Proceedings Experiencing Light 2014 : International Conference on the Effects of Light on Wellbeing, Eindhoven, the Netherlands, 10-11 November, 2014

Total Page:16

File Type:pdf, Size:1020Kb

Proceedings Experiencing Light 2014 : International Conference on the Effects of Light on Wellbeing, Eindhoven, the Netherlands, 10-11 November, 2014 Proceedings Experiencing light 2014 : international conference on the effects of light on wellbeing, Eindhoven, The Netherlands, 10-11 November, 2014 Citation for published version (APA): Kort, de, Y. A. W., Aarts, M. P. J., Beute, F., Haans, A., Heynderickx, I., Huiberts, L. M., Kalinauskaite, I., Khademagha, P., Kuijsters, A., Lakens, D., Rijswijk, van, L., Schietecat, A. C., Smolders, K. C. H. J., Stokkermans, M. G. M., & IJsselsteijn, W. A. (Eds.) (2014). Proceedings Experiencing light 2014 : international conference on the effects of light on wellbeing, Eindhoven, The Netherlands, 10-11 November, 2014. Technische Universiteit Eindhoven. Document status and date: Published: 01/01/2014 Document Version: Publisher’s PDF, also known as Version of Record (includes final page, issue and volume numbers) Please check the document version of this publication: • A submitted manuscript is the version of the article upon submission and before peer-review. There can be important differences between the submitted version and the official published version of record. People interested in the research are advised to contact the author for the final version of the publication, or visit the DOI to the publisher's website. • The final author version and the galley proof are versions of the publication after peer review. • The final published version features the final layout of the paper including the volume, issue and page numbers. Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal. If the publication is distributed under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license above, please follow below link for the End User Agreement: www.tue.nl/taverne Take down policy If you believe that this document breaches copyright please contact us at: [email protected] providing details and we will investigate your claim. Download date: 29. Sep. 2021 Proceedings EXPERIENCING LIGHT 2014 Proceedings EXPERIENCING LIGHT 2014 International Conference on the Effects of Light on Wellbeing Y.A.W. de Kort, M.P.J. Aarts, F. Beute, A. Haans, I.E.J. Heynderickx, L.M. Huiberts, I. Kalinauskaite, P. Khademagha, A. Kuijsters, D. Lakens, L. van Rijswijk, A.C. Schietecat, K.C.H.J. Smolders, M.G.M. Stokkermans, W.A. IJsselsteijn . Keynotes, selected full papers, and poster abstracts Eindhoven University of Technology, Eindhoven, the Netherlands, 10-11 November 2014 Volume Editors Yvonne de Kort, PhD Femke Beute, PhD Antal Haans, PhD Ingrid Heynderickx, PhD Laura Huiberts, MSc Indre Kalinauskaite, MSc Andre Kuijsters, MSc Daniel Lakens, PhD Leon van Rijswijk, MSc Anne Schietecat, MSc Karin Smolders, PhD Mariska Stokkermans, MSc Wijnand IJsselsteijn, PhD Eindhoven University of Technology IE&IS, Human Technology Interaction PO Box 513, 5600 MB Eindhoven, The Netherlands E-mail: {y.a.w.d.kort, f.beute, a.haans, i.e.j.heynderickx, l.m.huiberts, i.kalinauskaite, a.kuijsters, d.lakens, l.v.rijswijk, a.c.schietecat, k.c.h.j.smolders, m.g.m.stokkermans, w.a.ijsselsteijn}@tue.nl Mariëlle Aarts, MSc Parisa Khademagha, MSc Eindhoven University of Technology Department of the Built Environment, Building Physics and Services PO Box 513, 5600 MB Eindhoven, The Netherlands E-mail: {m.p.j.aarts, p.khademagha}@tue.nl A catalogue record is available from the Eindhoven University of Technology Library ISBN: 978-90-386-3744-0 Copyright: These proceedings are licensed under Creative Commons Attribution 3.0 License (Noncommercial - No Derivative Works) This license permits any user, for any noncommercial purpose – including unlimited classroom and distance learning use – to download, print out, archive, and distribute an article published in the EXPERIENCING LIGHT 2014 Proceedings, as long as appropriate credit is given to the authors and the source of the work. You may not use this work for commercial purposes. You may not alter, transform, or build upon this work. Any of the above conditions can be waived if you get permission from the author(s). For any reuse or distribution, you must make clear to others the license terms of this work. The full legal text for this License can be found at http://creativecommons.org/licenses/by-nc-nd/3.0/us/legalcode Reference specification: Name Author(s), “Title of the Article”, In: Proceedings of EXPERIENCING LIGHT 2014 International Conference on the Effects of Light on Wellbeing (Eds. Y.A.W. de Kort, M.P.J. Aarts, F. Beute, A. Haans, I.E.J. Heynderickx, L.M. Huiberts, I. Kalinauskaite, P. Khademagha, A. Kuijsters, D. Lakens, L. van Rijswijk, A.C. Schietecat, K.C.H.J. Smolders, and M.G.M. Stokkermans, W.A. IJsselsteijn), 2014, pp. X (startpage) – Y (endpage). Preface From 8 till 15 November, Eindhoven is of course the place to be for light lovers, because of Glow 2014. This light festival is – as always – located in the city centre, but since last year also on Strijp S. This former Philips factory area is now the new creative heart of Eindhoven and host to GLOWNEXT, an innovative and experimental light art platform during the Glow week, and a way for light applications to show social engagement. We therefore felt that Strijp S would be the perfect setting for the third edition of Experiencing Light, our international two-day conference on light and its effects on wellbeing. As in earlier years, with your help we hope to provide a state of the art overview of how light influences mood and emotions, comfort and performance, and physical and mental health. These effects of light on human functioning are varied, complex, multifaceted and profound. Although there certainly are more – and very relevant – conferences on light throughout the year, Experiencing Light uniquely brings together scholars in image-forming and non-image forming domains, including, psychologists, biologists, designers, physicists and engineers. We hope and have great faith the synergy between all of you will help advance the domain of lighting research. This year’s edition is offering 25 oral and 24 poster presentations by scientists across the globe on five light themes: Perception of light, Circadian & performance effects, Daylight & office lighting, Light & experience – indoor, and Light & experience – outdoor. These contributions present new research and findings, new conceptualizations and designs, and new reflections on light and its psychological impact. The extended abstracts we present in these proceedings are selected from the large collection of submitted papers through a carefully conducted review process, using blind peer-review. We are greatly indebted to the members of the Scientific Committee for their excellent work in reviewing these papers and selecting the best ones for presentation at the conference. This year we have invited two inspiring keynotes, both around the theme of darkness. The first Keynote speaker is Paul Bogard, author of the brilliantly written book The End of Night: Searching for Natural Darkness in an Age of Artificial Light. His testimony on behalf of the dark presents the perfect start to the evening’s social event: as darkness sets in, we will be sharing a delightful dinner, heart-warming light experience and a vibrant ambiance, which should flow naturally into your GLOWNEXT experience. On Tuesday morning, Steve Fotios, Professor of Lighting and Visual Perception at the University of Sheffield and renowned expert in the field chooses the perspective of the lonely pedestrian at night as he discusses the sense and nonsense of current research practice – and its implications - in street lighting. Please note that Steve is also one of the speakers at the Holst symposium on the TU/e campus on the Thursday following our event. Our ever-growing conference committee is proud to present this intensive program. We wish you an inspiring conference! Yvonne, Mariëlle, Femke, Antal, Ingrid, Laura, Indre, Parisa, Andre, Daniel, Leon, Anne, Karin, Mariska, and Wijnand, Organizers of Experiencing Light 2014 Organization Organizing Committee General chair Dr Yvonne de Kort, PhD Program chairs Mariëlle Aarts, MSc Dr Femke Beute, PhD Dr Antal Haans, PhD Prof Ingrid Heynderickx, PhD Dr Daniel Lakens, PhD Dr Karin Smolders, PhD Dr Wijnand IJsselsteijn, PhD Treasurer Leon van Rijswijk, MSc Doctoral Consortium Mariska Stokkermans, MSc Proceedings Andre Kuijsters, MSc Artwork Indre Kalinauskaite, PDEng, MSc Field trips Laura Huiberts, MSc Anne Schietecat, MSc Poster coordination Parisa Khademagha, PDEng, MSc Sponsors Scientific Committee Ir Mariëlle Aarts, Eindhoven University of Technology Dr Myriam Aries, Eindhoven University of Technology Prof Domien Beersma, University of Groningen Ir Femke Beute, Eindhoven University of Technology Dr Magali Bodart, University of Groningen Dr Peter Boyce Dr Jens Christoffersen, Velux Denmark Dr Yvonne de Kort, Eindhoven University of Technology Ir Marike de Kruiff, Philips Lighting Prof Huib de Ridder, Delft University of Technology Ir Peter Dehoff, Zumtobel Ir Maurice Donners, Philips Prof Berry Eggen, Eindhoven University
Recommended publications
  • 80S 697 Songs, 2 Days, 3.53 GB
    80s 697 songs, 2 days, 3.53 GB Name Artist Album Year Take on Me a-ha Hunting High and Low 1985 A Woman's Got the Power A's A Woman's Got the Power 1981 The Look of Love (Part One) ABC The Lexicon of Love 1982 Poison Arrow ABC The Lexicon of Love 1982 Hells Bells AC/DC Back in Black 1980 Back in Black AC/DC Back in Black 1980 You Shook Me All Night Long AC/DC Back in Black 1980 For Those About to Rock (We Salute You) AC/DC For Those About to Rock We Salute You 1981 Balls to the Wall Accept Balls to the Wall 1983 Antmusic Adam & The Ants Kings of the Wild Frontier 1980 Goody Two Shoes Adam Ant Friend or Foe 1982 Angel Aerosmith Permanent Vacation 1987 Rag Doll Aerosmith Permanent Vacation 1987 Dude (Looks Like a Lady) Aerosmith Permanent Vacation 1987 Love In An Elevator Aerosmith Pump 1989 Janie's Got A Gun Aerosmith Pump 1989 The Other Side Aerosmith Pump 1989 What It Takes Aerosmith Pump 1989 Lightning Strikes Aerosmith Rock in a Hard Place 1982 Der Komimissar After The Fire Der Komimissar 1982 Sirius/Eye in the Sky Alan Parsons Project Eye in the Sky 1982 The Stand Alarm Declaration 1983 Rain in the Summertime Alarm Eye of the Hurricane 1987 Big In Japan Alphaville Big In Japan 1984 Freeway of Love Aretha Franklin Who's Zoomin' Who? 1985 Who's Zooming Who Aretha Franklin Who's Zoomin' Who? 1985 Close (To The Edit) Art of Noise Who's Afraid of the Art of Noise? 1984 Solid Ashford & Simpson Solid 1984 Heat of the Moment Asia Asia 1982 Only Time Will Tell Asia Asia 1982 Sole Survivor Asia Asia 1982 Turn Up The Radio Autograph Sign In Please 1984 Love Shack B-52's Cosmic Thing 1989 Roam B-52's Cosmic Thing 1989 Private Idaho B-52's Wild Planet 1980 Change Babys Ignition 1982 Mr.
    [Show full text]
  • The New York Law School Reporter's Arts and Entertainment Journal, Vol
    digitalcommons.nyls.edu NYLS Publications Student Newspapers 4-1986 The ewN York Law School Reporter's Arts and Entertainment Journal, vol IV, no. 4, April 1986 New York Law School Follow this and additional works at: https://digitalcommons.nyls.edu/newspapers Recommended Citation New York Law School, "The eN w York Law School Reporter's Arts and Entertainment Journal, vol IV, no. 4, April 1986" (1986). Student Newspapers. 117. https://digitalcommons.nyls.edu/newspapers/117 This Article is brought to you for free and open access by the NYLS Publications at DigitalCommons@NYLS. It has been accepted for inclusion in Student Newspapers by an authorized administrator of DigitalCommons@NYLS. The New·York Law School Reporter's 1lll'l,S 1INI) l~N'l,l~ll'l'1IIN)ll~N'I' ,IC) IJllN 11I~ VolIVNo4 • ALL THE NEWS WE CAN FIND • Apr1l1986 llf.)f;I{ 1INI) llf)I~I~: by Dbmne Pine DE1'EN'l'E OF THE EIGH'flES When the arts & entertainment section Sirnplifed - the Home Audio Recording by llya Frenkel first pondered the merits of an article on Act calls for 1) a 1• per minute tax on high With all the talk of possibility of But the real reason behind this the proposed Home Audio Recording Act, quality audio tape; 2) a 5% tax on tape detente in the U.S. - Soviet relations, phenomenon may very well be that with the flood of information which reached recorders and 3) a 25% tax on dual tape cultural exchanges and trade take a the advent of easily-accessible audio, this office looked like so many piles of decks.
    [Show full text]
  • Pynchon's Sound of Music
    Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage.
    [Show full text]
  • Continuous Light on Tomato
    CONTINUOUS LIGHT ON TOMATO From Gene to Yield Aarón I. Vélez-Ramírez i Thesis committee Promotor Prof. Dr Harro J. Bouwmeester Professor of Plant Physiology Wageningen University Co-promotors Dr Wim van Ieperen Assistant professor, Horticulture and Product Physiology Wageningen University Dr Dick Vreugdenhil Associate professor, Laboratory of Plant Physiology Wageningen University Other members Prof. Dr Ton Bisseling, Wageningen University Prof. Dr Roberta Croce, VU University Amsterdam, The Netherlands Prof. Dr Gerrit T.S. Beemster, University of Antwerp, Belgium Dr. Ronald Pierik, Utrecht University, The Netherlands This research was conducted under the auspices of the Graduate School of Experimental Plant Sciences (EPS). ii CONTINUOUS LIGHT ON TOMATO From Gene to Yield Aarón I. Vélez-Ramírez Thesis submitted in fulfillment of the requirements for the degree of doctor at Wageningen University by the authority of the Rector Magnificus Prof. Dr M.J. Kropff, in the presence of the Thesis Committee appointed by the Academic Board to be defended in public on Friday 19 September 2014 at 11 a.m. in the Aula. iii Aarón I. Vélez Ramírez Continuous Light on Tomato. From Gene to Yield 214 pages PhD thesis, Wageningen University , Wageningen, NL (2014) With references, summaries in English and Dutch ISBN 978-94-6257-078-8 iv Contents Chapter 1 | 1 General Introduction. Continuous-light-induced injury in tomato: An old enigma 13 Chapter 2 | Plants under continuous light Chapter 3 | 29 Continuous light as a way to increase greenhouse tomato production:
    [Show full text]
  • APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH Axis.Wmg.Com 4/22/17 RSD AUDIO & VIDEO RECAP
    2017 NEW RELEASE SPECIAL APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH axis.wmg.com 4/22/17 RSD AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Le Soleil Est Pres de Moi (12" Single Air Splatter Vinyl)(Record Store Day PRH A 190295857370 559589 14.98 3/24/17 Exclusive) Anni-Frid Frida (Vinyl)(Record Store Day Exclusive) PRL A 190295838744 60247-P 21.98 3/24/17 Wild Season (feat. Florence Banks & Steelz Welch)(Explicit)(Vinyl Single)(Record WB S 054391960221 558713 7.98 3/24/17 Store Day Exclusive) Cracked Actor (Live Los Angeles, Bowie, David PRH A 190295869373 559537 39.98 3/24/17 '74)(3LP)(Record Store Day Exclusive) BOWPROMO (GEM Promo LP)(1LP Vinyl Bowie, David PRH A 190295875329 559540 54.98 3/24/17 Box)(Record Store Day Exclusive) Live at the Agora, 1978. (2LP)(Record Cars, The ECG A 081227940867 559102 29.98 3/24/17 Store Day Exclusive) Live from Los Angeles (Vinyl)(Record Clark, Brandy WB A 093624913894 558896 14.98 3/24/17 Store Day Exclusive) Greatest Hits Acoustic (2LP Picture Cure, The ECG A 081227940812 559251 31.98 3/24/17 Disc)(Record Store Day Exclusive) Greatest Hits (2LP Picture Disc)(Record Cure, The ECG A 081227940805 559252 31.98 3/24/17 Store Day Exclusive) Groove Is In The Heart / What Is Love? Deee-Lite ECG A 081227940980 66622 14.98 3/24/17 (Pink Vinyl)(Record Store Day Exclusive) Coral Fang (Explicit)(Red Vinyl)(Record Distillers, The RRW A 081227941468 48420 21.98 3/24/17 Store Day Exclusive) Live At The Matrix '67 (Vinyl)(Record Doors, The ECG A 081227940881 559094 21.98 3/24/17
    [Show full text]
  • OCTOBER 1986 Reflections on the NAMM Show
    in this issue . VOL. 10, NO. 10 Features Cover Photo by Jaeger Kotos Columns DAVE WECKL EDUCATION ELECTRONIC INSIGHTS MIDI And The Electronic Drummer: Part 1 by Jim Fiore 46 ROCK PERSPECTIVES Applying The Paradiddle-diddle by Jeff Macko 62 TAKING CARE OF BUSINESS A Guide To Full-Time Employment: Part 2 by Michael Stevens 68 DRUM SOLOIST Dave Weckl: "Step It" by Ken Ross 70 CONCEPTS Kotos Mousey Alexander: Drumming And Courage Jaeger by Roy Burns 92 by CLUB SCENE Photo On The Clock For the past couple of years, musicians around New York by Rick Van Horn 94 have been referring to Dave Weckl as "the next guy." Now, with his exposure in Chick Corea's Elektric Band, the rest of the world is getting the chance to find out why. by Jeff Potter 16 EQUIPMENT SHOP TALK BOBBY BLOTZER Dream Product Contest Results 82 Providing the beat for Ratt has earned Bobby Blotzer a PRODUCT CLOSE-UP reputation as a first-class heavy metal drummer. While he For Hands And Feet appreciates the recognition, he's quick to point out that metal by Bob Saydlowski, Jr. 96 is not all that he can do. by Anne M. Raso 22 JUST DRUMS NAMM '86 From A to Z STAYING IN SHAPE: by Rick Mattingly 100 TIPS FROM THE PROS PART 1 PROFILES The world's top drummers share the personal fitness exercises, ON THE MOVE diets, and warm-ups that keep them in shape for the physical Biddie Freed: The Search For Respect aspects of drumming. by Russ Lewellen 40 by Ron Spagnardi 26 RANDY WRIGHT The drummer, featured vocalist, and bandleader in Barbara NEWS Mandrell's group discusses recent changes that have made the UPDATE 6 group more contemporary, and explains how Barbara's nearly fatal auto accident affected the whole band.
    [Show full text]
  • GET REAL HONORS THESIS Presented to the Honors College of Texas State Univers
    GET REAL HONORS THESIS Presented to the Honors College of Texas State University in Partial Fulfillment of the Requirements for Graduation in the Honors College by David Randolph Russell San Marcos, Texas May 2016 GET REAL by David Russell Thesis Supervisor: ________________________________________________ Alan Schaefer, M.F.A. Department of English Second Reader: ________________________________________________ Ron Haas, Ph.D. Honors College Approved: ________________________________________________ Heather C. Galloway, Ph.D. Dean, Honors College Acknowledgments I owe tremendous gratitude to everyone who helped this project come to fruition. This includes those who collaborated on the project, those who encouraged me throughout the process, and those who have ever had any influence on my perspective—may their influence shine on this album. First and foremost, I thank Professor John Hood. This thesis wouldn’t exist were it not for his impact. Four years ago—a freshman at Texas State University with no idea where to steer my academic path—I took the fateful step into Mr. Hood’s Honors screenwriting class. I finally had a direction in which I was inspired to drive my focus in college: creating. Professor Hood was the first professor that I had at Texas State who took a personal interest in me and inspired me to work harder. Through Mr. Hood’s support, I have become an Honors class junkie and have learned to value my own potential with a confidence that I wouldn’t otherwise have. I am grateful to Professor Hood for believing in me and helping me get to where I am today. Secondly, I thank Professor Alan Schaefer, who has not only amazed me with his knowledge of 1960s European cinema but has also been a fellow musician in the contemporary Austin scene with whom I’ve been able to discuss rock ’n’ roll.
    [Show full text]
  • THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
    1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour.
    [Show full text]
  • CSE316 : FUNDAMENTALS of SOFTWARE DEVELOPMENT Lecture 9C : Nosql Topics
    CSE316 : FUNDAMENTALS OF SOFTWARE DEVELOPMENT Lecture 9c : NoSQL Topics ■ NoSQL (Not Only SQL) concepts ■ MongoDB CSE316 : Fund of SW Development - Tony Mione, SUNY Korea - 2019 2 NoSQL ■ NoSQL databases are NOT Realational Databases ■ No tables and no table normalization ■ Allows non-structured data [Data may be structured as needed] ■ Underlying storage format: Ususally JSON CSE316 : Fund of SW Development - Tony Mione, SUNY Korea - 2019 3 NoSQL Advantages ■ Handles Big Data ■ No predefined Schema [Data can be unstructured] ■ Cheaper/Easier to manage ■ Scaling [Horizontal / Scale Out] CSE316 : Fund of SW Development - Tony Mione, SUNY Korea - 2019 4 Scaling out vs Scaling up ■ Relational Databases are designed to be hosted on a single server – [It is possible to split a relational database to several servers but there are many adjustments that have to be made] – This forces scaling to be ‘up’ meaning acquiring a higher capacity/higher performance server ($$$) ■ NoSQL databases can be distributed with replicated copies – When scaling is needed, you can ‘scale out’. – Simply add more servers CSE316 : Fund of SW Development - Tony Mione, SUNY Korea - 2019 5 RDBMS Advantages ■ Good for relational data – – There is a structure to the data – Data items have set content/columns – You know how data in tables is related ■ Normalization – Eliminates Redundancy – Minimizes Space usage è Better performance ■ Use SQL ■ Data Integrity Checks ■ ACID – Atomicity, Consistency, Isolation, Durability – è Can do this with NoSQL but not built into the system
    [Show full text]
  • Raw Thought: the Weblog of Aaron Swartz Aaronsw.Com/Weblog
    Raw Thought: The Weblog of Aaron Swartz aaronsw.com/weblog 1 What’s Going On Here? May 15, 2005 Original link I’m adding this post not through blogging software, like I normally do, but by hand, right into the webpage. It feels odd. I’m doing this because a week or so ago my web server started making funny error messages and not working so well. The web server is in Chicago and I am in California so it took a day or two to get someone to check on it. The conclusion was the hard drive had been fried. When the weekend ended, we sent the disk to a disk repair place. They took a look at it and a couple days later said that they couldn’t do anything. The heads that normally read and write data on a hard drive by floating over the magnetized platter had crashed right into it. While the computer was giving us error messages it was also scratching away a hole in the platter. It got so thin that you could see through it. This was just in one spot on the disk, though, so we tried calling the famed Drive Savers to see if they could recover the rest. They seemed to think they wouldn’t have any better luck. (Please, plase, please, tell me if you know someplace to try.) I hadn’t backed the disk up for at least a year (in fairness, I was literally going to back it up when I found it giving off error messages) and the thought of the loss of all that data was crushing.
    [Show full text]
  • Viral Spiral Also by David Bollier
    VIRAL SPIRAL ALSO BY DAVID BOLLIER Brand Name Bullies Silent Theft Aiming Higher Sophisticated Sabotage (with co-authors Thomas O. McGarity and Sidney Shapiro) The Great Hartford Circus Fire (with co-author Henry S. Cohn) Freedom from Harm (with co-author Joan Claybrook) VIRAL SPIRAL How the Commoners Built a Digital Republic of Their Own David Bollier To Norman Lear, dear friend and intrepid explorer of the frontiers of democratic practice © 2008 by David Bollier All rights reserved. No part of this book may be reproduced, in any form, without written permission from the publisher. The author has made an online version of the book available under a Creative Commons Attribution-NonCommercial license. It can be accessed at http://www.viralspiral.cc and http://www.onthecommons.org. Requests for permission to reproduce selections from this book should be mailed to: Permissions Department, The New Press, 38 Greene Street, New York,NY 10013. Published in the United States by The New Press, New York,2008 Distributed by W.W.Norton & Company,Inc., New York ISBN 978-1-59558-396-3 (hc.) CIP data available The New Press was established in 1990 as a not-for-profit alternative to the large, commercial publishing houses currently dominating the book publishing industry. The New Press operates in the public interest rather than for private gain, and is committed to publishing, in innovative ways, works of educational, cultural, and community value that are often deemed insufficiently profitable. www.thenewpress.com A Caravan book. For more information, visit www.caravanbooks.org. Composition by dix! This book was set in Bembo Printed in the United States of America 10987654321 CONTENTS Acknowledgments vii Introduction 1 Part I: Harbingers of the Sharing Economy 21 1.
    [Show full text]
  • Songs by Artist
    Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P.
    [Show full text]