BBC Charter Review
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Managing the BBC's Estate
Managing the BBC’s estate Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 3 December 2014 BRITISH BROADCASTING CORPORATION Managing the BBC’s estate Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 3 December 2014 Presented to Parliament by the Secretary of State for Culture, Media & Sport by Command of Her Majesty January 2015 © BBC 2015 The text of this document may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. BBC Trust response to the National Audit Office value for money study: Managing the BBC’s estate This year the Executive has developed a BBC Trust response new strategy which has been reviewed by As governing body of the BBC, the Trust is the Trust. In the short term, the Executive responsible for ensuring that the licence fee is focused on delivering the disposal of is spent efficiently and effectively. One of the Media Village in west London and associated ways we do this is by receiving and acting staff moves including plans to relocate staff upon value for money reports from the NAO. to surplus space in Birmingham, Salford, This report, which has focused on the BBC’s Bristol and Caversham. This disposal will management of its estate, has found that the reduce vacant space to just 2.6 per cent and BBC has made good progress in rationalising significantly reduce costs. -
The True Story of Mission to Hell Page 4
The newspaper for BBC pensioners – with highlights from Ariel online The true story of Mission to Hell Page 4 August 2015 • Issue 4 Trainee Oh! What operators a lovely reunite – Vietnam War TFS 1964 50 years on Page 6 Page 8 Page 12 NEWS • MEMORIES • CLASSIFIEDS • YOUR LETTERS • OBITUARIES • CROSPERO 02 BACK AT THE BBC Departments Annual report highlights ‘better’ for BBC challenge move to Salford The BBC faces a challenge to keep all parts of the audience happy at the same time as efficiency targets demand that it does less. said that certain segments of society were more than £150k and to trim the senior being underserved. manager population to around 1% of But this pressing need to deliver more and the workforce. in different ways comes with a warning that In March this year, 95 senior managers Delivering Quality First (DQF) is set to take a collected salaries of more than £150k against bigger bite of BBC services. a target of 72. The annual report reiterates that £484m ‘We continue to work towards these of DQF annual savings have already been targets but they have not yet been achieved,’ achieved, with the BBC on track to deliver its the BBC admitted, attributing this to ‘changes Staff ‘loved the move’ from London to target of £700m pa savings by 2016/17. in the external market’ and the consolidation Salford that took place in 2011 and The first four years of DQF have seen of senior roles into larger jobs. departments ‘are better for it’, believes Peter Salmon (pictured). a 25% reduction in the proportion of the More staff licence fee spent on overheads, with 93% of Speaking four years on from the biggest There may be too many at the top, but the the BBC’s ‘controllable spend’ now going on ever BBC migration, the director, BBC gap between average BBC earnings and Tony content and distribution. -
Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
London Calling: BBC External Services, Whitehall and the Cold War 1944- 57
London calling: BBC external services, Whitehall and the cold war 1944- 57. Webb, Alban The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/1577 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] LONDON CALLING: SSC EXTERNAL SERVICES, WHITEHALL AND THE COLD WAR, 1944-57 ALBAN WEBB Queen Mary College, University of London A thesis submitted in partial fulfilment of the requirements of the University of London for the degree of Doctor of Philosophy (Ph.D) 1 Declaration: The work presented in this thesis is my own. Signed: '~"\ ~~Ue6b Alban Webb Declaration: The work presented in this thesis is my own. Signed: Alban Webb ABSTRACT The Second World War had radically changed the focus of the BBC's overseas operation from providing an imperial service in English only, to that of a global broadcaster speaking to the world in over forty different languages. The end of that conflict saw the BBC's External Services, as they became known, re-engineered for a world at peace, but it was not long before splits in the international community caused the postwar geopolitical landscape to shift, plunging the world into a cold war. At the British government's insistence a re-calibration of the External Services' broadcasting remit was undertaken, particularly in its broadcasts to Central and Eastern Europe, to adapt its output to this new and emerging world order. -
Gambling Advertising: How Is It Regulated?
BRIEFING PAPER Number 7428, 11 May 2020 Gambling advertising: By John Woodhouse how is it regulated? Inside: 1. Introduction 2. What does gambling law require? 3. What is the gambling industry doing? 4. What is the Government’s position? www.parliament.uk/commons-library | intranet.parliament.uk/commons-library | [email protected] | @commonslibrary Number 7428, 11 May 2020 2 Contents Summary 3 1. Introduction 5 2. What does gambling law require? 7 2.1 The Advertising Codes 7 3. What is the gambling industry doing? 10 3.1 The Industry Code for Socially Responsible Advertising 10 3.2 The Betting and Gaming Council’s role 10 4. What is the Government’s position? 12 Cover page image copyright: Fruit machine by alxhe. Licensed under CC BY 2.0 / image cropped 3 Gambling advertising: how is it regulated? Summary Under the Gambling Act 2005, gambling operators selling into the British market must have a Gambling Commission licence to transact with, and advertise to, British consumers. The Commission’s Licence Conditions and Codes of Practice (April 2020) require gambling operators to comply with the Advertising Codes, administered by the Advertising Standards Authority (ASA). The Codes aim to ensure that gambling adverts do not: • portray, condone or encourage gambling behaviour that is socially irresponsible or could lead to financial, social or emotional harm; • exploit the susceptibilities, aspirations, credulity, inexperience or lack of knowledge of children, young persons or other vulnerable persons; • suggest that gambling can be a solution to financial concerns; • link gambling to seduction, sexual success or enhanced attractiveness; • be of particular appeal to children or young persons, especially by reflecting or being associated with youth culture; • feature anyone gambling or playing a significant role in the ad if they are under 25 years old (or appear to be under 25). -
RIG Response to the BBC Trust Review of the BBC's National Radio
RIG response to The BBC Trust Review of the BBC’s national radio stations in Northern Ireland, Scotland and Wales RIG response to the BBC Trust Review of the BBC’s national radio stations in Wales About RIG The Radio Independents Group is the trade association for independent radio and audio producers in the UK. RIG has over 100 member companies, and rough estimates put the overall value of the sector at over £25m1. RIG has around 30 member companies based in Wales, making audio content for the BBC and commercial companies both in English and Welsh. RIG also has 6 members in Scotland. Overall comment on the Trust Review RIG is pleased to see the BBC Trust carrying out this review into Nations Radio. We passionately believe in the ability of a thriving independent production sector to increase the amount of innovation, ideas and talent available to the licence fee payer. This applies as much to Nations radio as it does to the major networks. For example one part of Wales is not the same as another and independent producers, based around that nation, can play a major part in sharing voices and perspectives from all of those areas. For the purposes of this consultation, RIG canvassed its members in both Wales and Scotland – there are currently very few producers making audio independently in Northern Ireland. On this occasion there have been no major comments to make about BBC Nations Radio in Scotland. Therefore the response is concentrated on BBC Radio Wales and Radio Cymru. We have sought to keep as closely to the remit of the questions as possible. -
How Uk News Providers Engage Young Adult Audiences (Aged 16-34) on Digital and Social Media Platforms
‘OLD NEWS, YOUNG VIEWS’ HOW UK NEWS PROVIDERS ENGAGE YOUNG ADULT AUDIENCES (AGED 16-34) ON DIGITAL AND SOCIAL MEDIA PLATFORMS. by LEON HAWTHORNE A thesis submitted to the University of Birmingham for the degree of MA BY RESEARCH. Department of Film & Creative Writing School of English, Drama and Creative Studies College of Arts and Law University of Birmingham June 2020 ii University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. iii Abstract This thesis examines the changing patterns of news consumption by young adults in the United Kingdom, aged 16 to 34 years old, and the editorial responses to this by leading television news broadcasters. It begins with a comprehensive review of the most recent literature on incidental news exposure, personalisation, echo chambers and filter bubbles; combining this with analyses of key reports by industry and governmental sources. It proposes a new taxonomy of news consumption behaviours, and a new visual taxonomy of news using the RGB (red, green, blue) colour spectrum. Senior editors at ITV News, Channel 4 News, 5 News and Sky News were interviewed to provide insights into current digital strategies. -
One Man's Personal Campaign to Save the Building – Page 8
The newspaper for BBC pensioners – with highlights from Ariel online Goodbye TVC One man’s personal campaign to save the building – page 8 April 2013 • Issue 2 bbC expenses regional dance band down television drama memories Page 2 Page 6 Page 7 NEWS • MEMoriES • ClaSSifiEdS • Your lEttErS • obituariES • CroSPEro 02 baCk at thE bbC Pollard Review findings On 22 February, acting director general Tim Davie sent the following email to all staff, in advance of the publication of the Nick Pollard. Pollard Review evidence: hen the Pollard Review was made clearer to ensure all entries meet BBC published back in December, Editorial standards. we said that we would The additional papers we’ve published Club gives tVC a great release all the evidence that today don’t add to Nick Pollard’s findings, send off WNick Pollard provided to us when he they explain the factual basis of how he (where a genuine and identifiable interest of delivered his report. Today we are publishing arrived at them. We’ve already accepted the BBC is at stake). Thank you to all the retired members and all the emails and documents that were the review in full and today’s publication There will inevitably be press interest and ex-staff who joined us for our ‘Goodbye to appended to the report together with the gives us no reason to revisit that decision as you would expect we’re offering support to TVC’ on 9 March. The day started with a transcripts of interviews given to the review. or the actions we are already taking. -
Laissez-Faire Regulation, the Public Spending Squeeze and the Drive to Digital Guy Starkey*
Cultural Trends, 2015 http://dx.doi.org/10.1080/09548963.2014.1000591 COMMENTARY 5 Cultural policy in the coalition years: Laissez-faire regulation, the public spending squeeze and the drive to digital Guy Starkey* 10 Centre for Research in Media & Cultural Studies, University of Sunderland, Sunderland, UK Introduction Radio, so often described by academics as the “invisible” (Lewis & Booth, 1989), “Cinder- ” – “ ” 15 ella (Halesworth, 1971, pp. 189 191) or even forgotten medium (Pease & Dennis, 1994), has enjoyed a relatively settled period under the coalition government. There has been no crisis of confidence over ethical and legal issues, as exposed in the press by Leveson and the police operations, Elveden, Tuleta and Weeting. There have been few head- line-grabbing (if difficult-to-evaluate) initiatives like local television, as exemplified by London Live or Made in Tyne & Wear, and no government-rocking conflicts of interest as 20 spectacular as that over the ownership of BSkyB. Nor indeed has there been any game-chan- ging reorganisation of public funding, similar to the Arts Council’s lists of winners and losers. Yet, as is so often the case, radio remains a significant, but largely, ignored medium. In terms of government policy, it has suffered mixed fortunes under the five years of the coalition. Official listening figures continue to confirm recent trends in radio’s fortunes. If radio grabs 25 little of the media limelight, it remains a medium with an enviable ubiquity. It may have been slow to win audiences among younger people as large as when it broke new music and pro- vided the kind of escapism sought by youth in the 1960s and 1970s. -
Whole Day Download the Hansard Record of the Entire Day in PDF Format. PDF File, 0.85
Wednesday Volume 681 30 September 2020 No. 111 HOUSE OF COMMONS OFFICIAL REPORT PARLIAMENTARY DEBATES (HANSARD) Wednesday 30 September 2020 © Parliamentary Copyright House of Commons 2020 This publication may be reproduced under the terms of the Open Parliament licence, which is published at www.parliament.uk/site-information/copyright/. 319 30 SEPTEMBER 2020 320 Brandon Lewis: My right hon. Friend makes a good House of Commons point. There is a difference with businesses in Great Britain trading with Northern Ireland. Weare determined Wednesday 30 September 2020 to give them the certainty that they want and need. That is an important part of delivering on the protocol, which says that it The House met at half-past Eleven o’clock “should impact as little as possible on the everyday life of communities”. PRAYERS That means ensuring good free trade. The protocol makes it clear that there will be some changes for goods movements into Northern Ireland from Great Britain. [MR SPEAKER in the Chair] We are consulting businesses in Northern Ireland and Virtual participation in proceedings commenced (Order, working with our partners in the European Union to 4 June). deliver on that, and there will be a slimmed-down [NB: [V] denotes a Member participating virtually.] Finance Bill that includes all the commitments we have made to the people of Northern Ireland that are outstanding Speaker’s Statement at that point. Mr Speaker: I remind colleagues that deferred Divisions Sir Jeffrey M. Donaldson (Lagan Valley) (DUP): I will take place today on two statutory instruments in echo the comments made by the right hon. -
A Career at BBC Birmingham
A Career at BBC Birmingham The BBC has approximately 350 staff who work at BBC Birmingham at The Mailbox and the Drama Village. Currently, The Asian Network is based in Birmingham as are parts of Radio 2, with programmes like Clare Teal, Paul Jones and the BBC Big Band. Part of Radio Drama is in Birmingham making The Archers and the new World War 1 series Home Front for Radio 4. BBC English Regions has its HQ in Birmingham and there are also the local regional services BBC Radio WM and TV’s Midlands Today. BBC Birmingham Drama, based at the Drama Village in Selly Oak, produces network TV drama including Doctors, Father Brown and WPC 56. In 2015, more roles are moving to Birmingham including the BBC Academy central HR teams, Internal Communications, Outreach and Corporate Responsibility and Workplace and Safety. A Digital Innovation Unit will also open in the city during 2015. By the end of the year there will be around 550 BBC staff in Birmingham. The Creative and Media Industries are one of the fastest growing sectors in the UK. If you want to work in the media in the future, it helps to understand how it works. Creative and Media is a big industry sector covering radio, TV, publishing, advertising and much more. Different sets of statistics include different occupations and the results can be confusing. The whole sector employs between a million and 2.5 million people across the UK depending on which criteria are used. The Government estimated that the Creative Industries accounted for 1.68 million jobs in 2012. -
Day in Birmingham Including
Day in Birmingham including: Return coach travel Guided tour of BBC Birmingham Lunch (at own cost) Optional: Matinee Theatre show (at preferential group rates) Format, date and show yet to be agreed BBC Birmingham Birmingham B1 1RF Tours Peek behind the scenes of Midlands Today, BBC WM, the Asian Network, and if you're lucky, the famous and intriguing Archers studio (if production schedules permit). Our entertaining and informative tour guides bring the fantastic TV, radio and online productions created at BBC Birmingham to life in a variety of creative ways! Your tour guides will surprise and amaze you as they explain how we get ideas from script to screen and how production teams work right up to the wire to deliver what you see on your TV or hear on your radio. Our tour guides are as happy answering your burning questions on our broadcasting wizardry as they are explaining the ins and outs of the centre's mind-blowing technology. Between revealing our incredible Broadcast Support Centre and telling tales of the famous faces who've visited BBC Birmingham. We'll show you the inner workings of how BBC Radio Drama is made and you'll be able to have a go at making your very own radio play complete with music and sound effects. The BBC Tour offers visitors the exclusive chance to gain access to the rarely seen world behind the scenes of some of your favourite shows. BBC Birmingham is a working building so no two tours are the same, but they will always be informative, interesting and entertaining.