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November 30-December 6, 2018 / Vol. 41 / No. 2 / Laweekly.Com

November 30-December 6, 2018 / Vol. 41 / No. 2 / Laweekly.Com

anderson cooper talks news • an art gallery on a battleship • ’s new project ®

NOVEMBER 30-DECEMBER 6, 2018 / VOL. 41 / NO. 2 / LAWEEKLY.COM

3 LA WEEKLY | N   - D ,  | WWW. LAWEEKLY.COM THRU DEC 31ST 323.650.1022 FREE PARKING! 7733 Santa Monica Blvd. online purchases at PleasureChest.com under $250. at PleasureChest.com online purchases Spend $100 Get $15 Spend $100 Get $25 Spend $150 discount. Oer valid on in-store purchases under $1000 and under $1000 purchases valid on in-store discount. Oer qualify for a gift voucher. Oer not valid with any other oer or oer other any with not valid Oer a gift voucher. qualify for All purchases over $100 from December 1-December 31st, 2018 31st, 2018 December 1-December from $100 over All purchases 4 WWW.LAWEEKLY.COM | N   - D ,  || LA WEEKLY Contents cycle. cycle. to us about incredibly the sped-up news Theatre stage with Andy and Cohen talks to takes Dolby the Anderson Cooper week.L.A. this Light” and more stuff to fun doandin see Gardens’Descanso “Enchanted Forest of Restaurants We Love event, food explore Party, eat at your L.A.Times the fill ’ 101 Check out &Glenn Forever Henry the Toy NEWS...11 LA...6 GO or by inpart any means, including electronic systems, retrieval without express the written permission of publisher, the Weekly, LA 724S. Spring St., Angeles, Los CA 90015. without prior written permission of Weekly, LA moretake than one copy of Weekly eachLA issue. For back-issue information 310-574-7100.  call e entire contents of Weekly LA are Copyright 2014by Weekly LA LP.$1, payable in advance at Weekly LA the No portion may reproduced be o in whole ce. Angeles Outside Los County, single-copy the cost of Weekly LA Weekly is $1.LA may distributed be only by Weekly’s LA authorized addressSend changes independent contractors to L.AWeekly, or Weekly’s LA 724S.Spring St., Angeles, Los Weekly CA90015.LA authorized distributors. is available of free charge Angeles inLos County, limited to one copy reader. per Additional copies of current the issue of Weekly LA may purchased be for L.A. WEEKLY (ISSN #0192-1940 &USPS 461-370)is published weekly by Weekly LA LP, 724 S. Spring St., Angeles, Los CA90015.Periodicals postage paid at Angeles, Los CA. Domestic subscriptions: $55for sixmonths year. &$90per Postmaster: L Addams Jessicka BY BRETT CALLWOOD.BRETT BY get advance tickets andinformation at holidayicerinkdowntownla.com skate Don’t misstheseupcoming eventS: Keep itspinningonselect Thursdays withDJHowly.Thursdays Every Thursdaynight DJ SPOTLIGHT starting at7p.m. #djspotlight November 30-December 6,2018 //Vol. 41//No. 2// outdoors dail instructors. #learntocurl LEARN TO CURL Dec 15andJan12, professional curling LECARO. Try pistachio the butter! a wealth of imported gourmet items. food A inNorth Hollywood contains Iowa. within battleship the deep USS gallery RomeoAlfa Tango, or A.R.T., is anew musicin the and industry nightlife. L.A. women are astand taking for equality LICHTERMAN. EAT & DRINK...19 EATDRINK...19 & ARTS...17 FEATURE...13 Learn to curl with tocurl Learn BY SHANA NYS DAMBROT NYS SHANA BY 8 a.m. y until January 21, 2019 BY COURTNEYBY 13 laweekly.com PHOTO BY GABRIELLE GEISELMANMILONE SILENT SKATE PARTY This silentdiscofeatures wireless headphones. Nov 28andDec19, #silentnightskate 7 and8:30p.m. BY LINA BY YOUR other movies OPENING THISWEEK,and HBO’s United documentary Skates more. &POP,ROCK JAZZ &CLASSICAL and BY BRETT CALLWOOD.BRETT BY and it involves Vegas. inLas an experience is about coming the of messianic the era, Farrell’sPerry latest project, Kind Heaven, EBIRI BILGE Shoplifters MUSIC...23 MUSIC...23 FILM...20 PHOTO BY GLHEUREUX WEEKLY MOVIE LIST. TO-DO , and reviews Hirokazu reviews Kore-eda’s ALAN SCHERSTUHL ALAN Santa, make ‘n’ takecrafts, HOLIDAY FESTIVAL Free funfor allages with food trucksandmore. Plus: Listings for 11 a.m.to7p.m. Dec 8–9, reviews reviews , plus

BULLETIN BOARD REAL ESTATE/RENTALS EDUCATION/EMPLOYMENT...31 CLASSIFIED ADVERTISING ...30 ...31 PHOTOGRAPHY BY JOSHCOFFMAN ...31 23 Perry Farrell Perry ON THE COVER: COVER: THE ON No person may, 5 LA WEEKLY | N   - D ,  | WWW. LAWEEKLY.COM THRU DEC 31ST 323.650.1022 FREE PARKING! 7733 Santa Monica Blvd. online purchases at PleasureChest.com under $250. at PleasureChest.com online purchases Spend $100 Get $15 Spend $100 Get $25 Spend $150 discount. Oer valid on in-store purchases under $1000 and under $1000 purchases valid on in-store discount. Oer qualify for a gift voucher. Oer not valid with any other oer or oer other any with not valid Oer a gift voucher. qualify for All purchases over $100 from December 1-December 31st, 2018 31st, 2018 December 1-December from $100 over All purchases 6 WWW.LAWEEKLY.COM | N   - D ,  || LA WEEKLY Festival stage 2.0, the is devoted to three endeavor,new something of aBlakTina ers inrelatively short pieces. With this emerging black and dancemak- Latinx choreography from dozen or ahalf more  eBlakTina Festival annually showcases Emerging Choreographers DANCE lastprojects.org. 3-7 p.m., thru Jan. 5;free. (323)356-4225, Sun., Dec.1,2-4p.m.; exhibit: u.-Sat., mance: Fri., Nov. 30,7-11p.m.; talk: artist Heights; opening reception and perfor- LAST Projects, 206S.Avenue 20,Lincoln of absurdity betting our fucked-up times. power,litical with dark humor and asense identity to labor injustice, and sexism po- Personal” from gender on takes everything cast of her own  avatars,ctional “Nothing video, as well as performances driven by a ing, with studio mediums from paint to found materials, including and food cloth- ofcesses capitalist appetites. Augmenting and that objects up sends revolting the ex- romp through alandscape of installations Grokhovsky York–based multidisciplinary artist Katya and beyond. “Nothing Personal” by New worksmediumsartist who those inall its next presentation, solo it welcomes an photography, and video performance. For exhibits artwork across painting, sculpture, and perception, LAST Projects regularly inquiring a er nonbinary states of being with space apenchantAn artist-run for The Excesses ofCapitalism ART fri GO GO LA 11/30 promises acampy, visceral SHANA NYS DAMBROT jesus.com. 30, 6-9p.m.; free. (323)666-7667,laluzde 4633 Hollywood Blvd., Feliz; Los Fri., Nov. dos on your holiday list.Luz La deJesus, gi Co. perfect —all s for weir- freaky the Pretty inPlastic, Rocom and Yesterday’s laborations from Neely with Toys, Kalaka exclusive, and new limited-edition toy col- Toy Party! Today’s Forever event, &Glenn Henry the an adult coloring ...and, book now, toys! came hardcover anthologies, art, original Satanism First crusades. came zines, then ventures together, from gardening to anti- muchare inlove, very and have weird ad- Rollins Henry andin which GlennDanzig Tom Neely and company aworld imagined cult-status universe. Indie comics legend as acheeky stapled zine, it’s grown into a Glenn Forever” franchise may have started orLibs, on adare. But “Henry the & while It sounds like something you’d doin aMad Toy Time ART/MUSIC about-pretty-los-angeles/. bootlegtheater.org/event/1776353-its-not- p.m.; $25,$20students. (213)389-3856, Westlake; Fri.-Sat., Nov. 30-Dec.1,7:30 Bootleg eater, Blvd., 2220Beverly audience for emerging choreographers. ein the ort to expand opportunities and choreographer, apromising endeavor new work is followed by aQ&Awith the gender. roughly Each 20-minute-long image to environment, the from raceto canvas.  eirsubjects range from body expanded dance visions inawell-deserved Ibargüen —reunite to share personal their Brigette Fabian Mallory Dunn, and Vannia banner alumnae of prior festivals. Under the to Vroman’s: See Tuesday. Tuesday. See Vroman’s: to Los Angeles Through the Centuries the Through Angeles Los anthology his brings Kipen David It’s Pretty Not About (where but else Wacko) features SHANA NYS DAMBROT ANN HASKINS , the trio — trio , the backdrop humble the ofmight be all Post-It. other materials and surfaces,but cutest the dierent canvases as well as numerous drawArtists and paint on manner all of PortraiturePortable ART com. u.,Dec.20,5-9p.m.; $17.streetarthouse. Dec. 1,7-10p.m.; Sun., Dec.2,noon-7 p.m.; Millennium Drive,Unit 115,Playa Vista; Sat., and events. sales Street Art House, 12775 opening and special closing weekend parties for information on visiting show the between 22,butthrough Dec. contact Street House Art at Street House. Art  eexhibition continues uberant project “ Warhols eLost ,” on view transform once-buried treasures into ex- the  eodore and dozens of others have helped Graphito, Speedy magic. Gregory Si , Bradley augmenting photos the with signature their street artists to collaborate on by revival the shestyle invited contemporary painters and pictures life, awhole new Warholian as intrue revisitingonly been session the but giving the But for years, last the Bystedt several has not that session were for not seen three decades. of quirky, the and classic friendly images from her request to photograph him. emajority phonethe himself but immediately to acceded andher surprise delight, he not only answered Interview the she called downtown culture and Andy Warhol. When New York to attend NYU, afan of fashion, tographer with alot of chutzpah, living in In 1982,Karen Bystedt was ayoung pho- Lost andFound ART sat SHANA NYS DAMBROT 12/1 magazine o ces, to entertainment, and an array of vendors Fi h Harmony and provide others will more R&B singer Jhené Aiko, Lauren Jauregui of generationmillennial (she’ll perform). also toises re concerns the ect and of goals the speaker,  actress-singer Bella orne, prom- Slutwalk event), asecondkeynote while ogetic (just gals asat she does her annual is sureAmber Rose to galvanize unapol- inism and more.  is year, keynote speaker action incelebration of intersectional fem- women together to share, support and take Cult Festival aims to dojust that, bringing about change.  esecondannual Girl thatbelieves mobilizing can help bring given current the administration, Girl Cult may impossible seem to some, especially tainable.  things these ough achievingall consumption responsible is both and sus- andis protected, preserved and where LGBTQ+ people, where environment the community that celebrates and protects and freedoms civil are paramount; a ductive and rights, racial gender equality, Girl Cult where repro- imagines asociety Justice for All CULTURE FALLING JAMES Dec. 9;free. (424)246-7626,gr2.net. a.m.-8 p.m., Sun., noon-7 p.m., thru Sun., Sawtelle Blvd., Sawtelle; Sat.-Fri., 11:30 Giant madeinperson. be Robot 2,2062 isart pricedat $25,and purchases can only move, 3-inch-square each work of miniature separate Post-It Notes. In an egalitarian nely images detailed onto more than 3,000 more than 400disparate artists cram their w,” o h S present edition 14th the of “ ePost-It and Giant Robot founder Nakamura Eric Curators Mark Todd, Pearl Esther Watson apopular group exhibition inwhich COURTESY DAVID KIPEN 7 LA WEEKLY | N   - D ,  | WWW. LAWEEKLY.COM

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yester A W LOT OF OBAMA Wall Street Journal Street Wall CK RA Anderson Cooper and Andy Cohen’s Cohen’s Andy Cooper and Anderson - hap that enough obviously “ ere’s Cooper early his ask we nish, for To be to 20 Demo- going think there’s “I “I still think there’s that debate in the debate that still think“I there’s EMOCRATS MIGHT RUN IN 2020 MIGHT EMOCRATS “AT THIS POINT B POINT THIS “AT A NOT 2006, IN WHO KNEW PEOPLE BA takes place at 8 p.m. on Saturday, Dec. 1, at Dec. 1, at Saturday, on 8 p.m. at place takes eatre. Dolby the ANDERSON COOPER, ON WHO THE ANDERSON COOPER, D elected to Congress as the Democrats as elected Congress to Polis Jared Colorado’s the house, took person openly gay the rst becoming to going Davids Sharice elected governor, etc. Congress, can you that pened Election on Night side of what on depending it interpret Cooper says. on,” you’re the political aisle Democrats for “ ere there enough was variety e by. excited and of beto proud elded, the Democrats candidates of getting women so many of the success had been buildup elected. ere so much then aerward, and wave, this blue about I think But a ripple? it Was a wave? it was in the adjectives up caught get easy to it’s certainly was a good for night It it. of governor’s locations’ in some Democrats a was it in the Senate, races. Obviously Cer very Republicans. good for night on candidates of a wealth there’s tainly, the the in future and the side, Democratic in the direction moving are demographics them like to would the Democrats that move into.” the 2020 on candidate presidential for tip buzz so much ere’s card. Democratic Joe and Beto the of O’Rourke likes about Cooper than — who better to Kennedy insight. early an provide their toes in and dipping who are crats “I says. he Hampshire,” New Iowa, visiting back in 2006, this point idea. no At have people knew who of Barack a lot not obviously I still was. Obama think there’s [Bernie] Sanders all we know. that names [Joe] Biden obviously. a possibility, is was still.seems be ere to a possibility in the a piece day about [Hillary] Clinton even. I don’t even. I don’t [Hillary] about Clinton day - got obviously has Beto O’Rourke know. remains I think it and interest, of a lot ten beto seen. does party a DemoDemocratic - — how in just not and level a national win on crat it is Democrat, a centrist it Is a primary. a Democrat kind of What a progressive? I think that’s House? wincan the White still open debate.” very an much 2 LIVE OURTESY AC C “It’s all just Andy and I interviewing and Andy all just “It’s just sounds A loose, out fun night with them for a night, hanging out and and out hanging a night, themwith for stories. swapping talking the with audience, each other, Cooper says. lives,” our from stories funny basically a peep behind the curtain “It’s cen- and events, world and pop culture of conversation. of night trally intimate an because it about online much not ere’s down put people to really encourage we and the night enjoy the machine, tweet open during a bar a drink. ere’s have gone usually people have and the show, We beforehand. dinner a liquid for out a be people to loose have and want just out.” fun night the said, at perfect now. right about some threw up elections midterm recent 100 women least not results, positive RETT CALLWOOD B Anderson CooperAnderson “I watch a lot of television, but I now I now but television, of a lot watch “I Cooper view Cohen to like and these NEWS AC2 COMESAC2 HOLLYWOOD TO Anderson Cooper, Andy Cohen bring their ongoing their ongoing Cohen bring Andy Cooper, Anderson eatre Dolby — to cocktails — plus conversation BY that exists between the two — a natural between — a natural exists the two that chemistry friendship. a real from derived - develop for famous is course, Cohen, of that TV a world reality shows, many ing that from dierent be more hardly could which Cooper inhabits. scripted like dramas, more watch to tend Coo - stu,” reality opposed as to dramas late-night Andy’s I watch “But per says. version the CliNotes so I get I feel show speed what’s to on up me keeps It it. of now is Andy world. in that on going completely are worlds our that convinced qualied now believes he’s He enmeshed. given debate, a presidential moderate to today.” politics of the state and intimate something as shows live a bar to — the going vibe of unscripted ) make for a nice for ) make hile the world appears appears hile the world around disintegrate to something there’s us, calming increasingly of the presence about AC2

While the Kathy Grin photo-shoot photo-shoot Grin the Kathy While “We had so much and the audience the audience and had so much “We Cooper and Cohen have beenCooper friends Cohen have and “At the end of the show, we usually we the show, of the end “At On Saturday, Dec. 1, Cooper will appear On Saturday, “I don’t really know the answer to that that to the answer really know don’t “I at said, his days are bathed in all bathed of are days his said, at

New Year show can’t deny the warmth the warmth deny can’t show Year New ing Cooper and Cohen hosting CNN’s Coopering CNN’s Cohen hosting and - watch anybody here), over Grin (Team and it’s been three-plus years since.” years been three-plus it’s and episode unnecessarily distracting was We tried it out in Boston, people came, people came, in Boston, tried out it We thought that it sounded like a lot of fun. of a lot sounded like it that thought the road.’ We looked at each other and and each other looked at We the road.’ he said, ‘You guys could take this could on guys ‘You said, he Miller used to do a tour together. So together. Miller used do a tour to O’Reilly at the time, and he and Dennis and he and the time, at O’Reilly agent, weirdly enough, represented Bill represented enough, weirdly agent, in front of an audience, as a favor. as audience, an of in front Cooper “My says. it,” seemed enjoy to asked Cooperasked interview to him onstage, Cohen’s second book was published, he second book published, was Cohen’s they’ve remained close ever since. When When close ever since. remained they’ve were not romantically compatible. But But compatible. romantically not were says, revealed very the pairsays, that quickly happened. A phone conversation, Cooper conversation, A phone happened. up on a blind date that never actually never that date a blind on up be having.” set they were aer 25 years, about for tequilas or vodkas, or whatever they may whatever vodkas, or or tequilas a night o of just fun stories, having a few having fun stories, just of o a night all people talk about. People like to have have to like all people talk People about. it and thinking about it all day long. It’s It’s long. all it day thinking about and it “I think people are sick of hearing about about hearing of sick think people are “I anyone ask a political question,” he says. says. he a political question,” ask anyone questions, and very rarely will we have will very have we and rarely questions, open things up to the audience to ask to the audience to up open things normally does.normally break as they’re so removed from what he what from so removed they’re as break events (dubbed (dubbed events drinks and stories. For Cooper, the live the live Cooper, For stories. drinks and Andy Cohen, for an intimate evening of of evening intimate an Cohen, for Andy time friend and New Year’s Eve co-host Eve Year’s time friend New and feel overwhelming.” feel - long with eatre Dolby Hollywood’s at constant ow of information and it can it and information of ow constant a 20-minute news cycle. ere’s just a just news cycle. ere’s a 20-minute no longer a 24-hour news cycle, it’s now now news cycle, it’s a 24-hour longer no But things are moving so fast now. It’s It’s so now. fast moving are things But I do and I like consuming information. information. consuming I like I do and question,” Cooper says. “I do love what what do love Cooper “I says. question,” tive, knowing all that he knows? he all that knowing tive, world. How the hell does he remain posi- the does hell remain he How world. where in the country and, indeed, the in the country and, where about all news events going on every on - all going news events about political climate. He has to be to informed has He political climate. the misery social the current is and that professionalism personied. professionalism to shake him — the man is charisma and and charisma is him — the man shake to even of keels. Extreme views don’t seem views Extreme don’t keels. even of questions while remaining on the most on whileremaining questions ist, anchor and author asks the dicult asks author and anchor ist, Anderson Cooper journal CNN. e Anderson - on W 12 WWW.LAWEEKLY.COM | N   - D ,  || LA WEEKLY MODEL

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13 | N   - D ,  | - ( 14 » PHOTO BY JOSH COFFMAN BY PHOTO - night and in music women now, Right a close, to comes #MeToo of the year As playing eld was never level, they didn’t they level, never was didn’t eld playing in their gender be to highlighted for want bills, festival music or spreads magazine post- But talk their hardships. or about changing. this is #MeToo, being seen about much as care don’t life feminists. man-hating or tooas sensitive as much as slut-shaming fear ey don’t ex- they being blackballed used for or to very ey are aware posing bad behavior. and gender-nonconforming LGBTQ, that male allies the dealstraight of some with power patriarchal But mistreatment. same they and know change for allowed not has - mis that or be done must something that artists will Younger end. never treatment and use social now wrongs call media to out sharing example, by leading are artists older in through they went stu that realizations OK. not the was past the with trig- live to strive us of many and hear the Kavanaugh of aermath gering pussy-grabber our mention to — not ings - wom disrespect of continuing president’s do to want bodies and minds — many en’s to speak to but only not ey want more. espe- act, the beyond occasional march, which has world, cially the within music been I’m quiet. uncharacteristically -

Most women in the music world just just world in the music women Most the allure, it’s no wonder so many come to come so many wonder no it’s the allure, and dreams big with here up grow L.A. or It’s be to it. part of desperation or a desire changed, has much not story old but an #TimesUp. and #MeToo even of in the wake both to be ough sexes can vulnerable especially- in the entertain power, nefarious been historically have women world, ment overt and in both subtle suer to the ones in women that is course, of irony, e ways. seen badass as are example, for & roll, rock they the make masses once powerful by and what really thinks about one no — but it from there, get to through they go had to to come-ons and male attention unwanted misogyny. and inequity attacks, seem to want ey didn’t it. with up put a “bitch.” be as looked or upon “dicult” who’s journalist culture and a music As in enter women of interviewed hundreds tainment over the years, I know that the ol’ the ol’ that I know the years, over tainment - respecta male-dom in for ghting “women been a always has discussion eld” inated all we point some at I think that but given been but there always weary It’s it. got of even for sound, started to it highlighting themselves, never censored those who’ve purpose. no with So many complaining like they dealt with the crap decided overlook to the ough their cra. focus on simply and

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BY LINA LECARO BY How L.A. women are taking a stand for equality for taking a stand are L.A. women How support groups men never saw. While the While saw. never men groups support or therapists and in secret social and media therapists or hashtag went viral, privately, with friends with viral, privately, went hashtag been exchanging traumatic tales before the tales before traumatic been exchanging lot of women for a long time and most had most time and a long for women of lot things have been shameful realities for a been for realities shameful have things I 14 WWW.LAWEEKLY.COM | N   - D ,  || LA WEEKLY » 13) via Facebook in October 2017, detailing the 2017, detailing Facebook the via inOctober claims. Addams up ended sharing her story action that might from arise publishing the of types storiesthese and potential legal ership at time)were the trepidatious about for (including one, this under dierent own- assault, either. But publications the Iwrite rstthe with an exclusive of story abuse or me last year before even that, and she wasn’t Weinstein revelations. She reached out to sicians didcome who forward aer the unacceptable and disturbing.” intrinsic that is sexism fuelsindustry this out there? e abuse, violence the and the ering my limited reach. How many more are privately. at consid high number- is very dozens of women have come forward to me Jack OJill. “In my experience, personal Jessicka Addams, frontwoman of band the dation of music the industry,” proclaims quiet any longer. sidesofboth stage, not the stay andwill they have slowlymobilizing been for change on L.A., where enjoy both proles, high women a major #MeToo moment did, like in lm what it’s about. all ough music never had dance that oor —because carefree joy is ing blissfully and our freely booties on a bangingwhile our pit, headsinthe or- shak a joint, or wear ahalter top or aminiskirt have doing while so, afew drinks or smoke and festivals and clubs, might who want to women buy who music, go who to shows But about talking Iam you also and me — works music, inthe club or concert orbit. promoters,bookers, DJs and anyone who Addams is one of rst the and few mu- “Sexual misconduct is built into foun the - Daisy O’Dell and Calderon Ana left, Pesce, Michelle woman. organizers talking abouttalking musicians, managers, JESSICKA A I might lying. possibly suggested ey be I to provedetectives trying by my actions that e same fake accountsperfect. of online in order to letpeopleknow that Iam not create media, narratives, false social via all life’stheir mission to watch move my every it,” Addams says. “For some fans it became ing justof apart life became as Inow know last year —reporting harassment and block- timesoveractions, hacked being several the by Manson fans online. found herself target the of more even abuse in Darkness, on Facebook), Addams also to led aprivate(which group page, Sparkle own hadtheir who upsetting stories to tell toled an outpouring of support from fans didn’t end there. While sharing her story dresses onstage). gothdreadlocks, makeup and old house of her stage musicians (both persona wore psychological torment and aliing even included not only violence and rape but her and White’s abusive relationship, which includedher story ashocking account of along Floridathe scene with Manson, and Addams, now who lives inL.A.,came up in Twiggyaka of Ramirez Marilyn Manson. actions of Jeordie her ex-boyfriend White, AND DIS MUSIC INDUS INT ABUSE,“THE T “reats,hate accounts, weird fan inter Manson red White aer, soon but it RINSIC SEXISM T DDAMS, JACK OFFJILL T URBING.” T HE VIOLENCE AND T RY IS UNACCEPT

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HA NTW T - O FUELS T MAN immune. makes for slope, and aslippery no genre is liousness and of seduction music the world professionally. Indeed, inherent the rebel- to have for been unscathed most the part, BrownL.A. Reid, Chris of —all whom seem ongoes and on: Russell Simmons, Kelly, R. degrees of ofof assault varying men accused to abusive. And in R&B and hip-hop, list the out behaviors ranging from inappropriate and Kesha were biggest the names to call regardless. In popworld, the Taylor Swi some have brave been out enough to speak is built into its mystique. It’s Still, expected. former “sex, because and drugs rock &roll” online as support, and probably more of the as much harassment, judgment and doubt forward just with stories similar can expect Women come who in themusic industry life by his egregious actions.” women destroyed his own did to me and many other e man didwhat who he not destroy anybody’s life. I destroy aman’s life? Idid why aeryears20 would to me. questioned They what happened deserved Isla Jones of electro group the Purple ABLE ABLE HE HE HE HE CO URTESY W Jessicka Addams E R ISE Calendar section: ‘Why section: Calendar Can’t e Go-Go’s tal Castles, is Castles, onetal of few the indie artists rape.”digital ebrated on message the board. “It felt like a couple times,and Jones says that was cel- clowning translated into physical violence clowned on aweeklybasis,” she says. e an target easy became for and them was outspoken the Being woman that Iam, I legions which ed, of internet DJs emulated. ‘dudethis bro’ that persona Diplo iconi- Hollertronix message board.was “ere DJ/producer via get of cyberbullying Diplo’s how recalls sheparties found herself tar the andCrush promoter of L.A.’s Ball article on front the page of the thereso never would ere be. was an even band and all-female asuccessful never been was interested inus. e attitude was, there’d writer Jane Wiedlin, “yet not one major label on West the Coast,” guitarist/song recalls - years and out could sell any club we played knowledged as amusician rst inthe place. legend tells it, it’s hard enough getting ac- moreseem likely to suck it up. As one rock want to prove can rock withboys they the of assault. In general, though,women who and nowas an advocate isseen for victims of most the music powerful of her career dismissed. She has gone on to make some defamation suit against her, was which later 2017.Hein October it denied a and led Ethan Kath of physical abuse and sexual dams’, accusing her ex-bandmate and beau camewho out to similar with Ad astory - Alice Glass, former frontwoman- of Crys “e Go-Go’s“e together for been had three PHOTO GEISELMANM BY GABRIELLE L.A.Times’ ILO NE - LA WEEKLY WWW. LAWEEKLY.COM 15 | N   - D ,  | ’s ( 16 » of the ska- of O.C. Weekly O.C. Festival culture has in many ways become ways in many has culture Festival it bringing I was that like didn’t “People but the band naming of short stops Powell reports about the lawsuit all seem subtly to the lawsuit about reports in L.A. now who lives villainize Powell, her). says County, in Orange grew up but time last year. Soon aer, in what should should in what Soon aer, year. last time vic - somewhat been and a validating have Goldenvoice women, for moment torious unveiling on, go FYF would that announced - in Carlson’s minus lineup a female-heavy - the com at women by mostly curated put, Jennifer vet Goldenvoice including pany, booked the El who previously Yacoubian, e Auditorium. the Shrine and Rey eatre ever see, the best FYF would of one lineup, headliner as along Jackson Janet included Vincent, St. + the Machine, Florence with Bloody My Girls, xx, U.S. e Breeders, e more. and Gainsbourg Charlotte Valentine, was fest the entire later months a few But sales. ticket low to reportedly due canceled, were this one, including journalists, Many could that like a lineup that dumbfounded if there online wondered share a fair and fail, are us of Many the cancellation. to more was will FYF a similarly try that for again hoping see. We’ll year. next lineup gender-equal these days, world the music of microcosm a pop culture and sexualreecting culture Coachella, biggest, e alsoin general. put made has Goldenvoice/AEG, by together of the concerns strides in representing some us of many for but o -, and onstage women - promot all needed, is and the major more brought Tour Warped do better. could ers monitor to called Spaces Safe in a group even and the event, at girls young for safety the group’s concerning controversy amidst had that change tactics, a signal was for it Warped Unfortunately, impact. a positive kaput. now is Powell Monique vet Warped used has social her Ferris Save outt punk seen as she’s the disparities callmedia to out years, for circuit the festival on a performer advertisements and posters yers, as such putting by performers female belittle that even the when bill, of the bottom them at also She followings. bigger have their bands sexism the outright about the world told has promoters, from tour on encountered she’s bandmates. own even her and bands other became the victim of Powell Like Addams, a legal battle aer harassment online brutal when name Ferris’ Save use of over ensued a long aer a comeback forge to sought she the case. won when she worse got It hiatus. says she way,” my it doing I was back and threats. death I got trolled. was “I wearily. unmistakable: was the commonality And 35 and to 25 men, alley young were they all Orange liked a specic from band County.” rivalry a long-held a male with says singer unsafe in the feeling scene her led has to the even by years, in recent targeted and and Hilton Perez media (TMZ, - OUNG piece featured featured piece Jane Wiedlin acknowledging Spin PHOTO BY AUSTIN Y AUSTIN BY PHOTO Spin magazine article, Carlson’s Carlson’s article, magazine Spin Fear of not being seen as a team player or or being seen player a team not as of Fear Goldenvoice severed all ties- Carl with Goldenvoice - anony stories sharing woman one all but - FYF-associ at the assault tales of mously, on many by corroborated parties were ated social himself Carlson and media aerward, to a statement issued in a 2017 to the label, told me that my snake in the in snake my that me told the label, to My credit. and recognition about was grass seem never I since shit, ‘No was, response later A month here.’ around either get to she renewed,” not was option contract my recalls. been has job for a factor one’s even losing the varying of lev in terms - women many It’s they accept. might bad treatment of els FYF Fest the news about the reasons of one sur to Sean so took long Carlson founder pos- be one, to the rst wanted Nobody face. a powerful man, against alone standing sibly detailed as But there. the truth out put to his behavior. “I acted inappropriately and and acted inappropriately “I behavior. his actions,” my regret deeply and shamefully, the statement of though the end wrote, he on it “blame the all-too-common for went felt some excuses type that of the alcohol” disingenuous. were this around the story broke before just son misconduct was “an open secret” for quite quite for open secret” “an was misconduct the ough time. some Witt books some of the hottest shows shows the hottest books of some Witt “I wanted to be seen as a professional be to seen a professional as wanted “I have worked with have sold over 250 mil- sold over have with worked have much is it I feel but collectively, records lion new my for backing nancial get to harder a white be for would it than company record male lesser with achievements.” Carr are and Gloria but now, in L.A. right business club and the music of out happily a documen on - (though Carr working is on soldiers Hamilton tary Jabberjaw). about even Music, Spark a newwith Dark label, for being acknowledged not of years aer A&R an I was “[When] contributions. her who the executive label, a major person at who me, be to supposed mentoring was I brought that a band full for took credit “I was always a tomboy but had to be to had harder but a tomboy always was “I once, something for I asked If that. than the to getting was It enough. never was it and yell to I had be to heard where point great a not It’s done. things get To scream. live.” to way looked not and executive, and manager girlfriend disposable or a groupie, as upon known Hamilton, echoes Vicky mommy,” Roses N’ and Guns managing work her for and fairly be treated in the ’80s. “To Poison I done. the work for a man equalpaid to then many record track better a much have I the bands and male counterparts, my of Dayle Gloria, who Gloria, bookedDayle the legendary From management to booking being a to to management From Britt Witt has made a name for herself for made a name has Witt Britt ough I.R.S. was small, it cared about about I.R.S. cared ough small, was it much of my femininity behind,” she admits. she behind,” femininity my of much do that I had to really ‘man up,’ leaving so leaving up,’ really ‘man to I had do that about being taken seriously. “In order to to order “In being taken seriously. about the Viper Room, echoes Carr’s complaints complaints echoes Room, Carr’s the Viper like Jane’s Addiction in the process, and later later and in the process, Addiction Jane’s like L.A. club Scream, helping to discover bands discover to Scream, helping L.A. club would treat me as such.” as me treat would was when even the Riot Grrrl contingent when contingent was Grrrl even the Riot was the default. What was most surprising surprising most was What the default. was former partner] for any wants or needs — he or wants any partner] for former oen than not would seek out Gary seek out would [her not than oen “Most would not take my word. ey more eymore word. takemy not would “Most where Nirvana famously rst played L.A. played rst Nirvana famously where of legendary ’90s music venue Jabberjaw, Jabberjaw, venue legendaryof ’90s music seriously,” says Michelle Carr, proprietress proprietress Carr, Michelle says seriously,” very frustrating in that I was never taken never very I was in that frustrating “Owning a music venue with a guy was was a guy with venue a music “Owning years have played like a badly broken record. record. a badly like broken played have years women working in the music biz over the over biz in the music working women bration.” from heard I’ve the frustrations owner, club - cele to later minutes statement the same with ideas and facts where a man repeats repeats a man facts where ideaswith and places men do. Encountering skepticism skepticism Encountering do. men places just because I put my foot down in the same down foot my because I put just considered intimidating, brash or bitchy bitchy or brash intimidating, considered stantly overcoming the challenge of being of the challenge overcoming stantly - con I’m realize I that Nowadays, enough. nored and underpaid to just not being good not just underpaid to and nored “I [used to] attribute being ig- dismissed, [used attribute to] “I done rather than why I can’t,” she explains. explains. she I can’t,” why than rather done I’ve always just focused on getting the job focused getting just on always I’ve I was in denial.I was I think I still because am land Park, but it didn’t come easy. “I think “I easy. come didn’t it but Park, land it without judgment; women, not so much. not women, judgment; without it - in High Hat booking running theHi and in power were — and are — allowed to wield to — allowed are — and were in power success if they don’t act a certain way. Men Men act a certain way. if theysuccess don’t to deal with limitations that hinder their hinder that dealto limitations with seemingly are in control, they oen have have they oen in control, seemingly are lenges remain the same. Even when women when women Even the same. remain lenges now. And whether onstage or o -, the chal- o -, or whether onstage And now. haviors back then view their experienceshaviors reect how women who accepted these who be accepted - women reect how but it does it but revelatory story is not Wiedlin’s was assaulted by a sexual by predator.” assaulted was Now I feel di erently about it. Now I know I I know Now it. about di erently feel I Now it was my fault, because I hadn’t fought back. fought because I hadn’t fault, my was it know what else to do. For decades thought I For do. else to what know out.’ I ended up giving in because I didn’t because in giving didn’t I I ended up out.’ room and wouldn’t let me leave until I ‘put I ‘put until leave let me wouldn’t and room she recalls. “He ended up trapping me in a me trapping ended up recalls.she “He who claimed he wanted to work with me,” me,” with work to wanted he whoclaimed a dinner meeting with a producer meeting a record a dinner with tions. “When I rst went solo, in 1985, I took solo, went rst I “When tions. later, she was not immune to vulturous ac- vulturous to immune not was she later, Wiedlin forged a career on her own years years own her on a career forged Wiedlin cessful, hit-packed trajectory. Still, when Still, trajectory. cessful, hit-packed - a suc on Go-Go’s e sex, whichput of the band and supported them irrespective supported and the band record deal.” record came to see us, loved us, and o ered us a us o ered and us, see to loved came us, Finally, a new and tiny label, I.R.S. label, Records, tiny new a and Finally, Get a Record Deal?’ It was very was Deal?’Get Record a frustrating. It 16 WWW.LAWEEKLY.COM | N   - D ,  || LA WEEKLY (The Big Bang Big Theory) (The Simon Helberg Starring a delightful radio play. classic comesto life as The beloved holiday 626-356-PLAY |pasadenaplayhouse.org | Tickets at start $25

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» 15) the samethe realization that, as veterans inthis she of. was apart “We were coming all to it intorealized was embedded system the as atouring DJ for concerts and inclubs. She O’Dell,jects encountered who alot of both other —happened simultaneously,” inter we were somewhat isolated all from each of though — even and sexism misogyny of unrest, of wanting to action interms take clubs owned and just run by men anymore.” done. to be thing needed We couldn’t have andwas sad out grossed and felt like some - ‘target prettier trans people.’ out. Iwalked I mix Ibrought inbut he wondered ifIcould meeting apromoter said he appreciated the creatives and LGBT, but at oneparticular people to club, the and it was alot of Eastside was brought into bring more interesting Westbottle service–driven Hollywood. “I sation that madeher quit doing clubs in reveals,going on to recountconver the women and women attending venues,” she to hearwould today never expect about of most the obscenediscussions that you in on club meetings. “We would hear some to —that male change. needed all of venue owners and promoters, were who woman. that realized it — was mindset the to more become frequent. e women of ues, some where spun, gals the hadstarted and stories of assault at and druggings ven- discrimination commonplace hadbecome and club where scene objecti cation and safe environments for women inamusic mainthe one was to create welcoming and of female DJs, and its were goals many, but tive out grew of aweeklylunch gathering group ttingly, called, woman.- e collec change for women innightlife by creating a buildingstarted steam, sought they to make year, around same the timethat #MeToo a marketing and events entrepreneur. Last music curators/supervisors and latter the as beyond, rst the three as top L.A.DJs and musicknown inlocal circles nightlife and Pesce and Kate Mazzuca are names all far, Daisy O’Dell, Ana Calderon, Michelle women the ginning. Like mentioned thus right now, out and speaking is- only be the Mobilization iscoming from and more.media judged by gender their unfairly, inpromos, women inmusic overlooked being and bona dewatchdog group that points out into something bigger, with meetups and a conversation that has emerged and turn it #dontskirttheissue. She hopes to the take ences online and hashtagging with them shining alight on it, sharing- her experi fore not trusted.” to be voice are not considered ladylike, and there- misogyny, where strong women have who a as well, there’s an accepted still underlying thatlieve inOrange County, and inL.A. “What’s interesting is that feelings these Calderon her aggravation recalls sitting To counteract perception, this Powell is she became “ashe became punching- Ibe bag. all fronts all - - life and music holding for space other.” each whatto out was see born of women innight- tion,” O’Dell says hopefully. “It’s exciting so “Solutions are future the of conversa the - culturethe that so real change can occur. action and transformingtaking hopefully music right now, scene it’s transcending talk, nding power innumbers. And L.A. inthe ing things alittle for easier one another by actions, #MeToo’s reckoning is about- mak festival lineups process. inthe ing-band tour slots and rankings higher on and unapologetically, scoring huge open - and many more are doing audaciously so Black, Feels, Dorothy, War Paint, Coast Best Glazerr,Regrettes, Cherry Kate Crash, Beck like Starcrawler,in L.A., acts Deap Vally, e women than are ever out there rocking, and normalized. Despite challenges, the more treatment outlined no here longer will be aries that is keyso various the forms of mis- and femaleartists, new establishing bound- longer, but for are, who those like Glass, make it who those at events. ing game the for love peoplewho music and promiseey much more to come, chang- a private “sanctuary room” and lounge area. and crisis managers on ground the as well as great success, providing safety ambassadors mit event LA18 last month with inDTLA at Form the festival inArizona and Sum the - vulnerable at music events, not just women) stressthey is for might who feel everyone misconduct and/orsexual assault.” tor trauma experiencing trigger, harassment, ensure “the safety and well-being of any- visi hub atand music service events, created to salvation, “soteria.” is adesignated safe space ing all-important the music festival arena. beyond clubsgoes and into events, includ- secondisthe an bigger even objective that toutingindustry inclusion and and equality; rst is alist of guidelines for nightclub the channeling into energy their initiatives: e a club one day but meantime inthe are they says. Adds Calderon, “It was heartbreaking.” farso and we hadgotten close,” so O’Dell we hadworked hard so and we hadcome decision dicult to make because was avery admitthey there was internal conict. “It or (charges false have dropped), since been Hesitant allegations the to qualify as true vision, opted they not to move forward. oughto he ally friend. their was amale of building’s the owners by his former- girl accusation of abuse emerged against one for Hollywood space,lease an perfect the it, on day the were they going to the sign nightclub.male-run But as fate would have resourcestheir and sought to openan- all-fe to anyway.” lead youngerthe generation of kind to looks us industry, we hadto dosomething because Beyond holdingBeyond men responsible for their Sadly, Addams is not music making any alreadyey instituted soteria. (which Named for Greek the goddess of safety and O’Dell and openup Calderon say will they year, this Earlier together pulled ladies the LA WEEKLY WWW. LAWEEKLY.COM 17 | N   - D ,  |

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BEN J OR About a dozen such sculptures are on on are sculptures such a dozen About pride aorded is work singular One I what about L.A. Louver I told “When the and in the show, work central e USS Iowa Museum, Paci c Battleship Battleship Paci c Museum, USS Iowa “THE FUTURE SHOWS “THE FUTURE SHOWS TO RELATE WILL UPON EXPAND AND ITS AND SHIP THE AND ROOTS MILITARY HISTORY.” both steely and sensual, industrial yet yet industrial sensual, and both steely that sheen a subtle has It organic. almost of the abundance and luxurious, quite is - detail delight is accurate wrought, nely this also creates Yet ful surprising. and between dissonance cognitive a kind of their the objects and of the pleasurability destruction, industry and of content warfare. and weapons smaller and both large the Iowa, view at lesser- as well as scale, famous depicting American across vessels naval known history. pedestal, while a long most on place of the walls, though as on arranged are a vertical sea.sailing the white Some of has back several and years, dates work sev- Jackel’s of in one been exhibited gallery renowned with eral L.A. shows a is there example, For in Venice. Louver USS Maine, hewn, ax-chopped roughly multivessel a larger, from elements and based the USS Johnston. on installation the battleship, board on into getting was work much how they about warned me mine time of much how be and would it “ey says. were Jackel up,” eat would it a perfect was it they thought But correct! my supported completely and me for t of the process throughout new endeavor A.R.T.” creating a brand- is named, is which it for piece War World the ill-fated of new sculpture the was is USS Indianapolis. II vessel Boy Little ferried the bomb that ship before Tinian, of island the Paci c to a by waters being sunk in shark-infested - the In of wreck e submarine. Japanese aer discovered recently was dianapolis — which 70 years for lost thought was it undertake to Jackel prompted what is ambitious the most of calls he one what the of one and career, his of sculptures created he’s now And meaningful. most o. it the perfect show to place Center, 250 S. Harbor Blvd., San Pedro; Pedro; San Blvd., 250 S. Harbor Center, (310) 971-4462, paci cbattleship.com. tour with free 10 a.m.–5 p.m.; Open daily, $20-$30. events, special and ticket A.R.T. CURAT A.R.T. MBROT A D O BY SHANAO BY NYS T PHO ough he also works in ax-carved also he ough works exhibition to unveil this space and artic- this space and unveil to exhibition - contempo exhibit — to concept its ulate of rary art dealing topics with thematic history in a variety military nautical and aka non–art broader, e mediums. of even on absorb visitors context world, exhibit, the outer through stroll a brief - explo expansive the more less much perfectly itself, sets the ship up of ration has He works. the experience Jackel’s of disaster and war of issues addressed long - Afghan of the invasions art,in his from impact the devastating to Iraq and istan spear-wielding Katrina, Hurricane of the Stealth and antiquity from soldiers Bomber. work his for best is known wood, Jackel uses a He stoneware. and in ceramic then which rubs he clay, gray slate dark, is eect beeswax that with an achieve to ROT B DAM S RT Alfa Romeo Tango Gallery Jackel’s “USS Indianapolis and Other and Indianapolis “USS Jackel’s A SHIPSHAPE DISPLAY gun-metal gray with stories-high stacks stacks stories-high with gun-metal gray cranes, compartments, windowed of views all close-up of the nuts and turrets the ship. of the architecture of bolts and the of fore the north-facing Toward opens door a modest watertight vessel, Descending ladder stair. steep a slim, to enter you down, levels two but one not and archival of labyrinth low a long, the history on high-tech exhibits more the people and in wartime, the Iowa of several escapades. Around in its involved a upon curves, and come corners you of the end space at box white strange space with walls sharing its the arcade, leading hatch a netted and pipes, hey the of end one even further deck at below Tango. Alfa Romeo is is room. view on which is the Sea,” From Tales the ideal 17, is March through daily Alfa Romeo Tango Gallery shows contemporary art Gallery contemporary shows Tango Alfa Romeo a battleship in the belly of NYS SHANA BY - ON/EMS INH SWENS O BY ERIC M O BY T PHO ew from the art-in-ew from depart- strange-places a the USS Iowa, ment, docked permanently now museum, Pedro San

A wide ramp leads up to the main the main to leads up A wide ramp Visitors arrive at the gallery at - arrive a some by Visitors “ere are many visionary minds many “ere are “e future shows will relate to and and to will relate shows “e future A.R.T. is the labor of love of artist Ben artist of love of the labor is A.R.T. Ben Jackel

and anachronistic sight, a behemoth of of a behemoth sight, anachronistic and deck. e ship itself is an imposing imposing an is itself ship deck. e closings of each exhibition. of closings ursday art walks and the openings and and art the walks openings and ursday to the space is free for San Pedro’s rst rst Pedro’s San the free space is for to He’s working on it, though, and access access though, and it, on working He’s hard to get around that one,” Jackel says. says. Jackel one,” that around get to hard “It is a gallery within a museum, so it’s a gallery is so it’s a museum, within “It need to buy a ticket to visit the gallery. the gallery. visit to a ticket need buy to audio guides. Yes, at this point you do do you this point at guides. Yes, audio and duration, with docents or app-based app-based or docents with duration, and packages, which range in ticket price price in ticket which range packages, e A.R.T. space is a part of the tour the tour a part space is of A.R.T. e thing completely new.” completely thing route. fascinating but circuitous what - some created have we that excited and lery everyone very is aboard, impressed it happen. Now that we have an art gal- an have we that Now happen. it special thing, and with their help I made I made special their with help and thing, a historic warship could become a very could warship a historic of them also thought an art gallery an them alsoof thought on Battleship Iowa,” Jackel explains. “Some “Some explains. Jackel Iowa,” Battleship among the sta and crew on board the board on crew and the sta among generation. and materials as well as race, gender and and gender race, as well as materials and and equal range of artists across style across artists of equal range and that address these issues,” with a wide with these issues,” address that and world-class contemporary artists artists contemporary world-class and showing work from veterans, local artists veterans, from work showing roots and history,” Jackel says. “I plan on on plan “I says. Jackel history,” and roots he will be curating its program. willhe its be curating military its and the ship upon expand because it’s perfect, but moving forward forward moving perfect, but because it’s easiest way to get the gallery get to way easiest started and years has spent his free his time volunteer spent has years the was because it show, rst A.R.T.’s Jackel, a renowned sculptor, who for ve ve who for sculptor, a renowned Jackel, forms work own His the Iowa. at ing vintage warship. warship. vintage board the historic, carefully maintained maintained carefully the historic, board its inaugural exhibition in November, on on in November, exhibition inaugural its Romeo Tango — or A.R.T. — celebrated — celebrated A.R.T. — or Tango Romeo eccentric contemporary art spaces. Alfa contemporary eccentric also is home to one of the area’s more more the area’s of one to also home is N 18 WWW.LAWEEKLY.COM | N   - D ,  || LA WEEKLY

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19 | N   - D ,  | Much like the experience of visiting a the experience like visiting of Much service the customer While above far is to has it here, product a star is there If of open in the midst doors its Keeping Epicurus Gourmet, 12140 Sherman Way, Way, Gourmet, 12140 Sherman Epicurus not go and do a month worth of shop- of worth a month do and go not ping!” butcher, Italian or cheesemonger French the in customer city a true speci there’s service may while and the products here; cook, the sta a novice for be intimidating omas  you’re Whether but. anything is you’ll plate, a hot with someone or Keller those on which, for be accommodated, at .  a true is gi life, side of plate the hot the for just not o pays special attention member . Team the sta for but customers all at not it’s reports Garen Samantha the with return to customers for unusual share, and show to theirfruits labor, of when is the place especially Saturdays on he fun,” are “Saturdays agrees: full. Gitter sample of do a lot a smile. “We with says party here.” little a like is . Saturday stu thanks below, far are the prices average, loca- part the unglamorous to in large they chose the says industrial Gitter tion. don’t you reason the same “for park fact, he In Costcond Beverly in Hills.”  foodies,” for “Costco as Epicurus to refers of instead caviar es and tru “It’s noting, Looking at paper.” Cheerios toilet and see means. he easy to what it’s the prices, cornichons, of can 6-ounce A 9-pound, one pickles sophisticated those tiny, is fondue, serve or might raclette with of while jar a 7.5-ounce $17.28 here, a at brand cornichon popular another not $7.29. Of course, local is supermarket everyone can 10-pound almost needs an items so many why which is anything, of Also size. one than in more come here cornichons of jar a 5.64-ounce is available $3.02. for explains, Gitter es, which, as be the tru in advance: and the pound sold by are so a commodity, like done es are “Tru e pricing. every the tru get you week e tru send in your You uctuate.  can It Friday pickup for here they’re and orders worth is e newsletter  Saturday.” or but the polite for if just to subscribing to not how about instructions adamant do not fungi (“Please the precious handle ca- the noti and cook a Burgundy”) with Whites,” “Ugly on discounts about tions less-than-perfect to white theyas refer es. tru soon will Epicurus have remodel, a major even bigger an and walk-in refrigerators varieties of will add more It inventory. is, believe to though it hard and, bread is what matter no But cheese. even more without leave don’t theadded menu, to change It’ll trying butter. the pistachio life. your North Hollywood; (818) 658-3637, epicurus Hollywood; North gourmet.com. PHOTO BY COURTNEY LICHTERMAN COURTNEY BY PHOTO , an Italian alternative to alternative Italian , an “We have so many European expats. expats. European so many have “We  aes- the industrial kept they’ve at  allamarinara and  to bench. Next park the nearest nd  and lled with  brochures are bar the sampling the food direct suppliers from recipes fridge covered is A nearby themselves. wheels from stickers advertising with clearly which were of cheese, most of ect remarkably feels the e at  French. the fact to be can attributed uncontrived “Europe- is the inventory of much that Hirsch. to according an-based,” We they shop. to like ey how this is feel  because nice feedback people such get intimate,” more it’s smaller here, it’s us tell agrees, Gitter pride. with says Hirsch this the of personal feel that remarking verypotentially space was impersonal for nity a ect the owners’ re to meant we’re “When life: of way the European shop don’t we time in Europe, spending do We every shop day. We do here. we like generic microwavable noodles. Here, with noodles. Here, microwavable generic pretension, zero and charm complete inventory their butter to refer the sta people speak theirsome art of the way the say, to, not ey refer  collections. all using the Bourdier, to but Kandinsky, of enthusiasm and awe the excitement, a Kandinsky. well, to, referring someone if as truly feel clandestine, theticit makes incredible an about you a friend told has coming not “You’re notes, secret. Gitter un- an is there yet the frou-frou,” for here vibe European homey, happy, mistakably the speaker on plays music French here. to want you makes that a touch system, cheese of hunk a big and a baguette buy spaghetti spaghetti While the inventory is large — Hirsch — Hirsch large is the inventory While canned tomatoes so exceptional they so exceptional canned tomatoes actual with serial With come numbers. in the public” “wholesale to wholesale and Kevin co-owner and Hirsch Gitter, mind. in 2017. this site opened at Jones theyreports carry — 1,000 items almost feel. curated a carefully has the warehouse joking says, she everything,” taste “We to see to every they “go want that product seductive its for Whether a good home.” here product no taste, its or packaging black Sleek beenhas chosen accidentally. so beautiful they sauce shoyu of bottles a few becould just recycled vases as sit pollen, fennel bags of from away shelves as to cheekily refers the store a product lobster Bottles of Fairy Dust.” “Culinary French — from oil lobster — yes, oil with estate real share A L’Olivier brand freeze-dried black of packages ric Gitter wants you to try to you wants ric Gitter “It’s butter. the pistachio the promises life-changing,” specialty food of co-owner Gourmet, Epicurus store

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IN NOHO IN GO GOURMET GO range from rabbit to boar sausages to boar to sausages rabbit from range anomaly carries culinaryanomaly specialties that in another location, this neighborhood location, in another tially life-changing. Started two years ago ago years two Started tially life-changing. for truck parts than tru es, seems poten- truck parts tru than for section of North Hollywood better known better Hollywood section North of food warehouse, located in an industrial in an located food warehouse, that could change one’s life. life. one’s change could that cream, does actuallycream, seem something like like a glorious mix of Nutella and heavy and Nutella mix of a glorious like be overselling it, the butter, which tastes the butter, it, be overselling Ladurée spread. Although he seems he to Although Ladurée spread. Hirsch agrees with his praise of the green of praise his with agrees Hirsch store’s tasting bar. Co-owner Hillary bar. tasting store’s while guiding some regulars over to the to over regulars while some guiding BY COURTNEY LICHTERMAN COURTNEY BY is the butter of your dreams your of the butter is Inside a warehouse in an unlikely neighborhood unlikely in an warehouse a Inside

FOOD & DRINK & FOOD E 20 WWW.LAWEEKLY.COM | N   - D ,  || LA WEEKLY J BY BILGEEBIRI that steals together Kore-eda’s big-hearted Shopli ers FILM comments and surprising occasionally a meager pension. live all illegally.shack they She subsists on crowded, inwhose (Kirin ), tiny steals, except for grandmother Hatsue ea schoolgirl. whole family works, and workswho at show a peep dressing up as bar, and her sister (Mayu Aki Matsuoka), Nobuyo (Sakura Ando), works who at a market Ditto to survive. Osamu’s wife, have to pilfer from groceries super the he and his young son Shota (Kairi Jo) still Franky),(Lily works as aday laborer, but onfallen hard times.e father, Osamu what ordinary family that has merely that at rst might appear asome to- be re-eda’s centers story around ahousehold whatexactly lm’s the title promises, Ko- itemson news of acollection true about his most intriguing subjects to date. Based Festival,Cannes Film he has found one of wonwhich Palme the d’Or at year’s this GRAND THEFT But gradually, through oand Shoplifters even justeven symbolic. In biological, estranged, surrogate or families shape those families —be is fascinated by forces the that apanese director Hirokazu Kore-eda Shopli ers , - business with the new family member: business family with new member: the not daughter. their eir rst order of himself ayounger sister, is de nitely who mightwho son, not their has be even todecide keepgirl. the And voila, Shota, rstthe place —andimmediately they arguing, claiming didn’t they want her in and Nobuyo overhear child’s the parents ing to return Yuri to her family, Osamu home withe them. next day, attempt- alone cold,seemingly inthe and her take Yuri young child, acrying (Miyu Sasaki), Osamuscenes, and Shota come across system at work here opening inthe when, we might have madeabout people. these slowly, assumption subtly every undoes ment on margins the and of then society us intore-eda eases loving this arrange- grandmother whose isexactly that? Ko- and tender toward other? each And just and Nobuyo, aectionate so seem who Is there a darker Osamu past between shopliing forays, father actually and son? over well-coordinated smooth, their Are Osamu and Shota, like to who bond individuals alot to start less seem certain. actions, connections the among these We get ahint of unorthodox the value toasts the family toasts family the COURTESY MAGNOLIA PIC TURES ing everything. gracefully, For that a lm unfolds gently so and surroundingtransactional society them. daydone by ruthlessly to the every them more grotesque or twisted than what is Nothing main the characters dois any out among themselves should who go. one of and them, forces two the to gure another employee that to he needs re Nobuyo’sElsewhere, tells boss her and triumph has ahumiliating become defeat. anyor collect disability. His imaginary and is unable now to any earn money return from work: He has injured himself, immediately aerward, his real-life we see from work to aloving family. Almost pretending to come home triumphantly door and throughwalking an imaginary inside shell the of an apartment building, lm’sthe more touching he stands scenes, jobs building houses for others. In one of home himself but works construction obscene. Osamu can’t aord to have a that exist inaworld they that is itself peoplecomesthese from arecognition other family?) (And really, how dierent is that from any important don’t things they at discuss all. —but to be thereseem everything also relationships.their appear ey to share mixture ofand ease trepidation governs lifetheir but its also intimacy. An odd tight, impoverished circumstances of e cluttered frame conveys not just the pletely into characters’ these headspace. at level, eye helps which us enter com- unforeseen but organic ways. real life, as dramatic situations develop in narrative proceeds at winding of the pace follows routines, in their them that so his and instead presents are. as them they He usual litany of challenges to overcome, hissaddling characters with plot, with the absurdity of situation. the He avoids also fusing to play up irony, the criminality or with this astraightportrays all face, re- teaching her to shopli. HEADSPACE. T COMPLE HELPS US ENT LEVEL, WHICH CLOSE AND A KEEPS HIS CAMERA THE DIRECT Perhaps Kore-eda’s refusalto judge e director keeps his camera and close e typicallybig-hearted Kore-eda HESE CHARACT SHOPLIFTERS Hirokazu Kore-eda |Magnolia Pictures Shopli ers T ELY INT | Directed andwrienby leaves us question- OR OR T ER ER EYE EYE ERS’ O HAPPY AS LAZZARO BLOOD BROTHER OPENING THISWEEK hardships faced by people on the streets and passionate interest in social realism, in the work Rohrwacher’s uniteswhile he hasn’t. a from the movie’s first half — they have aged less. There he meets some of the villagers We’re still following Lazzaro, who now is home- the film. The location shifts to an Italian city. want to skip this next plan to if part you watch everything, splitting the film in two. You might this neorealist crime plot, Rohrwacher upends Then, justmight when be you settling in with kidnapping in order to get the ransom money. not clear that Lazzaro understands: to fake a eventually enlists Lazzaro into a scheme it’s Chikovani), the son of the local landowner, who around with his layabout pal Tancredi (Luca look of Elijah Wood’s Frodo Baggins. He larks prone to extended stupors and has the dreamy Tardiolo), a lanky naif who rarely speaks, is misadventures of angel-faced Lazzaro (Adriano existence. Rohrwacher follows the low-key every texture and sunbeam of this out-of-time cinematography is beguilingly attentive to have a century or ago. Hélène Louvart’s 16mm occasional radio or lightbulb — as they might seasonal toil, lives that look — except for the remote village of Inviolata, living lives of we meet the sharecropping peasants of the with the reality of the present. This time, sets a pastoral vision of Italy’s past clashing quisite time-crossed fable again! (Craig D. Lindsey) in the studio and start making panty-droppers Blindspotting? And Trigga — assget your back down the road to ruin, may I suggest streaming black man nottrying to let his white pal lead him wantplanning. If you a way better movie about a who are wholly incompetent when it comes to as badasses, Songz and Kesy play characters to be coherent and, despite totrying come off kind of awful. The script doesn’t even attempt involved-know-what-the-hell-they’re-doing prince) kind of awful — it’s the does-anybody- action star/filmmaker, not the 13th-century And not the fascinating, Alexander Nevsky (the life. I’ll be straight This movie with you: is awful. terrorizing people, including those in Sonny’s Oh, he just goes batshit and starts killing and holds a grudge about So it. what does he do? to prison for So it. — big surprise! — Jake still laden armored truck shootout and Jake went and Sonny once took the spoils from a corpse- looking like a Great Value Channing Tatum). He his just-out-of-jail best friend Jake (Jack Kesy, straight-and-narrow way doesn’t sit well with a Sonny, former teen thug turned cop. the Living make absolutely no sense whatsoever? Songz is damn mess — make choice after choice that character else involved— and everyone in the Brother, a so-called crime thriller where his faces” with her. Why else would he star in sings about stealing girl and making your “love want to prove he’s more than just a brotha who R&B singer Trey Songz must Alice exRohrwacher’s Happy as Lazzaro Blood -

LA WEEKLY WWW. LAWEEKLY.COM 21 | N   - D ,  | - Invisible Invisible winner © to try to sail not ’ Times Sunday The CHARLES FERGUSON Featuring KAILASH SATYARTHI, NICHOLAS KRISTOF and more A fi lm by A fi TANDON SHRAYSI Produced by Oscar examines a failure failure a examines Mercy The Here’s a man-vs.-nature sailing sailing man-vs.-nature a Here’s Friday 11/30 at the 7:10 show and Sat 12/1 & Sun 12/2 at the 5:00 show Filmmaker Shraysi Tandon Tandon Shraysi Q&As with Filmmaker HANDS turing plants and their watchdog inspectors. inspectors. watchdog their and plants turing viewers how in guidance little offers it But seems which system, this fight help can thriftiest the Sadly, even all-encompassing. items some purchases likely dweller commune inhumanely. developed were that small,as are moments haunting most Hands’ ner admits manager farm teenage a when younger employeeswere several that vously when or neighboringcountries, from abducted with appears journalist undercover Ghanaian a (Sam face. his covering beads and prosthetics Weisberg) story with a significant difference. Rather Rather difference. significant witha story spirit,human the to testament rousing a than Marsh’s James rarely that tragedy of triumph,kind the to when life, real In movie. a into up blown gets you telling are signs the all around sailboat prototype yourexperimental urge the resist world,youshould the probably Donald Firth’s withColin goes it So so. do to hobbyist and Britishinventor a Crowhurst, entered 1968 in who sailor globe- nonstop, a Race, Globe Golden first competition. yacht solo circumnavigating choice this for reasons avowed Crowhurst’s directional a for winattention to first, were, of pileup a then and invention own his of finder the thinking, his Whatever troubles. financial trimaran untested his in off set Crowhurst real word celebritywhen national a became and THE MERCY THE INVISIBLE Laemmle’s Music Hall Laemmle’s

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is a thrilling spin through roller-skate culture roller-skate through a thrilling is spin Skates United FI the world’s most storied disco in the recent storied most the world’s those dancers used to characterize entering entering usedthose characterize to dancers of arriving at a good rink similar to at in terms arriving of the peacocking pride of grown-up skaters. skaters. the peacocking grown-up of pride vitation to relish the momentum, the joy and the joy the momentum, relish to vitation skating rinks, also proves invigorating, an in- an invigorating, rinks, also proves skating have come to be known as “adult nights” at nights” “adult be as to known come have present-day free-skate footage, shot at what at shot footage, free-skate present-day for continual highlights. And much of the of much highlights. And continual for techniques for the directors’ cameras make cameras the directors’ for techniques shue and the gaga. Skaters demonstrating demonstrating Skaters the gaga. and shue must master moves like the big wheel, the low the like big moves master must remixes geared to what’s called “J.B. skating,” skating,” called “J.B. what’s to geared remixes where the DJs blast specialty James Brown Brown specialty James blast the DJs where while anyone hoping to keep up in Chicago, in Chicago, up keep to hoping while anyone L.A.’s skaters favor uid, gliding maneuvers, gliding maneuvers, uid, favor skaters L.A.’s was interrupting their skate time. their skate interrupting was the rink the dier on charting scene, today cities. style between dierent in skate ences audience was already annoyed that the show that annoyed already was audience had to be had to especially powerful because the segment, that an act performing for skaters skaters for act performing an that segment, crowd, and Salt-N-Pepa note, in an interviewan in note, Salt-N-Pepa and crowd, We glimpse a young Queen Latifah working a Queen Latifah working a young glimpse We Jersey and L.A. rinks to the rise of hip-hop. L.A. rinks the hip-hop. rise to and of Jersey geles skate palace, and link New York, New York, link palace, New and skate geles accord on the neutral ground of one Los- An one of ground the neutral on accord time the Bloods and Crips reached a peace reached time the Crips Bloods and roller-rink culture. ey tell the story of the ey the story tell of culture. roller-rink the directors survey the past and present of survey present the directors the and past rousing footage of skaters acing stylish tricks, stylish acing skaters of footage rousing African-American community center. With With center. African-American community ing overview of its subject: the roller rink overview the subject: roller asing its of

on the oor, in continual thrilling motion, in continual the oor, on heart and then the rst look at the crowd the crowd look at then the rst heart and from outside, then the thump of your own your of then the thump outside, from S 22 WWW.LAWEEKLY.COM | N   - D ,  || LA WEEKLY Fatal Beauty Fatal December 4th & 5th & 4th December December 6th & 7th & 6th December 10:30AM and 12:30PM and 10:30AM 10:30AM and 12:30PM and 10:30AM Landmark Regent Landmark Landmark Regent Landmark - 1045 Broxton Ave, Los Angeles, CA 90024 CA Angeles, Los Ave, Broxton 1045 - - 1045 Broxton Ave, Los Angeles, CA 90024 CA Angeles, Los Ave, Broxton 1045 - death, he’d wait for competing sailors returning Atlantic. His plan: Rather than risk certain false coordinates while he dithered in the sailing the vessel; in truth, he was reporting immediately overwhelmed by single-handedly Ocean, Crowhurst in actuality was almost per-lipping through the tumultuous Antarctic no-nonsense power, rather than stiff-up- home. As Marsh’s film dramatizes with lean, of his boat’s unprecedented speeds reached W L.A. WEEKLY L.A. features distorting, lensing fish-eye and affections of Queen Anne of Great Britain the rivalry between two courtiers for the Yorgos Lanthimos’ lacerating farce about September.Festivalin Film Venice the atPrize Jury Special Grand the garnered festivalgoers,havingand critics among by Brian Sieve. film from Screen Gems, from a screenplay Van Diederik Rooijendirected horror this shift at the city morgue one fateful night. graveyardthe working out finds Reed) found. That’s what an unlucky cop (Megan isvessel living suitable a until body force could remain within the dead host’s demonicinvading the completed, isn’t the interesting theory that if an exorcism Netflix release 7.on Dec. Friday, itstheatersbeforeselect in opens film Thefootagepossibilities.)the-scenes capture technology. (Imagine the behind- motionto submitted themselves whom ofall — Khan velvet-voicedShere the asCumberbatch Benedict and wolf; a as Cate Blanchett as a python; Naomi Harris panther; the Bagheera as Bale Christian includescast supporting The jungle. the who teaches the orphaned boy the law of playsalso and Baloo, avuncularthe bear Legend of the Jungle. Andy Serkis directed its own lavish Kipling adaptation, Disney’s live-action Warner Bros. responds to the success of Nov.Friday, 30 plans. screenbig your make you before week movies garnering buzz. Check here every newpopcorn-perfectand blockbusters toclassics and gems house art indie from— week theatersthis area Angeles THE FAVOURITE THE MOWGLI EXPANDS The Favourite The is already a favoritea already is Favourite The The Possession of Hannah Grace posits ’S MOVIE GUIDE at films playing in Losin playing films at lookcomprehensive your guide,moviebrand-new to elcome ROARS, ROARS, COURTESY FOX SEARCHLIGHT The Jungle Book with L.A. Weekly L.A.

Mowgli: Mowgli: ’s ’s americancinemathequecalendar.com. 466-3456,(323) $12. p.m.; 7:30 2, Dec. Sun., Monica; Santa Ave.,Montana 1328 inventive comedic geniuses. great introduction to one of cinema’s most aIt’s contemporarycelebrities. from testimonials glowing to addition in clips featuressilentstarand dazzling archival toactvaudeville fromKeaton’s journey tracesfilm retrospective.KeatonThe Bustera off cap to day a forAero the to backit brings Cinematheque American theNovember,but early in run limited mentary, affectionateBogdanovich’sPeter docu- 2 Dec. Sunday, Thu., 6. Dec. thrulandmarktheatres.com; 473-8530, (310) West SantaBlvd., MonicaL.A.; 11272 celebratedperiod. late hisof beginning the marks DCP), a (in the film, which will be presented digitally operaticterritory; more into foremoving create the idiom of Italian neorealism be- tohelped Visconti Bologna. di Cineteca theand Foundation restorationFilm by the film recently was treated to a stunning sumptuousin Technicolor,Granger).Shot (Farleylieutenant Austrian an affair with tragicunificationher Italian loveand the of time the during Valli)countess (Alida aof story the recountsmelodrama romantic 1954 This Nuart. the at run pageant Landmark. theat first open will and Bros. Warner byreleased being is film The trip. the on along comes Mortimer Emily Venice; to trip a on dad ailing takeshis who son the is MattDillon light. honeyed golden, framein the bathingfor penchant a and rected by Til Schweiger with a large heart di- were versions Both drama. German 2014a of remake English-language an Alzheimer’s disease in expanding elsewhere. beforerun one-week a for Landmark the ˜co-stars;the Bardem Javier atopens lm consequences.moraltremendous have decisions ordinary which in thrillers in bly rise to the surface. Farhadi specializes secrets buried fromand pastthe inevita- Tragedy strikes brutally and unexpectedly, wedding. a forhometown her toreturns who Cruz) (Penelope woman a involves story the Madrid, in Set auteurs. premier Iran’sof one Farhadi,Asghar fromdrama for a week at the Landmark. playingafter wide opens film The divas. duelingthe WeiszRachel play and Stone Emma Colman, Tony Olivia McNamara. and Davis Deborah by screenplay droll a NATHANIEL BELL Luchino Visconti’s luscious historicalVisconti’sluscious Luchino Nick Nolte plays an aging widower with Everybody Knows is the anticipated new Scherstuhl) lives will never be what they once were. (Alan doomed man, facing the truth that her family’s with antsy, agonized spirit as the wife of the Weisz invests the familiar stay-at-home role reserve in the role of Crowhurst, and Rachel then come the is storms.all panickedFirth drop leavingout, Crowhurst in the lead — and Everything goes wrong, of course. Other racers home, and then slip back himself, in last place. gets a limited one-weeklimited a gets Senso , finished itsfinished Buster, Great The Head Full of Honey, Nuart Theatre, Nuart Aero Theatre, LA WEEKLY | N   - D ,  | WWW. LAWEEKLY.COM 23 - HEY KE RET T TH

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IC AND SEC AND QUES.” QUES.” E HOW THEYE HOW NES ANDNES A ST I IC HNI CHI TUALLY KNOW KNOW TUALLY - some said Daniels Stormy enough. Fair the through life I look at and life live “I it and working it’s doing, he’s Whatever Perry Farrell’s Kind Heaven Orchestra Orchestra Heaven Kind Perry Farrell’s ERV TEC AC BUS YOUR W YOU ON SPY SOPH MA “I WAS WE WAS “I THI THESE CI THE S perform with Dhani Harrison and Palms Palms and perform Harrison Dhani with the 30, at Nov. Friday, on 9 p.m. at Station Ballroom.Teragram PERRY FARRELL PERRY have right now to people who don’t know who people don’t to now right have Bad bad lovers. ey’re love. make to how their for bad in the bedrooms, lovers lovers it.” feel they don’t and sisters, and brothers this perform music To verything similar. the 30 at Nov. on specically us live, for assembled has Ballroom, Farrell Teragram is that Orchestra, Heaven the Kind a band, Addiction’s Jane’s of blessed the talents with Nick plus Rohde, Chris Matt Chaney and Far Lau Etty wife, Farrell’s Maybury and Visconti Tony the fact that that to Add rell. and , the forthcoming produced stellar some with been has working Farrell late. people of “To says. he artist,” and a musician eyes of as and artists as people I admire with work I do even greater, what make that people, team. a championship being like on it’s own your only write simply you When people, with collaborate don’t and music sound to going is song a while your aer are. who you matter doesn’t It the same. all We a certain body resonance. have You only I would If dierently. slightly resonate record the fourth by music, own my write I write before. it heard you’ve that say you’d with Working people. with collaborate and a spe- of be to more these frees up me guys the freedom having cialist. the I like idea of a certain it.” part on of concentrate to a is Farrell decades now. for worked has - uncompromis An treasure. Los Angeles artist, in the truesting the sense word. of and album a concept write to wants he If production theater immersive an produce era, nobody messianic the coming about Because very few way. in his stand should subject tackling that of capable people are of one is Farrell but great, making it and them. - EUREUX PHOTO BY GL BY PHOTO H when you get there. get when you Kind Heaven We told you — this isn’t your average average your — this isn’t you told We through go to have you there, get to “But You’ll be immersed in an environment be environment immersed in an You’ll on. all these going things there’s where top on happening stu Antichrist ere’s the end At happening. stu messianic of - in the mes happen to supposed is what of God know to era, everyonesianic comes Earth. to down God comes Heaven and re-enter we like, Earth It’s on again. lives Eden of the Garden Eden, or of the Garden descends down.” approaching isn’t Farrell and solo album, also temple. but theater is is way. that it also And a sermon. but a concert is is the ultimately is the thing whole key to throughout. owing message positive “ ere are says. Farrell drama,” of lots don’t people that it, willpeople that dispute to how know don’t peace, people that want those people per Inevitably properly. love we that the problems I really attribute ish. wrote about , and that’s what the scene will what that’s , and about wrote be at like and its and Kind Heaven Perry Farrell “Maybe that politician, instead of instead politician, that “Maybe Let’s take a breath. A lot of what Farrell Farrell what of A lot take a breath. Let’s MUSIC HEAVENLY HOST HEAVENLY Perry Farrell predicts the coming of the messianic of the coming predicts Perry Farrell Heaven Kind era with BRETT CALLWOOD BY relationship to the coming messianic era messianic the coming to relationship be can a little It very there. sounds out take seriously to but grasp, to not tough, a prophecy aairs, of state a genuine as what of much said, at a prediction. or be can highly taken as says allegorical.he mind, in Farrell’s the least idea that, Not be a powerful likely would the Antichrist politician. kill to want the would messiah, he wanting I what that’s “So says. Farrell the messiah,” - the Anti by bethe messiah hated would maybe want would Antichrist e christ. killto all weighing him. I was these things, Secret Service and thelike CIA — how ey business. they your actually know machines sophisticated with you on spy internet your on ey’re techniques. and and you to listening cellphone, your and the to they do that everything Would else. messiah?” regarding says ,” Kind Song Yet Yet Song Kind Kind Heaven project over the over project ? What’s the concept? the concept? ? What’s opens in Vegas, in the former in Vegas, opens is a dierent beast altogether, a dierent is here are few experiences few quite are here in Perry Farrell engaging like - some regarding conversation passionately cares he thing Addiction/ Jane’s e about. Kind Heaven . As he’s keen to stress, though,stress, to keen he’s . As Kind Heaven , and it’s the rst installation for for installation the rst it’s , and , for about ve years,” Farrell says. Farrell years,” ve about , for

“When you go into the theater, it’s not it’s the theater, into go you “When at “immersive theater” aspect will theater” “immersive at ere’s a lot to look forward to, then. But to, look forward to a lot ere’s “It’s really about the subject of the the of subject really about “It’s It certainly did recently when discuss - certainly did recently It “I’ve been working on this project, this project, on been working “I’ve

gonna hear, but it tells the story of the storytells of it but hear, gonna of-the-mill rocker’s solo album. of-the-mill rocker’s you’re that be solely this music to going Caesar’s Palace. Yeah, this isn’t your run- your this isn’t Yeah, Palace. Caesar’s Imperial Hotel across the street from the street across Hotel Imperial to Be Sung Heaven Heaven second and the follow-up to 2001’s 2001’s to the follow-up second and high concept for the new solo record, his the new solo record, for high concept phone. e L.A. icon delved deep into the deep into delved L.A. icon e phone. Kind Heaven Kind Heaven burst into glorious life next year, when year, next life glorious into burst for body music the rst of complex musical.” complex would be an immersive entertainment entertainment be immersive an would But not exactly a Broadway musical. is musical. exactly a Broadway not But entertainment — kind of writing a musical. writing — kind of entertainment to a much bigger idea of performing live performing idea of bigger a much to theater piece. So with this, the music ties So piece. this, with the music theater come up with a concept for an immersive immersive an for a concept with up come idea than just a solo record. I was trying I was to a solo record. idea just than with Jane’s Addiction. It’s a much bigger a much It’s Addiction. Jane’s with “I was writing it while performing it I was writing was “I behind of Lights.” of the story is all — what it begs the question do two shows for the Bill Graham Festival Festival the Bill Graham for shows do two beginning of April. But we also we decided to But April. beginning of we’re going to put it out end of March/ of end out it put to going we’re music itself, what we’re calling album, an we’re what itself, music excitement about the whole thing. “ e the thing. whole about excitement Farrell says, barely able to contain his contain to able barely says, Farrell cellphone to spread the message. Probably, Probably, the message. spread to cellphone ing machine called the computer and the and called machine ing the computer - this amaz have would we that understand Fast-forward to today and they wouldn’t they and wouldn’t today to Fast-forward know what Mystery Babylon would be. would Babylon Mystery what know ylon. Back in those days, prophets didn’t didn’t prophets Back in thoseylon. days, - Bab Mystery and the the rise Antichrist, of arrives, that we go through all through these go things: we that arrives, prophecy says that when the messianic era when the messianic that says prophecy at’s part of it. e other part of it is, the is, it part other of e it. part of at’s What would the environment be like? the environment would What today. What would he have to go through? go to have he would What today. messiah be living through if he were living were if he messiah be through living “It tackles the subject of what would the would what tackles the of subject “It is is where it gets a little wild, so strap in. wild, so strap a little gets it where is is says. Farrell era,” messianic upcoming that bursts out when talking him. to out bursts that new his ing ambitious to an insane degree. And all And of degree. insane an to ambitious and intensely warm, while warm, also artistically intensely and e man is an enigmatic soul — gentle enigmatic an is man e ing outside the box, and never settling. never and thebox, outside ing has built a career out of reinvention, think- reinvention, of out a career built has / frontman frontman Party Pyros/Satellite for Porno T 24 WWW.LAWEEKLY.COM | N   - D ,  || LA WEEKLY 2 ONSITLOS + VALIDT PARKING AT HE ARCLIGHT! followed byameetandphotoeventatAmoeba HEADPHONES, MUGSandPOSTERS HEADPHONES, SUPER S BUY-SE L-TRADE: Cs,MOVIES, &MORE! VINYL, Foundation aswepresentArtontheRecord, Two Birds,OneStonewithaliveperformance LP atAmoebaHollywoodonDecember4thto MON-SAT 10:3AM-1P  and vintagevinyl.Artworkbyvariousartists Join AmoebaandTheSouthL.A.ArtCenter FRE SHIPNG OMUSIC&MOVIES -NO MI€UM! and pick up that unique gift at Amoeba.and pickupthatuniquegift will beexhibitedontheAmoebastagewith R 640 SUNE640 BLVD. artists inattendanceandartworkavailable an artshowdedicatedtomusic,memories BUY 2,GET THE 3RDFREE! Hollywood. PurchaseTwoBirds,OneStone AMOEB.CM Get thejumponyour holiday shopping Trixie MattelcelebratestheLPreleaseof 20% off TURNTABLES, BOOKS, HOLID ENA T Program ofTheExceptionalChildren’s SUND SUND CHRISTMA ECORD EXHIBIT 12/ 0 -12/ 2:

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Neneh Cherry Parts play. also delic, hard-rock attack. Salt and Lick Adult and girl-group against melodies apsyche- as she casts out bewitching imprecations Emslie is amysteriously alluring presence Death Valley Girls bassist Alana Amram. with guitarist Sharif Dumani and former by Hunx &His Emslie Erin Punxdrummer StareSecret band fronted are local anew shiing into of akind shadowy goth metal. strands with spidery ofbegins guitar before previous releases. “Born Again and Again” tionally —and much more morbid than is heavier musically —both and emo- ing) Before IDie,” aptly the record titled Dead,” “Wear Black” and “(One Less punk blasts. But with such tracks as “More mostly uptempo hard-rock, grungeand album, energetic band. e L.A.band’s latest lenting Death Valley ri s, Girls are afun, Schemel’sguitarist Larry driving, unre- and irrepressible personality paired with endearingly unpredictable stage patter With singer Bloomgarden’s Bonnie Death Valley Secret Girls, Stare fri DAVID groove playing forward from center. the before inher life, unspooling as an endless literally arecord that’s of everything come and are art storied, so it’s arecord that’s come before —but for as her life Cherry more reective than the that have produced by Kieran Hebden, is admittedly veloping since. her ever art Broken Politics , trumpeter Don Cherry, as she’s de- been Europe at 14with her stepfather, fusion from her ownfar early cry days touring Politics, on Smalltown Supersound. It’s a album has anew out —Broken Cherry Reagan haterssized of Old Skull. Neneh pint- the even teen menacesthe inEater; stealing away to join Whitehouse inSpain; join circus. the ere’s young Philip Best much like how away to run used kids to home to fortunes the win of punk rock is e phenomenon of young leaving kids CEMETERY @ @ MUSIC HEAR GO

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sat sat tell core the lineup of Jackson, bassist Felix live, kill too, still ey and as far as we can to 2003’s Zebra most IV,the recent album. said, quality the has never dropped, right up at despite all, coming only ayear later. at No Tellin’ Lies, didn’t perform commercially edge. It was agreat but start follow-up, the bubble-gummelodies, tunes with ahard ’83 was agem —unrestrained power-pop debut e self-titled perhaps in deserves. ofsort mega–rock stardom that music their ever. Kinda. Zebrahave the never achieved cover of a picture of awoman riding azebra on the Jethro Tull tunes. But aer (literally) seeing coversperformed Yes Zeppelin, of Led and earlier, Shepherd’s were they called Bush and in New Orleans way in1975.Ayear back Jackson’sRandy hard rockers Zebraformed Zebra disparate work of his father. through as many as from 30selections the Choice Cuts tour, he’ll go onstage and si gods to mere of en, mortals. as part his venerable mysteries of ancient the guitar melodies,” says about Dweezil unveiling the my dad’s most sophisticated and challenging Zappa Plays Zappa out of necessity to play formed my guitar technique before starting that of his father, Frank Zappa. “I trans- notcies behind just his own music but also “Learn and Destroy” and tricks the intrica- performance, guitarist help the will students into asingleworkshopDweezilla, before the Condensing his four-day music camp, attend who those his concert at Fonda. the ing a“Master Add-on” Class option ($75)to go onstage,they Zappa is but o er Dweezil shops revealing right secrets their before Most magicians don’t give private work- Dweezil Zappa @ @

WHISKY A GO GO AGO WHISKY THE FONDA THEATRE See Tuesday. See Sloan: Sasha 12/1 , their lives, their were changed for FALLING JAMES - - recently splitting in2008, but on Sunday, have on-and-o been for most decades, Apollyon Sun). Metal pioneers Frost Celtic Tomaka Warrior of (also Hellhammer and Frost mainman omas Gabriel Fischer, Swiss band formed metal by former Celtic most eyebrows, through. Triptykon are a Sunday likely that headliner raise the will viding intense the entertainment. It’s the Skeletal Remains, among many others, pro- Destroyer, Power Trip, and Khemmis Murder, e Black Dahlia Godesh, Pig Wiltern,the withlikes the of Testament, magazine’s Fest over take Metal &Beer will Saturday this Over and Sunday, Decibel Triptykon sun 12/2 no di erent. undergoes 10),should brain be Dec. surgery and show, this abenet for Flyswatter (he live extravaganza lled experience, is atrue Detroit band of same the name), prop- the signature “gore gore girls” (not Amy Gore’s andBathed surrounded inblood by their aboutbeen live the show guys. with these soundtrack appearances, too, but it’s always Blade. ere have ahandfulof EPs been and Possession Park, coming out in’91on Metal studio’85, withsole the album, 1991’s FlyswatterDukey formed Garage the in bathedbeing incampy B-movie glory. gory were always far darker and heavier, despite scene. Truth is, though,Haunted Garage Garage, horror-rock as of some sort SoCal ing with them fellow L.A.band Haunted successeeting of Green Jellö/Jellÿ by- align British rock press to capitalize tried on the ere was apoint early inthe the ’90swhen Haunted Garage in place. Hanemann and Guy drummer is still Gelso @ @

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@ @ @ In many ways, it’s frankly astonishing that that frankly astonishing it’s ways, many In e this long. lasted has Superstar Mar Har to dancing Jeremy Ron a young gimmick of - ap would — that disco underpants in his Har But a very life. shelf pear short have to all, deceived us because the underlying Mar actually is music his secret, the trick, that is see to is him really good. temptation e Al” “Weird indie-R&B sort some of as as such albums But — a parody. Yancovic Feel Can You 2002’s self-titled debut, 2000’s Me contemporary danceable with jam-packed “Power like songs Yeah, disco anthems. hardly are Bruises” “Rhythm and Lunch” is the music But brilliant. intellectually very arena, easy in the live and, like easy to this said, at with. carried get away to the sees music performing the man show of be to hilarious. going Har Mar Superstar M thu Washburn Béla Fleck & Abigail Béla and Fleck use only Washburn Abigail they as pluck their ngers and their voices balladry Americana stark on songs folk and . e Valley the in Echo album, their latest wild, together knit duo wife-and-husband underneath banjo of brambles intricate rootsy such vocals keening on Washburn’s and Coal Miners” All You “Come as tunes rueful o ers She Harlan.” to Me “Take a to I Could Talk “If on herself to advice the repetitive, intones and Me” Younger Bring Let It “Don’t hopeful incantation a as song) Young the Neil (not Down” You election. the 2016 presidential to response de, the couple’s by together all woven It’s out which stand banjo, of urries sparkling - acous in the stripped-down, even more format. tic-duo 12/5 wed GØGGS side projects, myriad Segall’s Ty of One vocalist Chris Ex-Cult by GØGGS fronted is Charles Segall collaborator Frequent Shaw. trades the trio and completes Moothart Segall with duties percussion and guitar are which there of albums, the group’s on Pre and self-titled debut 2016’s two: far thus On , released in September. Sweep Strike both, GØGGS aggressive squeeze short, o you as punk, garage menacing of bursts the In expect imprint might L.A. indie from from output prime to home Red Records, ee Oh ) and Visions (Blood Reatard Jay Sees (Help had the ability to blend the traditional with the traditional blend to thehad ability this new album and the contemporary, new e very that perfectly. thing showcases 1984’s (originally on Seas” “Seven of version Ocean Rain Also emotional. doubly and refreshed Dec. 4. Wednesday,

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BRETT CALLWOOD BRETT 12/4 . “I just want to feel normal for the the for normal feel to want just . “I FALLING JAMES FALLING . Anna St. Louis’ new album, If new album, Only Louis’ St. . Anna

THE CATHEDRAL SANCTUARY AT AT SANCTUARY CATHEDRAL THE MOROCCAN LOUNGE MOROCCAN ZEBULON

@ IMMANUEL PRESBYTERIAN CHURCH CHURCH PRESBYTERIAN IMMANUEL @ @ original member Will Sergeant, has always always has Sergeant, original Will member and things.” McCulloch, as well as fellow fellow as well as McCulloch, things.” and of their fan-fave tunes and add “strings add “strings and tunes their fan-fave of ing piece of work, as they revisit a bunch a bunch they as revisit work, of piece ing - a fascinat is Moon & the Oceans the Stars, Dec. 4. e sensual year’s post-punk. is dark, lamentation “Runaway.” Also Wednesday, Also Wednesday, “Runaway.” lamentation the with Liverpoolbeautifully well band’s the back of a black car” on the romantic the romantic on car” a black the back of work should surroundings the imposing vibe, and she nds herself “strung out in in out “strung herself nds she vibe, and be gig, ordinary though an this won’t Yeah, infuses “Ready Yet” with a laid-back R&B R&B a laid-back with Yet” infuses “Ready Church. Presbyterian Immanuel impressive such piano ballads as “Fall.” e singer singer e ballads “Fall.” as piano such the at performing this time they’re back, and iosyncratic moments interspersed among among interspersed moments iosyncratic are Echo & the Bunnymen McCulloch’s Ian but there are nonetheless charmingly id- charmingly nonetheless are there but road and a mainstream kind of success, success, kind of a mainstream and road Echo & the Bunnymen she’s clearly aiming for the middle of the the the middle of for aiming clearly she’s sugary arrangements and production, and and production, and sugary arrangements plative strains of rural folk and Americana. rural and of folk strains plative of in a veneer coated new EP are Sloan’s - contem with streaked , is a River Was ere on six songs who e born was in Boston. vulnerability from the local pop singer, the local from pop singer, vulnerability slowly unwinding releases as Nepenthe as releases unwinding slowly Will of revelation appealing an It’s type.” my hypnotic electronic loops on such moving, moving, such loops on electronic hypnotic not that’s guy that kissing on keep night, Barwick spins her ethereal voice within Barwick ethereal voice her spins sad girl and piano-driven soundscapes. Julianna Julianna soundscapes. piano-driven and EP, debut her from “Normal,” on wonders more synthesized array of lulling electronic electronic lulling of array synthesized more do I try in?” t Sloan to Sasha “Why Sasha Sloan Mount Vision Mount new her album, and tue another local singer with roots back east, local roots with another singer “Greater L.A. (Scene).” Emily Sprague is Emily Sprague L.A. (Scene).” “Greater JAMES FALLING like the sound collage of murmuring voices voices murmuring of collage thelike sound alternating with occasional arty interludes occasional with arty interludes alternating ballads as “Flower Glass” and “Actress” “Actress” and Glass” ballads “Flower as back indie-pop reveries, with such gentle gentle such with reveries, back indie-pop , are generally laid- generally , are Void) the Before (Humble Wildly Idle Idle Wildly 2017 album, Habits’ Hand on Mega Bog and Kevin Morby. e songs songs e Morby. Bog Kevin and Mega York who has played with Weyes Blood, Weyes with who played has York L.A. singer and guitarist from upstate New New upstate from guitarist and L.A. singer Hand Habits is a project from Meg Du y, an Du y, Meg from a project is Habits Hand Julianna Barwick, Anna St. Louis Also Saturday, Dec. 1. Also Saturday, Hand Habits, Emily Sprague, “humanly possible,” and he’s done just that. that. just done he’s and possible,” “humanly 12/3 mon Triptykon sound as close to Celtic Frost as as Celtic Frost close to as sound Triptykon stated his intention early on to make make to on early intention his stated Frost set. It should be good, should too;Fischer set. It Frost Triptykon will special a perform Celtic Triptykon 26 WWW.LAWEEKLY.COM | N   - D ,  || LA WEEKLY 90’S PARTY FLAVORS FRI, DECEMBER7TH Los Angeles,CA90026 1154 GlendaleBlvd, www.theecho.com (213) 413-8200 M

OUT GO ZEB A WHISKY T T THE ROXY: MOROCCAN LOUNGE: MC T LARGO T T ECHO: THE CATCH ONE: NELA: CAFE MUSIC: AMOEBA BA ALEX’S CLUBS ROCK & POP HE HE HE HE HE an Autopsy, The Agony Scene, Fri., Nov. 30, 7 p.m. (see Music Pick). Nostalghia, Thu., 6. Dec. Sloan, Chloe Tues.-Wed.,Lilac, Dec. 4-5, 7 p.m., $15 Cristin Milioti, Wed., 5, Dec. 8 $35.p.m., $30. p.m., 9:30 30, Nov. Fri., Brion, Jon L.A. Blvd., Brother Ali, Busdriver, Wed., 5, Dec. 9 p.m. Red Fang, Telekinetic, Zig Zags, Fri., Nov. 30, 9 p.m. of Chicago, Daniel Rodriguez, Fri., Nov. 30, 8 p.m. 30, 8:30 $12 p.m., (see Music Pick). Girls, Salt SecretLick, Stare, Adult Parts, Fri., Nov. Nov. 30. Devon Allman, Duane Betts, Tue., 4. Dec. Perry St., L.A. Farrell’s Kind Heaven Orchestra, Fri., St. Louis, Mon., Dec. 3, 8 p.m., free. Facial, Spare Facial,free. p.m., 8 3, Dec. Mon., Louis, St. Anna Barwick, Julianna Sprague, A. Emily Habits, Hand p.m. 9 30, Nov. Fri., Patience,PaigeEmery, Miller, 1, Dec. 8 $25. 2. Sat., p.m., Sun., Dec. Daley, Persekutor, Fri., Nov. 30, 7 p.m., $25. Old 97’s, Rhett Uada, Demon, Night Saint, Armored Hollywood. Dec. 6, Dec. 8:30 $22. p.m., Pick). Fucked Up, Big Business, Narrow Head, Thu., Music (see p.m. 6 5, Dec. Wed., Gøggs, $20. p.m., 9 1, JapaneseWallpaper Dec. (DJSat., Claap, set), Intensity, Sat., Dec. 1, Dec. 7(seeIntensity, Sat., p.m. Music Pick). Fri., Nov. 30, 7 p.m. Zebra, The Hard Way, Sawduzt, Tara Eden, Black, Trotha,of VonGarden Claude Ampage, White,Russell’sGreat Jack Hollywood. Manchu, Shiners Club, Sat., Dec. Manchu, 1, Shiners Dec. 8$15. Club, Sat., p.m., Fri., Fri., Nov. 30, 8 p.m. , Tue., Dec. 4, 6 p.m. with with Betty Blowtorch, 2, Sun., Dec. 4 free.p.m., Sat., Dec. 1. (see Music Pick). Kat Arthur Memorial Brains, Just Head, Tuya,La 1, Dec. 9$8. Sat., p.m., Lauren Lakis, The 3, Lauren No. Mon., Dec. 8 Lakis, 44, p.m. Dec. 2, 3 p.m., $8. Glacial Palms, Haunted Summer, Dec. 1, 8 p.m., $12. Instant Joy, Frieda’s Roses, Sun., Time, Patrick Nolan & Perfection, Rumblepak, Sat., USIC CABE’S ULON: T L H T ROUBADOUR: E ERA EXIN I HA I CHOPLEX: A GRA T THE T R: T: GTO 9009 W. Sunset Blvd., West Hollywood. 2478 Fletcher Dr., L.A. Molly Nilsson, Molly Dr.,L.A. Fletcher2478 1822 W. Sunset Blvd., L.A. DeathValley L.A. W. 1822Blvd., Sunset G G 5043 York Blvd., Highland Park. PartPark. Highland York Blvd., 5043 1906 Cypress Ave. Haunted Garage,HauntedAve.Cypress 1906 4067 W. Pico Blvd., Unearth, Fit L.A. for 2913 E. Anaheim St., Long Beach. Fu Beach. Long St., Anaheim E. 2913 UIT O- M BA M N: A C 6400 Sunset Blvd. DJ Sunset6400 Blvd. Luke Mele, G 129 E. Third St., L.A. The Bloody The L.A. St., Third E. 129 R 1154 Glendale Blvd. Darius, Blvd. Glendale 1154 ORON O: 9081 Santa Monica Blvd., West LLROOM: S HOP: 8901 Sunset Blvd., West Blvd., Sunset 8901 901 E. First Sasha St., L.A.

ET: 3101 Pico Blvd. Birds Blvd. Pico 3101 366 N. La Cienega La N. 366 1234 W. SeventhW. 1234 GO GO GO CO CATCH ONE: AVA AC GO JAPANESE HOUSE: EVE 6: GO JOE’S GREAT AMERICANBAR&GRILL: T T BOULEV T SAM T CA BLUEWHA T ARCA ALV SATURDA FRIDA DANCE CLUBS COU JAZZ & BLUES HE HE WORLD HE HE HE HE B HE p.m., $25.p.m., Steve Gadd, Thu., 6. Dec. 8:30 5, Dec. Wed., Bartenetti, Marsha p.m. 7:30 Bob James, Nov. 1, 30-Dec. 8:30 Sun., 2, p.m.; Dec. Black Nile, Sat., Dec. Black 1, Nile, Dec. 9 Sat., p.m. $20. p.m., 9 30, Nov. Fri., Quintet, Morning Blue p.m. Destructo,p.m. DJ 1, Diesel, Dec. 10 p.m. Sat., 9:30 30, Nov. Fri., Inf1n1te, Carbin, Lumberjvck, The Wiltern. See Music Pick. p.m. The p.m. Ploughboys, Wed., 5, Dec. 9 p.m. 9 1, Dec. Sat., Posse,Dawgtown p.m. 9 30, Nov. Magnolia Blvd., Burbank. Big Red Sky Country, Fri., $69. Hall, 340 UCLA, Royce Dr.,Royce Westwood. City City Lights, Division Men, Thu., Dec. 6, 9 p.m., free. the & Escovedo Javier p.m. Tuesdays,9 Deltaz, the Lord, Mean Heat, Tue., 4, 9free;Dec. p.m., The Tramp forp.m. 8 2, Dec. Sun., Drifters, Nocturnal p.m. 9 1, Dec. Sat., MattEllis, p.m. 9 30, Nov. Fri., DavidCity. Serby, Fri., Nov. 30, 9 p.m.; David Serby, p.m., $35.p.m., Jamie 3. Kime, Mon., Dec. 9:30 p.m., $30. Albert Lee, Sat., Dec. 1, 9:30 & 11:30 30, Nov. Fri., Dr.Um, & Erskine Peter City. Studio 2, 11 a.m.-3 free.p.m., a.m.-2:30 p.m., free. The Sam Hirsh Trio, Sun., Dec. 11 1, Dec. Sat., Quartet, Snydman Alex The Beach. Breton, 2, Sun., Dec. 7 p.m. Bobby $30. p.m., 8 1, Dec. Sat., FrankUnzueta, Nov. 30, 8 Oscar p.m. Jerome, 1, Dec. 8 Sat., p.m. Fri., Fri., Nov. 30. Wolfgang Gartner, Sat., Dec. 1, 10 p.m. Arcadia. James 1, Dec. 7$15. Intveld, Sat., p.m., Grace, Fri., Nov. 30, 8 & 9:30 $15. p.m., Forever See Cemetery. Music Pick. The Suites,Salty Thu., 6, Dec. 8 $20. p.m., $20. p.m., 7 1, Dec. Sat., Group, TallMen The $25. Ave., Altadena. Laurence Juber, Fri., Nov. 30, 8 p.m., Parts for Broken Hearts, The Thu., Holycuts, Dec. 6. City. Doug MacLeod, Jesse Doug MacLeod, 1. Dec. City. Sat., MacLeod, Coleman & Five Elements, 1-6, Dec. 9 p.m. The Ari Hoenig Trio, Fri., Nov. 30, 9 p.m., $25. Steve TA A A DEMY NIGHTCLUB: C H LON L S CIN LINA B F

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F LINA B CIN S L LON H C B: NIGHTCLU DEMY A A TA The Ari Hoenig Trio, Fri., Nov. 30, 9 p.m., $25. Steve Steve $25. p.m., 9 30, Nov. Fri., Trio, Hoenig Ari The p.m.Dec.9 1-6, Elements, Five & Coleman City. Doug MacLeod, Jesse MacLeod,Sat.,City. Dec. 1. DougMacLeod,Jesse Forever Cemetery. See Music Pick.Cemetery.Music See Forever Ave., Altadena. Laurence Juber, Fri., Nov. 30, 8 p.m., 8 30, Nov. Fri., Juber, Laurence Altadena. Ave., $25. The Men Tall Group, Sat., Dec. 1, 7 p.m., $20. p.m.,Dec.8 $20. Thu., 6, Salty The Suites, Grace, Fri., Nov. 30, 8 & 9:30 p.m.,9:30 $15. & 8 30, Nov. Fri., Grace, Arcadia. James Intveld, Sat., Dec. 1, 7 p.m.,Sat.,Intveld, Dec.7 $15. 1, James Arcadia. Fri., Nov. 30. Wolfgang Gartner, Sat., Dec. 1, 10 p.m.10 1, Dec.Sat., Gartner, Wolfgang 30. Nov. Fri., Nov. 30, 8 p.m. Oscar Jerome, Sat.,p.m. Dec.8 Jerome, 1, p.m. 8 Oscar 30, Nov. Frank Unzueta, Frank Sat., Dec. 1, 8 p.m., $30. Bobby p.m.Sun.,Dec.7 2, Breton, Beach. The Alex Snydman Quartet, Sat., Dec. 1, 11 Dec.Sun., Trio, Hirsh Sam The free. p.m., a.m.-2:30 p.m., free. 11a.m.-3 2, Studio Studio City. Peter Erskine & Um,Dr. Fri., Nov. 30, 11:30 & 9:30 1, Dec.Sat., Lee, Albert$30. p.m., 9:30 Kime,Mon.,Dec.Jamie 3. p.m., $35. City. David Serby, Fri., Nov. 30, 9 p.m.; David Serby, David p.m.; 9 30, Nov. Fri., Serby, City.David Fri., Nov. 30, 9 p.m. Ellis,Matt Sat., Dec. 1, 9 p.m. Nocturnal Drifters, Sun., Dec. 2, 8 p.m.for Tramp The Dec.p.m.,4,9 free; Tue., Heat, Mean Lord, the Deltaz, 9 Tuesdays, p.m. Javier Escovedo & the free. p.m., 9 6, Dec. Thu., Men, Division Lights, City Parts for Broken Hearts, The Holycuts, Thu., Dec. 6. Dec. Holycuts, Thu., The Hearts, Broken for Parts $69. UCLA, Royce Hall, 340 Royce Dr., Westwood. RoyceDr., UCLA,RoyceHall,340 $69. Magnolia Blvd., Burbank. Big Red Sky Country,Fri., Sky Red Big Burbank. Blvd., Magnolia Nov. 30, 9 p.m. Dawgtown Posse, Sat., Dec. 1, 9 p.m.Dec.9 5, Wed., p.m.Ploughboys, The The Wiltern. See Music Pick.Music See Wiltern. The Lumberjvck, Carbin, Inf1n1te, Fri., Nov. 30, 9:30 Sat., Dec.10p.m.Diesel, 1, DJ p.m.Destructo, Blue Blue Morning Quintet, Fri., Nov. 30, 9 p.m., $20. Sat.,p.m.Nile, Dec.9 Black 1, Bob James, Nov. 30-Dec. 1, 8:30 p.m.; Sun., Dec.p.m.;2, Sun., 8:30 30-Dec.1, Nov. James, Bob 7:30 p.m. Marsha Bartenetti, Wed., Dec. 5, 8:30 Dec.Gadd,Thu., 6. Steve p.m., $25. HE B HE HE HE WORLD HE COU JAZZ & BLUES & JAZZ FRIDA SATURDA DANCE CLUBS DANCE GO 6: EVE HOUSE: JAPANESE GO T AMERICAN BAR & GRILL: JOE’S GREAT SAM T BOULEV T T WHABLUE CA T ALV ARCA GO CATCH ONE: CATCH CO GO GO AC AVA

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USIC Lauren Lakis, The No. 44,p.m.Lakis,No. Mon.,Dec.8 Lauren The 3, Dec. 2, 3 p.m., $8. Glacial Palms, Haunted Summer, Summer, Haunted Palms, Glacial $8. p.m., 3 2, Dec. Dec. 1, 8 p.m., $12. Instant Joy, Frieda’s Roses, Sun., Roses, Frieda’s Joy, Instant $12. p.m., 8 1, Dec. Time, Patrick Nolan & Perfection, Rumblepak, Sat.,Rumblepak, Perfection, & Nolan Patrick Time, Brains, Just Head, La Tuya, Sat.,p.m., Dec.9 $8. 1, LaTuya, Head, Just Brains, with Betty Blowtorch, Sun., Dec. 2, 4 p.m.,Sun.,Dec.4 free. 2, Blowtorch, withBetty Sat., Dec. 1. (see Music Pick). Kat Arthur MemorialArthur Kat Pick). Music (see 1. Dec.Sat., Fri., Nov. 30, 8 p.m. Trixie Mattel, Tue., Dec. 4, 6 p.m. 6 4, Dec. Tue., Mattel, Trixie p.m. 8 30, Nov. Fri., Manchu, Shiners Club,Sat.,p.m., Dec.8 $15. Shiners 1, Manchu, Intensity, Sat., Dec. 1, 7 p.m. (see Music Pick).Music Intensity,Sat.,p.m. 7 (see Dec. 1, Fri., Nov. 30, 7 p.m. Zebra, The Hard Way, Sawduzt, Way, Hard The Zebra, p.m. 7 30, Nov. Fri., Claude Von Trotha, Claude Garden Von of Trotha, Black, Eden, Tara Hollywood. Jack Great Russell’s White, Ampage, Dec. 6, 8:30 p.m.,Dec.8:30 $22. 6, Pick). Fucked Up, Big Business, Narrow Head, Thu., Head, Narrow Business, Big Up, Fucked Pick). p.m., $20. Gøggs, Wed., Dec. 5, 6 p.m. (see Music Japanese Wallpaper (DJ set), Claap, Sat.,(DJ Dec. Wallpaper Japanese 1, 9 Miller, Sat., Dec. 1, 8 p.m., $25. Daley,Sun.,Dec.Sat.,p.m., 2. $25. Dec.8 1, Miller, Persekutor, Fri., Nov. 30, 7 p.m., $25. Old 97’s, Rhett Rhett 97’s, Old $25. p.m., 7 30, Nov. Fri., Persekutor, Hollywood. Armored Saint, Night Demon, Uada, Nov. 30. Devon Allman, Duane Betts, Tue., Dec. 4. Tue., Betts, Allman,Duane Devon 30. Nov. St., L.A. Perry Farrell’s Kind Heaven Orchestra, Fri., Orchestra, Heaven Kind Farrell’s L.A.St.,Perry St. Louis, Mon., Dec. 3, 8 p.m., free. Facial, Spare Habits, Emily A. Sprague, Julianna Barwick, Anna Patience, Paige Emery,Paige Patience, Fri., Nov. 30, 9 p.m. Hand Brother Ali, Busdriver, Wed., Dec. 5, 9 p.m.Dec.9 5, Wed., Ali,Busdriver, Brother Red Fang, Telekinetic, Zig Zags, Fri., Nov. 30, 9 p.m. 9 30, Nov. Fri., Zags, Zig Telekinetic, Fang, Red of Chicago, Daniel Rodriguez, Fri., Nov. 30, 8 p.m.8 30, Nov. Fri., Rodriguez, Daniel Chicago, of 30, 8:30 p.m., $12 (see Music Pick).Music (see p.m.,8:30 $12 30, Girls, Salt Lick, Secret Stare, Adult Parts, Fri., Nov. Nov. Fri., Parts, Adult Stare, Lick,Secret Salt Girls, Cristin Milioti, Wed., Dec. 5, 8 p.m.,Dec.8 $35. 5, Wed., Milioti, Cristin Blvd., L.A. Jon Brion, Fri., Nov. 30, 9:30 p.m., $30. (see Music Pick). Nostalghia, Thu., Dec.Thu., 6. Pick).Nostalghia, Music (see Sloan, Chloe Lilac, Tues.-Wed., Dec. 4-5, 7 p.m., $15 p.m., 7 4-5, Dec. Lilac,Tues.-Wed., Chloe Sloan, an Autopsy, The Agony Scene, Fri., Nov. 30, 7 p.m.7 30, Nov. Fri., Scene, Agony The Autopsy, an

HE HE HE HE HE ROCK & POP & ROCK ZEB WHISKY A T T THE ROXY:THE MOROCCAN LOUNGE: MOROCCAN MC T LARGO T T THE ECHO: CATCH ONE: CATCH CAFE NELA: AMOEBA MUSIC: ALEX’S BA CLUBS OUT

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LAW DEC vices Services 525 Legal Ser 530 Misc. Services the court will dismiss the dismiss court will the case. of address name and The is: the court OF CALI- COURT SUPERIOR LOS ANGELES FORNIA, NORTHWEST COUNTY, OF CALI- COURT SUPERIOR FORNIA 12720 NORWALK 90650 CA NORWALK BLVD. OF CALI- SUPERIOR COURT FORNIA, LOS ANGELES SYL- NORTHWEST COUNTY, NUYS, CA VAN MAR AVE., 91401 and The name, address, of telephone number or plain- attorney, plaintiff’s is: without an attorney, tiff KARIMIAN SHAHIN SHAWN (278334) APC. GROUP, KARIMIAN LAW CANYON 6355 TOPANGA WOODLAND BLVD.,#300, HILLS, CA 91367 (818) 564-4604 Lung Cancer? And Age 60+? Lung Cancer? And Age 60+? Family May And Your You Signi cant Be Entitled To Call Cash Award. 844-898-7142 for Informa- tion. No Risk. No Money Out Of Pocket. (AAN CAN) IT Project Manager (Duarte, Manager IT Project CA) Manage IT & Comp. sys- tems. Bachelor's in IT/CS Pro - equiv. rltd or foreign incl MS cient in PM s/ware using & data analysis Project Excel. 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REQ: or for- degree Bachelor’s eign equiv in Mech Eng, Comp Sci, Comp Eng, Info Info Systems Technology, Management, or closely re- lated eld. Send CV to G. Agudelo, Hulu LLC, 2500 Santa Floor 2, Broadway, Monica, CA 90404. Please EOE code: TY-01. ref lassifieds C L EMPLOYMENT & EDUCATION Engineering: determines std. for std. determines server con g. Apply: sys. Plans & performs sys. Plans & performs dba server upgrades & to mission-critical prod. to mission-critical prod. SQL Server dba through SQL Server dba through Oath Holdings Inc. has Employment L L L openings in Los Angeles, http://bit.ly/JR0007629 multiple product lifecycle multiple product environments, from dev’t dev’t from environments, CA: Database Engr. II: Mng II: Mng CA: Database Engr. CASE NUMBER: LC106720 NUMBER: CASE have been You NOTICE! court may decide sued. The you without your against re- unless you being heard 30 days. Read spond within below. the information have 30 CALENDAR You after this summons DAYS served are and legal papers written re- on you to le a and sponse at this court on the have a copy served A letter or phone plaintiff. you. call will not protect must response written Your if legal form be in proper to hear you want the court may be a your case. There that you can court form You use for your response. can nd these court forms at information and more Courts Online the California Self-Help Center (www.courtinfo.ca.gov/self- help), your county law li- or the courthouse brary, you. If you cannot nearest pay the ling fee, ask the court clerk for a fee waiver If you do not le your form. on time, you may response lose the case by default, and your wages, money, may be taken and property without further warning the court. form other legal re- are There may want You quirements. right to call an attorney If you do not know an away. you may to call an attorney, service. If referral attorney an attor- you cannot afford you may be eligible for ney, a legal services from free legal services pro- nonpro t can locate these gram. You at the groups nonpro t Legal Services California (www.lawhelpcali- Website the California fornia.org), Courts Online Self-Help Center (www.courtin- fo.ca.gov/selfhelp), or by contacting your local court or county bar association. NOTE: The court has a statutory lien for waived fees and costs on any set- tlement or arbitration of $10,000 or more award in a civil case. The court’s lien must be paid before Architectural Designer (Job Designer Architectural Site: L.A., CA), Design Group Send Beau, Inc. B.A. req’d. Shatto Pl. to 440 resume #415 L.A., CA 90020 Creative Products Designer (Job Code: PD-AS) in Los Angeles, CA: alternatives creative Provide to and recommendations improve costs and reduce BS+ process. production 2 yr rlt exp. Mail resume to Inc., 4200 Unique World, Street Unit A, Verdant Los Angeles, CA 90039. 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SUMMONS (Family Law) Notice of Case Assignment NOTICE TO RESPONDENT: Humberto Monje, YOU ARE BEING served by PETINONER: Erika Chavira an individual. CASE NUMBER: 18VEFL00642. have been NOTICE! You served. The court may de- cide against you without unless your being heard within 30 days. you respond be- Read the information have 30 CALEN- You low. after this sum- DAR DAYS mons and legal papers are served on you to le a writ- at this court ten response and have a copy served on the Respondent. A letter or phone call will not protect written response you. Your legal must be in proper if you want the court form to hear your case. There that may be a court form you can use for your re- can nd these sponse. You in- and more court forms at the California formation Courts Online Self-Help Center (www.courtin- fo.ca.gov /selfhelp), your or the county law library, you. If courthouse nearest you cannot pay the ling fee, ask the court clerk for a If you do fee waiver form. on not le your response time, you may lose the case by default, and your wages, may and property money, be taken without further the court. from warning other legal re- are There may want You quirements. right to call an attorney If you do not know an away. you may want to attorney, ser- referral call an attorney vice. If you cannot afford you may be an attorney, legal servic- eligible for free legal a nonpro t es from can You services program. locate these nonpro t Le- at the California groups site: gal Services Web (www.LawHelpCalifor- the California nia.org) Courts Online Self-Help Center (www.courtin- fo.ca.gov/selfhelp), or by contacting your local court or county bar association. NOTE: The court has a statutory lien for waived fees and costs on any settlement or arbi- $10,000 or of tration award The in a civil case. more lien must be paid court’s will dis- the court before miss the case. The name and court is: of the address Nuys Courthouse E. Van 6230 Sylmar Ave Nuys, CA 91401 Van and The name, address, telephone number of or attorney, Petitioner’s Petitioner without an is: attorney, Matias Flores, Esq. 10846 Paramount Blvd. CA 90241 Downey, Filed: April 16, 2018 Executive Of cer/Clerk: Phillip Yap NOTICE TO THE PERSON are served SERVED: You as an individual Respon- dent. John E Gordon (SBN John E Gordon S Zeller 180053) Stephen M Jen- (SBN 265664) Casey Jason M sen (SBN 263593) Amit (SBN 309882) Burrows (304559) Taneja A PRO- GROUP, WINN LAW FESSIONAL CORPORATION THE CHAPMAN BUILDING AVENUE, 110 E. WILSHIRE CA SUITE 212 FULLERTON 92832 (714) 446-6686 FILE NO: 17-14285-0-CD5-EX (1910-00) November 7, 2017 DATE: OWENS VIRGINIA F. DEPUTY: EXECUTIVE OFFICER/CLERK: SHERRI R CARTER NOTICE TO DEFENDANTS: IGOR MELNIKOV (a/k/a: GARY MELLS) and MASHA GERSH- MAN DOES 1 TO 10, Inclu- sive, YOU ARE BEING SUED BY PLAINTIFF SOLAR SURGI- CAL CENTER, LLC Classifieds

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