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34 Rome, Pantheon, c. 120 A.D. Contents 34 Rome, Temple of Minerva Medica, c. 300 A.D. 35 Rome, Calidarium, Thermae of Caracalla, 211-217 A.D. Inhalt 35 Trier (Germany), Porta Nigra, c. 300 A.D. 36 NTmes (France), Pont du Gard, c. 15 B.C. 37 Rome, Arch of Constantine, 315 A.D. (Plan and elevation 1:800, Elevation 1:200) 38-47 Early Christian Basilicas and Baptisteries Frühchristliche Basiliken und Baptisterien 8- 9 Introduction by Ogden Hannaford 40 Rome, Basilica of Constantine, 310-13 41 Rome, San Pietro (Old Cathedral), 324 42 Ravenna, Sant' Apollinare Nuovo, c. 430-526 10-19 Great Buildings of Egypt, Mesopotamia and Persia 42 Ravenna, Sant'Apollinare in Classe, 534-549 Grosse Bauten Ägyptens, Mesopotamiens und Persiens 43 Rome, Sant' Agnese Fuori Le Mura, 7th cent. 43 Rome, San Clemente, 1084-1108 12 Giza (Egypt), Site Plan (Scale 1:5000) 44 Rome, Santa Costanza, c. 350 13 Giza, Pyramid of Cheops, c. 2550 B.C. (1:800) 44 Rome, Baptistery of Constantine (Lateran), 430-440 14 Karnak (Egypt), Site Plan, 1550-942 B.C. (1:5000) 44 Nocera (Italy), Baptistery, 450 15 Abu-Simbel (Egypt), Great Temple of Ramesses II, c. 1250 B.C. 45 Ravenna, Orthodox Baptistery, c. 450 (1:800, 1:200) 15 Mycenae (Greece), Treasury of Atreus, c. 1350 B.C. 16 Medinet Habu (Egypt), Funerary Temple of Ramesses II, c. 1175 B.C. 17 Edfu (Egypt), Great Temple of Horus, 237-57 B.C. 46-53 Byzantine Central and Cross-domed Churches 18 Khorsabad (Iraq), Palace of Sargon, 721 B.C. -
Walking Where Luther Walked: an In-Depth Study-Tour of Reformation Germany 29 April – 8 May, 2019
Walking Where Luther Walked: An In-Depth Study-Tour of Reformation Germany 29 April – 8 May, 2019 With Dr. Iain Provan Marshall Sheppard Professor of Biblical Studies, Regent College, Vancouver, Canada Worms Cathedral Wartburg Castle Erfurt Cathedral Martin Luther Statue at Wittenberg Acquire a comprehensive understanding of the Once we arrive at Eisenach (home for the next two nights), we factors that led to (and sustained) the Reformation. will hear Iain deliver his third lecture concerning Luther’s “kidnapping” (1521) near this city and his time of seclusion in the Wartburg Castle. This impressive castle dominates the xperience the origin of our Protestant Christian faith. E landscape and overlooks the City of Eisenach. Dinner is at our hotel, the Hotel Kaiserhof. ( B, L, D ) DAY 1: Mon. 29 April: Depart for Germany DAY 4: Today, we depart from Vancouver on overnight flight to Thu. 02 May: Eisenach Frankfurt. Group seating will be pre-assigned by the airline for Today’s itinerary is focused in and around Eisenach. We begin our flight. Dinner and complimentary in-flight service will be with a guided tour of the Wartburg Castle where we shall see the provided this evening. ( D) Great Hall, the Elisabeth Gallery and Luther’s place of ‘imprisonment.’ DAY 2: After some free time to enjoy lunch, we shall visit the house Tue. 30 April: Arrive Germany, Worms where Luther lived for a while when he was a schoolboy. Upon arrival at Frankfurt Airport, we are met by our Tour Another highlight for today is a visit to the Bach House, which Manager, Patricia, who will assist us throughout the journey. -
Local Romanesque Architecture in Germany and Its Fifteenth-Century Reinterpretation
Originalveröffentlichung in: Enenkel, Karl A. E. ; Ottenheym, Konrad A. (Hrsgg.): The quest for an appropriate past in literature, art and architecture, Leiden 2019, S. 511-585 (Intersections ; 60) chapter 19 Translating the Past: Local Romanesque Architecture in Germany and Its Fifteenth-Century Reinterpretation Stephan Hoppe The early history of northern Renaissance architecture has long been pre- sented as being the inexorable occurrence of an almost viral dissemination of Italian Renaissance forms and motifs.1 For the last two decades, however, the interconnected and parallel histories of enfolding Renaissance humanism have produced new analytical models of reciprocal exchange and of an ac- tively creative reception of knowledge, ideas, and texts yet to be adopted more widely by art historical research.2 In what follows, the focus will be on a particular part of the history of early German Renaissance architecture, i.e. on the new engagement with the historical – and by then long out-of-date – world of Romanesque architectural style and its possible connections to emerging Renaissance historiography 1 Cf. Hitchcock H.-R., German Renaissance Architecture (Princeton, NJ: 1981). 2 Burke P., The Renaissance (Atlantic Highlands, NJ: 1987); Black R., “Humanism”, in Allmand C. (ed.), The New Cambridge Medieval History, c. 1415–c. 1500, vol. 7 (Cambridge: 1998) 243–277; Helmrath J., “Diffusion des Humanismus. Zur Einführung”, in Helmrath J. – Muhlack U. – Walther G. (eds.), Diffusion des Humanismus. Studien zur nationalen Geschichtsschreibung europäischer Humanisten (Göttingen: 2002) 9–34; Muhlack U., Renaissance und Humanismus (Berlin – Boston: 2017); Roeck B., Der Morgen der Welt. Die Geschichte der Renaissance (Munich: 2017). For more on the field of modern research in early German humanism, see note 98 below. -
Germany (1914)
THE MAKING OF THE NATIONS GERMANY VOLUMES ALREADY PUBLISHED IN THIS SERIES FRANCE By Cecil Headlam, m.a. COXTAIXING 32 FULL-PAGE ILLUSTRATIONS AND 16 MAPS AND SMALLER FIGURES IN THE TEXT " It is a sound and readable sketch, which has the signal merit of keeping^ what is salient to the front." British Weekly. SCOTLAND By Prof. Robert S. Rait CONTAINING 32 FULL-PAGE ILLUSTRATIONS AND 11 MAPS AND SMALLER FIGURES IN THE TEXT of "His 'Scotland' is an equally careful piece work, sound in historical fact, critical and dispassionate, and dealing, for the most part, with just those periods in which it is possible to trace a real advance in the national develop- ment."—Athenceum. SOUTH AMERICA By W. H. KoEBEL CONTAINING 32 FULL-PAGE ILLUSTRATIONS AND 10 MAPS AND SMALLER FIGURES IN THE TEXT " Mr. Koebel has done his work well, and by laying stress on the trend of Governments and peoples rather than on lists of Governors or Presidents, and by knowing generally what to omit, he has contrived to produce a book which meets an obvious need. ' —Morning Post. A. AND C. BLACK, 4 SOHO SQUARE, LONDON, W. AGENTS AMERICA .... THE MACMILLAN COMPANY 64 & 66 FIFTH AVENUE. NEW YORK AUSTEALA8IA . OXFORD UNIVERSITY PRESS 20- FLINDERS Lane. MELBOURNE CANADA THE MACMILLAN COMPANY OF CANADA. LTD. St. Marti.n's House, 70 Bond street, TORONTO RiDLA MACMILLAN 4 COMPANY, LTD. MACMILLAN BUILDING, BOMBAY 309 Bow Bazaar STREBT, CALCUTTA ^. Rischgits QUEEN LOUISE (lT7G-lS10), WinOW OF FREDERICK -WILLIAM III. OF PRUSSIA. Her patriotism anil self-sacrifice after the disaster of Jena have given her a liigli place in the affections of the German nation. -
Rose Window Wikipedia, the Free Encyclopedia Rose Window from Wikipedia, the Free Encyclopedia
6/19/2016 Rose window Wikipedia, the free encyclopedia Rose window From Wikipedia, the free encyclopedia A rose window or Catherine window is often used as a generic term applied to a circular window, but is especially used for those found in churches of the Gothic architectural style and being divided into segments by stone mullions and tracery. The name “rose window” was not used before the 17th century and according to the Oxford English Dictionary, among other authorities, comes from the English flower name rose.[1] The term “wheel window” is often applied to a window divided by simple spokes radiating from a central boss or opening, while the term “rose window” is reserved for those windows, sometimes of a highly complex design, which can be seen to bear similarity to a multipetalled rose. Rose windows are also called Catherine windows after Saint Catherine of Alexandria who was sentenced to be executed on a spiked wheel. A circular Exterior of the rose at Strasbourg window without tracery such as are found in many Italian churches, is Cathedral, France. referred to as an ocular window or oculus. Rose windows are particularly characteristic of Gothic architecture and may be seen in all the major Gothic Cathedrals of Northern France. Their origins are much earlier and rose windows may be seen in various forms throughout the Medieval period. Their popularity was revived, with other medieval features, during the Gothic revival of the 19th century so that they are seen in Christian churches all over the world. Contents 1 History 1.1 Origin 1.2 The windows of Oviedo Interior of the rose at Strasbourg 1.3 Romanesque circular windows Cathedral. -
Reading Power in the Sources
Reading Power in the Sources Student Research on Political Figures in the Thirteenth Century Edited by: J. Lucien D. Houle Cover Image courtesy of a Wikimedia Creative Commons License: ACA. Canc. Pergamins de Jaume I d'Aragó. n 935 d. Accessed March 28, 2018 https://commons.wikimedia.org/wiki/File:Quia_super_limitibus_Cathalonie_et_Aragonum.jpg. 2018, University of Florida Institutional Resources, Gainesville, FL. All rights reserved. No part of this publication may be reproduced or sold without prior written permission of the editor, except that the authors retain all rights to their work. For my parents and parents-in-law, David and Cathy Houle, Jo Ann Alderman, and George Alderman. Table of Contents Introduction 1 J. Lucien D. Houle Isabella of England: the Forgotten Diplomat 3 Errol Nelson Blanche of Castile and the Role of the Queen-Regent 11 Madeline Fine Religion and Family: Louis IX and Rulership in Medieval Europe 18 Kelly Northcraft Richard Marshall: Political and Social Ideology 24 Cameron Rough Pope Gregory IX Enforces Conformity in Medieval Western Europe 30 Lainey Williams 1 Introduction J. Lucien D. Houle When Thomas Bisson, one of the foremost scholars in the field of medieval lordship, wrote about medieval power and politics, he mused about how the study of this kind of history changed from one generation to the next. Between the time of his parents’ generation and that of his own, historians who were concerned with power began to recognize the importance of women and started to ask questions about regular people, not just kings. His awakening came when he read the primary sources themselves. -
Romanesque Architecture and Its Artistry in Central Europe, 900-1300
Romanesque Architecture and its Artistry in Central Europe, 900-1300 Romanesque Architecture and its Artistry in Central Europe, 900-1300: A Descriptive, Illustrated Analysis of the Style as it Pertains to Castle and Church Architecture By Herbert Schutz Romanesque Architecture and its Artistry in Central Europe, 900-1300: A Descriptive, Illustrated Analysis of the Style as it Pertains to Castle and Church Architecture, by Herbert Schutz This book first published 2011 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2011 by Herbert Schutz All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-2658-8, ISBN (13): 978-1-4438-2658-7 To Barbara TABLE OF CONTENTS List of Illustrations ..................................................................................... ix List of Maps........................................................................................... xxxv Acknowledgements ............................................................................. xxxvii Introduction ................................................................................................. 1 Chapter One................................................................................................ -
Adaptive Reuse of Former Catholic Churches As a Community Asset Linnea Cara Duckworth University of Massachusetts - Amherst, [email protected]
University of Massachusetts Amherst ScholarWorks@UMass Amherst Landscape Architecture & Regional Planning Landscape Architecture & Regional Planning Masters Projects 5-2010 Adaptive Reuse of Former Catholic Churches as a Community Asset Linnea Cara Duckworth University of Massachusetts - Amherst, [email protected] Follow this and additional works at: https://scholarworks.umass.edu/larp_ms_projects Part of the Urban Studies and Planning Commons Duckworth, Linnea Cara, "Adaptive Reuse of Former Catholic Churches as a Community Asset" (2010). Landscape Architecture & Regional Planning Masters Projects. 2. Retrieved from https://scholarworks.umass.edu/larp_ms_projects/2 This Article is brought to you for free and open access by the Landscape Architecture & Regional Planning at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Landscape Architecture & Regional Planning Masters Projects by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Adaptive Reuse of Former Catholic Churches as a Community Asset A Project Presented by LINNEA CARA DUCKWORTH Submitted to the Department of Landscape Architecture and Regional Planning at the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF REGIONAL PLANNING MAY 2010 Approved as to style and content by: _______________________________________ Mark Hamin, Chair _______________________________________ Michael DiPasquale, Member _______________________________________ -
Local Romanesque Architecture in Germany and Its Fifteenth-Century Reinterpretation
chapter 19 Translating the Past: Local Romanesque Architecture in Germany and Its Fifteenth-Century Reinterpretation Stephan Hoppe The early history of northern Renaissance architecture has long been pre- sented as being the inexorable occurrence of an almost viral dissemination of Italian Renaissance forms and motifs.1 For the last two decades, however, the interconnected and parallel histories of enfolding Renaissance humanism have produced new analytical models of reciprocal exchange and of an ac- tively creative reception of knowledge, ideas, and texts yet to be adopted more widely by art historical research.2 In what follows, the focus will be on a particular part of the history of early German Renaissance architecture, i.e. on the new engagement with the historical – and by then long out-of-date – world of Romanesque architectural style and its possible connections to emerging Renaissance historiography 1 Cf. Hitchcock H.-R., German Renaissance Architecture (Princeton, NJ: 1981). 2 Burke P., The Renaissance (Atlantic Highlands, NJ: 1987); Black R., “Humanism”, in Allmand C. (ed.), The New Cambridge Medieval History, c. 1415–c. 1500, vol. 7 (Cambridge: 1998) 243–277; Helmrath J., “Diffusion des Humanismus. Zur Einführung”, in Helmrath J. – Muhlack U. – Walther G. (eds.), Diffusion des Humanismus. Studien zur nationalen Geschichtsschreibung europäischer Humanisten (Göttingen: 2002) 9–34; Muhlack U., Renaissance und Humanismus (Berlin – Boston: 2017); Roeck B., Der Morgen der Welt. Die Geschichte der Renaissance (Munich: 2017). For more on the field of modern research in early German humanism, see note 98 below. The following works may serve as examples of the current art historical debate that seek a more nuanced understanding of the exchange processes between the Renaissance arts outside Italy: Belozerskaya M., Rethinking the Renaissance: Burgundian Arts across Europe (Cambridge: 2002); Smith J.C., The Northern Renaissance (London: 2004); Nußbaum N. -
Reformation Luther
REFORMATION & LUTHER July 16-29, 2022 Tour Hosts: Drs. Sharon L. and B. Keith Putt CZECH REPUBLIC • GERMANY • SWITZERLAND • FRANCE organized by REFORMATION & LUTHER July 16-29, 2022 Rothenburg Sharon L. Putt, Ph.D. B. Keith Putt, Ph.D. July 20 Wed Leipzig – Wittenberg Professor of Theology and Professor of Philosophy This morning we will drive to Wittenberg to visit Luther House, a UNESCO Religion, Messiah College Samford University World Heritage Site that boasts the world’s largest museum on Reformation history. Once an Augustinian monastery, the Luther House was home to Martin Luther and his family for many years. Next, we will visit the Castle Church, where Luther nailed his 95 Theses to the door. Today, guests can find the 95 Theses engraved on massive bronze doors erected in memory of the act that sparked the Reformation. Our final visit will be to St. Mary’s Town Church, the “Mother Church of the Reformation.” This church is the city’s oldest building, and more importantly, it witnessed Luther’s marriage to Katharina von Bora in 1525, as well as the baptism of all their children. Stay in Leipzig. July 21 Thu Erfurt After breakfast at the hotel, we will drive to Erfurt to visit the Augustinian Monastery that Luther joined on July 17, 1505, making it one of the most important Luther sites in Germany. Then we will walk through the winding streets of the old city to Merchants’ Bridge and on to the Cathedral of St. Mary and St. Severus Church next to it. We will also see the Merchants’ Bridge, one of Erfurt’s main landmarks. -
The Walls of the Confessions: Neo-Romanesque Architecture, Nationalism, and Religious Identity in the Kaiserreich by Annah Krieg
The Walls of the Confessions: Neo-Romanesque Architecture, Nationalism, and Religious Identity in the Kaiserreich by Annah Krieg B.A., Lawrence University, 2001 M.A., University of Pittsburgh, 2004 Submitted to the Graduate Faculty of The School of Art and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2010 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Annah Krieg It was defended on April 2, 2010 and approved by Christopher Drew Armstrong, Director of Architectural Studies and Assistant Professor, History of Art and Architecture Paul Jaskot, Professor, Art History , DePaul University Kirk Savage, Professor and Chair, History of Art and Architecture Terry Smith, Andrew W. Mellon Professor of Contemporary Art History and Theory, History of Art and Architecture Dissertation Advisor: Barbara McCloskey, Associate Professor, History of Art and Architecture ii The Walls of the Confessions: Neo-Romanesque Architecture, Nationalism, and Religious Identity in the Kaiserreich Annah Krieg, PhD University of Pittsburgh, 2010 Scholars traditionally understand neo-Romanesque architecture as a stylistic manifestation of the homogenizing and nationalizing impulse of the Kaiserreich. Images of fortress-like office buildings and public halls with imposing facades of rusticated stone dominate our view of neo-Romanesque architecture from the Kaiserreich (1871-1918). The three religious buildings at the core of this study - Edwin Oppler’s New Synagogue in Breslau (1866-1872), Christoph Hehl’s Catholic Rosary Church in Berlin-Steglitz (1899-1900), and Friedrich Adler’s Protestant Church of the Redeemer in Jerusalem (1893-1898) – offer compelling counter- examples of the ways in which religious groups, especially those that were local minorities, adapted the dominant neo-Romanesque style to their own particular quest towards distinctive assimilation in an increasingly complex, national, modern society. -
What the Middle Ages Knew Romanesque Piero Scaruffi 2004
What the Middle Ages knew Romanesque Piero Scaruffi 2004 1 What the Modern Age knew • Regional art – The fragmented political nature of Europe is reflected in regional artistic styles 2 What the Modern Age knew • Sculpture – Wiligelmo (1100, Italy) – Benedetto Antalami (11xx, Italy) – Nicola Pisano (1212, Italy) – Arnolfo di Cambio (1231, Italy) – Giovanni Pisano (1248, Italy) – Jacopo della Quercia (1367, Italy) – Donatello (1386, Italy) 3 What the Modern Age knew Antelami: Ambo of Parma’s Duomo (1178) Pisano: Baptistery Pulpit, Pisa (1260) Nanni di Banco: Quattro Lorenzo Ghiberti: Gates of Santi Incoronati, Or San 4 Paradise, Battistero, Firenze Michele, Firenze (1384) What the Middle Ages knew • Sculpture Sant’Ambrogio, Milano (9th c) 5 What the Middle Ages knew • Sculpture Western portal, Chartres 6 What the Middle Ages knew • St Michael’s bronze doors, Hildesheim (1015) 7 What the Middle Ages knew • Architecture – Benedetto Antelami (1150, Italy) – Arnolfo di Cambio (1245, Italy) – Filippo Brunelleschi (1377, Italy) 8 What the Middle Ages knew • African Christian architecture – Lalibela: St George (12th c) 9 What the Middle Ages knew • Romanesque architecture – Carolingian renaissance • Carolingian emperors want to be heirs to the Roman emperors, thus build in the Roman manner – Imperial chapels a` la Ravenna » Harmony of square (Earth) and circle (Heaven) via the octagon » Same structure used in early baptisteries » Same structure of the Holy Sepulchre 10 What the Middle Ages knew • Romanesque architecture – Carolingian renaissance