What Can Be Found in Lost.Indd 1 10/8/07 3:56:35 PM This Book Is a Critical Commentary on the Religious Themes Found in the Television Show Lost

Total Page:16

File Type:pdf, Size:1020Kb

What Can Be Found in Lost.Indd 1 10/8/07 3:56:35 PM This Book Is a Critical Commentary on the Religious Themes Found in the Television Show Lost ® Copyrighted material What Can Be Found In Lost.indd 1 10/8/07 3:56:35 PM This book is a critical commentary on the religious themes found in the television show Lost. This book has not been approved, licensed, endorsed, or sponsored by ABC, Disney Touchstone, Bad Robot, or Grass Skirt and is in no way associated with any entity involved in creating or producing the television series Lost. Lost is a registered trademark of Disney Enterprises, Inc. Touchstone Television, a division of Disney Enterprises, Inc., owns the copyright in episodes of Lost. Unless otherwise indicated, all Scripture quotations are taken from the HOLY BIBLE, NEW INTERNATIONAL VERSION®. NIV®. Copyright©1973, 1978, 1984 by the International Bible Society. Used by permission of Zondervan. All rights reserved. Verses marked NLT are taken from the Holy Bible, New Living Translation, copyright ©1996. Used by permission of Tyndale House Publishers, Inc., Wheaton, IL 60189 USA. All rights reserved. Verses marked NASB are taken from the New American Standard Bible ®, © 1960, 1962, 1963, 1968, 1971, 1972, 1973, 1975, 1977, 1995 by The Lockman Foundation. Used by permission. (www.Lockman.org) Verses marked MSG are taken from The Message. Copyright © by Eugene H. Peterson 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission of NavPress Publishing Group. Verses marked KJV are taken from the King James Version of the Bible. Verses marked CEV are taken from the Contemporary English Version © 1991, 1992, 1995 by American Bible Society. Used with permission. Verses marked TLB are taken from The Living Bible, Copyright ©1971. Used by permission of Tyndale House Pub- lishers, Inc., Wheaton, IL 60189 USA. All rights reserved. Italicized text in Scripture quotations indicate author’s emphasis. Cover by Abris, Veneta, Oregon WHAT CAN BE FOUND IN LOST? Copyright © 2008 by John Ankerberg and Dillon Burroughs Published by Harvest House Publishers Eugene, Oregon 97402 www.harvesthousepublishers.com Ankerberg, John, 1945- What can be found in Lost? / John Ankerberg and Dillon Burroughs. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-7369-2121-3 ISBN-10: 0-7369-2121-4 1. Spirituality. 2. Spiritual life—Christianity. 3. Lost (Television program) I. Burroughs, Dillon. II. Title. BV4501.3.A55 2008 261.5'7—dc22 2007034809 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, digital, photocopy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher. Printed in the United States of America 07 08 09 10 11 12 13 14 15 16 / VP-NI / 10 9 8 7 6 5 4 3 2 1 Copyrighted material What Can Be Found In Lost.indd 2 9/28/07 8:12:02 AM Contents Why Should I Read This Book? . 7 Part One: The Themes ofLost 1. Lost on God. 13 2. Lost on Prayer. 21 3. Lost on Destiny. 29 4. Lost on Miracles . 37 5. Lost on Trust and Secrets. 47 6. Lost on Good and Evil . 55 7. Lost on the Bible. 63 8. Lost on Dreams and Visions . 77 9. Lost on Leadership. 87 10. Lost on Numbers . 95 11. Lost on Redemption . .103 12. Lost on Death . .111 13. Lost on the Afterlife . 117 Part Two: The Theories ofLost 14. Researching the World of Lost . .129 15. Researching the (Many) Theories ofLost . .139 Lost…What to Do About It . 145 Appendices Appendix One: Key Characters in Lost . .149 Appendix Two: The Religions ofLost . .151 Appendix Three: The Books ofLost . .157 Appendix Four: Character Connections in Seasons One Through Three ofLost . .161 Acknowledgments. .165 Notes . .167 Copyrighted material What Can Be Found In Lost.indd 3 9/26/07 3:50:47 PM PART ONE: The Themes ofLost Copyrighted material What Can Be Found In Lost.indd 11 9/25/07 2:40:14 PM LOST on God 1 BEN: Do you believe in God, Jack? JACK: Do you? BEN: Two days after I found out I had a fatal tumor on my spine, a spinal surgeon fell out of the sky. If that’s not proof of God, I don’t know what is. —FROM “THE COST OF LIVING” en Linus, leader of the Others, who has captured Dr. Jack Shephard during Season Three, asks the unthinkable: for Jack B to remove Ben’s tumor in order to save his life. Jack’s response seems natural from a human perspective when he answers, “All of this… you brought me here to operate on you? You…you want me to save your life?” Yet Ben’s response has nothing to do with answering Jack’s question. Rather, he appeals to Jack on the basis of faith with a probing question. “Do you believe in God, Jack?” This question would come across as awkward in many of today’s shows, but is one of many references to God in Lost. Why? Lost fre- quently appeals to elements of faith and the supernatural. In doing so, 13 Copyrighted material What Can Be Found In Lost.indd 13 9/28/07 8:36:37 AM 14 What Can Be Found in LOST? it also appeals to the foundation for all spirituality—addressing the question of belief in God’s very existence. Addressing the Issue: The Biggest Question of All In recent American surveys, as many as 95 percent of people have professed they believe in God or a higher power—they just can’t seem to agree on what that higher power is. In Lost, this dominant view is the position taken as well. God’s existence is not disputed. Yet defining God is left for the viewer to answer. Interestingly, throughout the first three seasons of Lost, we can observe an insightful trend regarding the use of the word God (used 132 times in the first three seasons!). It is either used as slang or in a derogatory fashion, used in reference to a deity, or used regarding an almighty God. The highest number of uses occur in slang (such as “Oh, God!”), but God is often addressed as an almighty being, particularly in the Roman Catholicism of Mr. Eko and his brother Yemi, the Prot- estant faith of Rose, and the Catholic discussions in the flashbacks of both Charlie and Desmond (a fired monk!). Charlie even calls himself a “rock god.” In their insightful book, Unlocking the Meaning of Lost, Lynnette Porter and David Lavery observe: Spirituality on the island, as in our outer world, includes many different beliefs, and the expressions of spiritual faith vary as much as the individuals who profess these widely ranging beliefs. Lost’s many characters wrestle with their interpretations about what is happening on the island and whether a Divine Creator, a large corporate entity, the Dharma Initiative, the Others, the Monster, or nothing at all is running the show. As is common with any of the series’ mysteries, it’s left to us—as well as individual char- acters—to determine which is the “correct” way to interpret scenes and events.1 On this issue, Lost follows culture. Think about it: In your daily life (not Sunday at church!), how is the term God used? Workplace Copyrighted material What Can Be Found In Lost.indd 14 9/25/07 2:40:15 PM Lost on God 15 conversations frequently include the word God in expressions of anger or excitement, or as a catchall expression similar to “Oh my goodness!” Other times, people talk about God or gods in a general sense. Popular shows even build off this type of usage, such as American Idol (idol is another word for a god), or winning idols on Survivor. We hear about rock gods, swimsuit models are referred to as goddesses, and athletes are sometimes called gods of the diamond or gridiron. People will even usually tolerate discussion of God in a religious sense, so long as it does not invade their own personal beliefs or lifestyles. Yet for a person to answer the question of God’s existence as a par- ticular kind of God who requires a change of life or action is often the dividing line. It is perfectly acceptable in our culture to talk about God, but it is often considered offensive to ask someone if he or she believes in God or to ask personal questions about a person’s spiritual life. At my (Dillon’s) high school graduation ceremony, the only way a person could offer a prayer was if he or she were already included in the program as a speaker. One of my friends was co-valedictorian and used part of his speech to offer a graduation prayer. Even in this situa- tion, the exact wording was evaluated by school officials beforehand to make sure the language in the prayer was generic and nonoffensive to the audience. Many city councils have run into this issue, too, as com- plaints arise when a prayer includes any reference to a particular deity, such as praying in Jesus’ name. God in Lost “And God knows how long we’re gonna be here.” —JACK TO THE ISLAND SURVIVORS, IN “WHITE RABBIT” “I have little doubt that God has different plans than you being a monk, Desmond. Bigger plans.” —BROTHER CAMPBELL TO DESMOND, IN “CATCH-22” “God loves you as he loves Jacob.” —ON A SCREEN BLARING IN FRONT OF KARL WHILE HE IS BEING BRAINWASHED, IN “STRANGER IN A STRANGE LAND” Copyrighted material What Can Be Found In Lost.indd 15 9/25/07 2:40:16 PM 16 What Can Be Found in LOST? “You owe God for every life you’ve taken…” —AMINA TO MR.
Recommended publications
  • L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
    Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie.
    [Show full text]
  • Opening Scripture: Psalm 27:1-3 –
    (Devotional #1) An Introduction to Psalm 23 The Psalm of the Great Shepherd INTRODUCTION – Opening Scripture: Psalm 27:1-3 – The LORD is my light and my salvation Whom shall I fear? The LORD is the strength of my life; Whom shall I dread? When evildoers came upon me to devour my flesh, My adversaries and my enemies stumbled and fell. Though a host encamp against me, My heart will not fear; Though war arise against me, In spite of this I shall be confident. Proposition: Yahweh, the Great Shepherd, Directs the Lives of His People. This will be the theme we will emphasize in our treatment of Psalm 23. On the morning after his Mother’s death, the Commentator, John Phillips found her Bible near the bedside where she had died. It was open to the 23rd Psalm –– Written in the margin of this great Psalm were these words: ‘THE SECRET OF A HAPPY LIFE, A HAPPY DEATH, AND A HAPPY ETERNITY.’ As our church faces the unique challenges of the next few weeks, we (Rocky and Jeff) want to encourage you with the words and the teachings of this wonderful Psalm. This first lesson or devotional, or whatever the appropriate term is, will put this wonderful Psalm in the context of the Book of Psalms, then in three successive installments, we will view the Psalm as it addresses ‘THE SECRET OF A HAPPY LIFE, ‘THE SECRET OF A HAPPY DEATH, AND THE SECRET OF A HAPPY ETERNITY.’ Psalm 23 was written by David. We know this because at some time in the distant past, the Rabbis wrote two Hebrew words above this psalm.
    [Show full text]
  • Battery Charger Instructions CHG EZ1 001- BU 36V CHG UNV 123 - BU 36V CHG EZ2 002 - BU 36V CHG CC2 001 - BU 48V CHG YA4 003 - BU48V
    Battery Charger Instructions CHG EZ1 001- BU 36V CHG UNV 123 - BU 36V CHG EZ2 002 - BU 36V CHG CC2 001 - BU 48V CHG YA4 003 - BU48V The chargers are designed for 36 and or 48 volt carts and care must be taken to ensure the correct voltage is used per application. Each charger uses an electrical plug designed to fi t the cart half. Again, make sure the cart half aligns correctly with the charger plug. 36 volt chargers are 115 VAC @ 12.0A (MAX) 60 HZ output: 25A @ 36 VDC For use with lead-acid batteries rated at 180 to 260 Ampere-Hours (20 AH Rating) 18 Cell 48 volt chargers are 115 VAC @ 12.0A (MAX) 60 HZ output: 18A @ 48 VDC For use with lead-acid batteries rated at 180 to 260 Ampere-Hours (20 AH Rating) 24 Cell Overview: The Eagle Series Battery Charging Systems utilize advanced micro controller technology to monitor all parameters of the charger while it is operating. These units are powered by a highly effi cient proprietary transformer design that allows the units to be lighter, smalle r, quieter and run much cooler than older ferro resonant designs. By utilizing SCR control technology with the latest control circuitry a precise charge cu r- rent is controlled. Precise control over output current allows the charger to constantly adjust and adapt to various factors such as battery capacity, battery state of charge, internal and external air temperature and AC line input. Unlike ferro resonant chargers, the Eagle Series is able to begin charging batteries at very low voltages.
    [Show full text]
  • LOST with a Good Book
    The Lost Code: BYYJ C`1 P,YJ- LJ,1 Key Literary References and Influ- Books, Movies, and More on Your Favorite Subjects Heart of Darkness by Joseph Conrad CAS A CONR/ eAudiobook LOST on DVD A man journeys through the Congo and Lost Complete First Season contemplates the nature of good and evil. There are several references, especially in relation to Lost Season 2: Extended Experience Colonel’s Kurtz’s descent toward madness. Lost Season 3: The Unexplored Experience Lost. The Complete Fourth Season: The Expanded The Stand by Stephen King FIC KING Experience A battle between good and evil ensues after a deadly virus With a Good Book decimates the population. Producers cite this book as a Lost. The Complete Fifth Season: The Journey Back major influence, and other King allusions ( Carrie , On Writing , *Lost: Complete Sixth & Final Season is due for release 8/24/10. The Shining , Dark Tower series, etc.) pop up frequently. The Odyssey by Homer FIC HOME/883 HOME/ CD BOOK 883.1 HOME/CAS A HOME/ eAudiobook LOST Episode Guide Greek epic about Odysseus’s harrowing journey home to his In addition to the biblical episode titles, there are several other Lost wife Penelope after the Trojan War. Parallels abound, episode titles with literature/philosophy connections. These include “White especially in the characters of Desmond and Penny. Rabbit” and “Through the Looking Glass” from Carroll’s Alice books; “Catch-22”; “Tabula Rosa” (philosopher John Locke’s theory that the Slaughterhouse-Five by Kurt Vonnegut FIC VON human mind is a blank slate at birth); and “The Man Behind the Curtain” A World War II soldier becomes “unstuck in time,” and is and “There’s No Place Like Home” ( The Wonderful Wizard of Oz ).
    [Show full text]
  • In Re: Exodus Communications Inc. Securities Litigation 01-CV-2661
    Case 3:01-cv-02661-MMC Document 306 Filed 04/24/2006 Page 1 of 3 1 DAVID M. FURBUSH (State Bar No. 83447) DHAIVAT H. SHAH (State Bar No. 196382) 2 ROBERTA L. HARTING (State Bar No. 225067) O’MELVENY & MYERS LLP 3 2765 Sand Hill Road Menlo Park, California 94025 4 Telephone: (650) 473-2600 Facsimile: (650) 473-2601 5 E-Mail: [email protected] [email protected] 6 [email protected] 7 Attorneys for Defendant ELLEN M. HANCOCK 8 9 UNITED STATES DISTRICT COURT 10 NORTHERN DISTRICT OF CALIFORNIA 11 12 In re Master File No. C-01-2661-MMC 13 EXODUS COMMUNICATIONS, INC. DEFENDANT ELLEN HANCOCK’S SECURITIES LITIGATION REQUEST FOR JUDICIAL NOTICE 14 Honorable Maxine M. Chesney 15 Hearing Date: May 5, 2006 16 Time: 9:00 a.m. This Document Relates To: 17 ALL ACTIONS. 18 19 20 21 22 23 24 25 26 27 28 DEFENDANT HANCOCK’S REQUEST FOR JUDICIAL NOTICE - C-01-2661-MC Case 3:01-cv-02661-MMC Document 306 Filed 04/24/2006 Page 2 of 3 1 Pursuant to Federal Rule of Evidence 201, defendant Ellen M. Hancock respectfully 2 requests that this Court take judicial notice of each of the following documents, true and correct 3 copies of which are attached as Exhibits A through D hereto: 4 A. “First Amended Consolidated Class Action Complaint,” In re Exodus, Inc. 5 Securities Litigation, Master File No. C-01-2661-MMC, filed on July 11, 2002 in the United 6 States District Court for the Northern District of California.
    [Show full text]
  • LOST "Raised by Another" (YELLOW) 9/23/04
    LOST “Raised by Another” CAST LIST BOONE................................Ian Somerhalder CHARLIE..............................Dominic Monaghan CLAIRE...............................Emilie de Ravin HURLEY...............................Jorge Garcia JACK.................................Matthew Fox JIN..................................Daniel Dae Kim KATE.................................Evangeline Lilly LOCKE................................Terry O’Quinn MICHAEL..............................Harold Perrineau SAWYER...............................Josh Holloway SAYID................................Naveen Andrews SHANNON..............................Maggie Grace SUN..................................Yunjin Kim WALT.................................Malcolm David Kelley THOMAS............................... RACHEL............................... MALKIN............................... ETHAN................................ SLAVITT.............................. ARLENE............................... SCOTT................................ * STEVE................................ * www.pressexecute.com LOST "Raised by Another" (YELLOW) 9/23/04 LOST “Raised by Another” SET LIST INTERIORS THE VALLEY - Late Afternoon/Sunset CLAIRE’S CUBBY - Night/Dusk/Day ENTRANCE * ROCK WALL - Dusk/Night/Day * INFIRMARY CAVE - Morning JACK’S CAVE - Night * LOFT - Day - FLASHBACK MALKIN’S HOUSE - Day - FLASHBACK BEDROOM - Night - FLASHBACK LAW OFFICES CONFERENCE ROOM - Day - FLASHBACK EXTERIORS JUNGLE - Night/Day ELSEWHERE - Day CLEARING - Day BEACH - Day OPEN JUNGLE - Morning * SAWYER’S
    [Show full text]
  • The Expression of Orientations in Time and Space With
    The Expression of Orientations in Time and Space with Flashbacks and Flash-forwards in the Series "Lost" Promotor: Auteur: Prof. Dr. S. Slembrouck Olga Berendeeva Master in de Taal- en Letterkunde Afstudeerrichting: Master Engels Academiejaar 2008-2009 2e examenperiode For My Parents Who are so far But always so close to me Мои родителям, Которые так далеко, Но всегда рядом ii Acknowledgments First of all, I would like to thank Professor Dr. Stefaan Slembrouck for his interest in my work. I am grateful for all the encouragement, help and ideas he gave me throughout the writing. He was the one who helped me to figure out the subject of my work which I am especially thankful for as it has been such a pleasure working on it! Secondly, I want to thank my boyfriend Patrick who shared enthusiasm for my subject, inspired me, and always encouraged me to keep up even when my mood was down. Also my friend Sarah who gave me a feedback on my thesis was a very big help and I am grateful. A special thank you goes to my parents who always believed in me and supported me. Thanks to all the teachers and professors who provided me with the necessary baggage of knowledge which I will now proudly carry through life. iii Foreword In my previous research paper I wrote about film discourse, thus, this time I wanted to continue with it but have something new, some kind of challenge which would interest me. After a conversation with my thesis guide, Professor Slembrouck, we decided to stick on to film discourse but to expand it.
    [Show full text]
  • June 2009.Indd
    TTHEHE GGENEVAENEVA SSCHOOLCHOOL TTHEHE COURIERCOURIER NNEWSLETTEREWSLETTER JJUNEUNE 110,0, 22009009 The Geneva School Class of 2009 Back Row Middle Row Front Row Joel Baumgarten Elizabeth Schaffer McKenzie Fletcher Jonathan Seneff Ryan Delk Taylor Fletcher Raymon Garcia Luis Perez Caroline Mitchell Zachary Schutz Christopher Bonarrigo Samantha Cowan James Calhoun Neely Patton Rebecca Lopdrup Kyle Barker Damian Campbell Katherine O’Driscoll Ryan Killoran Josiah Nethery Lauren Padgett Stephen Wilkes Veronika Nyberg Lindsey Warner Jonathan Spilman Ashley Yates Abigail Pugh Return of the Kings Revelation 4:8–5:10 Baccalaureate Address delivered by Rev. Michael Francis on Th ursday, May 21 It’s a great privilege for me to be with you this evening, and I thank Reverend Ingram and the Board for entrusting me with the responsibility of issuing the charge to you, Geneva’s largest graduating class (thus far). It boils down to this, my friends: the world won’t lift a fi nger to help you learn the things you most need to know. Th e sooner you realize this, the safer and wiser you will be. But take heart: God is not like the world; He is eager for you to know these things, which is why He throws open the doors to His heavenly throne room for us in Revelation 4 and 5, to show us three Kings who are central to the Christian world- view. God willing, I will charge you tonight to build a vision for your life on the true identities of these three kings: (1) God (the Father); (2) Jesus Christ; and (3) Man.
    [Show full text]
  • Familiarity with the Shepherd Ps. 23; John 10:22-30; John 13
    FAMILIARITY WITH THE SHEPHERD PS. 23; JOHN 10:22-30; JOHN 13: I’m curious, what’s it feel like to read the 23rd psalm? It is so familiar to so many people I’m afraid we lose the power of the words. It is vaguely familiar even to those who rarely go to church. It is often requested as the scripture choice at a funeral. Why has it stuck in our heads or our hearts so well? It might be in our heads because it was required to memorize in some bygone day. It might be in our hearts because a phrase or two has claimed special meaning at a time when we needed certain comfort or strength or hope or assurance. Psalm 23 is a poem. It is a love poem to God, written by King David, who used to be a shepherd himself. David begins by identifying God and himself. The LORD. He’s writing to the God whose name is so holy that people used to not dare to say it. Yahweh. The LORD was substituted. David is not writing to or about just any god, but the LORD, Yahweh. The Jewish God who is above all other gods. David claims his relationship by saying the LORD is… The word is means right now, and always right now. As I thought about this, I was happy to realize that it is a way to use another name for God. I Am. Remember when Moses …(Exodus 3) I Am. Not I used to be, or I will be some day, but I Am.
    [Show full text]
  • Psalm 23: a Shepherd's Psalm Art Workshop Written by Jaymie Derden, State Street UMC, Bristol, VA
    Psalm 23: A Shepherd's Psalm Art Workshop Written by Jaymie Derden, State Street UMC, Bristol, VA. Adapted for Gloria Dei Lutheran Church, Olympia, WA, by Beth Tobin 2017. Summary of Lesson Activities: Children will use the technique of "wet felting" to create felted illustrations of the psalm. K-1 graders will use cookie cutters to make their wet-felted sheep. Scripture References: Psalm 23 (Using the NIV Adventure Bible) The Picture Bible: "The Chosen One" pages 278-280 (for younger students) Memory Verse: Psalm 23 (Encourage the children to learn as much as possible of this psalm) The Lord is my shepherd, I shall not want. He makes me lie down in green pastures. He leads me beside the still waters. He restores my soul. He leads me in right paths for his name’s sake. Even though I walk through the darkest valley, I fear no evil; For you are with me. Your rod and your staff, they comfort me. You prepare a table before me in the presence of my enemies. You anoint my head with oil My cup overflows. Surely goodness and mercy will follow me all the days of my life, And I will dwell in the house of the Lord forever. Note: This is not the translation found in our Bibles, rather it is NRSV with a bit of New King James – a version more familiar to most people. Theme: • God loves us and cares for us like a shepherd cares for his sheep. Page !1 of !12 Rotation Objectives: • Children will define psalm: a song or poem in the Bible.
    [Show full text]
  • Adopt a Resolution Approving the Amended and Restated Bylaws and Rules of Procedure
    CITY / SA / HA / FA MEETING DATE: April 15, 2014 AGENDA CATEGORY: ITEM TITLE: ADOPT RESOLUTION AMENDING AND BUSINESS SESSION: RESTATING BYLAWS AND RULES OF PROCEDURE CONSENT CALENDAR: STUDY SESSION: PUBLIC HEARING: RECOMMENDED ACTION: Adopt a resolution approving the Amended and Restated Bylaws and Rules of Procedure. EXECUTIVE SUMMARY: ____________________: Due to changes in law, policy, and/or practice, amendments_____ to the Rules of Procedure (“Rules”) are necessary from time-to-time. At the January 21, 2014 Council meeting, Council formed an Ad Hoc Committee consisting of Councilmembers Evans and Franklin to review the Rules. A thorough examination of all sections of the Rules was undertaken to incorporate changes in State law, improvements in technology, increased emphasis on transparency, and evolved practices. The Council Rules will now be the master document containing all matters common to every City government body. The Housing Authority, Financing Authority, and Successor Agency Rules are consistent with each other and contain only the provisions specific to that government body. FISCAL IMPACT: Financing Authority and Successor Agency Members serve without pay, but Housing Authority Members are entitled to $50 per meeting. The anticipated savings due to the reduction of regular Housing Authority meetings from monthly to quarterly is $1,600 in salaries (Councilmember Henderson waives pay for these meetings.) Savings of paper, equipment wear and tear, and staff time will also result from the reduction in agenda packet production. BACKGROUND/ANALYSIS: With the exception of sections discussed below, all changes to the Rules reflect current practice, recently enacted State law, or accomplish the goals of logical organization and consistency.
    [Show full text]
  • Psalm 23 • Part 1
    The Lord is My Shepherd I Shall Not Want PSALM 23 • PART 1 Baxter T. Exum (#1593) Four Lakes Church of Christ Madison, Wisconsin May 2, 2021 **COVID-19 SPLIT SERVICE** It is a great blessing to be with you this morning! I hope all of you have the elements for the Lord’s Supper, either from home or from the table in the entryway. John/Aaron will be leading us in the prayers for the Supper right after our study this morning. And then we hope to sing “My Hope is Built on Nothing Less” (#438). And, as usual, most of us are giving either online or through the mail, but there is a basket on the back table as well. This morning we would like to express our thanks to Al Ovadal for his service as a deacon over the past several years. He recently stepped down, and we are very thankful for his service. We remember what Paul said in 1 Timothy 3:13, when he said, “Those who have served well as deacons obtain for themselves a high standing and great confidence in the faith that is in Christ Jesus.” If this verse applies to anybody, it applies to Al. We are also thankful that Victor Glover has safely returned to earth this morning. Victor is a Christian brother who traveled to the International Space Station last November, and he has finally returned home, splashing down in the Gulf of Mexico about 3 o’clock this morning. We praise God for his safe return. As our custom has been, we are starting today with a brief summary of God’s plan for saving us.
    [Show full text]