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Perspective and Geometry in the Roman Painted Gardens
ISSN: 2687-8402 DOI: 10.33552/OAJAA.2019.02.000527 Open Access Journal of Archaeology and Anthropology Review Article Copyright © All rights are reserved by Manuela Piscitelli Perspective and Geometry in the Roman Painted Gardens Manuela Piscitelli* Università degli Studi della Campania Luigi Vanvitelli, Department of Architecture and Industrial Design, Italy *Corresponding author: Manuela Piscitelli, Università degli Studi della Campania Received Date: November 18, 2019 Luigi Vanvitelli, Department of Architecture and Industrial Design, Via San Lorenzo ad Septimum, Aversa (CE), Italy. Published Date: November 25, 2019 Abstract Garden painting is a very precise genre that is distinct from landscape painting. Present in Roman villas but also in tombs of the same period, wall to obtain an illusory effect of expansion of space, responds to precise geometric characteristics. The article relates the structure, also geometric, it responds to some specific compositional rules. The structure of the representation, realized for the most part with the intent to break through the by the point of view under which the garden (real or imaginary) must be observed, and in both cases, there is a will to bend nature within rigidly of the Roman gardens with their pictorial representation, which derives from it its justification. In both cases, in fact, the composition is guided betweengeometric the and parts. symmetrical schemas. The sense of perspective recreated in the painted gardens offers at first glance a feeling of naturalness into the garden, which -
Europe's Evolution of Atrium Houses
Europe’s evolution of atrium houses Architectural history thesis MSc Architecture, Technical University Delft MSc2 AR2A011 Architectural History Thesis S Sem van der Straaten 4652657 Europe’s evolution of atrium houses An architectural history thesis S.F.G. van der Straaten Cover image by author Acknowledgement I would like to show my appreciation to Catja Edens for guiding me, helping me keep focus on the storyline and her constructive feedback. Thank you. 14/04/21 Abstract This thesis investigates the historical evolution of the atrium house in Europe. The origin and the climatic benefits of the atrium house were found by conducting literature review. Typological variants on the atrium house are determined by testing them to a set of criteria. The traditional atrium house developed in the Roman empire from Greek and Etruscan influences. The research shows four residential variants on the atrium typology in Europe, which are: the courtyard, cortile, patio and court. These typologies with enclosed outdoor spaces have impact by offering climatic benefits and a secluded outside space which stimulates social interaction. From an architectural perspective, this research emphasizes the benefits and history of the atrium typologies. Keywords: Atrium, Benefits, Courtyard, Cortile, Court, Patio, Typologies. I Table of contents List of figures ......................................II Introduction .......................................V Chapter 1: The origin of the atrium house ...............1 1.1. Origin of the European atrium house 2 1.2. The Roman atrium house 3 1.3. Functions of the atrium 5 Chapter 2: European variants on the atrium house ........9 2.1. European atrium variants 9 2.2. Historical development of European atrium variants 11 2.2.1. -
Houses, Streets and Shops in Byzantine Constantinople from the fifth to the Twelfth Centuries K.R
Journal of Medieval History 30 (2004) 83–107 www.elsevier.com/locate/jmedhist Houses, streets and shops in Byzantine Constantinople from the fifth to the twelfth centuries K.R. Dark à Research Centre for Late Antique and Byzantine Studies, The University of Reading, Humanities and Social Sciences Building, Whiteknights, Reading RG6 6AA, UK Abstract This paper presents an analysis and reinterpretation of current evidence for houses, streets and shops in fifth- to twelfth-century Byzantine Constantinople, focussing on archaeological evidence. Previously unidentified townhouses and residential blocks are located. These show greater similarities to Roman-period domestic architecture than might be expected. Changes in the architectural style may be related to social change in the seventh century. Berger’s reconstruction of the early Byzantine street plan is shown to be archaeologically untenable. This has implications for the identification of formal planning and the boundaries of urban districts in the Byzantine capital. The limited archaeological evidence for streets and shops is also discussed. # 2004 Elsevier Ltd. All rights reserved. Keywords: Byzantine; Constantinople; Houses; Shops; Streets; Archaeology; Cultural change 1. Introduction This paper aims to ask what archaeology can tell us about the houses, streets and shops of Byzantine Constantinople between the fifth and 12th centuries. Abundant textual sources exist for the political, ecclesiastical and intellectual history of the city, but these provide much less information about the everyday life of its inhabitants. One would suppose that archaeology ought to play a central role in elucidating these aspects of urban history, but this has not been the à E-mail address: [email protected] (K.R. -
Synoikism, Urbanization, and Empire in the Early Hellenistic Period Ryan
Synoikism, Urbanization, and Empire in the Early Hellenistic Period by Ryan Anthony Boehm A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Ancient History and Mediterranean Archaeology in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Emily Mackil, Chair Professor Erich Gruen Professor Mark Griffith Spring 2011 Copyright © Ryan Anthony Boehm, 2011 ABSTRACT SYNOIKISM, URBANIZATION, AND EMPIRE IN THE EARLY HELLENISTIC PERIOD by Ryan Anthony Boehm Doctor of Philosophy in Ancient History and Mediterranean Archaeology University of California, Berkeley Professor Emily Mackil, Chair This dissertation, entitled “Synoikism, Urbanization, and Empire in the Early Hellenistic Period,” seeks to present a new approach to understanding the dynamic interaction between imperial powers and cities following the Macedonian conquest of Greece and Asia Minor. Rather than constructing a political narrative of the period, I focus on the role of reshaping urban centers and regional landscapes in the creation of empire in Greece and western Asia Minor. This period was marked by the rapid creation of new cities, major settlement and demographic shifts, and the reorganization, consolidation, or destruction of existing settlements and the urbanization of previously under- exploited regions. I analyze the complexities of this phenomenon across four frameworks: shifting settlement patterns, the regional and royal economy, civic religion, and the articulation of a new order in architectural and urban space. The introduction poses the central problem of the interrelationship between urbanization and imperial control and sets out the methodology of my dissertation. After briefly reviewing and critiquing previous approaches to this topic, which have focused mainly on creating catalogues, I point to the gains that can be made by shifting the focus to social and economic structures and asking more specific interpretive questions. -
Study Guide (Test Available Thurs 11/15 at 6:00 Pm Until Sat 11/17 at 6:00 Pm) the Test Is Open Book
Arch 150 Appreciation of Architecture 1 Fall 2018 • Prof. Alex Anderson Test 3 Study Guide (test available Thurs 11/15 at 6:00 pm until Sat 11/17 at 6:00 pm) The test is open book. You may use any resource you like, as long as you work on your own. It is 30 questions, 40 minutes. Lectures Covered: Americas Greece 1 Greece 2 Rome 1 Rome 2 Readings in the text: Pages 35-61, 105-131, 259-274 Buildings (quite a few buildings in a few lectures!): Americas Rome 1: La Venta, Mexico Pont du Garde, Nîmes, France Teotihuacán, Mexico City of Pompeii Tikal, Guatemala Forum Chichen Itzá, Mexico Amphitheater Caral, Peru Atrium/Peristyle house Sechin, Peru Villa of the Mysteries Nazca Lines, Peru Roman Forum Great Serpent Mound, Ohio Basilica Juilia Temple of Concordia Augusta Greece 1: Arch of Septimus Severus Royal Palace, Knossos Curia Lion’s Gate, Mycenae House of the Vestals Treasury of Atreus, Mycenae Capitoline Temple, Rome Tyrins Temple of Portunus, Rome Sanctuary of Apollo, Delphi Maison Carrée, Nîmes, France Treasury of Athens Temple of Apollo Rome 2: Sanctuary of Zeus, Olympia Domus Aurea, Rome Temple of Hera Domus Augustana, Rome Temple of Zeus Hadrian’s Villa, Tivoli Imperial Forums Greece 2: Caesar (Temple of Venus) Temples, Paestum, Italy Augustus (Temple of Mars) Temple of Hera 1 Trajan (Basilica Ulpia) Temple of Athena Tranjan’s Markets Temple of Hera 2 Pantheon Acropolis, Athens Circus Maximus Temple of Athena Nike Theater of Marcellus Propylaea Colosseum Parthenon Baths of Diocletian Erecthion Agora, Athens Stoa of Attalos, Athens -
Roman North Africa North Roman
EASTERNSOCIAL WORLDS EUROPEAN OF LATE SCREEN ANTIQUITY CULTURES AND THE EARLY MIDDLE AGES Cilliers Roman North Africa Louise Cilliers Roman North Africa Environment, Society and Medical Contribution Roman North Africa Social Worlds of Late Antiquity and the Early Middle Ages The Late Antiquity experienced profound cultural and social change: the political disintegration of the Roman Empire in the West, contrasted by its continuation and transformation in the East; the arrival of ‘barbarian’ newcomers and the establishment of new polities; a renewed militarization and Christianization of society; as well as crucial changes in Judaism and Christianity, together with the emergence of Islam and the end of classical paganism. This series focuses on the resulting diversity within Late Antique society, emphasizing cultural connections and exchanges; questions of unity and inclusion, alienation and conflict; and the processes of syncretism and change. By drawing upon a number of disciplines and approaches, this series sheds light on the cultural and social history of Late Antiquity and the greater Mediterranean world. Series Editor Carlos Machado, University of St. Andrews Editorial Board Lisa Bailey, University of Auckland Maijastina Kahlos, University of Helsinki Volker Menze, Central European University Ellen Swift, University of Kent Enrico Zanini, University of Siena Roman North Africa Environment, Society and Medical Contribution Louise Cilliers Amsterdam University Press Cover illustration: Ruins of the Antonine Baths in Carthage © Dreamstime Stockphoto’s Cover design: Coördesign, Leiden Typesetting: Crius Group, Hulshout isbn 978 94 6298 990 0 e-isbn 978 90 4854 268 0 doi 10.5117/9789462989900 nur 684 © Louise Cilliers / Amsterdam University Press B.V., Amsterdam 2019 All rights reserved. -
Byzantine Town Planning – Does It Exist? (With Plates 8–21)
57 H ANS B UC H WALD Byzantine Town Planning – Does it Exist? (with plates 8–21) For Eduard Sekler There are many equally valid, parallel approaches to the study of Byzantine cities. My approach is that of a practicing town planner and an architectural historian. Town planning today is concerned with physical properties of cities such as their topography, circulation patterns, pedestrian spaces, buildings, and urban accents; however, town planning is, and probably always was, equally concerned with urban functions, with the creation of new urban forms, with urban meanings, and with adjustments, in the course of time, to new requirements. As in all town planning, the results of the present investigation need to be complemented by those of other disciplines, for instance, (in this case) historians, economists, sociologists, and archaeologists. Hundreds of cities that existed in the Byzantine region are known by name, and at times by their ar- chaeological or contemporary remains. Generally, two distinct phases in the history of these Byzantine cities have been determined: the earlier period, which begins with the era of Constantine and, depending upon local circumstances, ends between the 5th and the 8th century, and the later period, which ends with the end of Byzantine occupation at each site. The possibility of continuity between the two phases remains an open, much discussed question, and some observations concerning one phase may also be relevant to the other. For summaries, for instance, D. CLAUDE, Die byzantinische Stadt im 6. Jahrhundert. Munich 969, –; A. H. M. JONES, The Greek City from Alexander to Justinian. Oxford 939, 85–94. -
IFRIQAYA Notes for a Tour of Northern Africa in September-October 2011
IFRIQAYA notes for a tour of northern Africa in September-October 2011 Miles Lewis Cover illustration: the Castellum of Kaoua. Gsell, Monuments Antiques, I, p 105. CONTENTS Preamble 5 History 6 Modern Algeria 45 Modern Tunisia 58 Modern Libya 65 Timeline 65 Pre-Roman Architecture 72 Greek & Roman Architecture 75 Christian Architecture 87 Islamic Architecture 98 Islamic and Vernacular Building Types 100 Pisé and Concrete 102 The Entablature and Dosseret Block 104 Reconstruction of the Classical Language 107 LIBYA day 1: Benghazi 109 day 2: the Pentapolis 110 day 3: Sabratha 118 day 4: Lepcis Magna & the Villa Sileen 123 day 5: Ghadames 141 day 6: Nalut, Kabaw, Qasr-el-Haj 142 day 7: Tripoli 144 TUNISIA day 8: Tunis & Carthage 150 day 9: the Matmata Plateau 160 day 10: Sbeitla; Kairouan 167 day 11: El Jem 181 day 12: Cap Bon; Kerkouane 184 day 13: rest day – options 187 day 14: Thuburbo Majus; Dougga 190 day 15: Chemtou; Bulla Regia; Tabarka 199 ALGERIA day 16: Ain Drahram; cross to Algeria; Hippo 201 day 17: Hippo; Tiddis; Constantine 207 day 18: Tébessa 209 day 19: Timgad; Lambaesis 214 day 20: Djémila 229 day 21: Algiers 240 day 22: Tipasa & Cherchell 243 day 23: Tlemcen 252 Ifriqaya 5 PREAMBLE This trip is structured about but by no means confined to Roman sites in North Africa, specifically today’s Libya, Tunisia and Algeria. But we look also at the vernacular, the Carthaginian, the Byzantine and the early Islamic in the same region. In the event the war in Libya has forced us to omit that country from the current excursion, though the notes remain here. -
From Palaces to Pompeii: the Architectural and Social Context of Hellenistic Floor Mosaics in the House of the Faun Alexis M
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 From Palaces to Pompeii: The Architectural and Social Context of Hellenistic Floor Mosaics in the House of the Faun Alexis M. Christensen Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES FROM PALACES TO POMPEII: THE ARCHITECTURAL AND SOCIAL CONTEXT OF HELLENISTIC FLOOR MOSAICS IN THE HOUSE OF THE FAUN By ALEXIS M. CHRISTENSEN A Dissertation submitted to the Department of Classics in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2006 Copyright © 2006 Alexis M. Christensen All Rights Reserved The members of the Committee approve the Dissertation of Alexis M. Christensen defended on June 30, 2006. _________________________________ Nancy T. de Grummond Professor Directing Dissertation _________________________________ Marcia Rosal Outside Committee Member _________________________________ Daniel J. Pullen Committee Member _________________________________ David Stone Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to the memory of my grandmothers. M. Jane Grubb, 1921-1994 and Fonda I. Christensen, 1925-2005. iii ACKNOWLEDGEMENTS In the course of writing my dissertation and indeed throughout my academic career I have received no greater support and encouragement than that which I received from my parents and professors. I can think of no more fitting words of gratitude than those of Vitruvius: Itaque ego maximas infinitasque parentibus ago atque habeo gratias, probantes me arte erudiendum curaverunt, et ea, quae non potest esse probata sine litteratura encyclioque doctrinarum omnium disciplina. -
Understanding the Lived Experience of Ancient Roman Gardens Devlin F
Union College Union | Digital Works Honors Theses Student Work 6-2019 Understanding the Lived Experience of Ancient Roman Gardens Devlin F. Daley Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Classical Archaeology and Art History Commons, and the Other Classics Commons Recommended Citation Daley, Devlin F., "Understanding the Lived Experience of Ancient Roman Gardens" (2019). Honors Theses. 2283. https://digitalworks.union.edu/theses/2283 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. Understanding the Lived Experience of Ancient Roman Gardens By Devlin Daley ********* Submitted in partial fulfillment of the requirements for Honors in the Department of Classics UNION COLLEGE March 2019 ABSTRACT DALEY, DEVLIN: Understanding the Lived Experience of Ancient Roman Gardens ADVISOR: Angela Commito My research takes a psychologically influenced approach to the study of archaeological remains to explore the experiential nature of ancient gardens in the Roman domus and villa of the Campania region of southern Italy. I argue that significant factors of spatial and social theory drove the intended experience in space and in the curated environment of the garden. I focus on the architecture of these spaces, such as peristyles and reflecting pools, from which walking paths and movement through space can be reconstructed. I also dive into understanding the remains of horticulture, including different plants and trees that would have grown naturally or been planted by the owner of the home for either pleasure or production. -
The Parthenon and the Erechtheion: the Architectural Formation of Place, Politics and Myth
77 The Journal of Architecture Volume 9 Spring 2004 The Parthenon and the Erechtheion: the architectural formation of place, politics and myth Sophia Psarra The Welsh School of Architecture, Bute Building, King Edward VII Avenue, Cardiff, UK So grey-eyed Athena spoke and went away from him across the barren and open water, left lovely Scheria and came to Marathon and to Athens of the wide ways, and entered the close-built house of Erechtheus. Odyssey, vii, 81. I came to the study of the Parthenon and the Erechtheion from outside the areas of archaeology and art history. My interest in the two buildings is in their architecture and more specifically in the contribution this makes to their cultural meaning. However, the most compelling argument of archaeologists and art historians supports my intentions: both the sculptures and the building were integral components of a single whole. I will extend this argument by indicating that the architecture of the two temples, their art, their cults and the entire scheme of which they were part, belonged to a greater whole. I will suggest that they were all responsible, all tightly interwoven in the construction and expression of the religious, political and cultural narrative and content. To modern eyes, Greek temples retain either the status of a remote but timeless past subject to historical, stylistic and proportional analysis, or the romantic status of antiquity and ruins. In what follows I have used existing evidence and sources neither to reinforce these positions, nor to solve problems that archaeology and related disciplines have been more successfully addressing. -
Diocletian's Palace at Split in Light of Sasanian Palace Design
CHAPTER 11 Rival Powers, Rival Images: Diocletian’s Palace at Split in Light of Sasanian Palace Design Anne Hunnell Chen It is well known that the third century AD saw intense and prolonged conflict between the Romans and their eastern neighbors, the Sasanian Persians.1 What has often remained unrecognized, however, is the Roman court’s poignant use of visual media—both architectural and iconographical—to counter Sasanian claims of superiority on the world stage in this period.2 In particular, a signifi- cant parallel between the ideologically charged palatial spaces built in the two realms has remained overlooked due in large part to our conditioned way of viewing the fortified imperial palaces that began to appear in the eastern part of the Roman Empire in the late third century. Entrenched ideas about one of the touchstone monuments of the late Roman period, Diocletian’s palace at Split, located on the modern Croatian coast, have shaped the discussion of comparable, contemporary imperial resi- dences discovered in the last forty years at Šarkamen and Gamzigrad in east- ern Serbia. For this reason, a fresh look at Diocletian’s palace, informed by new archaeological data and a theoretical approach sensitive to inter- and trans- cultural perspectives, is necessary. Consideration of the Split residence with reference to comparanda both inside and outside the Roman Empire reveals that the design choices made in Roman palaces from the late third and early fourth centuries AD were part of a concerted effort on the part of late Roman 1 Matthew P. Canepa, The Two Eyes of the Earth: Art and Ritual of Kingship Between Rome and Sasanian Iran (Berkeley, 2009); Jan Willem Drijvers, “Rome and the Sasanid Empire: Confrontation and Coexistence,” in A Companion to Late Antiquity, eds.