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Music and Change in the Highlands of Papua New Guinea
Bibliography Allen, Bryant 2005, Poor people or poor places?, Paper read at Papua New Guinea: 30 Years of Independence, The Australian National University, Canberra, 13 September 2005. Allen, Bryant and Frankel, Stephen 1991, ‘Across the Tari Furoro’, in E. L. Schieffelin and R. Crittenden (eds), Like People You See in a Dream: First contact in six Papuan societies, Stanford University Press, California. Alexeyeff, Kalissa 2004, ‘Sea breeze: globalisation and Cook Islands popular music’, The Asia Pacific Journal of Anthropology, vol. 5, no. 2, pp. 145–58. Ammann, Raymond 1998, ‘How Kanak is Kaneka music?: the use of traditional instruments in the modern music of the Melanesians in New Caledonia’, World of Music, vol. 40, no. 2, pp. 9–27. Ammann, Raymond 2001, ‘Using ethnomusicology to assist in the maintenance of kastom, with special reference to New Caledonia and Vanuatu’, in H. R. Lawrence and D. Niles (eds), Traditionalism and Modernity in the Music and Dance of Oceania: Essays in honour of Barbara B. Smith, University of Sydney, New South Wales. Ammann, Raymond 2004, Karum Nupu: Basket of songs, [Film], VKS-Productions, Port Vila, Vanuatu. Anonymous 1967, ‘Spectacle, colour, pageantry—and thousands of glistening warriors’, Qantas Airways Australia, vol. 33, no. 11, pp. 6–13. Appadurai, Arjun 1991, ‘Afterword’, in A. Appadurai, F. J. Korom and M. A. Mills (eds), Gender, Genre, and Power in South Asian Expressive Traditions, University of Pennsylvania Press, Philadelphia. Appadurai, Arjun, Korom, Frank J. and Mills, Margaret A. 1991, ‘Introduction’, in A. Appadurai, F. J. Korom and M. A. Mills (eds), Gender, Genre, and Power in South Asian Expressive Traditions, University of Pennsylvania Press, Philadelphia. -
Style and Meaning Anthropology’S Engagement with Art Has a Complex and Uneven History
NICHOLAS THOMAS THOMAS NICHOLAS & CLARK ALISON style and meaning Anthropology’s engagement with art has a complex and uneven history. While style and material culture, ‘decorative art’, and art styles were of major significance for ( founding figures such as Alfred Haddon and Franz Boas, art became marginal as the EDS meaning discipline turned towards social analysis in the 1920s. This book addresses a major ) moment of renewal in the anthropology of art in the 1960s and 1970s. British Essays on the anthropologist Anthony Forge (1929-1991), trained in Cambridge, undertook fieldwork among the Abelam of Papua New Guinea in the late 1950s and 1960s, anthropology of art and wrote influentially, especially about issues of style and meaning in art. His powerful, question-raising arguments addressed basic issues, asking why so much art was produced in some regions, and why was it so socially important? style ANTHONY FORGE meaning Fifty years later, art has renewed global significance, and anthropologists are again considering both its local expressions among Indigenous peoples and its new global circulation. In this context, Forge’s arguments have renewed relevance: they help and edited by scholars and students understand the genealogies of current debates, and remind us of fundamental questions that remain unanswered. ALISON CLARK & NICHOLAS THOMAS This volume brings together Forge’s most important writings on the anthropology anthropology of art Essays on the of art, published over a thirty year period, together with six assessments of his legacy, including extended reappraisals of Sepik ethnography, by distinguished anthropologists from Australia, Germany, Switzerland and the United Kingdom Anthony Forge was born in London in 1929. -
The Importance of the Pig in Pacific Island Culture
The Importance of the Pig in Pacific Island Culture An annotated bibliography Secretariat of the Pacific Community 2007 Copyright ©Secretariat of the Pacific Community 2006 All rights for commercial / for profit reproduction or translation, in any form, reserved. SPC authorises the partial reproduction or translation of this material for scientific, educational or research purposes, provided that SPC and the source document are properly acknowledged. Permission to reproduce the document and/or translate in whole, in any form, whether for commercial / for profit or non-profit purposes, must be requested in writing. Original SPC artwork may not be altered or separately published without permission. Original text: English Secretariat of the Pacific Community Cataloguing-in-publication data Report on the Bibliography of on the importance of the pig in Pacific Island Culture Secretariat of the Pacific Community ISSN: 0377-452X 1. Veterinary medicine—Oceania—Congresses. 2. Livestock–Diseases—Oceania—Congresses. 3. Animal health—Oceania— Congresses. 4. Livestock productivity—Oceania—Congresses. I. Title. II. Secretariat of the Pacific Community. III. Series 636.089 AACR2 ISBN: 982-00-0136-6 BIBLIOGRAPHY Contents Methodology ...................................................................................................4 Melanesia .......................................................................................................5 Trobriand Islands .........................................................................................6 Vanuatu ........................................................................................................6 -
Building Panethnic Coalitions in Asian American, Native Hawaiian And
Building Panethnic Coalitions in Asian American, Native Hawaiian and Pacific Islander Communities: Opportunities & Challenges This paper is one in a series of evaluation products emerging states around the country were supported through this pro- from Social Policy Research Associates’ evaluation of Health gram, with the Asian & Pacific Islander American Health Forum Through Action (HTA), a $16.5 million, four-year W.K. Kellogg serving as the national advocacy partner and technical assis- Foundation supported initiative to reduce disparities and tance hub. advance healthy outcomes for Asian American, Native Hawai- Each of the HTA partners listed below have made mean- ian, and Pacific Islander (AA and NHPI) children and families. ingful inroads towards strengthening local community capacity A core HTA strategy is the Community Partnerships Grant to address disparities facing AA and NHPIs, as well as sparked Program, a multi-year national grant program designed to a broader national movement for AA and NHPI health. The strengthen and bolster community approaches to improv- voices of HTA partners – their many accomplishments, moving ing the health of vulnerable AA and NHPIs. Ultimately, seven stories, and rich lessons learned from their experience – serve AA and NHPI collaboratives and 11 anchor organizations in 15 as the basis of our evaluation. National Advocacy Partner HTA Organizational Partners Asian & Pacific Islander American Health Forum – West Michigan Asian American Association – Asian Pacific American Network of Oregon HTA Regional -
213. Nan Madol. Pohnpei, Micronesia. Saudeleur Dynasty
Unit 9: The Pacific AP AH Image Set Osborn 213. Nan Madol. Pohnpei, Micronesia. Saudeleur Dynasty. c. 700–1600 C.E. Basalt boulders and prismatic columns. (2 images) Nan Madol Nan Madol © Jack Fields/Corbis © Jack Fields/Corbis Unit 9: The Pacific AP AH Image Set Osborn 214. Moai on platform (ahu). Rapa Nui (Easter Island). c. 1100–1600 C.E. Volcanic tuff figures on basalt base. Moai © Peter Langer/Design Pics/Corbis Unit 9: The Pacific AP AH Image Set Osborn 215. ‘Ahu ‘ula (feather cape). Hawaiian. Late 18th century C.E. Feathers and fiber. ‘Ahu ‘ula © The Trustees of the British Museum/Art Resource, NY Unit 9: The Pacific AP AH Image Set Osborn 216. Staff god. Rarotonga, Cook Islands, central Polynesia. Late 18th to early 19th century C.E. Wood, tapa, fiber, and feathers. (3 images) Staff god © The Trustees of the British Museum Detail © The Trustees of the British Museum Unit 9: The Pacific AP AH Image Set Osborn Contextual image: staff god © The Trustees of the British Museum Unit 9: The Pacific AP AH Image Set Osborn 217. Female deity. Nukuoro, Micronesia. c. 18th to 19th century C.E. Wood. Female deity © Werner Forman Archive/The Bridgeman Art Library Unit 9: The Pacific AP AH Image Set Osborn 218. Buk (mask). Torres Strait. Mid- to late 19th century C.E. Turtle shell, wood, fiber, feathers, and shell. Buk Image © The Metropolitan Museum of Art/Image source © Art Resource, NY Unit 9: The Pacific AP AH Image Set Osborn 220. Tamati Waka Nene. Gottfried Lindauer. 1890 C.E. -
Artist: Period/Style: Patron: Material/Technique: Form
TITLE:The Ambum Stone LOCATION: Papua New Guinea DATE: 1500 BCE ARTIST: PERIOD/STYLE: Prehistoric Oceanic Art PATRON: MATERIAL/TECHNIQUE:Greywacke FORM: A composite human/animal figure, perhaps an anteater head and a human body. It has a pleasing shape and smooth surface, and the slightly shiny patina on some of its raised details suggest it has been well handled. It was made from greywacke stone, and its finished shape may suggest the original shape the stone it was carved from. Carved in the form of some kind of animal, its features are rounded and include a freestanding neck, elegantly curved head and long nose, and upper limbs that hug its torso and appear to enclose a cupped space above its belly. FUNCTION: The Ambum Stone is a decorative pestle. Sculpted stones uncovered in Papua New Guinea fall into three different categories: figurines, mortars, and pestles. These objects take the form of both land- and air-dwelling animals, anthropomorphic creatures, and human figures. The Ambum Stone is one of the earliest stone objects, hailing from way back in 3500 B.C.E., and would have been created as a pestle. It's likely that the Ambum Stone was used for fertility or burial rituals. The discovery of the Ambum Stone sheds light on the supernatural and religious beliefs of the ancient New Guinea peoples. The early stone sculptures have supernatural significance. These special mortars and pestles were used in religious rituals. New Guinea peoples believed the supernatural powers of these sculptures and the animals they depicted helped with fertility, hunting, and burial rites. -
Music and Change in the Highlands of Papua New Guinea
Steep Slopes Music and change in the Highlands of Papua New Guinea Kirsty Gillespie Steep Slopes Music and change in the Highlands of Papua New Guinea Kirsty Gillespie THE AUSTRALIAN NATIONAL UNIVERSITY E P R E S S E P R E S S Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at: http://epress.anu.edu.au/steepslopes_citation.html National Library of Australia Cataloguing-in-Publication entry Author: Gillespie, Kirsty. Title: Steep slopes : music and change in the highlands of Papua New Guinea / Kirsty Gillespie. ISBN: 9781921666421 (pbk.) 9781921666438 (eBook : pdf) Notes: Includes bibliographical references. Subjects: Duna (Papua New Guinean people)--Music. Duna (Papua New Guinean people)--Social life and customs. Papua New Guinea--Music. Dewey Number: 780.956 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by Epress Printed by Griffin Press This edition © 2010 ANU E Press Contents Acknowledgments xi List of figures xiii Table of examples xv 1. Introduction 1 • Aims—1 • The geographical setting—2 • Review of the literature—5 • Theoretical orientation—7 • Methodology—10 • Fieldwork—11 • Writing style—16 • Structure—19 2. Duna ancestral music 23 • The origins of music—23 • The ‘musician’ in Duna society—25 • Duna musical structures—27 • Vocabulary: organisation of ‘music’—29 • Ipakana (‘song[s]’)—30 • Alima (‘instrument[s]’) —40 • ‘Dance’—47 • Vocabulary: genres and their verbs—50 • Language features of Duna song—52 • Kẽiyaka and repetition—52 • Metaphor—54 • Conclusion—55 v 3. -
Drum Languages and Their Messages Redacted for Privacy Abstract Approved
AN ABSTRACT OF THE THESIS OF Susan E. Jewett for the degree of Master of Arts in Interdisciplinary Studies: Anthropology, English and Education Presented on June 9, 1977 Title: Drum Languages and Their Messages Redacted for privacy Abstract Approved:. 6/- With over 800 languages spoken on the continent of Africa, inter-cultural communication has always been dif- ficult. In addition, many of the peoples of Africa have experienced colonial oppression. Various powers have sought to interfere with intra-cultural dialogues and the free flow of information. Their effectiveness, however, was limited because of the talking drums. These drums are speech surrogates. Messages are relayed on them in a codal form. This form is based on the tonal language of the specific speech community. The premise of this paper is that the form is a. language. The language is poetic in style, but restric- tive in nature. It can be analyzed and components of various speech events can be investigated. With this information, one can better understand how aspeech com- munity categorizes its experiences. DRUM LANGUAGES AND THEIR MESSAGES by Susan E. Jewett A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts Completed June 9, 1977 Commencement June 1978 ii APPROVED: Redacted for privacy AssocWe Professor of Anthropology Redacted for privacy) Chairperson of Department /W Anthropology Redacted for privacy Dean of Graduate School Date thesis is presented: June 9, 1977 Typed by Delores Rooney for: Susan E. Jewett ACKNOWLEDGEMENTS I'd like to personally thank John Dunn, Richard Daniels, Ed Anderson, Ray Verzasconi and numerous friends and acquaintances for sup- porting me on this endeavor. -
Lancini Jen-Hao Cheng [email protected]
Lancini Jen-hao Cheng [email protected] Ens.hist.teor.arte Afiliación institucional Investigador Independiente Lancini Jen-hao Cheng, “Native Terminology and Classification of Taiwanese Musical Instruments”, Lancini Jen-hao Cheng, nacido en Ensayos. Historia y teoría del arte, Bogotá, D. C., Taiwan finalizó sus estudios de PhD en Universidad Nacional de Colombia, Vol. XIX, el Department of Music, University of No. 28 (enero-junio 2015), pp. 65-139. Otago de Nueva Zelanda en Agosto de 2015. Obtuvo también el grado M.Litt. en ABSTRACT Ethnología y Folklore en el Elphinstone This study aims to be a comprehensive investigation into Institute, University of Aberdeen, Escocia, the native terminology and classification of Taiwanese aboriginal musical instruments based on ethnographic Reino Unido. Además, se ha desempeñado fieldwork. Its main result is new information concerning por espacio de catorce años como profesor indigenous instruments and taxonomic schemes and above de música y artes y humanidades en su all the discovery of many unknown musical instruments país. Sus principales intereses investigativos from different aboriginal groups (Bunun, Kavalan, Pazih- son la etnomusicología y la organología Kahabu, Puyuma, Rukai, Sakizaya, Siraya and Tsou). Concluding, many factors influence Taiwanese native así como la exploración de contextos classifications of musical instruments and they include interpretativos en la música tradicional. linguistic factors, playing techniques, materials used in their construction, performance contexts, as well as gender, social status and religion. Key Words Taiwan, Classification, Native terminology, musical instruments TÍtulo Terminología local y clasificación de los instrumentos musicales de Taiwan RESUMEN Este estudio intenta ser una investigación exhaustiva de la terminología y sistemas de clasificación de los instrumentos musicales de los aborígenes de Taiwan con base en trabajo etnográfico de campo. -
Faces of Melanesia
NO SINGLEJUST ANNOUNCED: SUPPLEMENT! FACES OF MELANESIA November 17 – December 3, 2016 | 17 Days | Aboard the Caledonian Sky PAPUA SOLOMON Expedition Highlights NEW GUINEA TROBRIAND ISLANDS ISLANDS Kuyawa Island / LAUGHLAN • Join us on an award-winning journey Nakwaba Island ISLANDS Port Moresby that reveals the extraordinary diversity MELANESIA of Melanesia and its people. Fergusson Island / Dobu Island D'ENTRECASTEAUX SANTA CRUZ • Visit idyllic islands and isolated villages ISLANDS ISLANDS Utupua to witness time-honored traditions and Tikopia ceremonies including hypnotic drum- ming, melodic bamboo panpipes, and Espiritu Santo elaborately-costumed dancers. SOUTHERN PACIFIC OCEAN • Snorkel or dive over pristine coral reefs Ambrym populated by a variety of tropical fish— VANUATU neon damsels, clownfish, Moorish Port Vila idols, butterflyfish, delicate seahorses, and brilliantly hued wrasses. • Search for striking endemic birds, including the Solomon Island sea eagle, buff-headed coucal, and Melanesian megapode, amidst the lush, tropical vegetation. • Itinerary .................................... page 2 > • Flight Information ...................... page 3 > • Ship, Deck Plan & Rates ............ page 4 > • Know Before You Go ................. page 5 > © Sergey Frolov © Giovanna Fasanelli Wednesday, November 23 Itinerary KUYAWA & NAKWABA, TROBRIAND ISLANDS This morning we visit with the traditional Trobriand islanders of Kuyawa and view energetic, time-honored dances that Based on the expeditionary nature of our trips, there may be celebrate fishing and the seasonal yam harvest. Learn about the ongoing enhancements to this itinerary. history of the Kula Ring, a circular pattern of ceremonial trade relationships that binds the islands of Milne Bay and eastern Papua New Guinea together in a long-established network of Thursday & Friday, November 17 & 18, 2016 friendship. These islanders are also renowned for the exquisite DEPART USA quality of their ebony wood carvings, often decorated with Board your independent overnight flight to Port Moresby. -
Cook Islands Identity Through Staged Performances
Dance encounters Exploring Cook Islands identity through staged performances. Camilla Aasmundsen Jensen Thesis submitted in partial fulfilment of the M.A. degree, Department of Social Anthropology, University of Bergen, December 2012 Cover photo: Blondie’s Photography 2011, with the permission from Director and photographer, Regina Potini. ii Contents Acknowledgements .................................................................................................................... v List of illustrations ................................................................................................................... vii Prologue ..................................................................................................................................... 1 Chapter one: ‘Dancing is who I am’- an invitation .................................................................... 5 Theme ..................................................................................................................................... 6 Contexts .................................................................................................................................. 8 Anthropology and dance ......................................................................................................... 9 Understanding dance ......................................................................................................... 11 Theoretical framework ........................................................................................................ -
Otros Mundos El Pacífico En Málaga
OTROS MUNDOS EL PACÍFICO EN MÁLAGA Colección privada Juan Carlos Rey Salgado | Comisario Juan A. Camiñas Hernández Del 17 de junio al 31 de julio de 2021 ACADEMIA MALAGUEÑA Asociación Española DE CIENCIAS de Estudios del Pacífi co ÍNDICE 07 Málaga en el Pacífi co por Francisco de la Torre Prados 11 Integrando Ciencia y Cultura por Fernando Orellana Ramos 15 Una sociedad centenaria al servicio de la Ciencia y el Arte por José María Ruiz Povedano 19 La Fundación Málaga por Juan Cobalea 23 Málaga y el Pacífi co. Reencuentro con la Naturaleza por Juan A. Camiñas Hernández 29 Origen de la colección presentada en Málaga por Juan Carlos Rey Salgado EN MÁLAGA 33 El Pacífi co en Málaga de la mano de Juan Carlos Rey Salgado por Juan A. Camiñas Hernández PACÍFICO 37 La primera vuelta al mundo: naos, océanos y documentos por Esther Cruces Blanco 45 Un malagueño en el Pacífi co. La expedición de Ruy López de Villalobos por Francisco Mellén Blanco 49 Música para una exposición de Arte Melanesio por Pedro Bonet OTROS MUNDOS, EL 53 Catálogo de objetos de la exposición 5 87 Bibliografía 6 OTROS MUNDOS, EL PACÍFICO EN MÁLAGA MÁLAGA EN EL PACÍFICO La excelente labor de la Academia Malagueña de Ciencias y de la Sociedad Económica de Amigos del País, nos da hoy la oportunidad de disfrutar en nuestra ciudad de la singular colección etnográfi ca de Juan Carlos Rey Salga- do, diplomático de la Unión Europea y malagueño de adopción, bajo el título de Otros mundos, el Pacífi co en Málaga.