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Holiday That Traditional Tljie Holiday. Has Un¬ Sabbath at 10:45 A.M
SCHEDULE OF YOM KIPPUR SERVICES Sunday, September 28th, Yom Kippur Eve Mincha 1:30 KOL NIDRE 5:30 Rabbi Lookstein will speak Monday, September 29th, Yom Kippur Morning .' 8:00 Memorial Service (Yizkor) 11:15 PLEASE NOTE that the hours indicated above are Eastern Standard Time which will go into effect this Sunday morning. PLANS MADE FOR FESTIVE SUKKOTH HOLIDAY The forthcoming Sukkoth festival As announced in last week's Bul¬ w ill long be remembered by those letin, arrangements have been com¬ w ho will participate in its celebration pleted for catered meals to be served at Kehilath Jeshurun. Plans are being in the Sukkah on the first two days mjade for the Sukkoth holiday that of the festival: Friday and Saturday wjill make for a beautiful as well as evenings and Saturday and Sunday eiiijoyable observance of the Feast of afternoons. The price per plate is Tfabernacles, without for one moment $6.00 — a nominal sum that will leasing sight of the ancient traditional cover everything that is required, in¬ practices that constitute the heart of cluding gratuities. In order to allow tljie holiday. enough time for the necessary ar¬ rangements, the dead-line for reserva¬ j Once again, the Sisterhood has un¬ tions has been set for Tuesday, Sep¬ dertaken to decorate the Sukkah. A tember 30th. We should like to re¬ gjvoup of the organization's members, mind you that all reservations must uirider the chairmanship of Mrs. be accompanied by check. David Joseph, are now planning to The true celebration of the holiday prepare the spacious Sukkah, which takes place proper. -
2018–2019 Annual Report
18|19 Annual Report Contents 2 62 From the Chairman of the Board Ensemble Connect 4 66 From the Executive and Artistic Director Digital Initiatives 6 68 Board of Trustees Donors 8 96 2018–2019 Concert Season Treasurer’s Review 36 97 Carnegie Hall Citywide Consolidated Balance Sheet 38 98 Map of Carnegie Hall Programs Administrative Staff Photos: Harding by Fadi Kheir, (front cover) 40 101 Weill Music Institute Music Ambassadors Live from Here 56 Front cover photo: Béla Fleck, Edgar Meyer, by Stephanie Berger. Stephanie by Chris “Critter” Eldridge, and Chris Thile National Youth Ensembles in Live from Here March 9 Daniel Harding and the Royal Concertgebouw Orchestra February 14 From the Chairman of the Board Dear Friends, In the 12 months since the last publication of this annual report, we have mourned the passing, but equally importantly, celebrated the lives of six beloved trustees who served Carnegie Hall over the years with the utmost grace, dedication, and It is my great pleasure to share with you Carnegie Hall’s 2018–2019 Annual Report. distinction. Last spring, we lost Charles M. Rosenthal, Senior Managing Director at First Manhattan and a longtime advocate of These pages detail the historic work that has been made possible by your support, Carnegie Hall. Charles was elected to the board in 2012, sharing his considerable financial expertise and bringing a deep love and further emphasize the extraordinary progress made by this institution to of music and an unstinting commitment to helping the aspiring young musicians of Ensemble Connect realize their potential. extend the reach of our artistic, education, and social impact programs far beyond In August 2019, Kenneth J. -
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project JAMES MARVIN MONTGOMERY Interviewed by: Thomas F. Conlon Initial interview date: August 12, 1996 Copyright 2016 ADST TABLE OF CONTENTS Background Born and raised in New Jersey Juniata College and Emory University Entered Foreign Service - 1958 Department of State - Personnel Office 1959 Vietnamese language training Saigon, Vietnam - Economic officer 1960-1962 National Liberation Front (NLF) Personal views on US involvement Department of State - Vietnam desk officer 1962-1964 Replacement of 200 piastre note issue OPLAN 34-A Commercial Import Program Diem overthrow - Kennedy views Mexico City, Mexico - Political officer 1964-1967 Institutional Revolution Party Political contacts Immigration Policy and justice in Mexico Department of State - FSI - Thai language training 1967 Bangkok, Thailand - Political/Military officer 1968-1971 US-Thai military relations and agreements Operation “Rolling Thunder” “Special Logistics Agreements” SLAT I and II Ambassador Graham Martin B-52s at Utapao 1 Chiang Mai, Thailand - Consul 1971-1974 Environment American colony Consulate staffing functions CIA and DEA anti-drug activities Counterinsurgency program Thai communications fiasco Pua-Nan road project Vietnam-Thailand relations Kuomintang and opium trade “Golden Triangle” Drug trade dealers operation Congressman Lester Watt visit Department of State - Soviet desk officer 1974-1976 GLOP Kissinger domination Department of State - Special Assistant to Counselor 1976-1977 -
Walt Disney's Sleeping Beautywalt Disney's Sleeping Beauty Once
Walt Disney's Sleeping BeautyWalt Disney's Sleeping Beauty Once upon a time, in a kingdom far away, a beautiful princess was born ... a princess destined by a terrible curse to prick her finger on the spindle of a spinning wheel and become Sleeping Beauty. Masterful Disney animation and Tchaikovsky's celebrated musical score enrich the romantic, humorous and suspenseful story of the lovely Princess Aurora, the tree magical fairies Flora, Fauna and Merryweather, and the valiant Prince Phillip, who vows to save his beloved princess. Phillips bravery and devotion are challenged when he must confront the overwhelming forces of evil conjured up by the wicked and terrifying Maleficent. Embark on a spectacular adventure of unprecedented scale and excitement in this thrilling, timeless Disney Classic. distributed by Buena Vista film distribution co., inc. Walt Disney presents Sleeping Beauty Technirama(r) Technicolor(r) With the Talents of Mary Costa Bill Shirley Eleanor Audley Verna Felton Barbara Luddy Barbara Jo Allen Taylor Holmes Bill Thompson Production Supervisor . Ken Peterson Sound Supervisor . Robert O. Cook Film Editors . Roy M. Brewer, Jr. Donald Halliday Music Editor . Evelyn Kennedy Special Processes . Ab Iwerks Eustace Lycett (c)Copyright MCMLVIII - Walt Disney Productions - All Rights Reserved Music Adaptation George Bruns Adapted from Tchaikovsky's "Sleeping Beauty Ballet" Songs 1 George Bruns Erdman Penner Tom Adair Sammy Fain Winston Hibler Jack Lawrence Ted Sears Choral Arrangements John Karig Story Adaptation Erdman Penner From the Charles Perrault version of Sleeping Beauty Additional Story Joe Kinaldi Winston Hibler Bill Peet Ted Sears Ralph Wright Milt Banta Production Design Don Da Gradi Ken Anderson McLaren Stewart Tom Codrick Don Griffith Erni Nordli Basil Davidovich Victor Haboush Joe Hale Homer Jonas Jack Huber Kay Aragon Color Styling Eyvind Earle Background Frank Armitage Thelma Witmer Al Dempster Walt Peregoy Bill Layne Ralph Hulett Dick Anthony Fil Mottola Richard H. -
Reviews of William Wyler's Wuthering Heights
REVIEWS OF WILLIAM WYLER’S WUTHERING HEIGHTS Frank S. Nugent, “Goldwyn Presets Film of 'Wuthering Heights' at Rivoli,” New York Times, April 14, 1939 After a long recess, Samuel Goldwyn has returned to serious screen business again with his film "Wuthering Heights," which had its première at the Rivoli last night. It is Goldwyn at his best, and better still, Emily Brontë at hers. Out of her strange tale of a tortured romance Mr. Goldwyn and his troupe have fashioned a strong and somber film, poetically written as the novel not always was, sinister and wild as it was meant to be, far more compact dramatically than Miss Brontë had made it. During December's dusty researches we expect to be filing it away among the year's best ten; in April it is a living thing, vibrant as the wind that swept Times Square last night. One of the most incredible aspects of it is the circumstance that the story has reached the screen through the agency of Ben Hecht and Charles MacArthur, as un-Brontian a pair of infidels as ever danced a rigadoon upon a classicist's grave. But be assured: as Alexander Woollcott was saying last week, they've done right by our Emily. It isn't exactly a faithful transcription, which would have served neither Miss Brontë nor the screen—whatever the Brontë societies may think about it. But it is a faithful adaptation, written reverently and well, which goes straight to the heart of the book, explores its shadows and draws dramatic fire from the savage flints of scene and character hidden there. -
The Champeen
The Champeen US : 1923 : dir. Silent : ? min prod: Hal Roach : scr: : dir.ph.: OUR GANG: Johnny Downs; Mary Kornman; Ernie “Sunshine Sammy” Morrison …………… Adult cast unknown Ref: Pages Sources Stills Words Ω Copy on VHS Last Viewed 5451 1½ 0 1 647 - - - - - No Unseen Johnny Downs, promenading with ms Kornman, finds himself mocked by a mere pickaninny… Source: The Moving Picture Boy The Moving Picture Boy entry on Morrison: New Orleans family by a yet better offer in Los Angeles. He fell in with film studio people(as “The happy, wiry Frederick Ernest Morrison, Richard Lamparski relates), and on hearing that later known as "Sunshine Sammy", began a little black boy was needed for a short filming at the age of three in a somewhat featuring the Pathé moppet [sic] Baby Marie roundabout fashion. His father, a brilliant Osborne, took along the next-door-neighbour’s cook, was lured from his post with a wealthy son. The latter proved hopeless, so next day Mr father (something of a business wizard, who Morrison took along his own Ernie. already owned a grocery chain and was a large candy wholesaler) he now began several years of Morrison Junior leapt wholeheartedly into the vaudeville appearances, as "The Sepia Star of spirit of the thing and smiled like an angel. Our Gang Comedies". Later he formed a band From 1917-19 he partnered Marie Osborne called "Sunshine Sammy and His Hollywood dozens of times, and seems to have been the Syncopators", and in the mid-Forties danced (as first American negro child to be credited by a temporary member of the Step Brothers) in name – not that this saved him from being "SHINE ON, HARVEST MOON" and called, variously, "little Sambo", "Rastus", "GREENWICH VILLAGE". -
Mervyn Leroy GOLD DIGGERS of 1933 (1933), 97 Min
January 30, 2018 (XXXVI:1) Mervyn LeRoy GOLD DIGGERS OF 1933 (1933), 97 min. (The online version of this handout has hot urls.) National Film Registry, 2003 Directed by Mervyn LeRoy Numbers created and directed by Busby Berkeley Writing by Erwin S. Gelsey & James Seymour, David Boehm & Ben Markson (dialogue), Avery Hopwood (based on a play by) Produced by Robert Lord, Jack L. Warner, Raymond Griffith (uncredited) Cinematography Sol Polito Film Editing George Amy Art Direction Anton Grot Costume Design Orry-Kelly Warren William…J. Lawrence Bradford him a major director. Some of the other 65 films he directed were Joan Blondell…Carol King Mary, Mary (1963), Gypsy (1962), The FBI Story (1959), No Aline MacMahon…Trixie Lorraine Time for Sergeants (1958), The Bad Seed (1956), Mister Roberts Ruby Keeler…Polly Parker (1955), Rose Marie (1954), Million Dollar Mermaid (1952), Quo Dick Powell…Brad Roberts Vadis? (1951), Any Number Can Play (1949), Little Women Guy Kibbee…Faneul H. Peabody (1949), The House I Live In (1945), Thirty Seconds Over Tokyo Ned Sparks…Barney Hopkins (1944), Madame Curie (1943), They Won't Forget (1937) [a Ginger Rogers…Fay Fortune great social issue film, also notable for the first sweatered film Billy Bart…The Baby appearance by his discovery Judy Turner, whose name he Etta Moten..soloist in “Remember My Forgotten Man” changed to Lana], I Am a Fugitive from a Chain Gang (1932), and Two Seconds (1931). He produced 28 films, one of which MERVYN LE ROY (b. October 15, 1900 in San Francisco, was The Wizard of Oz (1939) hence the inscription on his CA—d. -
Greatest Year with 476 Films Released, and Many of Them Classics, 1939 Is Often Considered the Pinnacle of Hollywood Filmmaking
The Greatest Year With 476 films released, and many of them classics, 1939 is often considered the pinnacle of Hollywood filmmaking. To celebrate that year’s 75th anniversary, we look back at directors creating some of the high points—from Mounument Valley to Kansas. OVER THE RAINBOW: (opposite) Victor Fleming (holding Toto), Judy Garland and producer Mervyn LeRoy on The Wizard of Oz Munchkinland set on the MGM lot. Fleming was held in high regard by the munchkins because he never raised his voice to them; (above) Annie the elephant shakes a rope bridge as Cary Grant and Sam Jaffe try to cross in George Stevens’ Gunga Din. Filmed in Lone Pine, Calif., the bridge was just eight feet off the ground; a matte painting created the chasm. 54 dga quarterly photos: (Left) AMpAs; (Right) WARneR BRos./eveRett dga quarterly 55 ON THEIR OWN: George Cukor’s reputation as a “woman’s director” was promoted SWEPT AWAY: Victor Fleming (bottom center) directs the scene from Gone s A by MGM after he directed The Women with (left to right) Joan Fontaine, Norma p with the Wind in which Scarlett O’Hara (Vivien Leigh) ascends the staircase at Shearer, Mary Boland and Paulette Goddard. The studio made sure there was not a Twelve Oaks and Rhett Butler (Clark Gable) sees her for the first time. The set single male character in the film, including the extras and the animals. was built on stage 16 at Selznick International Studios in Culver City. ight) AM R M ection; (Botto LL o c ett R ve e eft) L M ection; (Botto LL o c BAL o k M/ g znick/M L e s s A p WAR TIME: William Dieterle (right) directing Juarez, starring Paul Muni (center) CROSS COUNTRY: Cecil B. -
Home Possessions Material Culture Behind Closed Doors
Home Possessions This page intentionally left blank Home Possessions Material Culture behind Closed Doors Edited by Daniel Miller Oxford • New York First published in 2001 by Berg Editorial offices: 150 Cowley Road, Oxford, OX4 1JJ, UK 838 Broadway, Third Floor, New York, NY 10003-4812, USA © Daniel Miller 2001 All rights reserved. No part of this publication may be reproduced in any form or by any means without the written permission of Berg. Berg is an imprint of Oxford International Publishers Ltd. Library of Congress Cataloging-in-Publication Data A catalogue record for this book is available from the Library of Congress. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN 1 85973 580 0 (Cloth) ISBN 1 85973 585 1 (Paper) Typeset by JS Typesetting, Wellingborough, Northants Printed in the United Kingdom by Biddles Ltd, Guildford and King’s Lynn Chang-Kwo’s parents, Stephen Frosh, Helene, Jef and Mariette, Joseph Kushner, George and Katy, Orange, Skien Friends, Susannah This page intentionally left blank Contents List of Figures ix Acknowledgements xi 1 Behind Closed Doors Daniel Miller 1 Part I Mobile Homes 2 The Aesthetics of Social Aspiration Alison J. Clarke 23 3 Organized Disorder: Moving Furniture in Norwegian Homes Pauline Garvey 47 4 The Refurbishment of Memory Jean-Sébastien Marcoux 69 5 The Taste of Home Elia Petridou 87 Part II Estate Agency 6 Possessions Daniel Miller 107 7 Home Sweet Home: Tangible Memories of an Uprooted Childhood Anat Hecht 123 Part III Building Relationships 8 Building Conjugal Relations: The Devotion to Houses amongst the Paiwan of Taiwan Chang-Kwo Tan 149 – vii – Contents 9 A Man will get Furnished: Wood and Domesticity in Urban Romania Adam Drazin 173 10 The ‘Untidy’ Japanese House Inge Maria Daniels 201 Index 231 – viii – List of Figures 2.1. -
The Coast Advertiser
Public library BeIrnar, u .j The Coast Advertiser Single Copy 4c Forty-Seventh Year, No. 29. BELMAR, NEW JERSEY, FRIDAY, DECEMBER 8, 1939 JOINT BIDDERS THE COPS' PAY RAISE School Board Passes Red Cross Drive WINS FIRST TEST New Health Ruling Tops Last Year BUY $217,499.10 Outside Column The Belmar board of education meeting Thursday night ruled that Miss Miller Reports Yield BONM AT 4t% IN SOUTH BELMAR all children entering the primary B y T om T ig h e grade of kindergarten class must Exceeds $1,000 Though Laundry Notified to Stop Police Ordinance Amend be immunized for diphtheria and Here and There . Incomplete. Smoke "Nuisance", Fence ment Comes Up for vaccinated for small pox. Upon ADDON IVINS, Hudson Dispatch registration the , student must The Belmar Red Cross drive went Ordered Removed From Heditor who came back to Red Bank Public Hearing Dec. show evidence of this treatment "over the top” exceeding last year’s last week alter 44 years and held down for the protection of the general $903 by more than $100, it was an Borough Property. 19. For Uniforms. : < 111 the job of “Reporter lor a Day” did a health of the student body. nounced today by Miss Saidie J. Miller, swell job . the lormer Red Bank The Belmar commission accepted The salaries of the four regular chairman for the Belmar area, who re Register newshound turned up plenty vealed that Irving R. Strauss again the joint bid of H. P. Boland & Co., South Belmar policemen would be in and H. L. Allen & Co., both of New ol news, and not the kind that re made the largest contribution of $100. -
The Museum of Modern Art Celebrates Vienna's Rich
THE MUSEUM OF MODERN ART CELEBRATES VIENNA’S RICH CINEMATIC HISTORY WITH MAJOR COLLABORATIVE EXHIBITION Vienna Unveiled: A City in Cinema Is Held in Conjunction with Carnegie Hall’s Citywide Festival Vienna: City of Dreams, and Features Guest Appearances by VALIE EXPORT and Jem Cohen Vienna Unveiled: A City in Cinema February 27–April 20, 2014 The Roy and Niuta Titus Theaters NEW YORK, January 29, 2014—In honor of the 50th anniversary of the Austrian Film Museum, Vienna, The Museum of Modern Art presents a major collaborative exhibition exploring Vienna as a city both real and mythic throughout the history of cinema. With additional contributions from the Filmarchiv Austria, the exhibition focuses on Austrian and German Jewish émigrés—including Max Ophuls, Erich von Stroheim, and Billy Wilder—as they look back on the city they left behind, as well as an international array of contemporary filmmakers and artists, such as Jem Cohen, VALIE EXPORT, Michael Haneke, Kurt Kren, Stanley Kubrick, Richard Linklater, Nicholas Roeg, and Ulrich Seidl, whose visions of Vienna reveal the powerful hold the city continues to exert over our collective unconscious. Vienna Unveiled: A City in Cinema is organized by Alexander Horwath, Director, Austrian Film Museum, Vienna, and Joshua Siegel, Associate Curator, Department of Film, MoMA, with special thanks to the Österreichische Galerie Belvedere. The exhibition is also held in conjunction with Vienna: City of Dreams, a citywide festival organized by Carnegie Hall. Spanning the late 19th to the early 21st centuries, from historical and romanticized images of the Austro-Hungarian empire to noir-tinged Cold War narratives, and from a breeding ground of anti- Semitism and European Fascism to a present-day center of artistic experimentation and socioeconomic stability, the exhibition features some 70 films. -
Films' New Prosperity — Via TV HIGHER HOPES
. O.C. TELEPHONE MICHIGAN • I JBLISHEO WEEKLY BY RADIO NEWS BUREAU, 1519 CONNECTICUT AVE. N.W., WASHINGTON 6. 2020 VOL. 7, NO. 27 July 7, 1951 /Film Trend to TV Dominates Trade News, page 1. Output Way Down But Factory Stocks Up, page 7. Higher Hopes for Faster Freeze Thaw, page 1. After Korean Cease-Fire, What? page 7. ) ' Mssue:\ This gQcial and Economic Effects of TV, page 2. Electronics—Fastest Growing Industry, page 8. (.All Eyes Focus on RCA Color Pictures, page 3. Trade, Financial, Mobilization Notes, pages 9-11. FILM TREND TO TV DOMINATES TRADE NEWS: Pointing up TV's ever-increasing affinity with motion picture industry was announcement this week that The March of Time is dropping its theatrical motion picture series, popular in movie houses since 1935, in favor of concentrating on producing TV and special theatrical films. Only 5 more issues of March of Time are in works, plus certain documentaries — also " Crusade in the Pacific " now being put together as sequel to "Crusade in Europe" for TV release . Said Time Inc. president Roy E. Larsen ; "Our company has been increasingly active in recent years in developing and producing programs for TV and our facilities are admirably suited for the new medium." Theatrical trade press is so replete with TV items these days that news of stage and movies is often overshadowed. Getting big play are subscription- TV proj- ects, notably Skiatron and Paramount's Telemeter . These will doubtless be subject of FCC hearings, as yet unscheduled, along with Zenith's Phonevision . Meanwhile, they're riding high tide of free publicity , despite the fact FCC must yet rule on pay-as-you-look principle — and approval is by no means assured .