Glocalization, English, and Education in Languages of Lesser Power1)
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Plural Words in Austronesian Languages: Typology and History
Plural Words in Austronesian Languages: Typology and History A thesis submitted in partial fulfilment of the requirements for the degree of Research Master of Arts in Linguistics by Jiang Wu Student ID: s1609785 Supervisor: Prof. dr. M.A.F. Klamer Second reader: Dr. E.I. Crevels Date: 10th January, 2017 Faculty of Humanities, Leiden University Table of contents Abstract ........................................................................................................................ iii Acknowledgements ....................................................................................................... iv List of tables ................................................................................................................... v List of figures ................................................................................................................ vi List of maps ................................................................................................................. vii List of abbreviations .................................................................................................. viii Chapter 1. Introduction .................................................................................................. 1 Chapter 2. Background literature ................................................................................... 3 2.1. Plural words as nominal plurality marking ....................................................... 3 2.2. Plural words in Austronesian languages .......................................................... -
The Legacy of the German Language in Papua New Guinea T
Craig Alan Voll<er The legacy of the German language in Papua New Guinea t. lntroduction' German colonial rule in the western Pacific began formally in 1884 when unbe- known to them, people in north-eastern New Guinea (Ifuiser Wilhelmsland), the archipelago around the Bismarck Sea, and in the next year, almost ali of neigh- boring Micronesia were proclaimed to be under German "protection". This act changed ways of living that had existed for tens of thousands of years and laid the foundation for what eventually became the modern state of Papua New Guinea. This proclamation was made in German, a language that was then unknown to Melanesians and Micronesians. Today the German language is again mostly unknown to most Melanesians and only a few visible traces of any German colonial legacy remain. There are no old colonial buildings, no monuments outside of a few small and almost hidden cemeteries, and no German Clubs or public signs in German. In this century there has not even been a German embassy. But it is impossible to step out in New Ireland (the former "Neu-Mecklenburg"), for example, without being con- fronted by a twenty-first century reality that is in part a creation of German col- onial rule. Species that were introduced by the Germans stiil retain their German name, frorn clover,I(lee in both German and the local Nalik language to pineap- ples (GermanAnanas / Nalik ananas). The best rural road in the country the Bulominski Highway was started by and named after the last German governor of Neu-Mecklenburg and a mountain range is known as the Schleinitz Range. -
Asia-Pacific Linguistics a Grammatical Description of Kara-Lemakot
Asia-Pacific Linguistics Open Access Monographs ____________________________________________________ Studies in the Languages of Island Melanesia College of Asia and the Pacific The Australian National University A grammatical description of Kara-Lemakot Matthew S. Dryer A-PL 009 / SLIM 002 This is a grammatical description of the Lemakot dialect of Kara, an Oceanic language in the Lavongai-Nalik subgroup. It is spoken in the northwest part of New Ireland in Papua New Guinea, to the southeast of Tigak and to the northwest of Nalik. This description is based on the translation of the New Testament into Kara, not on field work. Matthew S. Dryer is a Professor of Linguistics at the University at Buffalo in the U.S. Apart from his extensive work in word order typology, he has been doing field work in Papua New Guinea since 2001 (in conjunction with Lea Brown) on Walman and Srenge, two languages in the Torricelli family, and on Poko- Rawo, a language in the Skou family. He is also one of the editors of the World Atlas of Language Structures. Asia-Pacific Linguistics Open Access Monographs ____________________________________________ Studies in the Languages of Island Melanesia SLIM EDITORIAL BOARD: Isabelle Bril Bethwyn Evans Alexandre François (founder and Managing Editor) Bill Palmer Published by Asia-Pacific Linguistics Research School of Pacific and Asian Studies The Australian National University Canberra ACT 2600 Australia Copyright in this edition is vested with the author(s) Released under Creative Commons Licence (Attribution) First published: 2013 URL: http://hdl.handle.net/1885/10703 National Library of Australia Cataloguing-in-Publication entry: Author: Dryer, Matthew S., author. -
Music and Change in the Highlands of Papua New Guinea
Bibliography Allen, Bryant 2005, Poor people or poor places?, Paper read at Papua New Guinea: 30 Years of Independence, The Australian National University, Canberra, 13 September 2005. Allen, Bryant and Frankel, Stephen 1991, ‘Across the Tari Furoro’, in E. L. Schieffelin and R. Crittenden (eds), Like People You See in a Dream: First contact in six Papuan societies, Stanford University Press, California. Alexeyeff, Kalissa 2004, ‘Sea breeze: globalisation and Cook Islands popular music’, The Asia Pacific Journal of Anthropology, vol. 5, no. 2, pp. 145–58. Ammann, Raymond 1998, ‘How Kanak is Kaneka music?: the use of traditional instruments in the modern music of the Melanesians in New Caledonia’, World of Music, vol. 40, no. 2, pp. 9–27. Ammann, Raymond 2001, ‘Using ethnomusicology to assist in the maintenance of kastom, with special reference to New Caledonia and Vanuatu’, in H. R. Lawrence and D. Niles (eds), Traditionalism and Modernity in the Music and Dance of Oceania: Essays in honour of Barbara B. Smith, University of Sydney, New South Wales. Ammann, Raymond 2004, Karum Nupu: Basket of songs, [Film], VKS-Productions, Port Vila, Vanuatu. Anonymous 1967, ‘Spectacle, colour, pageantry—and thousands of glistening warriors’, Qantas Airways Australia, vol. 33, no. 11, pp. 6–13. Appadurai, Arjun 1991, ‘Afterword’, in A. Appadurai, F. J. Korom and M. A. Mills (eds), Gender, Genre, and Power in South Asian Expressive Traditions, University of Pennsylvania Press, Philadelphia. Appadurai, Arjun, Korom, Frank J. and Mills, Margaret A. 1991, ‘Introduction’, in A. Appadurai, F. J. Korom and M. A. Mills (eds), Gender, Genre, and Power in South Asian Expressive Traditions, University of Pennsylvania Press, Philadelphia. -
Journal of the Linguistic Society of Papua New Guinea
Language & Linguistics in Melanesia Vol. 36, 2018 ISSN: 0023-1959 Journal of the Linguistic Society of Papua New Guinea ISSN: 0023-1959 Vol. 36, 2018 25 www.langlxmelanesia.com www.langlxmelanesia.com www.langlxmelanesia.com Language & Linguistics in Melanesia Vol. 36, 2018 ISSN: 0023-1959 Landscape categorisation in Nalik, an Austronesian language of New Ireland Lidia Mazzitelli, University of Cologne (Germany) [email protected] Abstract This paper presents and analyses the lexical and the grammatical elements used to encode the semantic domain of landscape (the geophysical environment) in Nalik, an Austronesian language spoken in the New Ireland province of Papua New Guinea. The data discussed in the paper are primarily derived from my own fieldwork in New Ireland. The Nalik landscape lexicon is mostly formed by monomorphemic nouns; partonomies are usually derived from the semantic domain of the human body, as in vaat a daanim ‘head of the river’, ie. ‘spring’. The conformation of the New Ireland landscape is reflected in the Nalik directional particles, which encode the position of the speaker and of the object with respect to the sea (‘north-west up the coast’, ‘south-east down the coast’, ‘inland/out on the sea’). In the Nalik territory, toponyms related to human settlements are particularly dense and are often semantically transparent; toponyms referring to landscape features as hills or rivers are less dense and less prominent as reference points. The paper shows that the primary categorisation forces that drive the categorisation of landscape in Nalik are the affordances (ie. the benefits) of the landscape features and the socio-cultural practices of the community. -
Style and Meaning Anthropology’S Engagement with Art Has a Complex and Uneven History
NICHOLAS THOMAS THOMAS NICHOLAS & CLARK ALISON style and meaning Anthropology’s engagement with art has a complex and uneven history. While style and material culture, ‘decorative art’, and art styles were of major significance for ( founding figures such as Alfred Haddon and Franz Boas, art became marginal as the EDS meaning discipline turned towards social analysis in the 1920s. This book addresses a major ) moment of renewal in the anthropology of art in the 1960s and 1970s. British Essays on the anthropologist Anthony Forge (1929-1991), trained in Cambridge, undertook fieldwork among the Abelam of Papua New Guinea in the late 1950s and 1960s, anthropology of art and wrote influentially, especially about issues of style and meaning in art. His powerful, question-raising arguments addressed basic issues, asking why so much art was produced in some regions, and why was it so socially important? style ANTHONY FORGE meaning Fifty years later, art has renewed global significance, and anthropologists are again considering both its local expressions among Indigenous peoples and its new global circulation. In this context, Forge’s arguments have renewed relevance: they help and edited by scholars and students understand the genealogies of current debates, and remind us of fundamental questions that remain unanswered. ALISON CLARK & NICHOLAS THOMAS This volume brings together Forge’s most important writings on the anthropology anthropology of art Essays on the of art, published over a thirty year period, together with six assessments of his legacy, including extended reappraisals of Sepik ethnography, by distinguished anthropologists from Australia, Germany, Switzerland and the United Kingdom Anthony Forge was born in London in 1929. -
Primary Education Kit
Primary Education Kit VISITING THE AUSTRALIAN MUSEUM BRIEFING A Museum staff member will be on hand to greet your group when you arrive. They will brief your groups about how to move around the Museum and direct you to areas of the Museum you intend to visit. BAG STORAGE There is limited bag storage available on site. It is recommended that students just bring a small carry bag with the essentials for the day, however if required, storage can be provided depending on availability. EXHIBITIONS In addition to any booked educator-led sessions, students and teachers may explore the Museum’s exhibitions in their own time. Some special exhibitions may incur an additional charge. It is suggested that students visit the galleries in small groups to prevent overcrowding. LUNCH AND BREAKS It is recommended that students bring their recess and lunch and eat in Hyde Park or Cook & Phillip Park, both of which are across the road from the Museum. Alternative arrangements will be provided in the case of wet weather. BYOD AND PHOTOGRAPHY Students are encouraged to bring their own devices to take photos, video and/or audio to record their excursion. Some temporary exhibitions do not allow photography but you will be advised of this on arrival. FREE WIFI The Museum offers free Wi-fi for onsite visitors. It is available in 30 minute sessions. Students and teachers can log on for more than one session. PHOTOCOPYING Please photocopy the following materials for students and accompanying adults prior to your visit. SUPERVISION Teachers and supervising adults are required to stay with their groups at all times. -
The Importance of the Pig in Pacific Island Culture
The Importance of the Pig in Pacific Island Culture An annotated bibliography Secretariat of the Pacific Community 2007 Copyright ©Secretariat of the Pacific Community 2006 All rights for commercial / for profit reproduction or translation, in any form, reserved. SPC authorises the partial reproduction or translation of this material for scientific, educational or research purposes, provided that SPC and the source document are properly acknowledged. Permission to reproduce the document and/or translate in whole, in any form, whether for commercial / for profit or non-profit purposes, must be requested in writing. Original SPC artwork may not be altered or separately published without permission. Original text: English Secretariat of the Pacific Community Cataloguing-in-publication data Report on the Bibliography of on the importance of the pig in Pacific Island Culture Secretariat of the Pacific Community ISSN: 0377-452X 1. Veterinary medicine—Oceania—Congresses. 2. Livestock–Diseases—Oceania—Congresses. 3. Animal health—Oceania— Congresses. 4. Livestock productivity—Oceania—Congresses. I. Title. II. Secretariat of the Pacific Community. III. Series 636.089 AACR2 ISBN: 982-00-0136-6 BIBLIOGRAPHY Contents Methodology ...................................................................................................4 Melanesia .......................................................................................................5 Trobriand Islands .........................................................................................6 Vanuatu ........................................................................................................6 -
213. Nan Madol. Pohnpei, Micronesia. Saudeleur Dynasty
Unit 9: The Pacific AP AH Image Set Osborn 213. Nan Madol. Pohnpei, Micronesia. Saudeleur Dynasty. c. 700–1600 C.E. Basalt boulders and prismatic columns. (2 images) Nan Madol Nan Madol © Jack Fields/Corbis © Jack Fields/Corbis Unit 9: The Pacific AP AH Image Set Osborn 214. Moai on platform (ahu). Rapa Nui (Easter Island). c. 1100–1600 C.E. Volcanic tuff figures on basalt base. Moai © Peter Langer/Design Pics/Corbis Unit 9: The Pacific AP AH Image Set Osborn 215. ‘Ahu ‘ula (feather cape). Hawaiian. Late 18th century C.E. Feathers and fiber. ‘Ahu ‘ula © The Trustees of the British Museum/Art Resource, NY Unit 9: The Pacific AP AH Image Set Osborn 216. Staff god. Rarotonga, Cook Islands, central Polynesia. Late 18th to early 19th century C.E. Wood, tapa, fiber, and feathers. (3 images) Staff god © The Trustees of the British Museum Detail © The Trustees of the British Museum Unit 9: The Pacific AP AH Image Set Osborn Contextual image: staff god © The Trustees of the British Museum Unit 9: The Pacific AP AH Image Set Osborn 217. Female deity. Nukuoro, Micronesia. c. 18th to 19th century C.E. Wood. Female deity © Werner Forman Archive/The Bridgeman Art Library Unit 9: The Pacific AP AH Image Set Osborn 218. Buk (mask). Torres Strait. Mid- to late 19th century C.E. Turtle shell, wood, fiber, feathers, and shell. Buk Image © The Metropolitan Museum of Art/Image source © Art Resource, NY Unit 9: The Pacific AP AH Image Set Osborn 220. Tamati Waka Nene. Gottfried Lindauer. 1890 C.E. -
Artist: Period/Style: Patron: Material/Technique: Form
TITLE:The Ambum Stone LOCATION: Papua New Guinea DATE: 1500 BCE ARTIST: PERIOD/STYLE: Prehistoric Oceanic Art PATRON: MATERIAL/TECHNIQUE:Greywacke FORM: A composite human/animal figure, perhaps an anteater head and a human body. It has a pleasing shape and smooth surface, and the slightly shiny patina on some of its raised details suggest it has been well handled. It was made from greywacke stone, and its finished shape may suggest the original shape the stone it was carved from. Carved in the form of some kind of animal, its features are rounded and include a freestanding neck, elegantly curved head and long nose, and upper limbs that hug its torso and appear to enclose a cupped space above its belly. FUNCTION: The Ambum Stone is a decorative pestle. Sculpted stones uncovered in Papua New Guinea fall into three different categories: figurines, mortars, and pestles. These objects take the form of both land- and air-dwelling animals, anthropomorphic creatures, and human figures. The Ambum Stone is one of the earliest stone objects, hailing from way back in 3500 B.C.E., and would have been created as a pestle. It's likely that the Ambum Stone was used for fertility or burial rituals. The discovery of the Ambum Stone sheds light on the supernatural and religious beliefs of the ancient New Guinea peoples. The early stone sculptures have supernatural significance. These special mortars and pestles were used in religious rituals. New Guinea peoples believed the supernatural powers of these sculptures and the animals they depicted helped with fertility, hunting, and burial rites. -
Music and Change in the Highlands of Papua New Guinea
Steep Slopes Music and change in the Highlands of Papua New Guinea Kirsty Gillespie Steep Slopes Music and change in the Highlands of Papua New Guinea Kirsty Gillespie THE AUSTRALIAN NATIONAL UNIVERSITY E P R E S S E P R E S S Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at: http://epress.anu.edu.au/steepslopes_citation.html National Library of Australia Cataloguing-in-Publication entry Author: Gillespie, Kirsty. Title: Steep slopes : music and change in the highlands of Papua New Guinea / Kirsty Gillespie. ISBN: 9781921666421 (pbk.) 9781921666438 (eBook : pdf) Notes: Includes bibliographical references. Subjects: Duna (Papua New Guinean people)--Music. Duna (Papua New Guinean people)--Social life and customs. Papua New Guinea--Music. Dewey Number: 780.956 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by Epress Printed by Griffin Press This edition © 2010 ANU E Press Contents Acknowledgments xi List of figures xiii Table of examples xv 1. Introduction 1 • Aims—1 • The geographical setting—2 • Review of the literature—5 • Theoretical orientation—7 • Methodology—10 • Fieldwork—11 • Writing style—16 • Structure—19 2. Duna ancestral music 23 • The origins of music—23 • The ‘musician’ in Duna society—25 • Duna musical structures—27 • Vocabulary: organisation of ‘music’—29 • Ipakana (‘song[s]’)—30 • Alima (‘instrument[s]’) —40 • ‘Dance’—47 • Vocabulary: genres and their verbs—50 • Language features of Duna song—52 • Kẽiyaka and repetition—52 • Metaphor—54 • Conclusion—55 v 3. -
Notes on the Verbal Morphology of Loxodumau, an Oceanic Language of Papua New Guinea
Notes on the verbal morphology of Loxodumau, an Oceanic language of Papua New Guinea Lidia Federica Mazzitelli, Universität zu Köln In this paper I will present some aspects of the verbal morphology of Loxodumau (Meso-Melanesian, Western Oceanic), a still undescribed language spoken in New Ireland (Papua New Guinea) by approximatively 800 people. In the past, it has been defined as a ‘transitional language’ between Nalik (its southern neighbor) and Kara (its northern neighbor; Volker 1998:3). All data come from my own field notes (2017). As most Western Oceanic languages, Loxodumau has a rich system of pre-verbal particles denoting tense and aspect. The simple past tense is always unmarked, but a special form is dedicated to the near past (‘I have just X’). The present may occasionally be signaled by the particle nga; future reference is obligatorily marked by the particle daa. Loxodumau verbs distinguish an inceptive (valaa), habitual (vuna; morphological reduplication), completive (kaavus) and perfective (asang) aspect. Imperative, prohibitive, desiderative moods are distinguished; there are no native deontic modals, but the verbal particle pu is found, expressing epistemic possibility; directional serial verb constructions are widely used. As for valency-changing operations, in Loxodumau, two valency-increasing (va-, -in) and two valency-decreasing affixes (ra(la)-, - aai) are found. Va- (<POC *paki-; Ross 2004) is a causative prefix that attaches to intransitives (umaan ‘lie’– va-umaan ‘make lie down’); I only have one example of a transitive base: vatangin ‘show’ < tangin ‘find’. The suffix -in (maybe <POC *-i; Ross 2004) is an applicative that attaches to both intransitive and transitive bases: vaaigot ‘ready’ – vaaigotin ‘prepare’, vaabus ‘eat’ – vaabusin ‘eat something with something else’ (vaabusin licenses a comitative adjunct).