Moving Fader Automation Add Years to Your Console's Life Surround

Total Page:16

File Type:pdf, Size:1020Kb

Moving Fader Automation Add Years to Your Console's Life Surround AUDIO–HORIZONS 0 New Ideas In Professional Audio From Martinsound Fall 2000 0 - 9 Add Years To Your Console’s Life HELPING YOU STAND OUT by offering products that can significantly extend by enhancing the console you already have. Here is We support those of you the life of your familiar and reliable systems. You an overview of Martinsound products you can add who are keeping classic need to stay on the cutting edge to be profitable, to your existing console. Each one is a proven way but the bleeding edge of large digital consoles is full to attract more business without taking enormous analog consoles in service of pitfalls. Our products allow you to stay current financial risks that could put you out of business. 0 Surround Moving Fader Natural Sound Monitoring Automation Mic Preamps MultiMAX Flying Faders Martech MSS-10 Page 4 Page 6 Page 3 Much more that just a level control. It’s the surround Only Flying Faders added to your favorite console has You have to hear an MSS-⁄O in a familiar listening monitoring controller that replaces the stereo monitor a proven track record of bringing in business. And it environment to know why natural sound takes you section of your existing console. Read why Emmy is now available only from Martinsound, its original into a whole new category - beyond the best tube winner Ed Greene chose MultiMAX and request a developer. See why Sound Kitchen isn’t satisfied with and discrete preamps. If you’re still holding out for a free Report. having only four rooms of flying faders. demo, you can read why Grammy winner Al Schmitt wants a ton of them. Audio Magic From New! 2 Natural Sound Lab PanMAX ACX Natural Sound Report Page 5 Page 7 Page 3 Our new automated surround panner lets you do Need more Flying Fader inputs? Add a Flying Faders The benefits of natural sound go beyond dynamic sound motion and parameter changes. ACX sidecar to your console. If you have more than one pleasureable listening experiences. Hours of PanMAX supports all popular formats, locks to Flying Faders system the benefits are multiplied. Read expensive studio time can be saved, during both SMPTE, and much, much more! how Cherokee uses ACX to book bigger sessions. tracking and mixing, by not having to “fix” the sound of acoustic tracks. Find out How The MSS-⁄O ForMAX and VuMAX Takes Hassles Out Of Tracking And Mixing. As your surround business grows, adding ForMAX and VuMAX will give you the powerful formatting controls and precision VU metering of a full featured surround production suite. ©Martinsound Inc. 2000 All Rights Reserved. Please see trademark notice for terms of use. Audio Horizons | Fall 2000 1 Mail the Reader Response Is Analog Dead? Phone (800) 582-3555 www.martinsound.com by Joe Martinson - President of Martinsound Article summary: Continuing with my Question authority. Adding to your classic analog Joe is also Martinsound’s Chief Audio Pathologist. console instead of replacing it with a digital desk is the morbid review of decay best choice for now. in certain sections of the [email protected] Pro Audio industry such as audio quality, productivity and service, it’s time to do a triage on analog. The question is, has digital finally killed off analog once fortune making consoles? Start with a large fortune. that analog lives! All of our products are designed and for all, or is there lots of life left in natural For digital console makers it seems like they know to help you get the most out of your existing analog signals? they will lose their shirts and pants, but maybe they and digital equipment. Adding Flying Faders to your Back in the mid 1980’s we were working on a are good enough to keep their underwear. favorite console has a proven track record of bringing digitally controlled analog console. We were worried Here is another area where FOTAP is at work. in more business. Our Flying Faders ACX console that in just a few years everyone would be mixing Digital consoles seem to be designed with the expander lets you book larger sessions by adding only on digital consoles and our efforts would be following assumptions: Smaller is better. 48K sample automated channels to your console rather than wasted. Our paranoia was strengthened by rumors rate is all you need. Time delays of up to 100mSec are replacing it with a bigger one. that Ampex had commissioned a study of the future OK in the headphone mix when doing live recording Our Martech MSS-⁄O Natural Sound mic preamp of audio tape recorders. The word was that Ampex or overdubbing. All the features don’t need to work lets you bypass the console and go straight to a was trying to decide whether to continue making now since they can easily be added later with ‘merely’ recorder, preserving the impact and details of the audio recorders and if so should they be analog or a software change. Customers can live with consoles original acoustic performance that are significantly digital. The conclusion was that everyone would stop that crash like personal computers. Fewer controls degraded by even your favorite tube or discrete buying analog multi-tracks and switch to digital since make a console easier to use. The console with the preamp. It’s amazing how much easier it is to record digital audio is perfect. And since digital is perfect, most features wins, regardless of how well it works, and mix great projects if the sound isn’t wrecked no one would upgrade their machines. They assumed how good it sounds or even if anyone wants it! before you even hear it. that around 50 multi-track digital recorders would I’ve heard about the future of audio. It’s assumed With music being given away on the Net, record satisfy the entire world market, forever. that someday everyone will be working over the web. companies are looking for ways to protect their Based on this, Ampex stopped making the popular Artists will phone in their performance and mixers product and offer something new. They are searching ATR-100 and ATR-124 analog audio recorders and will wear virtual reality helmets with built-in sound for profits by re-purposing back catalog material for never built a digital machine. After all, who wants and 3D displays showing the console. What fun. And surround-encoded CDs, DVDs and, soon, DVD-As. to make buggy whips when cars are just around the we can fly virtual jet fighters between takes. Instead of buying a new surround sound console corner. Well, since that time Sony, MCI, Tascam and Hey, I like high tech as much as the next guy to get your share of these projects, add our surround Otari have sold hundreds of analog and digital multi- (OK, maybe a little more), but the idea of having sound solutions to your existing console. MultiMAX tracks. And think of the market for ADATS. So much Wayne using his shrink gun on a console and mixing brings surround monitoring to stereo consoles, for market studies. It seems that the future is much projects using a magnifying glass causes concern. ForMAX gives you resettable formatting, VuMAX adds easier to predict after it happens. What? Aren’t all great records mixed by guys with precision VU metering and our new PanMAX lets you I’m not going to try and predict the future of pocket protectors? do automated surround panning. These integrated analog, but I do want to talk about some commonly What are your assumed premises? How do they components can be added in any combination, held “facts”. It all gets down to a phrase used during affect your business? How can you pick the right allowing you to smoothly grow into a full-featured the OJ Simpson trial, the “Fallacy of the Assumed equipment in a fast changing world? We believe that surround facility. Premise” or FOTAP for short. No matter how good the best choice is to explore all technologies and pick So before sending your tried and true analog logic is, if you start with the wrong presupposition, the one which is right for your application. console to the dumpster, think about the “Fallacy of you will get the wrong answer. The people who did the There is no question that digital recorders are the Assumed Premise”. Do you want to be like every- study made several errors. They assumed that analog getting better as the number of bits and sample rates one else, or do you want to make some money along was dead. They assumed that digital was perfect. They increase and prices drop. And some digital consoles are the way? If you want to make money and have fun assumed that the market was not going to expand. assumed to be amazing bargains. But what happens doing it, we would like to help. By the way, if you have And they assumed that equipment lasts for ever and when you mix on a 48kHz sample rate console and a different view or also question some widely held that people wanted to keep it that long. send it to a 96kHz recorder. Do you wait to get that assumptions, I’m dying to hear from you. My e-mail Honey, I Shrunk the Console. Wayne Szalinski console until it catches up to the recorder? By then is [email protected]. Let me know if may have shrunk the kids in the Disney film, but for recorders may be at 192kHz or based on another you think analog is dead.
Recommended publications
  • CBS Cuts $ on CD Front -Lines
    iUI 908 (t,14 **,;t*A,<*fi,? *3- DIGIT 4401 8812 MAR90UHZ 000117973 MONTY GREENLY APT A TOP 3740 ELM 90P07 LONG BEACH CA CONCERTS & VENUES Follows page 56 VOLUME 100 NO. 13 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT March 26, 1988/$3.95 (U.S.), $5 (CAN.) 3-Inch CD Gets Big Play Dealers Get A Big Spring Break As Majors Start Ball Rolling CD Front This story was prepared by Dave said Lew Garrett, vice president of CBS Cuts $ On -lines DiMartino and Geoff Mayfield. purchasing for North Canton, Ohio- will cut prices on selected black, front -line level and will translate based Camelot Music, speaking at a BY KEN TERRY country, and new artist releases and roughly to a $1 drop in wholesale LOS ANGELES The 3 -inch compact seminar. "Now, we're more excited LOS ANGELES In a surprise MCA plans to reduce the cost of its cost. At the same time, CBS will disk got major play at the National about it." move that may have a profound ef- country CD releases (see story, start offering new and developing Assn. of Record- Discussion among many label exec- fect on industry page 71), the CBS package repre- artist product at the $12.98 list ing Merchandis- utives shifted from general concerns pricing of com- sents the most comprehensive as- equivalent, which represents a ers convention with product viability to more specific pact disks, CBS wholesale cut of about $2. NAHM here March 11 -14. matters of packaging. One executive HARM Records plans to Teller keynote, p.
    [Show full text]
  • AL SCHMITT Al Schmitt Is a Renowned Recording and Mix Engineer Whose
    AL SCHMITT Al Schmitt is a renowned recording and mix engineer whose acclaimed music career has spanned more than half a century. During that time Al has been awarded more accolades than any of his contemporaries including holding the record for most Grammy awards for a recording or mix engineer. To date, Al is the recipient of 23 Grammy Awards, including the Grammy Trustees Lifetime Achievement Award in 2006. In 2014, Al received the Honorary Doctorate from Berklee School of Music. Al is a New York native, of whom Barbra Streisand states, "as a fellow Brooklyn-ite, we speak the same language." He has worked on more than 150 gold and platinum albums, and was inducted into the TEC Awards Hall of Fame in 1997 to honor his technical and creative excellence in recording and sound. In the early days of his career, working at RCA, Al engineered albums for such legendary artists as Sam Cooke, Rosemary Clooney and Henry Mancini, featuring the Grammy Award winning title, "Moon River", which also won an Academy Award for Best Song, and for "Breakfast at Tiffany's." During this time he also worked on scoring for multiple motion pictures as well. In the mid 60's, while demand for his engineering services grew, Al also aspired to become an independent producer. In addition to recording all the last records of the legendary Sam Cooke, during this same period, Al also worked with Ann Margaret, Bobby Darin and Eddie Fisher. He also worked with newer, up and coming artists of the time including Jefferson Airplane, Jackson Browne and Neil Young.
    [Show full text]
  • Un Océano De Diversión Santiago Negro MOANA Otros Títulos: Vaiana
    Un océano de diversión Santiago Negro MOANA Otros títulos: Vaiana. John Musker, Ron Clements, Don Hall, Chris Williams . Estados Unidos, 2016. Disney vuelve a las carteleras, con el toque de magia que caracteriza sus producciones. En la ya legendaria tradición de la productora, nos invita a explorar el Pacífico Sur, el exótico paraje donde tiene lugar esta aventura. Moana contiene todos los ingredientes inconfundibles de Disney y, al mismo tiempo, continúa el camino de modernización de sus propios clichés, adaptados a las sensibilidades del público del siglo veintiuno. Quedan muy atrás las princesas cursis, meros objetos de fantasías románticas para el príncipe azul de turno. Las protagonistas de las últimas producciones de Disney son independientes, luchadoras y, desde luego, no necesitan que las salve el enésimo hortera de brillante armadura. John Musker, Ron Clements, Don Hall y Chris Williams se reparten la responsabilidad de llevar a Moana a buen puerto como directores de una película que sigue el pulso de esa nueva Disney, como decía, pero que, en el fondo, a pesar de los interesantes cambios y las buenas intenciones, tira de fórmula. La compañía vive en el continuado enfrentamiento interno, a la búsqueda de esa nueva identidad, pero aferrados a una forma muy determinada de trabajo. El éxito de la productora se mantiene gracias a que las piezas básicas de sus narraciones son reconocibles por un público que aglutina ya a varias generaciones. El secreto para que Moana funcione es el camuflaje de esos lugares comunes, a base de un apartado técnico de enorme belleza y las transformaciones obligadas por el paso del tiempo.
    [Show full text]
  • People & Places NEWS/FEATURES Grammy Winning Engineer Schmitt
    ARAB TIMES, FRIDAY-SATURDAY, APRIL 30-MAY 1, 2021 NEWS/FEATURES 13 People & Places This image released by the Lyric Opera of Chicago shows 2,880 battery-powered candles arrayed in an underground parking garage in this scene from Lyric Opera’s ‘Twilight: Gods,’ an adaptation of Wagner’s ‘Göttertdäm- merung’ in Chicago. (AP) Stage Obituary Drive-thru opera ‘A respected extraordinary individual’ Chicago stages Wagner Grammy winning engineer Schmitt dead in underground garage NEW YORK, April 29, (AP): Twen- Sinatra’s fi nal studio recordings, ists and musicians were doing. He has CHICAGO, April 29, (AP): Amid signs pointing “To ty-time Grammy winner Al Schmitt, “Duets” and “Duets II,” and Charles’ an unlimited horizon.” Elevator” and advising drivers to “Take Parking Ticket whose extraordinary career as a re- fi nal album, “Genius Loves Com- He moved to Los Angeles in the late With You,” the Rhinemaidens lament the theft of their cording engineer and producer includ- pany,” which won Grammys in 2003 1950s and became a staff engineer for gold, Siegfried is murdered, and Brünnhilde drives off in ed albums by Bob Dylan, Ray Charles, for best album and for best record, RCA Records. Schmitt received his a red Mustang convertible to redeem the world. Frank Sinatra and many other of the the Charles-Norah Jones duet “Here fi rst Grammy for engineering Man- Welcome to opera in an underground parking ga- top performers of the past 60 years, has We Go Again.” Years earlier, he en- cini’s “Hatari” and was still winning rage. died at age 91.
    [Show full text]
  • In the Mix Track List and Recording Notes ROYERS IN
    Royer - In The Mix Track List and Recording Notes ROYERS IN THE MIX 1) Introduction 2) Stephen Bruton “Bigger Wheel” (Anderson, Bruton) Recorded & mixed by Ross Hogarth. Produced by Ross Hogarth and Stephen Bruton. Drums, Resonator Guitar, Harmonica. a) Mix b) Mono Drum room: R-121 five ft in front of kit, 3 1/2 ft high, compressed with Chandler EMI. c) Resonator guitar: R-122 in front, with a U-67 over the shoulder. d) Harmonica: Shure Green Bullet mic on harmonica to tweed Vibrolux. R-121 on Vibrolux amp. All mics through Neve 8088 board preamps. Recorded to Pro Tools HD. Recorded at Mad Dog Studios, Burbank, CA, in 2005 3) Brian Setzer “Honey Man” (Adaptation of Nikolai Rimsky-Korsakov) Producer, Dave Darling. Engineer, John Holbrook. Electric Guitars, Drums. a) Mix b) Guitar solo: Gretch 6120, Supro amp. R-121 8 inches back and centered on the speaker, and SM57 off axis, on the grill, 2 inches from cone center. Mic preamps: Neve 1066ís (SM57 fed into an 1176 limiter after the pre). c) Rhythm “thump” guitar: Gretch 6120, 59 Bassman amp. One R-121, 2 1/2 ft in front of the amp. Mic preamp: Neve 1066 Drum Overheads are two R-122’s into Martech preamps. Recorded to Pro Tools EXL. Band recorded at Capitol Studios, Los Angeles CA. Guitars and vocals recorded at Flowers Studio, Minneapolis MN. 4) Jim Lauderdale “This Is the Last Time” (I’m Ever Going to Hurt) (Blackmon, Lauderdale) Produced, recorded and mixed by Randy Kohrs Dobro a) Mix b) Dobro miked with backward R-121 left position and Mojave Audio MA-200 right position, 8 inches from the guitar for depth.
    [Show full text]
  • Tri-C Times Spring 2017 Tri-C Times Spring 2017 27
    Tommy LiPuma: A Lasting Legacy Celebrated music producer nurtured artists, students hroughout his life, producer Tommy LiPuma nurtured the the singers — Ella Fitzgerald, careers of artists like Miles Sarah Vaughan, Diana Krall — and Davis, Diana Krall, Leon appreciating the rich history of jazz." Russell, George Benson, Tri-C JazzFest Cleveland honored TBarbara Streisand … the list goes on and LiPuma in 2016 with a Big Birthday on. During more than 40 years in the Bash celebrating his 80th birthday. industry, he earned the title of “legend.” The star-studded concert featured But LiPuma also nurtured learning. performances by Krall, Russell, Al Following his $3 million legacy gift to Jarreau, Dr. John and the Clayton- Cuyahoga Community College, Tri-C Hamilton Jazz Orchestra. LiPuma had in 2012 christened its cutting-edge arts to stretch to cut the 5-foot-tall birthday center the Tommy LiPuma Center for cake, perched on a pedestal and Creative Arts. prepared by the College’s Hospitality “I’m quite excited to be involved Management Center. with Cuyahoga Community College In 2015, LiPuma managed the and to leave a legacy here for the Tommy LiPuma with Dominick Farinacci at a recording session in boards in his namesake arts center future,” LiPuma said at the ribbon 2015 at the Tommy LiPuma Center for Creative Arts at Tri-C. when trumpeter and former Tri-C Jazz Tommy LiPuma meeting with cutting. “I feel like I’m giving All-Star Dominick Farinacci recorded Tri-C students in 2012 something back to the community his album Short Stories, released in and the town I got my break in, that I The center that bears LiPuma’s LiPuma, winner of five Grammy 2016 by Mack Avenue Records.
    [Show full text]
  • AFM Local 47 Blasts NES and New Guild
    FILM MUSIC weekly ISSUE 15 • MAY 15, 2007 • Published weekly by Global Media Development Group, Inc. • Publisher: Mark Northam • Editor: Mikael Carlsson • www.filmmusicmag.com AFM Local 47 blasts IMG Artists to NES and new guild represent ‘Video n Local 47 of the American Federation of Musi- ments, weakening our union and eventually Games Live’ cians has warned its members about New Era eliminating the possibility of new-use and n One of the world’s leading artist management Scoring (NES) and the newly-formed Profession- special payments.” NES is currently creating agencies, IMG Artists, has acquired the Euro- al Musicians Guild, saying the groups “threaten a buyout orchestra of LA musicians to com- pean, Asian and Australian representation of to undercut current AFM scales and contracts.” pete for the increasing amount of buyout re- “Video Games Live.” In a front-page story in the current edition cording sessions that are now being recorded Composers Tommy Tallarico and Jack Wall, both of the Local 47 newspaper “The Overture,” in Seattle and Europe as the AFM does not game music veterans with a plethora of popular Local 47 says New Era Scoring (NES) “will currently offer buyout recording rates for film games on their resumes, are the producers behind undercut any and all AFM recording agree- and television recording in the USA. p:4 “Video Games Live,” which was created in 2002. p:3 Martinez creates musical paranoia in ‘First Snow’ SCORE OF THE WEEK FIRST SNOW Cliff Martinez n Cliff Martinez has BOB YARI FILM GROUP FILM YARI BOB scored a lot of psycho- logical thrillers and dramas, and is perhaps best known for his music for the films of Steven Soderbergh (Traffic, Solaris and Sex, Lies and Videotape).
    [Show full text]
  • Hrvatski Filmski Savez
    hfl_42k:hfl_42k.qxd 2010-12-06 11:55 Page 1 Hrvatski filmski 50 kn, 12 € u ovom broju: Hrvatski filmski kragi} o filmskim zvijezdama festivali: krelja o zagrebdoxu — kova~ o danima hrvatskog filma — heidl o danima iranskog filma Zagreb 42/2005 tuma~enja: riesinger i petri} o semiotici filma — brlek o techinéu — markovi} o antiratnom filmu LJETOPIS 42/2005 iz rane povijesti hrvatskog filma: kosanovi} o stranim produkcijama u hrvatskoj — rafaeli} o mileti}u studije i istra`ivanja: ze~evi} o pretapanju — grønstad o rosselliniju povodom knjiga: {krabalo o von~ini — kosanovi} o kukuljici u slijede}im brojevima: tadi} — antonioni i visconti — pula — motovun CODEN.HFLJFV UDK 761.43/45 Hrvat.film.ljeto. god. 11. (2005.) br. 42 str.1-216 ISSN 1330-7665 42/2005. CODEN HFLJFV Sadr`aj / Contents FILMSKE ZVIJEZDE FILM STARS Bruno Kragi}: TIPOLOGIJA @ENSKIH ZVIJEZDA AMERI^KOG Bruno Kragi}: THE TYPOLOGY OF FEMALE STARS IN AMERICAN FILMA 3 CINEMA 3 BIOFILMOGRAFIJE ZVIJEZDA 22 BIOFILMOGRAPHIES OF THE STARS 22 FESTIVALI FESTIVALS Petar Krelja: NA MARGINAMA ZAGREBDOXA (1. Me|unarodni festival Petar Krelja: ON THE MARGINS OF ZAGREBDOX (1st International dokumentarnog filma) 25 Festival of Documentary Film) 25 Goran Kova~: MU[KA POSLA (14. Dani hrvatskog filma) 33 Goran Kova~: MENS STUFF (14th Days of Croatian Film) 33 Janko Heidl: DANI IRANSKOG FILMA 41 Janko Heidl: DAYS OF IRANIAN FILM 41 REPERTOAR REPERTOIRE KINOREPERTOAR 45 MOVIE THEATERS 45 VIDEOIZBOR 85 VIDEO AND DVD 85 TUMA^ENJA INTERPRETATIONS Robert Riesinger: FILMSKI ZNAK FILMSKA SEMIOTIKA CHRISTIA-
    [Show full text]
  • Convention Report
    CONVENTION REPORT Convention chair: Jim Anderson 968 J. Audio Eng. Soc., Vol. 59, No. 12, 2011 December CONVENTION REPORT ood weather, an enthusiastic audio industry and a not-to-be-missed program of events brought nearly 16,000 attendees to the 131st Convention at the Javits GCenter in New York. Thanks to the outstanding efforts of Convention Chair Jim Anderson and his committee, four days of technical program and three days of exhibition were packed with things to do. The chance was taken to meet up with old friends, network with new ones, update knowledge, and discover the latest in audio technology on the exhibits floor. “Soon after the curtains fell on last year’s event, our 2011 committee began the first of over a dozen intensive planning meetings,” reported Anderson. Each chair brought an extraordinary degree of commitment, enthusiasm, and professionalism to the table. The results of their labors registered rave reviews and high praise from attendees and exhibitors alike.” J. Audio Eng. Soc., Vol. 59, No. 12, 2011 December 969 CONVENTION REPORT OPENING AND AWARDS CEREMONY The Silver Medal Award, given to AES Fellows who have made Welcoming delegates to the convention outstanding developments or achievements in audio engineering, was at the opening and awards ceremony on set up in honor of Alexander Graham Bell, Emile Berliner, and the first morning, Executive Director Thomas Edison. Saul Walker received this medal in recognition of Roger Furness hailed the wonderful decades of innovative analog designs that have raised the bar on turnout with no empty seats in the hall. audio quality while offering solutions that empower the creative side A tremendous choice of activities was of all audio engineers.
    [Show full text]
  • To Read the Manual
    Al Schmitt Manual Manual 1 Al Schmitt Manual Welcome to Leapwing Al Schmitt • All algorithms are meticulously tuned with the highest quality achievable and a pristine sound Thank you for choosing Leapwing. We are a small team of highly passionate • Beautiful re-sizable Retina interface with a unique design focused on the people, devoted to developing easy to use digital audio tools that achieve rapid optimal workflow results with the highest possible quality. We’ve built an active community of • Sample rates supported up to 384kHz (DXD). loyal and engaging users and appreciate all the feedback we receive from our • Available as 64-bit plugins in VST, VST3, AAX, and AU formats for macOS customers. We encourage every user to stay in touch, so please don’t hesitate to (10.10 and higher) and Windows 8 and 10. contact us if you need any further assistance or want to show your support. To get the most out of your Leapwing Al Schmitt plugin, we highly recommend you to Authentication read this manual. When opening the plugin for the first time, you will be asked to enter your email address and serial number to authenticate the plugin. The email address should Product Overview be the same one as you used to create your online Leapwing user account. The Leapwing Al Schmitt is an innovative audio processor for mixing and mastering serial number has been sent to you via email after your purchase, and can also be that incorporates the unique techniques and equipment used by multi-award found on your Leapwing account page.
    [Show full text]
  • Movies Made for Television, 2005-2009
    Movies Made for Television 2005–2009 Alvin H. Marill The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2010 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2010 by Alvin H. Marill All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Marill, Alvin H. Movies made for television, 2005–2009 / Alvin H. Marill. p. cm. Includes indexes. ISBN 978-0-8108-7658-3 (hardback : alk. paper) — ISBN 978-0-8108-7659-0 (ebook) 1. Television mini-series—Catalogs. 2. Made-for-TV movies—Catalogs. I. Title. PN1992.8.F5M337 2010 791.45’7509051—dc22 2010022545 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America Contents Foreword by Ron Simon v Acknowledgments vii Introduction ix Movies Made for Television, 2005–2009 1 Chronological List of Titles, 2005–2009 111 Television Movies Adapted from Other Sources 117 Actor Index 125 Director Index 177 About the Author 181 iii Foreword Alvin Marill has had one of the longest relationships in media history.
    [Show full text]
  • THE SAXOPHONE SINGS with MOJAVE AUDIO | Briefingroom on Electronic Musician 9/27/10 10:12 AM
    THE SAXOPHONE SINGS WITH MOJAVE AUDIO | BriefingRoom on Electronic Musician 9/27/10 10:12 AM About Us Contact Us For Advertisers Subscriptions JobZone Search REVIEWS TUTORIALS INTERVIEWS ONSTAGE EDUCATION BONUS MATERIAL You are here: Electronic Musician » The Briefingroom Login or Register THE SAXOPHONE SINGS WITH MOJAVE AUDIO rmaycock July 6th, 2010 Hollywood, CA … When it comes to microphones, guys like multiple Grammy® Award winning producer/engineer Al Schmitt can get their hands on whatever type make and model microphone they want. So if Schmitt says he really likes using a particular microphone for a specific application, you can rest assured there’s solid reasoning behind his decision—and when it comes to recording saxophones, his microphone of choice is the MA-200 Vacuum Tube Condenser Microphone from Mojave Audio. With an unparalleled seventeen Grammy Awards for engineering to his credit, along with two Latin Grammys, Schmitt’s list of hit recordings includes several of the best-known albums of our time, including Henry Mancini’s Hatari, George Benson’s Breezin’, Steely Dan’s Aja, and Natalie Cole’s Unforgettable, to name but a few. With Barbara Streisand’s Love is the Answer and Diana Krall’s Quiet Nights being among his more recent accomplishments, Schmitt’s discography is impressive. Schmitt recently recorded new tracks for the forthcoming album projects of Japanese vocalist Hiromi Kanda as well as Russian vocalist Oleg Frish. Both projects are English language, worldwide releases recorded and engineered at Schmitt’s long-standing studio of choice—Capitol Studios. For the Hiromi Kanda sessions, which Schmitt just finished recording and mixing in Capitol Studios’ A, B, and C suites, he deployed four Mojave Audio MA-200 microphones on four saxophones.
    [Show full text]