BRETT SCHNEIDER Height: 6'0” Weight: 160 Lbs

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BRETT SCHNEIDER Height: 6'0” Weight: 160 lbs. SAG-AFTRA • EMC Eyes: Blue Hair: Blonde THEATRE The Great God Pan Jamie Dir. Kimberly Senior Next Theatre, Chicago Homecoming 1972 Joe Dir. Kimberly Senior Chicago Dramatists The Glass Menagerie Jim, the Gentleman Caller Dir. Laley Lippard Steppenwolf Theatre, Chicago Moment Nial, Fin (u/s) Dir. Jon Berry Steep Theatre, Chicago The Sea Willy Carson Dir. Jon Berry Theatre MIR, Chicago Peter and the Wolf Sergei Prokofiev/Narrator Dir. David Kersnar Lookingglass Theatre / CSO, Chicago Too Much Memory Haemon Dir. Anna Bahow SiNNERMAN Ensemble, Chicago The Hiding Place Kik ten Boom Dir. Tim Gregory Provision Theatre, Chicago REWIND Ray Dir. Anna Bahow *World Premiere, by Laura Eason the side project theatre, Chicago Rose and the Rime Captain/Ensemble Dir. Nathan Allen **Jeff Award nomination – Best Production The House Theatre, Chicago Orange Lemon Egg Canary Great Dir. Talya Klein The Complex Theatre, Los Angeles Blue Man Group Blue Man trainee (performed) Briar Street Theatre, Chicago Cymbeline Leonatus Dir. Mary Zimmerman Northwestern University TELEVISION/FILM Chicago Fire Co-Star NBC Chicago PD Co-Star NBC Sirens Co-Star USA The Onion News Network Featured The Onion One in a Million Lead Fulton Market Films FBI's 10 Most Wanted Featured The Discovery Channel MTVu Woodie Awards Guest Performer MTV Networks Company of Thieves Principle Letter Blue Productions conflicts available upon request MAGIC – www.brettschneidermagic.com MAGIC DESIGN Member, The Magic Castle, Hollywood Chicago Symphony Orchestra Finalist, World Magic Seminar, Las Vegas Lookingglass Theatre Co. 'San Francisco Stage Magician of the Year' The Strange Tree Group* Finalist, Dwyane Wade's Chicago Has Talent Chicago Children's Theatre Northwestern University TRAINING Strawdog Theatre Co.* The School at Steppenwolf 2010 *Jeff Award nominations – Magic Design Northwestern University—B.S. in Theatre, Philosophy 2007 Shakespeare: David Downs Meisner: Amy Morton Clowning: Bill Irwin Improvisation: Sheldon Patinkin, I.O. West On Camera: Jane Alderman Circus: The Actor's Gym SKILLS: professional magician; juggling; mime; circus; clowning; percussion; body rhythms; step; beatboxing; dance: hip-hop, swing, ballroom; stage combat; vocal part: bass/baritone.

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Lifeline Theatre Announces Six New Ensemble Members-Fall 2017FINAL
November 1, 2017 Jill Evans La Penna SHOUT Marketing & Media Relations 312-226-6727 [email protected] Media passes, photographs, videos, interviews and additional materials are available on request. LIFELINE THEATRE ANNOUNCES SIX NEW ENSEMBLE MEMBERS CHICAGO – Lifeline Theatre is proud to announce six new members of its artistic ensemble: Bilal Dardai, Andrés Enriquez, Diane D. Fairchild, Anthony Kayer, Martel Manning, and Michael McKeogh. Lifeline’s ensemble determines the company’s artistic programming and provides leadership, support, and counsel in the play development process. Now in its 35th season, Lifeline Theatre is driven by a passion for story. Our ensemble process supports writers in the development of literary adaptations and new work, and our theatrical and educational programs foster a lifelong engagement with literature and the arts. A cultural anchor of Rogers Park, we are committed to deepening our connection to an ever-growing family of artists and audiences, both near and far. Lifeline Theatre – Big Stories, Up Close. Founded by five Northwestern graduates in 1982, the theatre now employs over 150 artists per year. In addition to the six new members listed above, Lifeline’s artistic ensemble is led by Artistic Director Dorothy Milne, and consists of Aly Renee Amidei, Patrick Blashill, Jessica Wright Buha, Christina Calvit, Heather Currie, Victoria DeIorio, Amanda Delheimer Dimond, Alan Donahue, Kevin D. Gawley, Peter Greenberg, James E. Grote, Chris Hainsworth, John Hildreth, Paul S. Holmquist, Elise Kauzlaric, Robert Kauzlaric, Frances Limoncelli, Amanda Link, Katie McLean Hainsworth, Shole Milos, Sandy Snyder Pietz, Suzanne Plunkett, Maren Robinson, Phil Timberlake, Jenifer Tyler, and Christopher M. Walsh.
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Culturalupdate
CONCIERGE UNLIMITED INTERNATIONAL March 2014 culturalupdate Volume XXIV—Issue III Arts/Museums March is the Month to Celebrate! opens Are you hosting a Mardi Gras party, want something exciting in your 1 Dayanita Singh Art Institute office for St. Patrick’s Day, having a March Madness pool and need a 14 Carlos Barberena Prospectus Art Gallery spectacular prize? Let CUI assist with your celebration requests! through ♦ Authentic King’s Cakes ♦Special Event Catering ♦Sports Tickets 2 The Surrealists Philadelphia, PA ♦Delicious Desserts ♦Destination Accomodations ♦And More! 9 Ed Clark Art Institute 9 The Way of the Shovel MCA 20 Hiroshige’s Winter Scenes Art Institute New/News 23 Outside the Lines Houston, TX Chef’s Burger Bistro (164 East Grand Avenue), from 30 The Long Road to Mazatlan Art Institute 30 John Ronan’s Poetry Foundation Art Institute Master Chef, Edward Leonard and Benny Siddu, the owner 4/27 London’s Lost Jewels Museum of London of Chicago staples such as Volare and Benny’s Chophouse, 4/15 Harris Bank Chicago: Lilli Carré MCA comes “a common thing done in an uncommon way!” 5/18 Christopher Williams: The Art Institute Previously where Boston Blackie’s resided, you will now find hand-crafted Production Line of Happiness burgers along with home-made buns. It’s not just about the burger 5/4 Treasures of the Walt Disney Archives MSI though, selections such as lamb tacos and deviled eggs are on the menu ongoing too. This type of innovative menu makes Chef’s Burger Bistro not just Chicago: Crossroads of America Chicago History Museum another burger joint.
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STATEMENT of PRINCIPLE No One Should Be Forced to Choose
STATEMENT OF PRINCIPLE No one should be forced to choose between her personal safety and dignity, and her job. But too often in the theater community this is exactly the choice that women must make. Sexual discrimination and harassment and gender-based violence often occur in the intimate and physical context of a theater production. Victims of such conduct face a stark choice between continuing to work in close collaboration with their abuser and quitting the show. Few can afford to give up a job and lose not only income, but also the opportunity for career advancement. There is a sense in the community that it is not necessarily in a victim’s best interest to report abuse because of fear that the response will be insufficient and open her up to retribution. In addition, many instances of abuse happen outside of the physical boundaries of a theater. No theater, union or guild currently takes responsible for handling such cases. However, the two people involved will most likely have to work together the next day or in another production, and the victims are left to deal with the aftermath by themselves. In the face of these realities, victims often choose silence and the abuse is allowed to continue. It is time for the theater community to break its own silence on harassment and abuse and formally address the problem. The reality is that those who behave abusively are generally in positions of power. Artistic directors hold the power to employ, playwrights have hiring approval; removing a director mid-rehearsal puts an entire production in doubt; losing a celebrity from the cast hurts ticket sales.
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2016 IGNITION Festival Release 2016
Press contact: Cathy Taylor/Kelsey Moorhouse Cathy Taylor Public Relations [email protected] [email protected] FOR IMMEDIATE RELEASE 773-564-9564 Victory Gardens Theater Announces Lineup for 2016 IGNITION Festival of New Plays 2016 Festival runs August 5–7, 2016 CHICAGO, IL – Victory Gardens Theater announces the lineup for the 2016 IGNITION Festival of New Plays, including The Wayward Bunny by Greg Kotis; BREACH: a manifesto on race in America through the eyes of a black girl recovering from self-hate by Antoinette Nwandu; EOM (end of message) by Laura Jacqmin; Kill Move Paradise by James Ijames; Gaza Rehearsal by Karen Hartman; and Girls In Cars Underwater by Tegan McLeod. The 2016 Festival runs August 5-7, 2016 at Victory Gardens Theater, located at 2433 N Lincoln Avenue. INGITION’s six selected plays will be presented in a festival of readings and will be directed by leading artists from Chicago. Following the readings, two of the plays may be selected for intensive workshops during Victory Gardens’ 2016-17 season, and Victory Gardens may produce one of these final scripts in an upcoming season. "At Victory Gardens Theater, we bridge Chicago communities through innovative and challenging new plays by giving established and emerging playwrights the time and space to develop their work. This year, we have invited some of the most thrilling playwrights to join our IGNITION Festival,” said Isaac Gomez, Victory Gardens Theater Literary Manager. “Their plays exemplify the current political and cultural zeitgeist of our city and country: the Israeli/Palestinian conflict, race and gender, the modern struggles of fatherhood, the insular world and morality of video gaming, and a woman’s journey to self-love.
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INVISIBLE-HAND-Program-Digital.Pdf
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Elizabeth A. Schor Collection, 1909-1995, Undated
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