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Wales Sees Too Much Through Scottish Eyes
the welsh + Peter Stead Dylan at 100 Richard Wyn Jones and Roger Scully Do we need another referendum? John Osmond Learning from Mondragon Stuart Cole A railway co-op for Wales David Williams Sliding into poverty James Stewart A lost broadcasting service Peter Finch Wales sees too Talking to India Trevor Fishlock The virtues of left handednesss much through Osi Rhys Osmond Two lives in art Ned Thomas Scottish eyes Interconnected European stories M. Wynne Thomas The best sort of crank www.iwa.org.uk | Summer 2012 | No. 47 | £8.99 The Institute of Welsh Affairs gratefully acknowledges funding support from the Joseph Rowntree Charitable Trust, the Esmée Fairbairn Foundation and the Waterloo Foundation. The following organisations are corporate members: Public Sector Private Sector Voluntary Sector • Aberystwyth University • ABACA Limited • Aberdare & District Chamber • ACAS Wales • ACCA Cymru Wales of Trade & Commerce • Bangor University • Beaufort Research Ltd • Cardiff & Co • BBC Cymru Wales • BT • Cartrefi Cymru • British Waterways • Call of the Wild • Cartrefi Cymunedol Community • Cardiff & Vale College / Coleg • Castell Howell Foods Housing Cymru Caerdydd a’r Fro • CBI Wales • Community – the Union for Life • Cardiff Council • Core • Cynon Taf Community Housing Group • Cardiff School of Management • Darwin Gray • Disability Wales • Cardiff University • D S Smith Recycling • EVAD Trust • Cardiff University Library • Devine Personalised Gifts • Federation of Small Businesses Wales • Centre for Regeneration Excellence • Elan Valley Trust -
(Public Pack)Agenda Document for Culture, Welsh Language And
------------------------ Public Document Pack ------------------------ Agenda - Culture, Welsh Language and Communications Committee Meeting Venue: For further information contact: Committee Room 2 - The Senedd Steve George Meeting date: 20 June 2018 Committee Clerk Meeting time: 09.15 0300 200 6565 [email protected] ------ 1 Introductions, apologies, substitutions and declarations of interest 2 Film and major television production in Wales: Evidence Session 14 (09:15 - 10:15) (Pages 1 - 17) Ron Jones, Founder and Executive Chairman of Tinopolis, Chair of the Welsh Government’s Creative Industries Sector Panel and a member of the Media Investment Panel. Break (10:15 - 10:30) 3 Film and major television production in Wales: Evidence Session 15 (10:30 - 11:30) (Pages 18 - 31) Ken Skates AM, Cabinet Secretary for Economy and Transport Dafydd Elis-Thomas AM, Minister for Culture, Tourism and Sport Mick McGuire, Director Business and Regions Joedi Langley, Head of Creative Sector 4 Paper(s) to note 4.1 The Welsh Government’s relationship with Pinewood (Pages 32 - 79) 4.2 Film and major television production in Wales: Additional Evidence from the Welsh Government (Pages 80 - 83) 4.3 Film and major television production in Wales: Additional Evidence from the Arts Council of Wales (Pages 84 - 86) 4.4 Film and major television production in Wales: Additional Evidence from Euros Lyn (Pages 87 - 89) 4.5 Film and major television production in Wales: Additional Evidence (Pages 90 - 92) 4.6 Correspondence from the Welsh Language Commissioner -
Llyfrgell Genedlaethol Cymru = the National Library of Wales Cymorth
Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - Winifred Coombe Tennant Papers, (GB 0210 WINCOOANT) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 05, 2017 Printed: May 05, 2017 Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH Description follows ANW guidelines based on ISAD(G) 2nd ed.; AACR2; and LCSH https://archifau.llyfrgell.cymru/index.php/winifred-coombe-tennant-papers-2 archives.library .wales/index.php/winifred-coombe-tennant-papers-2 Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk Winifred Coombe Tennant Papers, Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Hanes gweinyddol / Braslun bywgraffyddol | Administrative history | Biographical sketch ......................... 3 Natur a chynnwys | Scope and content .......................................................................................................... 4 Trefniant | Arrangement .................................................................................................................................. 5 Nodiadau | Notes ............................................................................................................................................ -
City & County of Swansea Cabinet
CITY & COUNTY OF SWANSEA CABINET At: Committee Room 1, Civic Centre, Swansea. On: Thursday, 4 October, 2012 Time: 5.00 pm AGENDA 1. Apologies for Absence. 2. To receive Disclosures of Personal and Prejudicial Interests. 1 3. To approve and sign as a correct record the Minutes of the following Meetings:- a) Cabinet held on 6 September 2012. 2 - 9 b) Special Cabinet held on 18 September 2012. 10 - 12 4. Leaders Report. 5. Public Question Time. 6. Councillor Question Time. 7. Reports from Scrutiny Boards - None. 8. Report(s) within the Citizen, Community Engagement & Democracy Cabinet Member Portfolio: a) Corporate Complaints Annual Report 2011-12. (For Information) 13 - 21 b) Adult & Directorate Services Complaints Annual Report 2011-12. (For 22 - 35 Information) c) Child & Family Services Complaints Annual Report 2011-12. (For 36 - 48 Information) d) Regulation of Investigatory Powers (RIPA) Annual Report 2011-12. 49 - 53 (For Information) e) Freedom of Information (FOI) Annual Report 2011-12. (For 54 - 58 Information) 9. Report(s) within the Finance & Resources Cabinet Member Portfolio. a) Delivering Results that Matter - Annual Review of Performance 2011- 59 - 116 12. b) Revenue Outturn 2011/12 – Housing Revenue Account. 117 - 120 10. Report(s) within the Learning & Skills Cabinet Member Portfolio. a) Flying Start Capital Programme Expansion 2012 - 2015. 121 - 130 b) Response of the Cabinet Member - Review of Teaching Assistants. 131 - 134 c) Framework For The Supply Of Groceries, Provisions And Frozen 135 - 138 Foods. 11. Report(s) within the Learning & Skills and Place Cabinet Member Portfolio's. a) Regional School Transport Policy. 139 - 144 12. -
The Swansea Branch Chronicle 9
Issue 9 Summer 2015 The 18th century Georgians Contents Man is born free, yet everywhere he is in fetters. Jean-Jaques Rousseau 1762 3 From the Editor 4 From the Chairman 5 Hymn Writer Supreme Dr R. Brinley Jones 6 Venice, the Biennale and Wales Dr John Law 7 18th Century Underwear Sweet disorder in her dress, kindles in Jean Webber Clothes a wantonness. 9 Whigs and wigs Robert Herrick 12 Howell Harris David James 15 Branch news 16 British Government’s Response to French Revolution Elizabeth Sparrow 18 Reviews 20 Joseph Tregellis Price Jeffrey L Griffiths Oil painting by Nicolas Largilliere 22 School’s Essay Competition Richard Lewis 24 Programme of Events Madame de Pompadour From the Editor Margaret McCloy The 18th century what a great time to live in London… that is, if you were wealthy and a gentleman. Mornings could be spent in the fashionable new coffee bars talking to the intelligentsia discussing the new whether a new Gothic tale by Horace Walpole, The architectural studies by William Kent, based on Italian Times or Dr Johnson’s, A Dictionary of the English Palladian houses,seen by Lord Burlington. In Italy. Or Language. Quite a few hours of reading. marvel at Sheraton’s latest designs in elegant Evenings were for dining and listening to music, furniture. Maybe make a trip to New Bond Street and perhaps the latest works from Mozart and Haydn.With enjoy an afternoon drink in the King’s Arms discussing luck, you may be invited to Handel’s house in Brook the theatre in the company of artists and actors. -
Introduction
Notes Introduction 1. For more on the Romanticism and Classicism debate in the maga- zines, see David Goldie’s Critical Difference: T. S. Eliot and John Middleton Murry in English Literary Criticism, 1918–1929 (69– 127). Harding’s discussion in his book on Eliot’s Criterion of the same debate is also worth reviewing, especially his chapter on Murry’s The Adelphi; see 25–43. 2. Esty suggests that the “relativization of England as one culture among many in the face of imperial contraction seems to have entailed a relativization of literature as one aspect of culture . [as] the late modernist generation absorbed the potential energy of a contracting British state and converted it into the language not of aesthetic decline but of cultural revival” (8). In a similar fashion, despite Jason Harding’s claim that Eliot’s periodical had a “self-appointed role as a guardian of European civilization,” his extensive study of the magazine, The “Criterion”: Cultural Politics and Periodical Networks in Inter-War Britain, as the title indicates, takes Criterion’s “networks” to exist exclusively within Britain (6). 3. See Suzanne W. Churchill, The Little Magazine Others and the Renovation of Modern American Poetry; Eric White, Transat- lantic Avant-Gardes: Little Magazines and Localist Modernism; Adam McKible, The Space and Place of Modernism: The Russian Revolution, Little Magazines, and New York; Mark Morrisson, The Public Face of Modernism: Little Magazines, Audience, and Reception, 1905–1920; Faith Binckes, Modernism, Magazines, and the Avant-Garde: Reading “Rhythm,” 1910–1914. 4. Thompson writes, “Making, because it is a study in an active process, which owes as much to agency as to conditioning. -
Dylan Thomas Resources
Dylan Thomas was born on the 27th October Cwmdonkin Avenue is located in a position that 1914 at 5 Cwmdonkin Drive, a semi-detached is high above Swansea Bay. As young boy Dylan house in the Uplands area of Swansea. would have looked out on the sea every day. 1914 was a momentous year for the World The changing moods of this wide, curving seascape because of the outbreak of the Great War. would have a lasting impact on the imagination of the poet to be. His father was an English teacher and although both his parents could speak Welsh, he and his Dylan would continue to live and work for much sister Nancy were brought up as English speakers. of his life in locations with magnificent sea views. WG22992 © Hawlfraint y Goron / Crown Copyright 2014 / Crown WG22992 © Hawlfraint y Goron www.cadw.wales.gov.uk/learning At Swansea Waterfront a statue of Dylan as a young boy sits looking out over the docks and Although Dylan Thomas did not write in Welsh, at the people who stroll by. The sculptor John the inspiration for much of his work was rooted in Doubleday has shown the poet perched on the the closeness he felt for Wales, its people and its edge of his chair. He looks like he has been caught landscape. The historic town of Laugharne, with its in the moment of creative thought. magnificent castle and its swirling estuary provided him with many creative writing opportunities. He Dylan began to write at a young age. He was a wrote ‘Portrait of the Artist as a Young Dog’ from teenager when he began to keep the notebooks the gazebo that is set into the imposing walls of into which he poured his writing ideas, especially the Castle. -
Alexis Krahling Ms. Gelso Brit Lit 3 March 14, 2014 How Does the Poem “When I Have Fears That I May Cease to Be” Relate To
Krahling)2) ) Alexis Krahling Ms. Gelso Brit Lit 3 March 14, 2014 How does the poem “When I Have Fears That I May Cease to Be” relate to John Keats background and biography? The background of a person’s discuses a person’s past life and the experiences they went through. The biography of a person’s life is the story of a real person’s life written by someone other than that specific person. In “When I Have Fears That I May Cease to Be” by John Keats, published in 1848, parts of Keats background and biography are seen. Keats’s poem was written during the literary time period of Romanticism. Romanticism was a time when writers emphasized feeling and when individual experiences were highly valued. Keats expresses his feelings and his individual experiences in life in “When I Have fears That I May Cease to Be.” In the poem, Keats expresses his fear of dying before he accomplishes his goals and before he sees a specific woman again. He talks about how he feels alone in the world and how love and fame have no value. Knowing about John Keats’s life helps one understand the poem “When I Have Fears That I May Cease to Be” because it relates to John Keats’s background and biography by expressing his fears of death, his past experiences with death, and Keats’s ambitious attitude. John Keats was a well-known British author who wrote poems, like “When I Have Fears That I May Cease to Be”, during the Romantic Period. -
Dylan Thomas: “A Refusal” to Be a Poet of Love, Pity and Peace
ISSN 2664-4002 (Print) & ISSN 2664-6714 (Online) South Asian Research Journal of Humanities and Social Sciences Abbreviated Key Title: South Asian Res J Human Soc Sci | Volume-1 | Issue-3| Oct-Nov -2019 | DOI: 10.36346/SARJHSS.2019.v01i03.016 Original Research Article Dylan Thomas: “A Refusal” to be a Poet of Love, Pity and Peace S. Bharadwaj* Professor of English (Former), Annamalai University, Annamalai Nagar, Chidambaram, Tamil Nadu 608002, India *Corresponding Author S. Bharadwaj Article History Received: 01.11.2019 Accepted: 10.11.2019 Published: 20.11.2019 Abstract: Dylan Thomas‘s poem ―A Refusal to Mourn the Death, by Fire, of a Child in London‖ focuses on the problem of the allotted role of the war time poet involved in choice-making. The agonizing tension, the climate of the global war and the creative fear and anxieties continue to harass the poets of the thirties and the war poets of the forties. One may readily agree with the view that in stylistic maturity the poem surpasses anything Thomas has written before, and it is also true that, at the formal level, the early poem 18 Poems sets the pattern for this later poem. Literary critics interpret the poem within the perspective of death and religion. However the poem, dramatizing the socio-politico-historical functioning of the war poets of the forties and the more ironic complex attitude of Auden and the pitiless attitude of the lost poets of the thirties, brings out the inadequacy of the poet‘s power of comprehension and the pain inherent in human perception. -
Dylan Thomas' Poetry – a Critical Study (1914 – 1953)
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 19, Issue 10, Ver. VIII (Oct. 2014), PP 26-31 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Dylan Thomas’ Poetry – A Critical Study (1914 – 1953) George Dodda Abstract: The present study comprises FIVE chapters. The opening chapter is entitles “The Peot and the Milieu, in which his early friends like Daniel Jones, E.W.Ted Lock, Pamela Hangfold Johnson, George Baker, G.S. Prasad, Edith Sitwell, Henry Gibson, Elder Olson who were to find a place and their impact on his writings. The second chapter entitled “The Creative Genius of the Poet” attempts to examine Thomas’ achievement as a poet. The third chapter is entitled “Dylan Thomas’ Imagery and Symbolism”. His writings are interspersed with myths and allusions from classical as well as Renaissance Literature through the present day. The fourth chapter of Dylan Thomas is ”The craftsmanship and the Poet”, attempts to examine the influence of the Bardic tradition. The concluding chapter sums up the observations made in the preceding chapters. The chapter deals with my assessment of the poet’s work besides certain evaluations made by significant writers. I. The Poet And The Milieu Dylan Thomas expresses not only his poignant ideas but also displays the milieu and spirit of Welsh region through his verse. The long shadows of two World Wars of 1914-18 and 1939-45 left an indelible impression on the minds of sensitive readers. Science and Technology have transformed our lives. The Second World War split the world into two blocks, the East dominated by Russia and the West by America. -
The Development of Dylan Thomas' Use of Private Symbolism in Poetry A.Nne" Marie Delap Master of Arts
THE DEVELOPMENT OF DYLAN THOMAS' USE OF PRIVATE SYMBOLISM IN POETRY By A.NNE" MARIE DELAP \\ Bachelor of Arts Oklahoma State University Stillwater, Oklahoma 1964 ~ubmitted to the faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May, 1967 0DAHOMI STATE IJIIVERsifi'li' 1-~BR,AYRV dlNlQN THE DEVELOPMENT OF DYLAN THOMAS O USE OF PRIVATE SYMBOLISM IN POETRY Thesis Approved: n n 11,~d Dean of the Graduate College 658670 f.i PREFACE In spite of numerous explications that have been written about Dylan Thomas' poems, there has been little attention given the growth and change in his symbolism. This study does not pretend to be comprehensive, but will atte~pt, within the areas designated by the titles of chapters 2, 3, and 4, to trace this development. The terms early 129ems and later poems will apply to the poetry finished before and after 1939, which was the year of the publication of The Map tl Love. A number of Thomas• mature poems existed in manu- script form before 1939, but were rewritten and often drastically altered before appearing in their final form. .,After the funera1° ' i is one of these: Thomas conceived the idea for the poem in 1933, but its final form, which appeared in The Map .Q! ~' represents a complete change from the early notebook version. Poem titles which appear in this study have been capitalized according to standard prac- tice, except when derived from the first line of a poem; in thes,e cases only the first word is capitalized. -
Papers of Dylan Thomas and Veronica Sibthorp, (NLW MS 21698E.)
Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - Papers of Dylan Thomas and Veronica Sibthorp, (NLW MS 21698E.) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 13, 2017 Printed: May 13, 2017 Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH Description follows NLW guidelines based on ISAD(G) 2nd ed.; AACR2; and LCSH https://archifau.llyfrgell.cymru/index.php/papers-of-dylan-thomas-and-veronica- sibthorp archives.library .wales/index.php/papers-of-dylan-thomas-and-veronica-sibthorp Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk Papers of Dylan Thomas and Veronica Sibthorp, Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Hanes gweinyddol / Braslun bywgraffyddol | Administrative history | Biographical sketch ......................... 3 Nodiadau | Notes ............................................................................................................................................. 4 Pwyntiau mynediad | Access points ............................................................................................................... 5 - Tudalen | Page 2 - NLW MS 21698E. Papers of Dylan Thomas and Veronica Sibthorp, Gwybodaeth