A Welshman in Fitzrovia a Preview of October's Dylan Thomas Festival Leather Report the Forecast Looks Good, Says the Owner Of
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(Public Pack)Agenda Document for Culture, Welsh Language And
------------------------ Public Document Pack ------------------------ Agenda - Culture, Welsh Language and Communications Committee Meeting Venue: For further information contact: Committee Room 2 - The Senedd Steve George Meeting date: 20 June 2018 Committee Clerk Meeting time: 09.15 0300 200 6565 [email protected] ------ 1 Introductions, apologies, substitutions and declarations of interest 2 Film and major television production in Wales: Evidence Session 14 (09:15 - 10:15) (Pages 1 - 17) Ron Jones, Founder and Executive Chairman of Tinopolis, Chair of the Welsh Government’s Creative Industries Sector Panel and a member of the Media Investment Panel. Break (10:15 - 10:30) 3 Film and major television production in Wales: Evidence Session 15 (10:30 - 11:30) (Pages 18 - 31) Ken Skates AM, Cabinet Secretary for Economy and Transport Dafydd Elis-Thomas AM, Minister for Culture, Tourism and Sport Mick McGuire, Director Business and Regions Joedi Langley, Head of Creative Sector 4 Paper(s) to note 4.1 The Welsh Government’s relationship with Pinewood (Pages 32 - 79) 4.2 Film and major television production in Wales: Additional Evidence from the Welsh Government (Pages 80 - 83) 4.3 Film and major television production in Wales: Additional Evidence from the Arts Council of Wales (Pages 84 - 86) 4.4 Film and major television production in Wales: Additional Evidence from Euros Lyn (Pages 87 - 89) 4.5 Film and major television production in Wales: Additional Evidence (Pages 90 - 92) 4.6 Correspondence from the Welsh Language Commissioner -
Newsletter July 2019 PDF File
WILLIAM ELLIS SCHOOL NEWS July 2019 The last week of the summer term saw the boys off timetable for our final Deep Learning Day (DLD) of the year “More in Common”, with the message hope not hate, co-ordinated by Mr Pratt and Ms Conway. Groups were put into houses, giving a mixture of ages to work together, rather than form groups. An image from New Zealand earlier this year after an attack on a mosque. During DLD boys in Year 7 concluded the Oracy project they have been working on over the school year with Mr Singleton and Ms Neve. The project was filmed and will be edited into a Camden’s Oracy Hub film which will be shared with other schools and our parents later in the year. WILLIAM ELLIS SCHOOL NEWS July 2019 AWARDS EVENING The annual Awards Ceremony on Thursday was the final external event of the school year. It was great to celebrate the achievements of our students and share their delight in winning awards. WILLIAM ELLIS SCHOOL NEWS July 2019 GRAND OPENING OF THE WILLIAM ELLIS PERFORMING ARTS CENTRE Founder’s Day this year saw a gathering of guests, familes, staff and local press to see the official opening of the new William Ellis Performing Arts Centre. The ribbon was cut by Ms Georgia Gould, Leader of Camden Council and governor at the school along with Fiona Millar our Chair of Governors. There was a tour of the new music and drama rooms with boys performing dance and music for the visitors. WESPA provided refreshments throughout the event and followed up with a Summer Social. -
CAMDEN FRINGE 2019 RADA STUDIO THEATRE Studio Theatre
CAMDEN FRINGE 2019 RADA STUDIO THEATRE Studio Theatre RADA 16 Chenies Street, Fitzrovia London WC1E Contact: Caitlin Richards Email: [email protected] Website: https://www.rada.ac.uk/about-us/venue-hire/venue-hire-theatres/ RADA Studios is a theatrical venue located in the heart of the west end, owned by the Royal Academy of Dramatic Art. As one of the most famous and most prestigious centres for drama training in the world, RADA is one of London’s artistic landmarks. The Studio Theatre is a hugely versatile space, and we currently host a large variety of work, including theatre, musicals, dance, stand-up, opera, radio recordings and film screenings. Only 10mins from Tottenham Court Road, Euston Square and Warren Street station, we are situated amongst some of the most esteemed theatres in London. Before it was acquired by RADA, the Studio Theatre was The Drill Hall – a venue which supported experimental theatre projects, LGBTQ voices, and bold new work. We are looking to return to this legacy with the Studio Theatre as part of the Camden Fringe. The Venue: 200 seats (fixed raked seating – seats can be removed on request to create a more intimate space) 2 Wings Backstage Crossover 2 Dressing Rooms (10 people each) Green Room / Storage space Depth 7m, width 11m, grid height between 4.5m - 5m Includes basic festival lighting rig (Company has access to two specials) Includes PA system, Minimac with Qlab 4 Includes adjoining bar Fully accessible Fully staffed (technician, duty manager, ushers, box office team during performance) Box Office through Camden Fringe Festival View the venue here. -
L'influence Actuelle Du Rock Sur L'identité Culturelle De Paris Et Londres
L’influence actuelle du rock sur l’identité culturelle de Paris et Londres BARRETO CALLAMAND, Rafael Francisco Mémoire présenté sous la direction de M. Dominique JONCKHEERE, en vue de l'obtention du titre de master en Gestion Culturelle Année académique 2011-2012 Beneficiario COLFUTURO 2010 1 Table des matières Table des matières........................................................................................... 2 Résumé ........................................................................................................... 5 Dédicace .......................................................................................................... 6 Remerciements ............................................................................................... 7 Introduction .................................................................................................... 8 Définition de la culture ; l’identité culturelle et du rock .................................. 13 Culture ............................................................................................................... 13 L’identité culturelle ........................................................................................... 14 Rock ................................................................................................................... 15 Les acteurs de la musique rock ...................................................................... 21 Ethnographie de la culture rock .................................................................... 23 La -
Annual Report & Accounts 2017-18
RADA ANNUAL REPORT AND FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 .JULV 2018 Charity Registration Number 312819 ANNUAL REPORT & ACCOUNTS RADA 2017-18 ANNUAL REPORT & ACCOUNTS RADA 2017-18 CONTENTS Chairo))an's lleview 4-5 Review of Performance an cl Achievements 6-16 Charitable Objectives & Strategic Aims World-leading Learni n~ Effective lnf;asrrucrure Entr~1n~n~urial & Agi I~ Reputation & Sustain ability Pub I ic !Jenefit Plans tor 2018-19 Financial Review 17-18 Governance Review 19-24 lndetJendel)t Auditors· lle1lortto the Trustees 27-29 Consolidated Statement of Financial Activities 30-31 Group and Academy B~lance Sheets 32 Consol idatecl Cashflow Statement 33 N ores to the Financia I Statements 34-47 3 ANNUAL REPORT & ACCOUNTS RADA 2017-18 Chairman's Statement by Sir Stephetl Waley-Cohen, Bt The year began with a lithe excitement surrounding our co [Jrod uction of Hamlet with the Kcnncth Branagh Theatre Company, with a wonderful cornl)any led by graduate Torn Hiddlcston (half of them graduates, half of thern women, half of them DAME) directed by our President Sir Kenneth Dranagh. Performed in the intimacy of the Jerwood van Drugh Theatre, this production exern pi ificd so rn uch of what wc aim to achieve in so many ways. Throughout the year our third year students, 10\S every year, performed in thirteen IJrod uctions in our three theatres, as well as making six short films. Our second year students ended the year with fine perf01·mances- at RADA, in schools, and at overseas festivals- of abbreviated Shakespeare plays. All of this, and much more, set out more fully in Edwarcl Kemp's report later in these statements, was wonderfully supported by our technical theatre al'ls department, who account for allout half our total of full·time students. -
Operaharmony
#OPERAHARMONY CREATING OPERAS IN ISOLATION 1 3 WELCOME TO #OPERA HARMONY FROM FOUNDER – ELLA MARCHMENT Welcome to #OperaHarmony. #Opera Harmony is a collection of opera makers from across the world who, during this time of crisis, formed an online community to create new operas. I started this initiative when the show that I was rehearsing at Dutch National Opera was cancelled because of the lockdown. Using social media and online platforms I invited colleagues worldwide to join me in the immense technical and logistical challenge of creating new works online. I set the themes of ‘distance’ and ‘community’, organised artist teams, and since March have been overseeing the creation of twenty new operas. All the artists involved in #OperaHarmony are highly skilled professionals who typically apply their talents in creating live theatre performances. Through this project, they have had to adapt to working in a new medium, as well as embracing new technologies and novel ways of creating, producing, and sharing work. #OperaHarmony’s goal was to bring people together in ways that were unimaginable prior to Covid-19. Over 100 artists from all the opera disciplines have collaborated to write, stage, record, and produce the new operas. The pieces encapsulate an incredibly dark period for the arts, and they are a symbol of the unstoppable determination, and community that exists to perform and continue to create operatic works. This has been my saving grace throughout lockdown, and it has given all involved a sense of purpose. When we started building these works we had no idea how they would eventually be realised, and it is with great thanks that we acknowledge the support of Opera Vision in helping to both distribute and disseminate these pieces, and also for establishing a means in which audiences can be invited into the heart of the process too . -
M.B. Mclatchey S P a Photography by Mark Andrew James Terry Floridastatepoetsassociation.Org
May | June 2021 VOL. 48.3 F M.B. McLatchey S P A Photography by Mark Andrew James Terry FloridaStatePoetsAssociation.org F S P A EXECUTIVE OFFICERS INSIDE THIS ISSUE President: Mary Marcelle • From The President’s Desk 1 Vice President: Mark Andrew James Terry • M.B. McLatchey 3-14 Secretary: Sonja Jean Craig • Poems Near the Sea 16-37 Treasurer: Robyn Weinbaum • Dylan Thomas 38-42 APPOINTED OFFICERS • Zoomies 43-44 • Member Spotlight 46-48 Anthology Editors: Gary Broughman, Elaine Person, JC Kato Contest Chair: Marc Davidson • FSPA Contest Commitee Report 49-52 Membership Chair: TBD • Awards 53-54 Newsletter Editor: Mark Andrew James Terry • Chapter News & Updates 55-61 with Diane Neff and Mary Marcelle • Editor’s Choice Poetry Challenge 62 Historian: Elaine Person • News, Book Releases & Reviews 63 National Poetry Day/Month Chair: TBD • OPAP Submission Information 64 Youth Chair and Student Contest Chair: TBD • Cadence 2020 is Here! 65 Slam Coordinator: Kevin Campbell Social Media Chair: TBD • A Little Lagniappe 66 Webmaster: Mark Andrew James Terry • Twelve Chairs Short Course 67 Silvia Curbelo’s Newest Release “Silvia Curbelo’s poetry is accomplished, daring, full of energy and intelligence; it is the generous manifestation of an authentic and original gift.” ~ W. S. Merwin “With a knack for disguising wisdom as plain-spoken observation, Curbelo’s poems are infused with insight the way sunlight fills a quiet room. The lyric voice is rarely this accessible, this unwavering, this pure.” ~ Campbell McGrath BUY NOW: http://www.anhingapress.org/silvia-curbelo Available from Anhinga Press • www.anhingapress.com F Florida State Poets Association S An affiliate of the National Federation of State Poetry Societies P A FROM THE PRESIDENT’S DESK Florida Spring is here, and I am loving the heat without the unbear- able humidity that comes in summer. -
Dylan Thomas - Poems
Classic Poetry Series Dylan Thomas - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Dylan Thomas(27 October 1914 – 9 November 1953) Dylan Marlais Thomas was a Welsh poet and writer who wrote exclusively in English. In addition to poetry, he wrote short stories and scripts for film and radio, which he often performed himself. His public readings, particularly in America, won him great acclaim; his sonorous voice with a subtle Welsh lilt became almost as famous as his works. His best-known works include the "play for voices" Under Milk Wood and the celebrated villanelle for his dying father, "Do not go gentle into that good night". Appreciative critics have also noted the craftsmanship and compression of poems such as "In my Craft or Sullen Art", and the rhapsodic lyricism in "And death shall have no dominion" and "Fern Hill". <b>Early Life</b> Dylan Thomas was born in the Uplands area of Swansea, Glamorgan, Wales, on 27 October 1914 just a few months after the Thomas family had bought the house. Uplands was, and still is, one of the more affluent areas of the city. His father, David John ('DJ') Thomas (1876–1952), had attained a first-class honours degree in English at University College, Aberystwyth, and was dissatisfied with his position at the local grammar school as an English master who taught English literature. His mother, Florence Hannah Thomas (née Williams) (1882–1958), was a seamstress born in Swansea. Nancy, Thomas's sister, (Nancy Marles 1906–1953) was nine years older than he. Their father brought up both children to speak only English, even though he and his wife were both bilingual in English and Welsh. -
Annual Report & Accounts 2014-15
ROYAL ACADEMY OF RADA DRAMATIC ART ANNUAL REPORT AND FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 JULY 2015 Charity Registration Number 312819 THE ROYAL ACADEMY OF DRAMATIC ART CONTENTS Page Legal and Administrative Information 1-2 Chairman's Review 3-4 Report of the Members of Council 5-10 Independent Auditors' Report to the Trustees 11-12 Consolidated Statement of Financial Activities 13 Group and Academy Balance Sheets 14 Consolidated Cashf low Statement 15 Accounting Policies 16-18 Notes to the Financial Statements 19-39 THE ROYAL ACADEMY OF DRAMATIC ART LEGAL AND ADMINISTRATIVE INFORMATION FOR THE YEAR ENDED 31 JULY 2015 Principal Office 62-64 Gower Street London WC1E 6ED President Sir Kenneth Branagh (appointed June 2015) Trustees The following have been members of Council since 1 August 2014 unless otherwise stated. Chairman Sir Stephen Waley-Cohen Bt. Vice-Chairman Alan Rickman (retired June 2015) Members Catherine Bailey Zac Barratt The Honourable Peter Benson LVO Josh Berger CBE Simon Berry Matthew Byam Shaw Chipo Chung Paul Clay Mark Dakin (appointed June 2015) Buster Dover Nicholas Gold (retired October 2014) Judy Grahame Stephen Greene Margaret Heffernan (retired October 2014) Laurence Isaacson CBE Mike Leigh OBE Adrian Lester OBE (retired October 2014) Geoff Locker Rishi Madlani (appointed June 2015) Tanya Moodie (appointed June 2015) Glen Moreno Paul Pyant Fiona Shaw CBE Anthony Smith CBE Robin Soans Imogen Stubbs Andrew Sutch Michelle Terry Richard Wilson OBE Professor Michael Worton CBE Council delegates the day to day management of The Royal Academy of Dramatic Art ("RADA") to the Director, Edward Kemp, and a team of seven senior managers: Kevin Chapman Director RADA in Business, Neil Fraser Technical Director, Linda Garforth Finance Director, Caroline Hawley Development Director, Patricia Myers the Registrar, Lucy Skilbeck Director of Actor Training and Flo Swann, Director of Marketing (resigned June 2015). -
Hampstead Theatre Announces Full Casting for the World Premiere of the Strange Death of John Doe
Press Release 23 April 2018 Hampstead Theatre announces full casting for the world premiere of The Strange Death of John Doe THE STRANGE DEATH OF JOHN DOE Directed by Edward Hall Written by Fiona Doyle Designed by Michael Pavelka Lighting by Matthew Haskins Sound by Chris Murray 25 May – 30 June 2018 Press Night Tuesday 5 June 7.45pm ‘I mean, where does a person begin and end, and when did they stop being a person?’ Hampstead Theatre presents the world premiere of Fiona Doyle’s The Strange Death of John Doe, inspired by real events. This powerful and poignant new play is a Hampstead Theatre commission and a finalist for The Susan Smith Blackburn Prize 2018. It will be directed by Artistic Director Edward Hall and the cast includes Damola Adelaja, Charlotte Bradley, Benjamin Cawley, Callie Cooke, Maynard Eziashi, Nick Hendrix, Rhashan Stone and Abigail Thaw. London – the present day. The unidentified body of a young man with fatal head injuries is found face down in a suburban street. Who is he and where did he come from? He has no ID and nobody witnessed anything. It’s as if he has just fallen from the sky… Clinically named as ‘John Doe’, the pathologists must uncover the truth and piece his story – and body – back together. A breakthrough sends DC John Kavura into overdrive for answers and as his investigation unravels, he discovers a haunting story of our time. Damola Adelaja plays Felipe/Airport Security/Aviation Official. Theatre work includes Parliament Square (Bush/Royal Exchange); The Immigrant (Rich Mix/British Library); Under Dark Skies (Talawa); Our Country's Good (St James’, Out Of Joint); A Drop to Drink (Soho); Fixer (Oval House); A Raisin in the Sun (Manchester Royal Exchange); Junun Dementia (GBS Theatre); Ruined (Almeida); Slave (Lowry Theatre); The Crossing (Hall For Cornwall/Theatre503); Dreams Come Out to Play (Knavish Speech/Birmingham Rep/UK tour) and Romeo and Juliet (Tower Theatre Islington/UK tour). -
Liam Bunster Designer
Liam Bunster Designer Liam is a London based Set and Costume Designer working in theatre, opera and film. Originally training as an Architect, he went on to complete a postgraduate degree in Set and Costume Design at RADA and was recently resident Associate Designer at the Royal Shakespeare Company. Awards 2020 Stage Debut Awards Nomination Theatre 2020 THE TAMING OF THE SHREW Sam Wanamaker Playhouse, The Globe 2019 TWIST Staatstheater Mainz, Germany 2019 DONAL THE NUMB Vaults Festival 2018 FLARE PATH Royal Central School of Speech and Drama 2018 LADY MACWATA Applecart Arts 2018 MACBETH - PLAYMAKING FESTIVAL Royal Shakespeare Theatre, RSC 2018 YOKES NIGHT Gerry’s, Theatre Royal Stratford East 2017 DEAD OR ALIVE Swan Theatre, RSC 2016 VETERANS DAY Finborough Theatre 2016 BARD ON BOARD The Royal Court Theatre, Cunard 2016 THE BEGGAR’S OPERA Vanbrugh Theatre, RADA 2015 AFTER MISS JULIE GBS Theatre, RADA Opera 2017 DER FREISCHUTZ Blackheath Halls 2016 L’ELISIR D’AMORE Westminster Opera Company 2016 ROYAL ACADEMY OF MUSIC SCENES RADA Studios 2016 ROYAL ACADEMY OF OPERA SCENES RADA Studios Events 2016 MATCH AND FUSE FESTIVAL East River Studio/Cafe Oto Production Designer 2019 THE SNATCHER (Short) 2018 ROMEO AND JULIET TRAILER RSC 2017 CHRISTMAS CAROL TRAILER RSC Associate 2020 GEHEIMNIS EINER UNBEKANNTEN Josefstadt Theatre, Vienna (A Visit from an Unknown Woman) 2019 A KIND OF PEOPLE Royal Court 2019 TWO LADIES Bridge Theatre 2019 DEATH OF A SALESMAN Young Vic/Piccadilly Theatre 2019 THE EXORCIST UK Tour 2019 HEDDA TESMAN Chichester Festival/Lowry 2019 WEST SIDE STORY Royal Exchange 2019 A GERMAN LIFE Bridge Theatre 2018 A VERY, VERY, VERY, DARK MATTER Bridge Theatre 2017 DON JUAN IN SOHO Wyndhams Theatre 2016 THE EXORCIST Birmingham Rep/Phoenix Theatre . -
1 Timeline Dylan Thomas Year Dylan Thomas Wales Britain the World 1914 O
1 TIMELINE DYLAN THOMAS YEAR DYLAN THOMAS WALES BRITAIN THE WORLD 1914 October 27th: Dylan Marlais Thomas Ø No National Eisteddfod was held. Ø May 15th – Parliament Ø June 28th – In Sarajevo, born at 5 Cwmdonkin Drive, Uplands, Ø July 7th: Freddie Welsh from rejected the idea of Arch Duke Franz Swansea. Pontypridd became World Scottish Home RUle, bUt Ferdinand from AUstria- He had an older sister called Nancy Lightweight Boxing champion. principle of Irish Home Hungary and his wife, Marles Thomas. His parents – David Ø JanUary 14th: First motorised Rule accepted. were shot, leading to the John and Florrie Thomas were both trolleybus service in Wales started in Ø May 22nd – 57 beginning of the First from Carmarthenshire. D.J.Thomas was Aberdare. Trams were running in protestors including World War. senior English Master at Swansea Swansea and SoUth Wales Transport Emmeline PankhUrst Ø October 3rd– EarthqUake Grammar School. Company was set up and ran a were arrested for trying in TUrkey killed 2,500 service in Swansea Valley. to reach BUckingham people. Ø September 18th: Welsh Church Act – Palace to fUrther their leaded to setting Up the ChUrch in caUse for ‘votes for Wales (breaking free from the ChUrch women’. of England). Ø Nov 17th: Income tax Ø First Women’s teacher training doubled to pay for the college opened in Barry. war. Ø Manager of Swansea Town AFC was an Englishman called William Bartlett. He was in post for less than a year. Ø Five Nations in rUgby Union was won by England with Wales second. 1915- 1915 1915 1915 25 Ø Sept 2nd: Keir Hardy, first LaboUr MP Ø JanUary 19th: Aerial Ø December 10th: Ford in – died.