoyance Theatre/Michael J. Stewart Macbeth Lady Macbeth Getz Main Studio/Mitchel R. McElya Training: Columbia College, Chicago Special Skills: Improvisation, Stage Combat and Fight Choreography, Various Accents & Dialects, Singing, Reads Music (Studied Piano & Violin, each briefly). Also, works well with children and animals. Valid Passport & Driver’s License. Freaky Skills: Ability to keep nostrils shut and twist arms around unnaturally. At the same time, if needed. Sports: Football, Softball, Volleyball, Hackey Sack, Bowling, Billiards. Awards: Winner of the 2003 Chicago Equity Jeff Award for Best Supporting Actress in The Cider House Rules. .
Recommended publications
  • Lifeline Theatre Announces Six New Ensemble Members-Fall 2017FINAL
    November 1, 2017 Jill Evans La Penna SHOUT Marketing & Media Relations 312-226-6727 [email protected] Media passes, photographs, videos, interviews and additional materials are available on request. LIFELINE THEATRE ANNOUNCES SIX NEW ENSEMBLE MEMBERS CHICAGO – Lifeline Theatre is proud to announce six new members of its artistic ensemble: Bilal Dardai, Andrés Enriquez, Diane D. Fairchild, Anthony Kayer, Martel Manning, and Michael McKeogh. Lifeline’s ensemble determines the company’s artistic programming and provides leadership, support, and counsel in the play development process. Now in its 35th season, Lifeline Theatre is driven by a passion for story. Our ensemble process supports writers in the development of literary adaptations and new work, and our theatrical and educational programs foster a lifelong engagement with literature and the arts. A cultural anchor of Rogers Park, we are committed to deepening our connection to an ever-growing family of artists and audiences, both near and far. Lifeline Theatre – Big Stories, Up Close. Founded by five Northwestern graduates in 1982, the theatre now employs over 150 artists per year. In addition to the six new members listed above, Lifeline’s artistic ensemble is led by Artistic Director Dorothy Milne, and consists of Aly Renee Amidei, Patrick Blashill, Jessica Wright Buha, Christina Calvit, Heather Currie, Victoria DeIorio, Amanda Delheimer Dimond, Alan Donahue, Kevin D. Gawley, Peter Greenberg, James E. Grote, Chris Hainsworth, John Hildreth, Paul S. Holmquist, Elise Kauzlaric, Robert Kauzlaric, Frances Limoncelli, Amanda Link, Katie McLean Hainsworth, Shole Milos, Sandy Snyder Pietz, Suzanne Plunkett, Maren Robinson, Phil Timberlake, Jenifer Tyler, and Christopher M. Walsh.
    [Show full text]
  • STATEMENT of PRINCIPLE No One Should Be Forced to Choose
    STATEMENT OF PRINCIPLE No one should be forced to choose between her personal safety and dignity, and her job. But too often in the theater community this is exactly the choice that women must make. Sexual discrimination and harassment and gender-based violence often occur in the intimate and physical context of a theater production. Victims of such conduct face a stark choice between continuing to work in close collaboration with their abuser and quitting the show. Few can afford to give up a job and lose not only income, but also the opportunity for career advancement. There is a sense in the community that it is not necessarily in a victim’s best interest to report abuse because of fear that the response will be insufficient and open her up to retribution. In addition, many instances of abuse happen outside of the physical boundaries of a theater. No theater, union or guild currently takes responsible for handling such cases. However, the two people involved will most likely have to work together the next day or in another production, and the victims are left to deal with the aftermath by themselves. In the face of these realities, victims often choose silence and the abuse is allowed to continue. It is time for the theater community to break its own silence on harassment and abuse and formally address the problem. The reality is that those who behave abusively are generally in positions of power. Artistic directors hold the power to employ, playwrights have hiring approval; removing a director mid-rehearsal puts an entire production in doubt; losing a celebrity from the cast hurts ticket sales.
    [Show full text]
  • 2016 IGNITION Festival Release 2016
    Press contact: Cathy Taylor/Kelsey Moorhouse Cathy Taylor Public Relations [email protected] [email protected] FOR IMMEDIATE RELEASE 773-564-9564 Victory Gardens Theater Announces Lineup for 2016 IGNITION Festival of New Plays 2016 Festival runs August 5–7, 2016 CHICAGO, IL – Victory Gardens Theater announces the lineup for the 2016 IGNITION Festival of New Plays, including The Wayward Bunny by Greg Kotis; BREACH: a manifesto on race in America through the eyes of a black girl recovering from self-hate by Antoinette Nwandu; EOM (end of message) by Laura Jacqmin; Kill Move Paradise by James Ijames; Gaza Rehearsal by Karen Hartman; and Girls In Cars Underwater by Tegan McLeod. The 2016 Festival runs August 5-7, 2016 at Victory Gardens Theater, located at 2433 N Lincoln Avenue. INGITION’s six selected plays will be presented in a festival of readings and will be directed by leading artists from Chicago. Following the readings, two of the plays may be selected for intensive workshops during Victory Gardens’ 2016-17 season, and Victory Gardens may produce one of these final scripts in an upcoming season. "At Victory Gardens Theater, we bridge Chicago communities through innovative and challenging new plays by giving established and emerging playwrights the time and space to develop their work. This year, we have invited some of the most thrilling playwrights to join our IGNITION Festival,” said Isaac Gomez, Victory Gardens Theater Literary Manager. “Their plays exemplify the current political and cultural zeitgeist of our city and country: the Israeli/Palestinian conflict, race and gender, the modern struggles of fatherhood, the insular world and morality of video gaming, and a woman’s journey to self-love.
    [Show full text]
  • Feed the Soul Good Food, Drink, and Cannabis for Bad Times
    CHICAGO’SFREEWEEKLYSINCE | AUGUST | AUGUST CHICAGO’SFREEWEEKLYSINCE Feed the Soul Good food, drink, and cannabis for bad times The world’s best sandwich | Beer yoga | CBD Bliss THIS WEEK CHICAGOREADER | AUGUST | VOLUME NUMBER IN THIS ISSUE T R - ­ ­ dissectionofamasterpieceOne @ ChildNationuncoversbittertruths andWhere’dYouGoBernadette assessesasocietyinspiritualcrisis PTB ECKHSK DEKS MUSIC&NIGHTLIFE CLSK 32 ShowsofnoteNouraMint D P JR SeymaliDea idsMattMuseand CEAL M EP M morethisweek TD KR 26 PreviewMedusagoes 38 EarlyWarningsHotSnakes A EJL beyondsnakesandstonesand BookerTJonesPlaidandmore SWDI FOOD DRINK BJ MS CITYLIFE Collaboractiongivespeacea justannouncedconcerts SWMD L G 03 StreetViewAnartistwhose & CANNABIS chance 38 GossipWolfThePatientSounds EA SN L stylerefl ectsherbeliefthat“the 10 RestaurantReviewHimalayan 28 PlaysofnoteBlackBallerina labelgoesoutwithabangAndrew G D D C S MEBW morecolorthebetter” SherpaKitchengoesdeeperinto providesastunningshowcasefor Smith’sJungleGreenprojectdrops L CS C -J 04 TransportationWhatcancities Nepal KaraRoseboroughBoogieban itsfi rstalbumasabandandgoth F L CPF dotomakeescooterssafer? 12 SouthernComfortA erchurch tracestheeff ectsofwaronsoldiers popduoWingtipscelebratetheir CN B D C LCI comesLuella’s oftwodiff erenterasDiamondLil fulllengthdebutatLateBar G AG KT 14 HeartbreakSandwich &andthePansyCrazerevisitsa HR H JH Shawafelwrapascureforlife’s famousChicagonightclub JH IH DJM OPINION KS K MM disappointments 40 SavageLoveShrinkingin B MQJRN 16 LateNightWhatreallygoeson
    [Show full text]
  • Annual Report
    18 ANNUAL REPORT 19 MISSION VISION • We will educate enterprising artists, thinkers, innovators, leaders, and globally conscious citizens who transform The Theatre School trains students communities across DePaul, Chicago, the nation, and the world. • We will support an expert, passionate faculty and staff to the highest level of professional committed to advancing the vibrancy of live theatre and performance while continually adapting to a broadening skill and artistry in an inclusive and changing profession. • We will become a model of diversity and inclusion for the University and the field. and diverse conservatory setting. • We will produce public programs and performances that challenge, entertain, and stimulate the imagination. • We will foster cross-disciplinary collaboration to further student understanding and appreciation of every aspect of theatre work. VALUES EDUCATION We advance intellectual development and ethical consciousness. We foster moral, spiritual, social, political, and artistic growth. We promote participation in civic life. RESPECT We inspire respect for self, for others, for the profession, and for humanity. We embrace the Vincentian model of service. FREEDOM We build a community founded on the principles of creativity and freedom of expression. We value initiative, innovation, exploration, and risk-taking. IMAGINATION We celebrate the primacy of imagination in our work. SPIRITUALITY We believe theatre is a place for reflection, awakening, and the development of moral awareness. Welcome to The Theatre School’s 2018-19 Annual Report. This year we auditioned and admitted students in our new Comedy Arts and Projection Design majors. We also received approval for a new BFA degree in Wig and Makeup Design & Technology, which will greet its first class in Fall 2020.
    [Show full text]
  • INVISIBLE-HAND-Program-Digital.Pdf
    hand_program.pdf 1 9/13/17 7:54 PM C M Y CM MY CY CMY K STEEP THEATRE COMPANY COMPANY MEMBERS James Allen Jonathan Edwards Jim Poole Kendra Thulin Jonathan Berry Alex Gillmor Egan Reich Robin Witt Lucy Carapetyan Nick Horst Joel Reitsma Brendan Melanson George Cederquist Ashleigh LaThrop Melissa Riemer in memoriam Brad DeFabo Akin Cynthia Marker Michael Salinas Patricia Donegan Peter Moore Joanie Schultz Peter Dully Caroline Neff Julia Siple ARTISTIC ASSOCIATES Matthew Chapman Lauren Lassus Alison Siple Dan Stratton Maria DeFabo Akin Kristin Leahey Simon Stephens Brandon Wardell Thomas Dixon Emily McConnell Assoc. Playwright Chelsea M. Warren BOARD OF DIRECTORS Jessica Schrey David Bock Doug Passmore Sonya Dekhtyar President Vice President Secretary Treasurer Dave Bartusek Ian Galleher Ted Lowitz Shawn Sackett Kelly Carpenter Molly Johnson Anne Marie Mitchell Kelly Fitzgerald Stu Kiesow Elizabeth Moore STAFF Peter Moore Staci Weigum Egan Reich Stu Kiesow Artistic Director House Manager Literary Manager Graphic Designer Kate Piatt-Eckert Caroline Neff Lee Miller Julianna Jarik Executive Director Casting Director Photographer Management Intern Julia Siple Lucy Carapetyan Gregg Gilman Managing Director Casting Associate Photographer FRIENDS OF STEEP Heidi Brock Sara Foster Katie Kett Christine Rousseau Reid & Jennifer Diane Galleher Jennifer Collins Craig Steadman Quinn Broda Barry Grant Moore John C. White John Dunnigan Neil Jain Jon Putnam Steep Theatre Company is supported in part by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events, the MacArthur Fund for Arts & Culture at the Richard H. Driehaus Foundation, the Gaylord & Dorothy Donnelley Foundation, the Illinois Arts Council Agency, the Sol R.
    [Show full text]
  • Performing Arts Venue Relief Grants Program � Round 1 & 2 Grantees �
    Performing Arts Venue Relief Grants Program � Round 1 & 2 Grantees � A Red Orchid Theatre The Gift Theatre Stage 773 Adventure Stage Chicago Goodman Theatre Steppenwolf Theatre Aguijon Theater Company Green Mill Company Aloft Dance Harris Theater for Music and Subterranean Andy's Dance Thalia Hall The Annoyance The Hideout Theater Wit Artango Bar and Steakhouse Hungry Brain Tight Five Productions Auditorium Theatre The Hyde Room Timeline Theatre Avondale Music Hall Hydrate Nightclub The Tonic Room Beat Kitchen The Jazz Showcase Trap Door Theatre Beauty Bar Lifeline Theatre Trickery Berlin Lincoln Hall The Underground Beverly Arts Center Links Hall The Vig Black Ensemble Theater Local 83 Victory Gardens Theatre Chicago Children's Theatre Lookingglass Theatre Watra Nightclub Chicago Chop Shop Company West Loop Entertainment Chicago Dramatists Martyrs' Windy City Playhouse Chicago Magic Lounge Metro Smartbar Zanies Comedy Club Chicago Shakespeare Theater The Miracle Center Chicago Symphony Orchestra The Neo-Futurists Chopin Theatre Newport Theater City Lit Theater Nocturne Cobra Lounge Old Town School of Folk Cole's Bar Music The Comedy Clubhouse Otherworld Theatre ComedySportz Company Concord Music Hall Owl Bar Constellation Arts The Patio Theater Copernicus Center persona Corn Productions Prysm Dance Center of Columbia Public Media Institute College Chicago Radius Davenport's Piano Bar and Raven Theatre Company Cabaret Redtwist Theatre The Den Theatre Reggie's Music Club Dorian's The Revival Drunk Shakespeare Rosa's Lounge Elastic Arts Rufuge Live! The Empty Bottle Schubas Epiphany Center for the Arts Silk Road Rising Escape Artistry Silvie's Escape Artistry II Sleeping Village eta Creative Arts Foundation Slippery Slope .
    [Show full text]
  • Review: Fulton Street Sessions (TUTA Theatre Chicago) Fulton
    2/27/12 Review: Fulton Street Sessions (TUTA Theatre Chicago) | Chicago Theater Beat Home Enter Search Terms search About Us Opening Soon Broadway in Chicago Best of Year Beat Awards 2011 Archives Review: Fulton Street Sessions (TUTA Theatre Chicago) Scotty Zacher | February 26, 2012 | 0 Comments !"#$%&'($)**$'(*++,%&+ Conceived by TUTA Theatre Chicago Directed by Zeljko Djukic at Chicago Dramatists, 1105 W. Chicago (map) thru March 25 | tickets: $30 | more info Check for half-price tickets Read entire review TUTA blends music, absurdity and empathy into a raucous night of theater chicagotheaterbeat.com/2012/02/26/review-fulton-street-sessions-tuta-theatre-chicago/#review 1/13 2/27/12 Review: Fulton Street Sessions (TUTA Theatre Chicago) | Chicago Theater Beat TUTA Theatre presents !"#$%&'($)**$'(*++,%&+ Review by K.D. Hopkins What am I doing here and what is going to happen to me? It is the question of the archetypal Everyman, no matter the gender, in our disconnected American culture. TUTA Theatre Chicago crafts a beautiful collection of answers to these questions. Fulton Street Sessions is an assemblage of sketch and song; a fresh and sometimes disconcerting take on how we communicate and try to make sense of this often insane world. The play starts with a birth of sorts. Trey Maclin stands alone under harsh florescent lights. Some ideologies would call his character a soul about to be born and, indeed, he is given a literal baptism in an Absurdist sketch on following protocol. The rest of the ensemble appears in parkas and carrying what he will need to participate in their society. No words are spoken and yet hilarity ensues.
    [Show full text]
  • THE MAGIC PLAY by Andrew Hinderaker Directed by Halena Kays with Magic Created by Brett Schneider
    PRESENTS THE MAGIC PLAY By Andrew Hinderaker Directed by Halena Kays with Magic Created by Brett Schneider On the U.S. Bank Main Stage Artistic Director | Chris Coleman PRESENTS IN ASSOCIATION WITH Actors Theatre of Louisville and Syracuse Stage THE MAGIC PLAY By Andrew Hinderaker Directed by Halena Kays with Magic Created by Brett Schneider Scenic Designer Costume Designer Lighting Designer Lizzie Bracken Alison Siple Jesse Belsky Sound Designer/ Media Designer Aerial Consultant Original Music Philip Allgeier Sylvia Hernandes- Matthew M. Nielson DiStasi Production Assistant Stage Manager Danny Rosales Kelsey Daye Lutz Flying Effects provided by ZFX, Inc. CAST LIST: THE MAGIC PLAY The Magician.....................Brett Schneider The Diver..................................Sean Parris Another Magician.......................Jack Bronis Brett Schneider is a professional magician. No actors or stooges are used as volunteers in this show. The video feed of The Magician's table is an unaltered live feed. The Magic Play was produced in a developmental production at Goodman Theatre’s 2014 New Stages Festival and received the first production in its rolling world premiere at Goodman Theatre, Chicago, Illinois on November 1, 2016, Robert Falls, Artistic Director, Roche Schulfer, Executive Director. Performed with one intermission The photo, video or audio recording of this performance by any means whatsoever is strictly prohibited. If you photograph the set before or after the performance, please credit the scenic designer if you share the image.
    [Show full text]
  • America's News English
    America's News English * Complications ensue when a senator tries to prevent his porn - star mistress fro Daily Herald (Arlington Heights, IL) - Friday, June 11, 2010 * Complications ensue when a senator tries to prevent his porn star mistress from revealing their affair in "Sex Marks the Spot," a farce by Charles Grippo in a remount at Stage 733, formerly known as the Theatre Building, at 1225 W. Belmont Ave., Chicago. Previews begin Friday, June 11. The show opens Monday, June 14. (773) 327_5252 or theatrebuildingchicago.org. * The Second City 50th Anniversary Tour, featuring classic sketches from the company’s last five decades, comes to the Theatre at the Center, 1040 Ridge Road, Munster, Ind. The performances are at 8 p.m. Friday, June 11, and Saturday, June 12. (219) 836_3255 or theatreatthecenter.com. * Collaboraction’s 10th annual Sketchbook Festival opens Saturday, June 12, at the Chopin Theatre, 1543 W. Division St., Chicago. The festival features the world premieres of 10 short plays. Contributors include Brett C. Leonard, Sean Graney, Derrick Sanders, Emily Schwartz and the Strange Tree Group, Seth Bockley and Andrew Hopgood and the New Colony. The $25 X_pass includes access to every performance. A $100 X_pass includes access to performances and the opening and closing night parties, admission to a private lounge and a T_shirt. Performances are at 8 p.m. Monday, Thursday and Friday; 7 p.m. Saturday and Sunday. The festival runs through June 27. (312) 226_9633 or collaboraction.org. * Silk Road Theatre Project presents a staged reading of "100 Days," Weiko Lin’s play about a comedian who has 100 days after his Buddhist mother’s death to help her spirit transition to the afterlife, at 7:30 p.m.
    [Show full text]
  • LAURA JACQMIN Playwright/TV Writer/Game Writer Chicago/Los Angeles
    LAURA JACQMIN playwright/TV writer/game writer Chicago/Los Angeles TELEVISION Executive Story Editor, untitled Get Shorty adaptation (MGM/Epix, 2017) Story Editor, Grace and Frankie (Netflix, 2015) Staff Writer, Lucky 7 (ABC, 2013) VIDEO GAMES Episodic Game Writer-Contract, Minecraft: Story Mode: Telltale Games (2015/16) – Episodes 101, 103, 104, 107 (co-writer) FILM Screenwriter, We Broke Up (w/Jeff Rosenberg), currently under option w/Mason Novick/MXN SELECTED STAGE PLAYS RESIDENCE PRODUCTIONS: Actors Theatre of Louisville’s 40th Humana Festival of New Plays (world premiere) WORKSHOPS/READINGS: Cape Cod Theatre Project ; ACT Theatre/Live Girls! Theatre AWARDS: Current nominee, Laurents Hatcher Prize; Current nominee, Susan Smith Blackburn Prize DENTAL SOCIETY MIDWINTER MEETING PRODUCTIONS: Williamstown Theatre Festival; Theater on the Lake (remount); 16th Street Theater; At Play/Chicago Dramatists (world premiere) WORKSHOPS/READINGS: Colt Couer; Atlantic Theater Company; HUB Theatre AWARDS: TimeOut Chicago’s Honorable Mentions: Best Theater of 2010; New City Stage’s Top Five Plays of 2010; Illinois Arts Council Individual Artist Project Grant A THIRD PRODUCTIONS: Finborough Theatre, London (world premiere) READINGS: Piece Project; Atlantic Theatre; Vineyard Theatre AWARDS: Longlisted, Theatre503 Playwriting Award; finalist, Laurents/Hatcher Prize LOOK, WE ARE BREATHING PRODUCTIONS: Rivendell Theatre (world premiere) WORKSHOPS/READINGS: Vineyard Theatre; Sundance Institute Theatre Lab; Theatre Seven; P73/Rockefeller Brothers Marcel Breuer
    [Show full text]
  • New City Stage Players 2015-The
    Theater, Dance, Comedy and Performance in Chicago JAN 22 Players 2015: The Fifty People Who Really Perform for Chicago The steady expansion of the performing arts in Chicago continues its marvelous pace, with more and better theater, dance, comedy and opera gracing more and better stages each passing year. The upward progression is so steady that epic undertakings—a new campus at Steppenwolf, a bigger chunk of Navy Pier for Chicago Shakes—seem almost business as usual these days. And that is a marvelous thing. This year we again celebrat the lesser‐sung heroes offstage who deal with the less glamorous things like building those new stages, and paying those expanding payrolls withou which the stars would have nowhere to shine. Tragedy has been central to theater since the ancient Greeks first staged it, but the last year has brought a disproportionate volume of real‐ life tragedy to our community. No doubt, the expanding and maturing performing arts universe means that more members of its community will pass o each year, but the number of those struck down long before their expected hour was overwhelming these last twelve months and struck every corner of performing arts, from theater, to dance, to comedy, to opera. Molly Glynn, Jason Chin, Eric Eatherly, Bernie Yvon, Johan Engels, Julia Neary—and others we’ve unintentionally overlooked—we dim our collective marquee for you. (Brian Hieggelke) Players was written by Zach Freeman and Sharon Hoyer With additional contributions by Brian Hieggelke, Alex Huntsberger, Aaron Hunt, Hugh Iglarsh and Loy Webb All photos by Joe Mazza/Brave‐Lux, taken on location at Steppenwolf Theatre, Goodman Theatre, Lyric Opera of Chicago and Brave‐Lux Stud 1 Andrew Alexander CEO, co‐owner, Second City A few years ago, we lauded Andrew Alexander’s addition of the UP Comedy Club to the Second City realm on Wells Street.
    [Show full text]