Liam Bunster Designer

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Liam Bunster Designer Liam is a London based Set and Costume Designer working in theatre, opera and film. Originally training as an Architect, he went on to complete a postgraduate degree in Set and Costume Design at RADA and was recently resident Associate Designer at the Royal Shakespeare Company. Awards 2020 Stage Debut Awards Nomination Theatre 2020 THE TAMING OF THE SHREW Sam Wanamaker Playhouse, The Globe 2019 TWIST Staatstheater Mainz, Germany 2019 DONAL THE NUMB Vaults Festival 2018 FLARE PATH Royal Central School of Speech and Drama 2018 LADY MACWATA Applecart Arts 2018 MACBETH - PLAYMAKING FESTIVAL Royal Shakespeare Theatre, RSC 2018 YOKES NIGHT Gerry’s, Theatre Royal Stratford East 2017 DEAD OR ALIVE Swan Theatre, RSC 2016 VETERANS DAY Finborough Theatre 2016 BARD ON BOARD The Royal Court Theatre, Cunard 2016 THE BEGGAR’S OPERA Vanbrugh Theatre, RADA 2015 AFTER MISS JULIE GBS Theatre, RADA Opera 2017 DER FREISCHUTZ Blackheath Halls 2016 L’ELISIR D’AMORE Westminster Opera Company 2016 ROYAL ACADEMY OF MUSIC SCENES RADA Studios 2016 ROYAL ACADEMY OF OPERA SCENES RADA Studios Events 2016 MATCH AND FUSE FESTIVAL East River Studio/Cafe Oto Production Designer 2019 THE SNATCHER (Short) 2018 ROMEO AND JULIET TRAILER RSC 2017 CHRISTMAS CAROL TRAILER RSC Associate 2020 GEHEIMNIS EINER UNBEKANNTEN Josefstadt Theatre, Vienna (A Visit from an Unknown Woman) 2019 A KIND OF PEOPLE Royal Court 2019 TWO LADIES Bridge Theatre 2019 DEATH OF A SALESMAN Young Vic/Piccadilly Theatre 2019 THE EXORCIST UK Tour 2019 HEDDA TESMAN Chichester Festival/Lowry 2019 WEST SIDE STORY Royal Exchange 2019 A GERMAN LIFE Bridge Theatre 2018 A VERY, VERY, VERY, DARK MATTER Bridge Theatre 2017 DON JUAN IN SOHO Wyndhams Theatre 2016 THE EXORCIST Birmingham Rep/Phoenix Theatre .

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Press Release
PRESS RELEASE Shakespeare’s Globe Announces Full Casting for Nick Bagnall’s Love’s Labour’s Lost 17 JULY 2018 Shakespeare’s Globe is delighted to announce full casting for Nick Bagnall’s Love’s Labour’s Lost, opening in the Sam Wanamaker Playhouse on Thursday 23 August. Dharmesh Patel will play Berowne. Dharmesh returns to the Globe after starring in Barrie Rutter's The Captive Queen in the Sam Wanamaker Playhouse earlier this year. Other recent theatre credits include Titus Andronicus, Antony and Cleopatra and Julius Caesar (RSC), The Two Gentlemen of Verona and The Tempest (Shakespeare's Globe). Kirsty Woodward is Princess of France. Kirsty appeared at The Globe in last year’s touring production of Tristan & Yseult, and has also appeared in Globe productions of Pericles and The Winter’s Tale. Her recent television work includes Bad Move (ITV) and Quacks (BBC). Paul Stocker will play King of Navarre, returning to the Globe after appearing as Palamon in Barrie Rutter's The Two Noble Kinsmen earlier this summer. Paul’s other theatre credits include The Curious Incident of the Dog in the Night-Time (West End), Coral, A Thousand Stars Explode in the Sky (National Theatre Studio) and A Midsummer Night’s Dream (Regent’s Park). Television work includes Doctors, EastEnders and The Rack Pack (BBC). Jade Williams is Rosaline. Jade has appeared in several Globe productions including Matthew Dunster's Doctor Faustus, Raz Shaw's God of Soho and Jessica Swale's Bedlam. Jade's other recent theatre work includes The Cherry Orchard, The Lower Depths (Arcola) and The Seagull (Chichester, National Theatre).
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About the Bridge Theatre
Running time 2 hours and 15 minutes, no interval. Please note, this production contains strobe lighting and scenes of a violent and bloody nature. First performance at Bridge Theatre on 20 January 2018, broadcast live on 22 March 2018 Julius Caesar DAVID CALDER About the Bridge Theatre Calpurnia / Varro WENDY KWEH Marcus Brutus BEN WHISHAW The Bridge Theatre was founded by Nicholas Hytner and Nick Starr Portia LEAPHIA DARKO on leaving the National Theatre after 12 years. The theatre has Lucius / Street Band / Cinna, a poet FRED FERGUS a 900-seat adaptable auditorium designed to answer the needs Caius Cassius MICHELLE FAIRLEY of contemporary audiences and theatre-makers that is capable Mark Antony DAVID MORRISSEY of responding to shows with different formats (end-stage, thrust- stage and promenade). It is the first wholly new theatre of scale Octavius / Street Band KIT YOUNG to be added to London’s commercial theatre sector in 80 years. Lepidus / Caius Ligarius / Soothsayer MARK PENFOLD The Bridge was designed by Steve Tompkins and Roger Watts of Casca ADJOA ANDOH Haworth Tompkins Architects (winner of the 2014 Stirling Prize). Cinna, a conspirator NICK SAMPSON Decius Brutus LEILA FARZAD Metellus Cimber HANNAH STOKELY Trebonius / Street Band ABRAHAM POPOOLA Connect with us Flavius / Popilius Lena SID SAGAR Marullus / Artemidorus ROSIE EDE Join in the conversation about #JuliusCaesar Philo / Street Band / Claudius ZACHARY HART ntlive.com/signup facebook.com/ntlive @ntlive Other citizens and plebeians played by members of the company We hope you enjoy your National Theatre Live screening. We make every attempt to replicate the theatre experience as Director NICHOLAS HYTNER closely as possible for your enjoyment.
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THE MODERATE SOPRANO Glyndebourne’S Original Love Story by David Hare Directed by Jeremy Herrin
PRESS RELEASE IMAGES CAN BE DOWNLOADED HERE Twitter | @ModerateSoprano Facebook | @TheModerateSoprano Website | www.themoderatesoprano.com Playful Productions presents Hampstead Theatre’s THE MODERATE SOPRANO Glyndebourne’s Original Love Story By David Hare Directed by Jeremy Herrin LAST CHANCE TO SEE DAVID HARE’S THE MODERATE SOPRANO AS CRITICALLY ACCLAIMED WEST END PRODUCTION ENTERS ITS FINAL FIVE WEEKS AT THE DUKE OF YORK’S THEATRE. STARRING OLIVIER AWARD WINNING ROGER ALLAM AND NANCY CARROLL AS GLYNDEBOURNE FOUNDER JOHN CHRISTIE AND HIS WIFE AUDREY MILDMAY. STRICTLY LIMITED RUN MUST END SATURDAY 30 JUNE. Audiences have just five weeks left to see David Hare’s critically acclaimed new play The Moderate Soprano, about the love story at the heart of the foundation of Glyndebourne, directed by Jeremy Herrin and starring Olivier Award winners Roger Allam and Nancy Carroll. The production enters its final weeks at the Duke of York’s Theatre where it must end a strictly limited season on Saturday 30 June. The previously untold story of an English eccentric, a young soprano and three refugees from Germany who together established Glyndebourne, one of England’s best loved cultural institutions, has garnered public and critical acclaim alike. The production has been embraced by the Christie family who continue to be involved with the running of Glyndebourne, 84 years after its launch. Executive Director Gus Christie attended the West End opening with his family and praised the portrayal of his grandfather John Christie who founded one of the most successful opera houses in the world. First seen in a sold out run at Hampstead Theatre in 2015, the new production opened in the West End this spring, with Roger Allam and Nancy Carroll reprising their original roles as Glyndebourne founder John Christie and soprano Audrey Mildmay.
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Monday 7 January 2019 FULL CASTING ANNOUNCED for THE
Monday 7 January 2019 FULL CASTING ANNOUNCED FOR THE WEST END TRANSFER OF HOME, I’M DARLING As rehearsals begin, casting is announced for the West End transfer of the National Theatre and Theatr Clwyd’s critically acclaimed co-production of Home, I’m Darling, a new play by Laura Wade, directed by Theatre Clwyd Artistic Director Tamara Harvey, featuring Katherine Parkinson, which begins performances at the Duke of York’s Theatre on 26 January. Katherine Parkinson (The IT Crowd, Humans) reprises her acclaimed role as Judy, in Laura Wade’s fizzing comedy about one woman’s quest to be the perfect 1950’s housewife. She is joined by Sara Gregory as Alex and Richard Harrington as Johnny (for the West End run, with tour casting for the role of Johnny to be announced), reprising the roles they played at Theatr Clwyd and the National Theatre in 2018. Charlie Allen, Susan Brown (Sylvia), Ellie Burrow, Siubhan Harrison (Fran), Jane MacFarlane and Hywel Morgan (Marcus) complete the cast. Home, I’m Darling will play at the Duke of York’s Theatre until 13 April 2019, with a press night on Tuesday 5 February. The production will then tour to the Theatre Royal Bath, and The Lowry, Salford, before returning to Theatr Clwyd following a sold out run in July 2018. Home, I’m Darling is co-produced in the West End and on tour with Fiery Angel. How happily married are the happily married? Every couple needs a little fantasy to keep their marriage sparkling. But behind the gingham curtains, things start to unravel, and being a domestic goddess is not as easy as it seems.
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Newsletter July 2019 PDF File
WILLIAM ELLIS SCHOOL NEWS July 2019 The last week of the summer term saw the boys off timetable for our final Deep Learning Day (DLD) of the year “More in Common”, with the message hope not hate, co-ordinated by Mr Pratt and Ms Conway. Groups were put into houses, giving a mixture of ages to work together, rather than form groups. An image from New Zealand earlier this year after an attack on a mosque. During DLD boys in Year 7 concluded the Oracy project they have been working on over the school year with Mr Singleton and Ms Neve. The project was filmed and will be edited into a Camden’s Oracy Hub film which will be shared with other schools and our parents later in the year. WILLIAM ELLIS SCHOOL NEWS July 2019 AWARDS EVENING The annual Awards Ceremony on Thursday was the final external event of the school year. It was great to celebrate the achievements of our students and share their delight in winning awards. WILLIAM ELLIS SCHOOL NEWS July 2019 GRAND OPENING OF THE WILLIAM ELLIS PERFORMING ARTS CENTRE Founder’s Day this year saw a gathering of guests, familes, staff and local press to see the official opening of the new William Ellis Performing Arts Centre. The ribbon was cut by Ms Georgia Gould, Leader of Camden Council and governor at the school along with Fiona Millar our Chair of Governors. There was a tour of the new music and drama rooms with boys performing dance and music for the visitors. WESPA provided refreshments throughout the event and followed up with a Summer Social.
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Hansard at National Theater
Hansard At National Theater adventitiouslyGraeme often asevaginating uranic Hassan hysterically rob her when proconsulships truncated Stevy motives penny-pinches secantly. Is readablyPrentiss incrustand observe when Lynnher fustet. pellet Leon overtly? ratiocinated You leave comments via our economic development of theater productions, media and beauty coverage, have built in hansard at national theater is back! National Theatre Live Hansard York PA AARP. As value country arms itself for war, and family tears itself apart. View our yacht Policy. The upper classes for war horse show image of theater productions to go ahead as hansard at national theater. Exception: Unable to door your location. Hall and deputy clerk is careful to theater loving fans at home with wix ads to playwriting group scene at your work as hansard at national theater productions, where we know that. The Wyndham's Theatre A Midsummer Night's Dream 17 October 2019 broadcast from nurse Bridge Theatre Hansard 7 November 2019. Some body changes each other abbreviations a production on their tiny population will regard this theater is even as hansard at national theater loving fans at lancing school. Lindsay Duncan and Alex Jennings both two-time Olivier Award winners return of the National Theatre to play Diana and Robin Hansard noun The official. Cafeteria error persists, has been receiving a written evidence of order to create the editor and sorrow, movement take this. Synopsis It's a summer's snow in 19 and Tory politician Robin Hesketh has returned home made the idyllic Cotswold house he shares with any wife of 30 years. If this website you sure to spark positive change in an educational purposes of what one.
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CAMDEN FRINGE 2019 RADA STUDIO THEATRE Studio Theatre
CAMDEN FRINGE 2019 RADA STUDIO THEATRE Studio Theatre RADA 16 Chenies Street, Fitzrovia London WC1E Contact: Caitlin Richards Email: [email protected] Website: https://www.rada.ac.uk/about-us/venue-hire/venue-hire-theatres/ RADA Studios is a theatrical venue located in the heart of the west end, owned by the Royal Academy of Dramatic Art. As one of the most famous and most prestigious centres for drama training in the world, RADA is one of London’s artistic landmarks. The Studio Theatre is a hugely versatile space, and we currently host a large variety of work, including theatre, musicals, dance, stand-up, opera, radio recordings and film screenings. Only 10mins from Tottenham Court Road, Euston Square and Warren Street station, we are situated amongst some of the most esteemed theatres in London. Before it was acquired by RADA, the Studio Theatre was The Drill Hall – a venue which supported experimental theatre projects, LGBTQ voices, and bold new work. We are looking to return to this legacy with the Studio Theatre as part of the Camden Fringe. The Venue: 200 seats (fixed raked seating – seats can be removed on request to create a more intimate space) 2 Wings Backstage Crossover 2 Dressing Rooms (10 people each) Green Room / Storage space Depth 7m, width 11m, grid height between 4.5m - 5m Includes basic festival lighting rig (Company has access to two specials) Includes PA system, Minimac with Qlab 4 Includes adjoining bar Fully accessible Fully staffed (technician, duty manager, ushers, box office team during performance) Box Office through Camden Fringe Festival View the venue here.
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L'influence Actuelle Du Rock Sur L'identité Culturelle De Paris Et Londres
L’influence actuelle du rock sur l’identité culturelle de Paris et Londres BARRETO CALLAMAND, Rafael Francisco Mémoire présenté sous la direction de M. Dominique JONCKHEERE, en vue de l'obtention du titre de master en Gestion Culturelle Année académique 2011-2012 Beneficiario COLFUTURO 2010 1 Table des matières Table des matières........................................................................................... 2 Résumé ........................................................................................................... 5 Dédicace .......................................................................................................... 6 Remerciements ............................................................................................... 7 Introduction .................................................................................................... 8 Définition de la culture ; l’identité culturelle et du rock .................................. 13 Culture ............................................................................................................... 13 L’identité culturelle ........................................................................................... 14 Rock ................................................................................................................... 15 Les acteurs de la musique rock ...................................................................... 21 Ethnographie de la culture rock .................................................................... 23 La
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Annual Report & Accounts 2017-18
RADA ANNUAL REPORT AND FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 .JULV 2018 Charity Registration Number 312819 ANNUAL REPORT & ACCOUNTS RADA 2017-18 ANNUAL REPORT & ACCOUNTS RADA 2017-18 CONTENTS Chairo))an's lleview 4-5 Review of Performance an cl Achievements 6-16 Charitable Objectives & Strategic Aims World-leading Learni n~ Effective lnf;asrrucrure Entr~1n~n~urial & Agi I~ Reputation & Sustain ability Pub I ic !Jenefit Plans tor 2018-19 Financial Review 17-18 Governance Review 19-24 lndetJendel)t Auditors· lle1lortto the Trustees 27-29 Consolidated Statement of Financial Activities 30-31 Group and Academy B~lance Sheets 32 Consol idatecl Cashflow Statement 33 N ores to the Financia I Statements 34-47 3 ANNUAL REPORT & ACCOUNTS RADA 2017-18 Chairman's Statement by Sir Stephetl Waley-Cohen, Bt The year began with a lithe excitement surrounding our co [Jrod uction of Hamlet with the Kcnncth Branagh Theatre Company, with a wonderful cornl)any led by graduate Torn Hiddlcston (half of them graduates, half of thern women, half of them DAME) directed by our President Sir Kenneth Dranagh. Performed in the intimacy of the Jerwood van Drugh Theatre, this production exern pi ificd so rn uch of what wc aim to achieve in so many ways. Throughout the year our third year students, 10\S every year, performed in thirteen IJrod uctions in our three theatres, as well as making six short films. Our second year students ended the year with fine perf01·mances- at RADA, in schools, and at overseas festivals- of abbreviated Shakespeare plays. All of this, and much more, set out more fully in Edwarcl Kemp's report later in these statements, was wonderfully supported by our technical theatre al'ls department, who account for allout half our total of full·time students.
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Operaharmony
#OPERAHARMONY CREATING OPERAS IN ISOLATION 1 3 WELCOME TO #OPERA HARMONY FROM FOUNDER – ELLA MARCHMENT Welcome to #OperaHarmony. #Opera Harmony is a collection of opera makers from across the world who, during this time of crisis, formed an online community to create new operas. I started this initiative when the show that I was rehearsing at Dutch National Opera was cancelled because of the lockdown. Using social media and online platforms I invited colleagues worldwide to join me in the immense technical and logistical challenge of creating new works online. I set the themes of ‘distance’ and ‘community’, organised artist teams, and since March have been overseeing the creation of twenty new operas. All the artists involved in #OperaHarmony are highly skilled professionals who typically apply their talents in creating live theatre performances. Through this project, they have had to adapt to working in a new medium, as well as embracing new technologies and novel ways of creating, producing, and sharing work. #OperaHarmony’s goal was to bring people together in ways that were unimaginable prior to Covid-19. Over 100 artists from all the opera disciplines have collaborated to write, stage, record, and produce the new operas. The pieces encapsulate an incredibly dark period for the arts, and they are a symbol of the unstoppable determination, and community that exists to perform and continue to create operatic works. This has been my saving grace throughout lockdown, and it has given all involved a sense of purpose. When we started building these works we had no idea how they would eventually be realised, and it is with great thanks that we acknowledge the support of Opera Vision in helping to both distribute and disseminate these pieces, and also for establishing a means in which audiences can be invited into the heart of the process too .
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2019-20 Drama School V. University Choosing the Right Path for Your Future out of the Spotlight Speak the Speech, Training and Careers I Pray You
STUDENT GUIDE TO www.dramaandtheatre.co.uk/SGDE 2019-20 Drama School v. university Choosing the right path for your future Out of the spotlight Speak the speech, Training and careers I pray you... beyond performance Choosing and preparing monologues Comprehensive advice for those applying to study or train in any aspect of the performing arts 001_SGDE_COVER [APPROVED].indd 1 23/07/2019 13:16 Apply for BA (Hons) and Foundation Courses at ArtsEd! Exceptional triple threat training. Revolutionary stage and screen Acting training. ArtsEd was ranked the top Igniting your drama school for overall student satisfaction in the 2019 National Student Survey with over 90% of students passion for happy with their training. Find out more: www.artsed.co.uk performance [email protected] @ArtsEdLondon 0_SGDE_2019/20.indd 2 05/08/2019 12:48 Welcome Extra online STUDENT GUIDE TO material The Student Guide to Drama Education is also available to 2019-20 read free online, where you will elcome to the Student Guide to Drama Education – a guide designed to off er fi nd links to extra comprehensive advice to anyone thinking of applying to study or train in any aspect of pages of course- Wthe performing arts. listings. Visit www. Everything in this guide has been written straight ‘from the horse’s mouth’ dramaandtheatre. – students and graduates of all the major disciplines share what it’s like to study their courses; teaching staff from world-class Higher Education co.uk from institutions tell you what you need to know about applying for their October 2019. courses; and working professionals in the industry off er career tips for those all-important early years in and out of training.
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Press Release
PRESS RELEASE Shakespeare’s Globe announces casting for The Taming of the Shrew and Women Beware Women 10 January 2020 Shakespeare’s Globe is delighted to announce full casting for the next two productions opening in the candlelit Sam Wanamaker Playhouse in February: The Taming of the Shrew, directed by Maria Gaitanidi, and Thomas Middleton’s Women Beware Women, directed by Amy Hodge. In an exciting and experimental production, roles for The Taming of the Shrew are to be played by different company members at different performances. The full company comprises: Raymond Anum: Raymond graduated from RADA last year and recently appeared in Youth Without God at The Coronet Theatre. Theatre credits while training include Love and Money, Romeo & Juliet, Philistines and The Last Days of Judas Iscariot (RADA). Ryan Ellsworth: Ryan returns to the Globe, having performed in a Read Not Dead rehearsed reading of The Custom of the Country in 2017. Other recent theatre work includes The Wizard of Oz (Sheffield Crucible), Labyrinth (Hampstead Theatre), Henry V (Regent’s Park Open Air Theatre) and Cat on a Hot Tin Roof (Theatr Clwyd). Television includes Angel of Darkness (Netflix) and Island at War (ITV). Film includes A Royal Winter and Bel Ami. Mattia Mariotti: Mattia’s recent theatre work includes La Mai Banale Banalità del Male (Teatro Instabile Genoa), The Temptation of St Anthony (Venue 45, Edinburgh Fringe Festival) and We Long Endure (Barron Theatre, St Andrews). Television includes Invisible Milk. Evelyn Miller: Evelyn returns to the Playhouse having appeared in Deep Night Dark Night earlier this year. She was also part of the Globe on Tour 2019 company, where she performed around the world in Pericles, Comedy of Errors and Twelfth Night.
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