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The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020
City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Fall 1-5-2021 The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020 Denali Elizabeth Kemper CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/661 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020 By Denali Elizabeth Kemper Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Art History, Hunter College The City University of New York 2020 Thesis sponsor: January 5, 2021____ Emily Braun_________________________ Date Signature January 5, 2021____ Joachim Pissarro______________________ Date Signature Table of Contents Acronyms i List of Illustrations ii Introduction 1 Chapter 1: Points of Reckoning 14 Chapter 2: The Generational Shift 41 Chapter 3: The Return of the Repressed 63 Chapter 4: The Power of Nazi Images 74 Bibliography 93 Illustrations 101 i Acronyms CCP = Central Collecting Points FRG = Federal Republic of Germany, West Germany GDK = Grosse Deutsche Kunstaustellung (Great German Art Exhibitions) GDR = German Democratic Republic, East Germany HDK = Haus der Deutschen Kunst (House of German Art) MFAA = Monuments, Fine Arts, and Archives Program NSDAP = Nationalsozialistische Deutsche Arbeiterpartei (National Socialist German Worker’s or Nazi Party) SS = Schutzstaffel, a former paramilitary organization in Nazi Germany ii List of Illustrations Figure 1: Anonymous photographer. -
Sabine Brantl Haus Der Kunst, Munich a Locality and Its History in National Socialism
edition monacensia Published by: Monacensia Literary Archive and Library Dr Elisabeth Tworek Sabine Brantl, born in 1969, is a historian and curator at Haus der Kunst in Munich. She freelanced for the Bavarian Television and Je- wish Museum Munich and was a research assistant at the Academy of Fine Arts, Munich. On behalf of Haus der Kunst she conceptualised the design of the historical archive in 2004, which she has headed since 2005. Among other things, Sabine Brantl was curator of the exhibition “Histories in Conflict: Haus der Kunst and the Ideological Uses of Art, 1937-1955” (2012) and is responsible for the Archive Gallery, a perma- nent exhibition room on the history of Haus der Kunst (since 2014). Sabine Brantl Haus der Kunst, Munich A Locality and its History in National Socialism Published by Haus der Kunst, Munich Information on the publisher and its programme can be found at: www.allitera.de Published by Haus der Kunst, Munich www.hausderkunst.de Oktober 20156 Allitera Verlag A publishing house of Buch&media GmbH, Munich © 2016 Buch&media GmbH, München Translation: Dialogticket, Reinbek b. Hamburg Cover design using the photograph “Great German Art Exhibition” 1938 Selection of works by Adolf Hitler © Bayerische Staatsbibliothek Munich Printed in Germany isbn 978-3-86906-922-7 Inhalt Foreword by Dieter Reiter, Lord Mayor of Munich . 7 Introduction by Sabine Brantl ............................ 10 1 A new Glass Palace .................................. 13 1.1 The Glass Palace fire ............................. 13 1.2 Adolf Abel’s preliminary project .................... 23 2 The “Führer’s First Builder” ........................... 29 2.1 Paul Ludwig Troost ............................. -
Erich Mercker and “Technical Subjects”: Industrial Painting in the Eras of Weimar and Nazi Germany
H-Labor-Arts Erich Mercker and “Technical Subjects”: Industrial Painting in the Eras of Weimar and Nazi Germany Discussion published by Patrick Jung on Saturday, October 7, 2017 (Copyright 2008, Society of Industrial Archeology and reprinted with permission) From the author: This article was published earlier in Industrial Archaeology: The Journal of the Society for Industrial Archeology, vol. 34, nos. 1 & 2. It is reproduced here on H-Labor Arts to make it available to a wider audience. I wrote this article while I was in the midst of finishing a book-length manuscript on Erich Mercker, who was, undoubtedly, one of the top industrial artists in Germany from 1919 to 1945. He and his contemporaries (e.g., Fritz Gärtner, Franz Gerwin, Ria Picco-Rückert, Leonhard Sandrock, and Richard Gessner) constituted a school of artists who I have provisionally labeled the “Heroic School” of German industrial art from 1919 to 1945. The Grohmann Museum in Milwaukee, Wisconsin has paintings produced by virtually all of these artists. It also has more than 90 paintings by Erich Mercker, more than any other art museum in the world. Thus, it is fitting this article should appear on the H-Labor Arts site titled “From the Grohmann….” I also hope this essay will spur more research into Mercker and his “Heroic School” contemporaries, all of whom produced some of the most stunning examples of industrial art during the course of the early twentieth century. Those interested in reading the full-length biography on Erich Mercker (for which this article paved the way) should contact the Grohmann Museum at [email protected]. -
City-Map-2017.Pdf
3 New Town Hall 11 Hofbräuhaus The Kunstareal (art quarter) Our Service Practical Tips Located in walking distance to one another, the rich variety contained in the museums and galleries in immediate proximity to world-renowned München Tourismus offers a wide range of services – personal and Arrival universities and cultural institutions in the art quarter is a unique multilingual – to help you plan and enjoy your stay with various By plane: Franz-Josef-Strauß Airport MUC. Transfer to the City by treasure. Cultural experience is embedded in a vivacious urban space offers for leisure time, art and culture, relaxation and enjoyment S-Bahn S1, S8 (travel time about 40 min). Airport bus to main train featuring hip catering and terrific parks. In the Alte Pinakothek 1 , in the best Munich way. station (travel time about 45 min). Taxi. Neue Pinakothek 2 and Pinakothek der Moderne 3 , Museum By railroad: Munich Hauptbahnhof, Ostbahnhof, Pasing Brandhorst 4 and the Egpytian Museum 5 as well as in the art By car: A8, A9, A92, A95, A96. Since 2008 there has been a low-emission galleries around Königsplatz 6 – the Municipal Gallery in Lenbach- Information about Munich/ zone in Munich. It covers the downtown area within the “Mittlerer Ring” haus 7 , the State Collections of Antiques 8 , the Glyptothek 9 and Hotel Reservation but not the ring itself. Access is only granted to vehicles displaying the the Documentation Center for the History of National Socialism 10 appropriate emission-control sticker valid all over Germany. – a unique range of art, culture and knowledge from more than 5,000 Mon-Fr 9am-5pm Phone +49 89 233-96500 www.muenchen.de/umweltzone 9 Church of Our Lady 6 Viktualienmarkt 6 Königsplatz years of human history can be explored. -
Everything We Do in Digital Leads to the Original
Everything We Do in Digital Leads to the Original Do Art Museums Benefit from Social Media? Clara Bläser, Student ID: 12381624 Master of Arts (MA) in New Media and Digital Culture Supervisor: Dr. J.A.A. (Johannes) Simons | Second reader: Dr. Bogna Konior Amsterdam, June 2019 This document is written by Student Clara Bläser who declares to take full responsibility for the contents of this document. I declare that the text and the work presented in this document are original and that no sources other than those mentioned in the text and its references have been used in creating it. The Faculty of Humanities is responsible solely for the supervision of completion of the work, not for the contents. Amsterdam, June 28th, 2019 Clara Bläser 2 Abstract The aim of this thesis is to conduct how art museums in times of digitisation can get the attention of today's digital natives. It provides an insight into how museums use social media, to gain a new and younger audience. In order to get a clear perception of the Instagram use of museums, this paper is working with two case studies. The objects are two art museums in Munich, the Alte Pinakothek and the Haus der Kunst. Three interviews with social media representatives of the institutions and an art historian were conducted and a content analysis of the Instagram accounts of the Alte Pinakothek and the Haus der Kunst was made to formulate approaches for action. This study concludes that social media, given the Instagram analysis, offers a great opportunity to reach out to younger people and interact with them. -
München Für Touristen Und Einheimische
MÜNCHEN FÜR TOURISTEN UND EINHEIMISCHE der ultimative Guide © Alexi Tauzin – Fotolia.com Begeben Sie sich mit unserem Guide auf eine wundervolle Reise durch die Weltmetropole München und erfahren Sie interessante Fakten zur Landeshauptstadt und ihren besonderen Ecken. Überblick 1. Die Landeshauptstadt München .................................................................................................. 3 1.1. Die Entstehung der Landeshauptstadt München .................................................................... 3 1.2. Die Entwicklung der Landeshauptstadt München zu einer Kunststadt .................................. 3 2. Rundgang durch die Altstadt Münchens .................................................................................... 5 2.1. Durch die Altstadt München – Vom Sendlinger Tor zur Frauenkirche ................................... 5 2.2. Durch die Altstadt München – Vom Neuen Rathaus zum NS-Dokumentationszentrum ....... 6 3. Attraktionen in München – 4 echte Geheimtipps...................................................................... 7 3.1. Attraktion 1 – Bierbrau-Seminar .............................................................................................. 7 3.2. Attraktion 2 – Valentin Karlstadt Musäum ............................................................................... 7 3.3. Attraktion 3 – Nachtwächter-Tour ........................................................................................... 7 3.4. Attraktion 4 – Cuvilliés-Theater .............................................................................................. -
Reading Sample
MUSEUM BRANDHORST The Collection Edited by Patrizia Dander, Achim Hochdörfer, and Jacob Proctor Museum Brandhorst Bayerische Staatsgemäldesammlungen, Munich PRESTEL Munich · London · New York 6 Foreword Achim Hochdörfer, Bernhard Maaz 10 On the History of the Museum Brandhorst Achim Hochdörfer 18 The Architecture Andres Lepik 290 Artists in the Brandhorst Collection 292 Copyrights and Photo Credits 293 Authors 294 Imprint Achim Hochdörfer 28 Cy Twombly Monika Bayer-Wermuth 64 Andy Warhol Jacob Proctor 104 Pop Art and its Aftermath(s) Patrizia Dander 146 Schiff Ahoy—Onwards to New Shores The Legacy of Minimal Art Jörg Heiser 188 Constitutive Unpredictability Manuela Ammer 222 Eccentric Figuration Jacob Proctor 244 Doing Things With Images Patrizia Dander 266 Bodies and Capital On the History of the Museum Brandhorst Achim Hochdörfer Situated at the northeastern corner of Munich’s Kunstareal, in direct proximity to the three Pinakothek museums, the Museum Brandhorst is certainly eye-catching. Its elongated volume extends like a colorful sphinx along Türkenstrasse, its towering head greeting visitors who arrive from Schwabing and Maxvorstadt. The façade, with its 36,000 ce- ramic rods, inspired by the colors of nearby buildings, thereby enters into lively communication with its surroundings. When we walk around the building, every step opens up a new play of colors and perspectives, yet Sauerbruch Hutton’s architecture also radiates formal clarity and independence. In this respect, the paradox which affects every museum of contemporary art already becomes evident outwardly. For the role of the Museum Brandhorst has been formulated by Armin Zweite as a place where “historicizing the present”: here, the public is presented with current artistic achievements that are expected to appear relevant from a future retrospective position.1 The collecting of contemporary art, then, is not a passive, purely documentary activity, but instead inter- venes directly into cultural production. -
The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth
The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth- Century Bavaria A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Adam R. Gustafson June 2011 © 2011 Adam R. Gustafson All Rights Reserved 2 This dissertation titled The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth- Century Bavaria by ADAM R. GUSTAFSON has been approved for the School of Interdisciplinary Arts and the College of Fine Arts _______________________________________________ Dora Wilson Professor of Music _______________________________________________ Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT GUSTAFSON, ADAM R., Ph.D., June 2011, Interdisciplinary Arts The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth- Century Bavaria Director of Dissertation: Dora Wilson Drawing from a number of artistic media, this dissertation is an interdisciplinary approach for understanding how artworks created under the patronage of Albrecht V were used to shape Catholic identity in Bavaria during the establishment of confessional boundaries in late sixteenth-century Europe. This study presents a methodological framework for understanding early modern patronage in which the arts are necessarily viewed as interconnected, and patronage is understood as a complex and often contradictory process that involved all elements of society. First, this study examines the legacy of arts patronage that Albrecht V inherited from his Wittelsbach predecessors and developed during his reign, from 1550-1579. Albrecht V‟s patronage is then divided into three areas: northern princely humanism, traditional religion and sociological propaganda. -
Was Macht Eigentlich Das KVR? Der KVR-Chef Steht Rede Und Antwort
Mai 2005 Foto: www.atelier-tacke.de I Fotografiert und verspeist im „Dicker Mann“ Bayrisches Essen➜ Die richtigen Adressen für Bayern und Touristen ➜ Standplatz-Lügen! Jetzt wirds teuer – Neuer Strafkatalog ➜ Die besten Taxifahrer an den Flughafen! Gespräch mit der FMG ➜ Was macht eigentlich das KVR? Der KVR-Chef steht Rede und Antwort Taxi Kurier | 45. Jahrgang | Offizielles Organ der Taxi München eG | www.taxi-muenchen.de www.volkswagen-taxi.de Nur das Nötigste Kein Problem - auch wenn Ihre Fahrgäste „nur das Nötigste“ mit in den Urlaub nehmen. In Ihrem neuen Passat bringen Sie alles und jeden sehr komfortabel unter. Dafür sorgt das großzügige Raumangebot. In Kürze bei Ihrem Volkswagen Partner. Der Passat als Taxi Motiv T5/02 Inhalt TAXI-MÜNCHEN eG Editorial | Große Ereignisse und ihre Schatten 4 Haus des Taxigewerbes Profile | Unerschrocken, trotz Morddrohungen! Interview mit S. Lackner 5 Engelhardstraße 6 Top-Termine | Hier glüht der Taxameter 6 81369 München Die Genossenschaft | News aus der Zentrale 8 Taxizentrale-Taxiruf: Der Landesverband | Interessante Meldungen 10 Tel.: (089) 19 410 und (089) 21 61-0 Die Taxivereinigung | Namen, Adressen, Fakten 11 Fax: (089) 74 70 260 Dauerbrenner | Kindersitze 11 Münchner Straßen-Namen | Warum heißt …? – diesen Monat das „H“ 12 Chef vom Dienst: Ohne Worte | Glosse von Dreißigneundrei 15 Alfred Huber Witz des Monats | 15 Tel.: (089) 21 61-351 15 e-mail: [email protected] Leserbriefe | Flughafen München | Gespräch mit der FMG 16 Stellvertreter: Schrotti’s Fiaker-ABC | Der Buchstabe „L“ 18 -
TTM3343 OBER Arts Soc Grayshott MUNICH BAVARIA.Qxp Layout 1
The Arts Society Grayshott presents Oberammergau Passion Play 2020 & the Art & Palaces of Munich & Bavaria What is the 7 days from £1,539 Departing 16th June 2020 Oberammergau Passion Play? THE HISTORY In 1633, in the middle of the Thirty Years War, Bavaria was being swept by a plague epidemic and more than 80 lives had been lost in Oberammergau alone. The local elders vowed that if the village were purged of the plague, they would ‘keep the Passion tragedy every 10 years’. The epidemic came to a standstill and in 1634 the villagers fulfilled their solemn promise for the first time. Ever since they have loyally kept their vow and in 2020 Oberammergau will, for the 42nd time, be staging the Passion Play telling the story of Christ’s Passion, from His entry into Jerusalem and ending with the Resurrection and Ascension. THE STAGE The roofed auditorium has seats for nearly 4,500 spectators. The terraces rising towards the back of the auditorium ensure a good view from every seat of the open air stage, where the play is performed whatever the weather. THE PLAY The Play is performed exclusively by amateur actors, who were either born in Oberammergau or have lived there for the past 20 years. In 2010, over 2,000 of the 5,300 or so inhabitants were involved either on stage or backstage. A special feature of the Oberammergau Passion Play is its living tableaux: colourful scenes from the Old Testament, which are woven into the story of the Passion in the form of still life pictures. -
Munich Including Large Pull-Out Map & 80 Stickers for Individual Planning
Munich Including large pull-out map & 80 stickers for individual planning English Edition 0094_Muenchen_oc_ic_E.indd 1 22.03.16 09:32 Munich Author Karin Baedeker Including large pull-out map & 80 stickers fal- for individualkeits- planning rche Löwen- Promenade- www.polyglott.degr. platz 34 Ettstr. Frauenpl. 5 4 Marien- Hof- grab Am Weinstr. hof 39 Kosttor 37 Färber- 2 r. Kaufinger- t s str. str. n 1 40 e Platzl38 Dienerstr. 38 Hildegardstraße 51 assa degardstraßeegegaardstraße g Marienplatz r. k B graben rä aßaße n r L i MariMarMarien-ririenn-n st a ed s uh r. t R g p e r. t - straßet aße re - s - S g r platplapplatzatzatz u r . s r Burgstr.Burgst tr e r . HerrnstraßeHerrHerrnstr e b m l ll el- 3 - m r.- nst o i Hacken- Ta b M traß St Hofstatt 20 l aße W ochb ar ß - Knöbel-KöbKnöb Hochbr.-HochbH ie s str. 19 ns a tr. Tal m delgdel 14 Str. o Adelgundenstr.Adelgundenst H.- R ViktualViktualieVViktualien-iktualien-tuaualallienienn- h erSack- Oberangero s 21 T gStr en marktm k 22 Mannnn- in 15 tal Radlsteg 2604_Muenchen_E.indd 1 dl IsartIIsartor-aartortor- Sebastians-nns- Westenriederstr. plpplatzaatztz platz Isartorartortor tr. 188 Frauen- s aße . tr LäLän r chs t iers n sstr. h T r. ststr.tr. st d-d herrstherr Liebherrstr.LiebherrstLieb e 05.02.16 15:29 6 Local Flair SPOTLIGHTS 8 Munich Is Well Worth a 28 Children Visit! 53 Nightlife 11 Travel Barometer 62 Modern Architecture 12 50 Things that You… 66 Oktoberfest 19 What’s behind it? 160 Munich Checklist FIRST CLASS! 32 The Most Beautiful Bathing 20 Travel Planning Places & Addresses 37 -
München München
München München Ein Unternehmen von Beschriftungsende Beschriftungsende Schnitt Schnitt Beschriftungsende Beschriftungsende Übersichtskarte München Kartenende Kartenende Beschriftungsende Beschriftungsende Schleißheim, Ingolstadt Nürnberg, Allianz-Arena Triebstr. Frankfurter Ring Frankfurter Ri Moosacher Str. ng Fö hrin ger . R UNTERMENZING ing r Dachauer BMW- St . Allee Museum Str. Al str lach Kahr- er BMW-Welt ueltunnel Pet Leopold- Sc rg- Belgrad- he Von- MOOSACH Geo Brauchle- Ring nke Englischer Cosim Menzinger nd a Sea Life or s fs t t r Olympia- r. ring r. stadion St . Str. Olympia- Isar Jo str Stuttgart SCHWABING ha Schleißheimer n neskir OBERMENZING Str - chne park I r Ba aße . r. s r a l t t str durs W s str n r Str Str - . a n . Garten . i a r s t e Ungerer s Menzinger m n V Wintrich- r erdi- e . h Münchener str Botanischer a k GERN c Schloss u Garten S s A Freiheit OBERFÖHRING t s Blutenburg r. t r . r Hohenzollernstr. r t Schloss e S Nördl. Auahrtsallee r g e huter n - i g r r - a Südl. Auahrtsallee Dachauer h u ö m b Nymphen- i f s ring r s . k . e c tr . r Ener o . Englischer t b ü s C burg NYMPHENBURG d rs O Str l o G nr e A eo y Englschalkinger str. rn L S. 18/19 a u NEUHAUSEN m l f Str - - . Leopoldstr Garten s - - n . n d e r t a n d s t a Brienner Str i n o str. L W e Landsberger . BOGEN- r W ß Arnulf- t .