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State Community Property Laws and Termination Rights Under the Federal Copyright Act--Who Should Have the Right of Way? Loren E

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State Community Property Laws and Termination Rights Under the Federal Copyright Act--Who Should Have the Right of Way? Loren E Marquette Law Review Volume 100 Article 4 Issue 4 Summer 2017 Collision Course: State Community Property Laws and Termination Rights Under the Federal Copyright Act--Who Should Have the Right of Way? Loren E. Mulraine Belmont University College of Law Follow this and additional works at: http://scholarship.law.marquette.edu/mulr Part of the Family Law Commons, and the Intellectual Property Law Commons Repository Citation Loren E. Mulraine, Collision Course: State Community Property Laws and Termination Rights Under the Federal Copyright Act--Who Should Have the Right of Way?, 100 Marq. L. Rev. 1193 (2017). Available at: http://scholarship.law.marquette.edu/mulr/vol100/iss4/4 This Article is brought to you for free and open access by the Journals at Marquette Law Scholarly Commons. It has been accepted for inclusion in Marquette Law Review by an authorized editor of Marquette Law Scholarly Commons. For more information, please contact [email protected]. 39332-mqt_100-4 Sheet No. 40 Side A 07/17/2017 08:32:28 Ͳʹͻͳ͸ͷǦ͹ͶǦͶͷǦͻ͵ͻ͵ǦͲ Ͳ͵Ͳͳ͹ȋȌ ͹Ȁͳ͵ȀʹͲͳ͹ͺǣ͵Ͷ COLLISION COURSE: STATE COMMUNITY PROPERTY LAWS AND TERMINATION RIGHTS UNDER THE FEDERAL COPRYIGHT ACT—WHO SHOULD HAVE THE RIGHT OF WAY? Ǥ ȗ Ǥ ǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤͳͳͻͶ Ǥ ǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤͳͳͻ͹ Ǥ ǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤͳͳͻ͹ Ǥ ǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤͳʹͲͲ Ǥ ǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤͳʹͲͳ Ǥ ǤǤǤǤǤǤǤǤǤǤǤͳʹͲ͵ Ǥ ǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤͳʹͳʹ Ǥ ǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤͳʹͳʹ Ǥ ǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤͳʹͳ͵ Ǥ ǤǤǤǤǤǤǤǤǤǤǤǤǤͳʹͳ͸ Ǥ ǫǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤͳʹͳͺ Ǥ ǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤͳʹͳͻ Ǥ ǫǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤͳʹͳͻ Ǥ ǫǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤͳʹʹͲ Ǥ ͳͻ͹͸ ǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤͳʹʹʹ Ǥ ǫǤǤǤǤǤǤͳʹʹ͵ 39332-mqt_100-4 Sheet No. 40 Side A 07/17/2017 08:32:28 Ǥ Ǥ ǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤͳʹʹͶ Ǥ ǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤͳʹʹͶ Ǥ ǫǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤͳʹʹͷ Ǥ ǫǤǤǤǤǤǤǤǤǤǤǤǤǤͳʹʹͺ Ǥ ǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤǤͳʹ͵Ͳ ȗ ǡ ǡ ǡǤ ǡ ǡ Ǥ ǡ ǡ Ǥ C M Y K 39332-mqt_100-4 Sheet No. 40 Side B 07/17/2017 08:32:28 Ͳʹͻͳ͸ͷǦ͹ͶǦͶͷǦͻ͵ͻ͵ǦͲ Ͳ͵Ͳͳ͹ȋȌ ͹Ȁͳ͵ȀʹͲͳ͹ͺǣ͵Ͷ ͳͳͻͶ MARQUETTE LAW REVIEW ȏͳͲͲǣͳͳͻ͵ Ǥ Dzdz Ǥͳ Ƭ ǡ ǡ ǡ ǡ ͳͻ͸Ͳ͹ͲǤ ͳͻͻͲǤ Dz ǡdzʹDzǯǡdz͵Dz ǡdzͶDz ǡdzͷDz ǯǡdz͸Dzǡdz͹Dz ǡdzͺDz ǡdzͻ Dz ǡdzͳͲDzǡdzͳͳ Dz ǡdzͳʹ ͳǤ ǡ The 100 Greatest Songwriters of All Timeǡ ǡ ǡ ǡ ǡ Ǥ ǡ ǣȀȀǤǤ Ȁ ȀȀͳͲͲǦǦ ȏǣȀȀǤ ȀʹǦ ͷȐȋ ǤͳʹǡʹͲͳ͹ȌǤ ʹǤ Dzdz ͳͻͺͳǤʹ ͳͲͲ ǡǤͶ ǡǤͳǤ Ǥ ǡ ǣȀȀǤǤ ȀȀʹ͹ͻ͸ʹͻȀǦ Ȁ ȏǣȀȀǤ ȀͻǦͺͺȐȋ ǤͳʹǡʹͲͳ͹ȌǤ ͵Ǥ Dzǯdzͳͻ͹ͻǤͳ Ǥ ǡ ǣȀȀǤǤ Ȁ ȀǦ ȀʹͲͲͲǦͳʹǦͳ͸ȏǣȀȀǤ ȀͶǦ͵͹ͷȐȋ ǤͳʹǡʹͲͳ͹ȌǤ ͶǤ ͳͻ͸͸ǡDz dz͵Ͳ Ǥ ǡ ǣȀȀǤǤ ȀȀͳͶͻͲʹͲʹȀǦ Ȁ ȏǣȀȀǤ Ȁͺ͵Ǧ ͹Ȑȋ ǤͳʹǡʹͲͳ͹ȌǤ ͷǤ Ƭ Dz dz ͳͻ͸͹ ǤͶ Ǥ ǡ ǣȀȀǤǤ ȀȀʹ͹ͻ͸͵ͲȀǦǦ Ȁ 39332-mqt_100-4 Sheet No. 40 Side B 07/17/2017 08:32:28 ȏǣȀȀǤ Ȁ͵Ǧ͹Ȑȋ ǤͳʹǡʹͲͳ͹ȌǤ ͸Ǥ ͳͻ͸ʹǡDz ǯdz ǤͳͳƬ Ǥ͵ͻ Ǥ ǡ ǣȀȀǤǤ ȀȀͶͳͺ͸͵͸Ȁ Ȁ ȏǣȀȀǤ Ȁ ͵͵Ǧ͵ͷȐ ȋ ǤͳʹǡʹͲͳ͹ȌǤ ͹Ǥ ͳͻ͸͹ǡDzdz ǤͷƬ Ǥ ʹ͵ ͳͲͲ Ǥ ǡǣȀȀǤǤ Ȁ ȀǦǦǦǦ Ȁͳͻ͸͹ǦͲͺǦͲͷȏǣȀȀǤ Ȁͷͷ͹Ǧ͵ͷȐȋ ǤͳʹǡʹͲͳ͹ȌǤ ͺǤ ͳͻ͸ͶǡDz dzǤͳ Ƭ Ǥ ǡ ǣȀȀǤǤ ȀȀͳͶͻͲʹͲʹȀǦ Ȁ ȏǣȀȀǤ Ȁʹ͹ Ǧͻ Ȑȋ ǤͳʹǡʹͲͳ͹ȌǤ ͻǤ ͳͻ͸ͶǡDz dzǤͳ Ǥ ǡ ǣȀȀǤǤ ȀȀ͵Ͳͻͺ͸ͷȀǦȀ ȏǣȀȀǤ Ȁ ʹ ǦȐȋ ǤͳʹǡʹͲͳ͹ȌǤ ͳͲǤ ǦǡDzdz Ƭ ǡ ǤͶƬ Ǥͳ͸ Ǥ ǡ ǣȀȀǤǤ Ȁ ȀǦǦǦǦȀͳͻ͸ͷǦ ͲͷǦͲͺ ȏǣȀȀǤ Ȁ ͷǦ͵͵ȐǢ ǣȀȀǤǤ Ȁ ȀǦͳͲͲȀͳͻ͸ͷǦͲͷǦ ͲͺȏǣȀȀǤ Ȁͷ͵Ǧ͹Ȑȋ ǤͳʹǡʹͲͳ͹ȌǤ C M Y K 39332-mqt_100-4 Sheet No. 41 Side A 07/17/2017 08:32:28 Ͳʹͻͳ͸ͷǦ͹ͶǦͶͷǦͻ͵ͻ͵ǦͲ Ͳ͵Ͳͳ͹ȋȌ ͹Ȁͳ͵ȀʹͲͳ͹ͺǣ͵Ͷ ʹͲͳ͹Ȑ COLLISION COURSE ͳͳͻͷ Dz ǡdzͳ͵DzǡdzͳͶ Dz ǡdzͳͷDzǡdzͳ͸Dzǯǯǡdzͳ͹ Dzǯ ǡdzͳͺǤ ǡ ͳͻ͹ͺǡ Ǥʹ Ǥ͹ Ǥ ǡ ǣȀȀǤǤ ȀȀ͵Ͳ͹ͶͲͳȀǦȀ ȏǣȀȀǤ Ȁͷ Ǧ ͹͸Ȑȋ ǤͳʹǡʹͲͳ͹ȌǤ ͳͳǤ ͳͻ͹ͷǡDzdz Ƭ Ǥ ǡ Ǥ͸ͳ ǤʹͷƬ Ǥ ǡsupra͸Ǥ ͳʹǤ Ƭ Dzdzͳͻ͸Ͳ ǤͳƬ Ǥʹ ͳͲͲ Ǥ ǡ ǣȀȀǤǤ ȀȀʹ͹ͻ͸͵ͲȀǦǦ Ȁ ȏǣȀȀǤ Ȁ͵Ǧ͹Ȑ ȋ Ǥ ͳʹǡ ʹͲͳ͹ȌǤ Ƭ ͳͻ͹͸ Ǥ Ͷ Ǥ ǡ ǣȀȀǤǤ ȀȀʹͻͺ͸ͷͲȀ ǦȀ ȏǣȀȀǤ ȀͶ Ǧ Ȑȋ ǤͳʹǡʹͲͳ͹ȌǤ ͳ͵Ǥ ͳͻ͸ͷǡDz dzǤͶ Ƭ Ǥͳ͹ Ǥ ǡ ǣȀȀǤǤ ȀȀͳͶͻͲʹͲʹȀǦȀ ȏǣȀȀǤ Ȁʹ͹ Ǧ ͻ Ȑȋ ǤͳʹǡʹͲͳ͹ȌǤ ǡ ͳͻͺʹ ǡ Ǥ ͳ͹ Ƭ Ǥ ǡ ǣȀȀǤǤ ȀȀ͵Ͳͺ͸͵ʹȀǦȀ ȏǣȀȀǤ Ȁ͹ͷǦͶͶȐȋ ǤͳʹǡʹͲͳ͹ȌǤ ͳͶǤ ǦDzdz Ǥ Ƭ ͳͻ͹Ͳǡ Ǥͳ Ƭ Ǥ ǡ ǣȀȀǤǤ ȀȀʹ͹ͻ͸͵ͲȀǦǦ Ȁ ȏǣȀȀǤ Ȁ͵Ǧ͹Ȑȋ ǤͳʹǡʹͲͳ͹ȌǤ ͳͷǤ ǦDz dz 39332-mqt_100-4 Sheet No. 41 Side A 07/17/2017 08:32:28 ͳͻ͸ͷǡ ǤʹƬ Ǥͳ͸ ͳͲͲǤ ǡ ǣȀȀǤǤ Ȁ ȀǦǦǦǦ Ȁͳͻ͸ͷǦͲͻǦͲͶ ȏǣȀȀǤ ȀͶǦ͹͵Ȑ ȋ Ǥ ͳʹǡ ʹͲͳ͹ȌǤ ǡ ǯ ͳͻ͹ͷ Ǥʹͷ ͳͲͲǤ ǡ ǣȀȀǤǤ ȀȀ͵Ͳ͹ͶͲͳȀǦȀ ȏǣȀȀǤ Ȁͷ Ǧ ͹͸Ȑȋ ǤͳʹǡʹͲͳ͹ȌǤ ͳ͸Ǥ ǦǡDz dz Ǥͳͳ ͳͲͲ Ǥ ͳ Ƭ Ǥ ǡ ǣȀȀǤǤ ȀȀͳͶͻͲʹͲʹȀǦȀ ȏǣȀȀǤ Ȁʹ͹ Ǧ ͻ Ȑȋ ǤͳʹǡʹͲͳ͹ȌǤ ͳ͹Ǥ Ǧ ǯDzǡdzDzǯǯdz ǡ Ǥͳͻ Ƭ Ǥ͸͸ ͳͲͲ ǡ ͷǤ , ǣȀȀǤǤ ȀȀͶͳ͸͸Ͷ͵Ȁ ǦͷȀ ȏǣȀȀǤ ȀͶʹǦͻͺȐȋ ǤͳʹǡʹͲͳ͹ȌǤ ͳͺǤ ǦDz ǡdz ǯ ͳͻ͸ʹDzǯ dzǤͳ Ƭ C M Y K 39332-mqt_100-4 Sheet No. 41 Side B 07/17/2017 08:32:28 Ͳʹͻͳ͸ͷǦ͹ͶǦͶͷǦͻ͵ͻ͵ǦͲ Ͳ͵Ͳͳ͹ȋȌ ͹Ȁͳ͵ȀʹͲͳ͹ͺǣ͵Ͷ ͳͳͻ͸ MARQUETTE LAW REVIEW ȏͳͲͲǣͳͳͻ͵ ͳͻͷͻ ͳͻͺ͸Ǥ ǡ ͷͲΨ ǯ ǡ ǤͳͻͳͻͺͻǡǤ ͷͲȀͷͲ ǦǤ ǡʹͲǤǤǡ Ͷͺ͵Ǥ Ǥ ǡ ǯ ǦǤ ǯ ͳͻͲͻͳͻ͹͸ Ǥ ͳͻͲͻ ǡ ǯ Ǥͳͻ͹͸ ǡǡ Ǧ Ǥʹͳ ʹʹ ǡ Ǥ Dzdz ǡ ǡ 39332-mqt_100-4 Sheet No. 41 Side B 07/17/2017 08:32:28 Ǥͺ ͳͲͲ Ǥ ǡǣȀȀǤǤ Ȁ ȀǦǦ ǦǦȀͳͻ͸͵ǦͲʹǦͳ͸ȏǣȀȀǤ Ȁ ͸ǦȐȋ ǤͳʹǡʹͲͳ͹ȌǤ ͳͻǤ ǡ ǡǤǤǡǦͷͲΨ Ǥ ʹͲǤ Ǧ ǤǦ ͳ͹ ǤǤǤ Ț ͳͲ͸ ȋʹͲͳʹȌǡ ǡ ǡ ǡ ǡ ǡ ǡ Ǥ ǡ Ǥ ǡ Ǥ ʹͳǤ ͳ͹ǤǤǤȚʹͲ͵ȋʹͲͳʹȌǤ ʹʹǤ ǦǦͳͻͲͻ ͳͻ͹͸ Ǥ ͳͻ͹͸ǡǤǤǤͻͶǦͷͷ͵ǡ ͻͲǤʹͷͶͳȋͳͻ͹͸ȌǤ C M Y K 39332-mqt_100-4 Sheet No. 42 Side A 07/17/2017 08:32:28 Ͳʹͻͳ͸ͷǦ͹ͶǦͶͷǦͻ͵ͻ͵ǦͲ Ͳ͵Ͳͳ͹ȋȌ ͹Ȁͳ͵ȀʹͲͳ͹ͺǣ͵Ͷ ʹͲͳ͹Ȑ COLLISION COURSE ͳͳͻ͹ Ǥ ǡ ǡ ǫ ǡ Ǧ Ǥ Ǥ ǡ Ǥ Ǥ ǡ ǡ Ǥ A. Exclusive Rights Under Copyright Law ǡ ǡ 39332-mqt_100-4 Sheet No. 42 Side A 07/17/2017 08:32:28 Ǥʹ͵ ǤʹͶǯ ͳͲ͸ ͳͻ͹͸ ǣ ȋͳȌ Ǣ ʹ͵Ǥ Ǥ ǡ Ǥǡ Ǥ ƬǤǯǡ ͹ ȋͶ Ǥǡ ʹͲͳͷȌǤ Dz ǤǤǤǡ Ǥ ǤdzId. ʹͶǤ ͳͻ͹͸ ǣǤ ͳͻͲͻ ǡ ǡ ͵ͳǡʹͲͲʹǡ ͵ͳǡʹͲͲʹǡ ͵ͳǡʹͲͶ͹Ǥ C M Y K 39332-mqt_100-4 Sheet No. 42 Side B 07/17/2017 08:32:28 Ͳʹͻͳ͸ͷǦ͹ͶǦͶͷǦͻ͵ͻ͵ǦͲ Ͳ͵Ͳͳ͹ȋȌ ͹Ȁͳ͵ȀʹͲͳ͹ͺǣ͵Ͷ ͳͳͻͺ MARQUETTE LAW REVIEW ȏͳͲͲǣͳͳͻ͵ ȋʹȌ Ǣ ȋ͵Ȍ ǡ ǡǡǢ ȋͶȌ ǡ ǡ ǡ ǡǡ ǡ Ǣ ȋͷȌ ǡ ǡ ǡ ǡǡ ǡ ǡ ǡ ǡ Ǣ ȋ͸Ȍ ǡ Ǥʹͷ Ǥʹ͸ Ǥʹ͹ ͳͻͲͻ ǡ ǦǦ ǡǦǤ ǦȋǦ Ǧ ȌǡʹͺǦ ȋǦ Ǧ Ȍǡʹͻ ͳͻͲͻ Ǥ ͳͻ͹͸ǡ ͳǡ 39332-mqt_100-4 Sheet No. 42 Side B 07/17/2017 08:32:28 ͳͻ͹ͺǡ ͳͻͲͻ Ǥ͵Ͳ ʹͷǤ ͳ͹ǤǤǤȚͳͲ͸ȋʹͲͳʹȌǤ ʹ͸Ǥ ǤǤ ǡ ǡ ͳȋʹͲͳʹȌǤ ʹ͹Ǥ See ͳ͹ǤǤǤȚͳͲ͸Ǥ ʹͺǤ ͳͻ͸ʹǡ ͳͻ͹͸ ǡ ͳͻͲͻ ǡǦ ǦǡͳͻͲͻ Ǥ ʹͻǤ ǡ ͳͻͲͻ ǦǦǡ ͳͻͻͺǡ Ȅ ͳͻͲͻ ͳͻ͹͸ Ȅ Ǥ ͵ͲǤ ͳ͹ǤǤǤȚ͵ͲʹȋȌȋʹͲͳʹȌǤͳͻ͹͸ C M Y K 39332-mqt_100-4 Sheet No. 43 Side A 07/17/2017 08:32:28 Ͳʹͻͳ͸ͷǦ͹ͶǦͶͷǦͻ͵ͻ͵ǦͲ Ͳ͵Ͳͳ͹ȋȌ ͹Ȁͳ͵ȀʹͲͳ͹ͺǣ͵Ͷ ʹͲͳ͹Ȑ COLLISION COURSE ͳͳͻͻ Ǥ ǡ ͳͲ͸ ǡ Ǥ͵ͳ Ǥ ǡ ǡ ǡ ǡ ǡ Ǥ͵ʹ ǡ ǡ ǡ Ǥ͵͵ ǡ Ǥ͵Ͷ Ǥ Ǥ ǡ ǡ Ǥ ǡǡǡ ǡ ǡ Ǥǡ Ǥ Ǥ Ǥ ǡǡǡ ǡ ǫǡǯǤ ǡ Ǥ ǡ 39332-mqt_100-4 Sheet No. 43 Side A 07/17/2017 08:32:28 Ǥ Dz dz Ǥ ǡ Ǣǡͳͻͻͺ ǤId. ͵ͳǤ ͳ͹ǤǤǤȚͳͲ͸Ǥ ͵ʹ. 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  • Midnight Special Songlist
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  • Junto Love Edition.Pdf
    Volume 2 Issue 1 February 2019 “I had formed most of my ingenious acquaintances into a club for mental improvement called the Junto” Cover Story The Junto February 2019 A line from the world’s most famous love story seemed fitting for our Love Edition. Ro- meo and Juliet reminds us that life is short and you have to take the time to love and to live when the opportunity is given because you never know how long it might last. Don’t let other people get in your way and don’t try and fake your death. It won’t end well. 1 People The Junto February 2019 How To Love Yourself Ally Fuller - Copy Editor Valentine’s Day is a holiday that is most often associated with romance, love, and devoting our atten- tion to the special people in our lives whether that be a significant other, a friend, or a family member. Normally, we take this day to spend time with these people and shower them with gifts, but the one per- son we tend to overlook on this day is ourselves. This is understandable because we have been raised to put the needs of others above the needs of our own, and we’ve been told time and time again that if we do take time for ourselves, it is selfish. However, many studies done in recent years show that incor- porating self-love into your life is critical to maintaining physical, mental, and emotional health. In fact, having more self-love is imperative for anyone looking to lead a happy, healthy, fulfilling lifestyle.
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  • Soul Survivor by Steve Dale
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  • Garth Brooks Midnight Train to Georgia Dolly Parton
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    FOR IMMEDIATE RELEASE Media Contact: Stephanie Ludwig Omaha Symphony Public Relations Manager 402.661.8587 [email protected] Smokey Robinson to headline Omaha Symphony Gala VIP tickets available now; Concert-only tickets go on sale February 20 to the public OMAHA, Neb., Feb. 1, 2017- The Omaha Symphony announced today that the legendary Smokey Robinson will headline the symphony’s annual Gala concert on Saturday, April 22, 8 p.m., at the Holland Performing Arts Center. The Omaha Symphony Gala raises funds to support the symphony’s community engagement activities, including education programs that serve nearly 30,000 children each year. Tickets to a pre-concert gala dinner with VIP concert seating are available now through the Omaha Symphony’s administrative offices. Tickets to the concert only will go on sale through Ticket Omaha to Omaha Symphony subscribers on Monday, February 6. Remaining tickets will be available for sale to the public on February 20. With his eternally smooth and instantly recognizable falsetto voice, singer, songwriter and producer Smokey Robinson was once pronounced by Bob Dylan as America’s “greatest living poet” in a career that spans over four decades of hits. As founder of The Miracles, he helped establish the Motown Record dynasty, with hits like “Shop Around,” “You’ve Really Got a Hold on Me,” “The Tracks of My Tears,” “More Love,” “Tears of a Clown,” and “I Second That Emotion.” He also wrote and produced hits for other Motown greats including The Temptations, Mary Wells, Brenda Holloway, and Marvin Gaye, with songs like “The Way You Do the Things You Do,” “My Girl,” “Get Ready,” “Don’t Mess with Bill,” and “My Guy.” As a solo artist, Robinson is known for “Just to See Her,” “Quiet Storm,” “Cruisin’,” and “Being with You.” Robinson has received numerous awards including the Grammy Living Legend Award, NARAS Lifetime Achievement Award, Kennedy Center Honors, and the National Medal of Arts Award from the President of the United States.
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