A List of Podcasts to Help You Survive This Quarantine

Total Page:16

File Type:pdf, Size:1020Kb

A List of Podcasts to Help You Survive This Quarantine A List of Podcasts To Help You Survive This Quarantine Podcasts are a great source of entertainment and information, while it had been highly popular prior to the quarantine, more and more people have come to learn about them as a source because of it. Anyone can access them through the podcast app, or spotify, or you can simply find the website for it and listen to it from your computer, tablet or phone. Informative Podcasts 1. The Daily The NYT daily podcast hosted by journalist Michael Barbaro 2. FiveThirtyEight A politics podcast from statistician Nate Silver that takes a rather measured approach to analyzing the 2020 election, and has of late been examining how Covid-19’s spread has been affecting the election as well. 3. America Dissected With episodes that are short and sweet, thirty minutes at most, Dr. Abdul El-Sayed in the second season of his show takes us on a deep dive into the Coronavirus, how we got here, what went wrong, and what we can do moving forward. Each episode he interviews someone else who tells us a little bit more about the issues. 4. Coronavirus: Fact vs. Fiction with Dr. Sanjay Gupta Dr. Sanjay Gupta, CNN’s chief medical correspondent provides bite-sized updates on the spread of the Coronavirus in such a way as to be easily understood by someone of any age. Podcasts for the Kids 1. Circle Round A podcast created by parents adapts folktales from around the globe in a way that is easily accessible for kids between the ages of 4-10. The episodes could be as short as five minutes or as long as twenty, and teach a variety of lessons on morality, manners and more. 2. Eleanor Amplified For an older age range than that of Circle Round, this podcast is for kids between elementary age and tweens. Eleanor Amplified tells the tale of a world famous journalist who foils villains with her investigative skills. When we’re all looking for just a little more truth, what can be better than teaching kids about the value of journalism? 3. The Kids Are All...Home A new podcast by Pineapple Street Studios which was designed by kids for kids. The creators of the podcast asked kids from all over the world to offer tips on how their managing to keep it together during the quarantine. There are few things more adorable than hearing children offer their advice on the best snacks to partake in, or activities they are enjoying. When You Just Need A Good Laugh 1. This Paranormal Life Though the title might suggest it’s about all things paranormal, the show really is comprised of all sorts of wild and silly subjects. Hosts Rory Powers and Kit Grier examine a topic each week, whether it is actually supernatural, or bigfoot, or even sleep paralysis and usually spend the episode spinning wildly out of control trying to make the audience, and the other, laugh. They are more often than not, highly successful. It doesn’t take itself seriously at all, and would be well suited for teens as much as young adults. 2. My Brother, My Brother and Me A podcast by the utterly charming and hilarious McElroy brothers (of Adventure Zone and Sawbones fame) who take questions from fans and offer some truly amusing advice in return. (the other podcasts are just as highly recommended) 3. My Favorite Murder Now you might not think a true crime podcast could be funny, but hosts Karen Kilgariff and Georgia Hardstark will prove to you that that it really can be done deftly. In a show that is both education and humorous, the hosts discuss cases that generally go under the radar while delving into their own mental health and lives in such a way as invites their audience to join them. .
Recommended publications
  • Looking for Podcast Suggestions? We’Ve Got You Covered
    Looking for podcast suggestions? We’ve got you covered. We asked Loomis faculty members to share their podcast playlists with us, and they offered a variety of suggestions as wide-ranging as their areas of personal interest and professional expertise. Here’s a collection of 85 of these free, downloadable audio shows for you to try, listed alphabetically with their “recommenders” listed below each entry: 30 for 30 You may be familiar with ESPN’s 30 for 30 series of award-winning sports documentaries on television. The podcasts of the same name are audio documentaries on similarly compelling subjects. Recent podcasts have looked at the man behind the Bikram Yoga fitness craze, racial activism by professional athletes, the origins of the hugely profitable Ultimate Fighting Championship, and the lasting legacy of the John Madden Football video game. Recommended by Elliott: “I love how it involves the culture of sports. You get an inner look on a sports story or event that you never really knew about. Brings real life and sports together in a fantastic way.” 99% Invisible From the podcast website: “Ever wonder how inflatable men came to be regular fixtures at used car lots? Curious about the origin of the fortune cookie? Want to know why Sigmund Freud opted for a couch over an armchair? 99% Invisible is about all the thought that goes into the things we don’t think about — the unnoticed architecture and design that shape our world.” Recommended by Scott ABCA Calls from the Clubhouse Interviews with coaches in the American Baseball Coaches Association Recommended by Donnie, who is head coach of varsity baseball and says the podcast covers “all aspects of baseball, culture, techniques, practices, strategy, etc.
    [Show full text]
  • Teacher Notes
    Media Series - TV Teacher Notes Television in the Global Age Teachers’ Notes The resources are intended to support teachers delivering on the new AS and A level specifications. They have been created based on the assumption that many teachers will already have some experience of teaching Media Studies and therefore have been pitched at a level which takes this into consideration. Other resources are readily available which outline e.g. technical and visual codes and how to apply these. There is overlap between the different areas of the theoretical framework and the various contexts, and a “text-out” teaching structure may offer opportunities for a more holistic approach. Slides are adaptable to use with your students. Explanatory notes for teachers/suggestions for teaching are in the Teachers’ Notes. The resources are intended to offer guidance only and are by no means exhaustive. It is expected that teachers will subsequently research and use their own materials and teaching strategies within their delivery. Television as an industry has changed dramatically since its inception. Digital technologies and other external factors have led to changes in production, distribution, the increasingly global nature of television and the ways in which audiences consume texts. It is expected that students will require teacher-led delivery which outlines these changes, but the focus of delivery will differ dependent on texts chosen. THE JINX: The Life and Deaths of Robert Durst Episode Suggestions Episode 1 ‘The Body in the Bay’ is the ‘set’ text but you may also want to look at others, particularly Episode 6 with its “shocking” conclusion.
    [Show full text]
  • Nancy Grace on Her Third Crimecon and Why She's Driven to Catch Criminals
    DRIVEN BY JUSTICE Nancy Grace on Her Third CrimeCon and Why She’s Driven to Catch Criminals Perennial fan-favorite Nancy coming to a family reunion. Grace returns for her third The people who are here are CrimeCon, and she’s bringing all like me — dedicated to crime the fire, emotion, and endearing and crime sleuthing,” she told Southern colloquialisms we’ve the Indy Star during CrimeCon come to expect from the pint- 2017. “It’s very invigorating to be sized powerhouse. Grace has around people who share the become a staple of CrimeCon same interest and the natural weekend, often found taking curiosity that I have.” selfies with fans (“The angle is key,” she says) or laughing with Grace has dedicated most of podcasters on Podcast Row. her life to finding answers to the questions that drive our When she takes the stage at fascination with true crime. CrimeCon, though, she is all Her fans are familiar with the business. Grace is famous for story of Grace’s fiance, Keith, her impassioned rhetoric and who was gunned down in boundless energy, and she has his vehicle when Grace was no trouble rousing a crowd nineteen years old. His death -- and CrimeCon is exactly her sparked a change in Grace, kind of crowd. “It felt like I was who promptly switched gears, dropped her literature major, and began studying for law school. She earned a reputation as an outspoken and energetic prosecutor in Atlanta before becoming a broadcaster and crime commentator on HLN and other cable networks. “Wherever I can best do the work I’m called to do, that’s where I’ll go,” Grace told the CrimeCon Informant in 2017.
    [Show full text]
  • Judging the Suspect-Protagonist in True Crime Documentaries
    Wesleyan University The Honors College Did He Do It?: Judging the Suspect-Protagonist in True Crime Documentaries by Paul Partridge Class of 2018 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors from the College of Film and the Moving Image Middletown, Connecticut April, 2018 Table of Contents Acknowledgments…………………………………...……………………….iv Introduction ...…………………………………………………………………1 Review of the Literature…………………………………………………………..3 Questioning Genre………………………………………………………………...9 The Argument of the Suspect-protagonist...…………………………………......11 1. Rise of a Genre……………………………………………………….17 New Ways of Investigating the Past……………………………………..19 Connections to Literary Antecedents…………………..………………...27 Shocks, Twists, and Observation……………………………..………….30 The Genre Takes Off: A Successful Marriage with the Binge-Watch Structure.........................................................................34 2. A Thin Blue Through-Line: Observing the Suspect-Protagonist Since Morris……………………………….40 Conflicts Crafted in Editing……………………………………………...41 Reveal of Delayed Information…………………………………………..54 Depictions of the Past…………………………………………………….61 3. Seriality in True Crime Documentary: Finding Success and Cultural Relevancy in the Binge- Watching Era…………………………………………………………69 Applying Television Structure…………………………………………...70 (De)construction of Innocence Through Long-Form Storytelling……….81 4. The Keepers: What Does it Keep, What Does ii It Change?..............................................................................................95
    [Show full text]
  • Review of Capote's in Cold Blood
    Themis: Research Journal of Justice Studies and Forensic Science Volume 1 Themis: Research Journal of Justice Studies and Forensic Science, Volume I, Spring Article 1 2013 5-2013 Review of Capote’s In Cold Blood Yevgeniy Mayba San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/themis Part of the American Literature Commons, Criminal Law Commons, and the Criminology and Criminal Justice Commons Recommended Citation Mayba, Yevgeniy (2013) "Review of Capote’s In Cold Blood," Themis: Research Journal of Justice Studies and Forensic Science: Vol. 1 , Article 1. https://doi.org/10.31979/THEMIS.2013.0101 https://scholarworks.sjsu.edu/themis/vol1/iss1/1 This Book Review is brought to you for free and open access by the Justice Studies at SJSU ScholarWorks. It has been accepted for inclusion in Themis: Research Journal of Justice Studies and Forensic Science by an authorized editor of SJSU ScholarWorks. For more information, please contact [email protected]. Review of Capote’s In Cold Blood Keywords Truman Capote, In Cold Blood, book review This book review is available in Themis: Research Journal of Justice Studies and Forensic Science: https://scholarworks.sjsu.edu/themis/vol1/iss1/1 Mayba: In Cold Blood Review 1 Review of Capote’s In Cold Blood Yevgeniy Mayba Masterfully combining fiction and journalism, Truman Capote delivers a riveting account of the senseless mass murder that occurred on November 15, 1959 in the quiet rural town of Holcomb, Kansas. Refusing to accept the inherent lack of suspense in his work, Capote builds the tension with the brilliant use of imagery and detailed exploration of the characters.
    [Show full text]
  • Podcasting As Public Media: the Future of U.S
    International Journal of Communication 14(2020), 1683–1704 1932–8036/20200005 Podcasting as Public Media: The Future of U.S. News, Public Affairs, and Educational Podcasts PATRICIA AUFDERHEIDE American University, USA DAVID LIEBERMAN The New School, USA ATIKA ALKHALLOUF American University, USA JIJI MAJIRI UGBOMA The New School, USA This article identifies a U.S.-based podcasting ecology as public media and then examines the threats to its future. It first identifies characteristics of a set of podcasts in the United States that allow them to be usefully described as public podcasting. Second, it looks at current business trends in podcasting as platformization proceeds. Third, it identifies threats to public podcasting’s current business practices. Finally, it analyzes responses within public podcasting to the potential threats. The article concludes that currently, the public podcast ecology in the United States maintains some immunity from the most immediate threats, but there are also underappreciated threats to it, both internally and externally. Keywords: podcasting, public media, platformization, business trends, public podcasting ecology As U.S. podcasting becomes a commercially viable part of the media landscape, are its public service functions at risk? This article explores that question, in the process postulating that the concept of public podcasting has utility in describing not only a range of podcasting practices, but also an ecology within the larger podcasting ecology—one that permits analysis of both business methods and social practices, and one that deserves attention and even protection. This analysis contributes to the burgeoning literature on Patricia Aufderheide: [email protected] David Lieberman: [email protected] Atika Alkhallouf: [email protected] Jiji Majiri Ugboma: [email protected] Date submitted: 2019‒09‒27 Copyright © 2020 (Patricia Aufderheide, David Lieberman, Atika Alkhallouf, and Jiji Majiri Ugboma).
    [Show full text]
  • Society's View of Mental Illness As a Result of Fictionalized Portrayals of Serial Killer Narratives
    Northeastern Illinois University NEIU Digital Commons University Honors Program Senior Projects Student Theses and Projects 5-2020 Society's View of Mental Illness as a Result of Fictionalized Portrayals of Serial Killer Narratives Cassidy Schmidt Northeastern Illinois University, [email protected] Follow this and additional works at: https://neiudc.neiu.edu/uhp-projects Part of the Film and Media Studies Commons, and the Television Commons Recommended Citation Schmidt, Cassidy, "Society's View of Mental Illness as a Result of Fictionalized Portrayals of Serial Killer Narratives" (2020). University Honors Program Senior Projects. 7. https://neiudc.neiu.edu/uhp-projects/7 This Thesis is brought to you for free and open access by the Student Theses and Projects at NEIU Digital Commons. It has been accepted for inclusion in University Honors Program Senior Projects by an authorized administrator of NEIU Digital Commons. For more information, please contact [email protected],l- [email protected]. SOCIETY’S VIEWS OF MENTAL ILLNESS AS A RESULT OF FICTIONALIZED PORTRAYALS OF SERIAL KILLER NARRATIVES A Thesis Presented to the Faculty of the University Honors Program Northeastern Illinois University In Partial Fulfillment of the Requirements of the NEIU Honors Program for Graduation with Honors Cassidy Schmidt May 2020 ABSTRACT Fictionalized serial killer narratives have been essential to media for decades, beginning with the early noir films, detective novels of the 1940s and 50s (Murley, 2), and western narratives which heavily depicted good versus evil (Hall, 5). As media has evolved, fascination with true crime has continued to grow and in turn, began to increasingly provide inspiration for fictional films and TV shows, especially through streaming service television shows like Conversations with a Killer: The Ted Bundy Tapes (2019), Mindhunter (2017), and Making a Murder (2015).
    [Show full text]
  • The Jinx, the Imposter, and Re-Enacting the Digital Thriller in True Crime Documentaries
    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 3-23-2017 "You want it all to happen now!": The inxJ , The Imposter, and Re-enacting the Digital Thriller in True Crime Documentaries Brett ichM ael Phillips University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Other Film and Media Studies Commons Scholar Commons Citation Phillips, Brett ichM ael, ""You want it all to happen now!": The inxJ , The mposI ter, and Re-enacting the Digital Thriller in True Crime Documentaries" (2017). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6743 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. “You want it all to happen now!”: The Jinx, The Imposter, and Re-enacting the Digital Thriller in True Crime Documentaries by Brett Phillips A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Department of Humanities and Cultural Studies College of Arts and Sciences University of South Florida Major Professor: Amy Rust, Ph.D. Maria Cizmic, Ph.D. Andrew Berish, Ph.D. Date of Approval: March 10, 2017 Keywords: True crime, Documentary, Digital, Thriller, Reenactment, Affect Copyright © 2017, Brett Phillips ACKNOWLEDGEMENTS First and foremost, thank you to Amy, Maria, and Andrew for not only helping me shape this thesis—with both tiny chisel and sledgehammer—but for guiding me through an entire discipline with kindness and understanding.
    [Show full text]
  • New York City, the Podcasting Capital
    NEW YORK CITY, THE PODCASTING CAPITAL TABLE OF CONTENTS 3 EXECUTIVE SUMMARY 7 INTRODUCTION 9 A BRIEF HISTORY OF THE PODCAST 11 NATIONAL LANDSCAPE OF PODCASTING 12 PODCAST GROWTH 14 ADVERTISING 15 THE IMPACT OF PODCAST ADVERTISING 16 ADVERTISING MODELS IN PODCASTING 17 PRICING MODEL 18 ADVERTISING TECHNOLOGY 19 NEW YORK CITY, THE CAPITAL OF PODCASTING 20 NEW YORK CITY’S PODCAST NETWORKS 22 NEW YORK CITY PODCAST INDUSTRY GROWTH 23 THE NEW YORK CITY PODCAST COMMUNITY 24 INCREASING DIVERSITY IN NEW YORK CITY PODCASTING 26 TECHNOLOGY 28 THE FUTURE OF PODCASTING 30 CONCLUSION 31 PODCASTERS’ FAVORITE PODCASTS 32 REFERENCES 33 ACKNOWLEDGEMENTS EXECUTIVE SUMMARY Podcasts are the newest form of the oldest entertainment medium: storytelling. Today’s podcasts are a major forum for the exchange of ideas, and many are calling this time the “renaissance of podcasting.” Born out of the marriage of public radio and the internet, podcasting has adapted to follow modern consumption patterns and the high demand for readily accessible entertainment. Podcasts are making New York City their home. The density of advertising firms, technology companies, major brands, digital media organizations, and talent has established New York City as the epicenter of the burgeoning podcast industry. New York City is home to the fastest growing podcast startups, which have doubled, tripled, and quadrupled their size in the past several years – in employment, office space, and listenership. New York City’s podcast networks are growing rapidly, reflecting the huge national audience of 42 million weekly listeners. Employment at the top New York City podcast networks has increased over the past several years, from about 450 people in 2015 to about 600 people in early 2017.
    [Show full text]
  • Robert Durst: an Id Murder Mystery”
    HOW THE MIGHTY HAVE FALLEN: ID EXPLORES THE BIZARRE LIFE OF INFAMOUS REAL ESTATE TYCOON IN LIMITED SERIES “ROBERT DURST: AN ID MURDER MYSTERY” - Two-Part Special Event Premieres Monday, January 21 at 9/8c, Exclusively on Investigation Discovery- (Silver Spring, MD) – Money, privilege and power – millionaire Robert Durst had it all. But behind closed doors, Durst was more than a mogul… he was wanted for murder. The latest installment in the top- rated ID Murder Mystery franchise from America’s leading true crime network, Investigation Discovery (ID), ROBERT DURST: AN ID MURDER MYSTERY, delves into the twisted truth behind one of New York’s most infamous real estate heirs. From the suspicious disappearance of Durst’s wife, Kathleen, to the execution-style murder of his confidant, Susan Berman, and finally the brutal killing of his neighbor, Morris Black, this two-part special event pulls the curtain back on this 40-year saga. ROBERT DURST: AN ID MURDER MYSTERY premieres Monday, January 21 at 9/8c and Tuesday, January 22 at 9/8c, only on Investigation Discovery. “Truth is stranger than fiction, and there are few stories as bizarre – and, frankly, disturbing – as the one currently unraveling, today, around Robert Durst,” said Henry Schleiff, Group President of Investigation Discovery, Travel Channel, American Heroes Channel and Destination America. “The adage that money can’t buy happiness rings especially true in the epic tale of Robert Durst – and, perhaps, in this case, we’ll learn that it also can’t buy freedom.” ROBERT DURST: AN ID MURDER MYSTERY is an unabridged look into the investigation of Robert Durst for the murder of Susan Berman, Durst’s close friend, who was found shot execution-style nearly two decades ago.
    [Show full text]
  • Guilty Pleasure: a Case Study of True Crime's Resurgence in a Binge
    A Case Study of True Crime’s Resurgence in a Binge Consumption Era by Rachel Tinker — 95 Guilty Pleasure: A Case Study of True Crime’s Resurgence in a Binge Consumption Era Rachel Tinker Strategic Communications Elon University Submitted in partial fulfillment of the requirements in an undergraduate senior capstone course in communications Abstract While the fascination of the true crime genre can be traced to the 16th century, it has grown in widespread popularity in the last three years. This study explored potential causes for why the genre has become popular through a narrative rhetorical analysis of three popular pieces of true crime media – season one of the podcast Serial, The Jinx: The Life and Deaths of Robert Durst, and Making a Murderer. The study found that the true crime genre has grown due to a variety of circumstances, largely because of the resurgence of the binge-consumption era, which allows the audience to get more instant gratification for the program’s cliffhangers. It can also be deduced that true crime shows with certain rhetorical consistencies are more likely to take off in today’s media landscape. I. Introduction Humans’ bloody fascination with crime and murder has been linked to primitive needs for safety and security, in addition to the desire for certainty and justice.1 Within the last three years, the “true crime” genre has experienced a cultural revolution of sorts, and can be found across a variety of media platforms, from Netflix and HBO to podcasts and magazines. True crime, as it is referred to throughout the remainder of this paper, is broadly defined by Oxford Dictionary as “a genre of writing, film, etc., in which real crimes are examined or portrayed.”2 What used to be relegated to a specific corner of media is now stretching into the likes of CBS and NBC; as cable channels like the Oxygen Network focus solely on true crime, it gains additional coverage.
    [Show full text]
  • When Podcast Met True Crime: a Genre-Medium Coevolutionary Love Story
    Article When Podcast Met True Crime: A Genre-Medium Coevolutionary Love Story Line Seistrup Clausen Stine Ausum Sikjær 1. Introduction “I hear voices talking about murder... Relax, it’s just a podcast” — Killer Instinct Press 2019 Critics have been predicting the death of radio for decades, so when the new podcasting medium was launched in 2005, nobody believed it would succeed. Podcasting initially presented itself as a rival to radio, and it was unclear to people what precisely this new medium would bring to the table. As it turns out, radio and podcasting would never become rivals, as podcasting took over the role of audio storytelling medium – a role that radio had abandoned prior due to the competition from TV. During its beginning, technological limitations hindered easy access to podcasts, as they had to be downloaded from the Internet onto a computer and transferred to an MP3 player or an iPod. Meanwhile, it was still unclear how this new medium would come to satisfy an audience need that other types of storytelling media could not already fulfill. Podcasting lurked just below the mainstream for some time, yet it remained a niche medium for many years until something happened in 2014. In 2014, the true crime podcast Serial was released, and it became the fastest podcast ever to reach over 5 million downloads (Roberts 2014). After its release, podcasting entered the “post-Serial boom” (Nelson 2018; Van Schilt 2019), and the true crime genre spread like wildfire on the platform. Statistics show that the podcasting medium experienced a rise in popularity after 2014, with nearly a third of all podcasts listed on iTunes U.S.
    [Show full text]