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Kajian Stilistika ”Teks Seksual Dalam Serat Centhini” Karya Pakubuwana V

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Kajian Stilistika ”Teks Seksual Dalam Serat Centhini” Karya Pakubuwana V View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sebelas Maret Institutional Repository KAJIAN STILISTIKA ”TEKS SEKSUAL DALAM SERAT CENTHINI” KARYA PAKUBUWANA V TESIS Untuk Memenuhi Sebagian Persyaratan Mencapai Derajat Magister Program Studi Linguistik Minat Utama Linguistik Deskriptif Oleh : NURNANINGSIH S110908010 PROGRAM STUDI LINGUISTIK PROGRAM PASCASARJANA UNIVERSITAS SEBELAS MARET SURAKARTA 2010 KAJIAN STILISTIKA ”TEKS SEKSUAL DALAM SERAT CENTHINI” KARYA PAKUBUWANA V Disusun oleh Nurnaningsih S110908010 Telah Disetujui oleh Tim Pembimbing Dewan Pembimbing Nama Tanda Tangan Tanggal Jabatan Pembimbing I Prof. Dr. H.D. Edi Subroto ……………….. …………. Pembimbing II Prof. Dr. H. Soediro Satoto ……………….. …………. Mengetahui Ketua Program Studi Linguistik Prof. Drs. M.R. Nababan, M. Ed., M.A., Ph.D. NIP. 196303281992011001 KAJIAN STILISTIKA ”TEKS SEKSUAL DALAM SERAT CENTHINI” KARYA PAKUBUWANA V Disusun oleh Nurnaningsih S110908010 Telah Disetujui oleh Tim Penguji Jabatan Nama Tanda Tangan Tanggal Ketua Prof. Drs. M.R. Nababan, M. Ed., M.A., Ph.D. ………....... ………. Sekretaris Dr. Tri Wiratno, M.A. ………....... ………. Penguji I Prof. Dr. H.D. Edi Subroto ………....... ………. Penguji II Prof. Dr. H. Soediro Satoto ………....... ………. Mengetahui Ketua Program Prof. Drs. M.R. Nababan, M. Ed., M.A., Ph.D. ………. ………. Studi Linguistik NIP. 196303281992011001 Direktur Program Prof. Drs. Suranto, M.Sc., Ph.D. ……..... ............. Pascasarjana NIP. 195708201985031004 PERNYATAAN Yang bertanda tangan di bawah ini, saya Nama : Nurnaningsih NIM : S110908010 Menyatakan dengan sesungguhnya bahwa tesis berjudul Kajian Stilistika “Teks Seksual Dalam Serat Centhini” Karya Pakubuwana V adalah betul-betul karya saya sendiri. Hal-hal yang bukan karya saya dalam tesis tersebut diberi tanda citasi dan ditunjukkan dalam daftar pustaka. Apabila di kemudian hari terbukti tesis saya ini tidak benar, maka saya bersedia menerima sanksi akademik berupa pencabutan tesis dan gelar yang saya peroleh dari tesis tersebut. Surakarta, 7 Juni 2010 Yang membuat pernyataan, Nurnaningsih KATA PENGANTAR Dengan rahmat Tuhan Yang Mahakuasa, penulis dapat menyelesaikan tesis yang berjudul Kajian Stilistika ”Teks Seksual Dalam Serat Centhini” Karya Pakubuwana V. Penyusunan tesis ini untuk memenuhi sebagian persyaratan guna memperoleh gelar Magister Humaniora pada Program Studi Lingusitik Minat Utama Linguistik Deskriptif di Program Pascasarjana Universitas Sebelas Maret Surakarta. Untuk menyusun tesis ini, penulis mendapat dukungan dari berbagai pihak. Sebagai tanda ucapan terima kasih, penulis tidak dapat mencantumkan semua nama mereka dalam halaman tesis. Namun demikian, dengan setulus hati penulis mengucapkan terima kasih kepada pihak-pihak yang telah membantu terwujudnya karya ini seperti tercantum di bawah ini. Prof. Drs. M.R. Nababan, M. Ed., M.A., Ph.D. selaku Ketua Program Studi Linguistik yang telah memberikan kesempatan kepada penulis untuk menempuh S2 Program Studi Lingusitik Deskriptif di Program Pascasarjana Universitas Sebelas Maret Surakarta. Prof. Dr. H.D. Edi Subroto selaku Pembimbing I dengan penuh kesabaran membimbing penulis sejak penyusunan rancangan usulan penelitian sampai selesai penulisan tesis. Petuah-petuahnya yang mencerminkan kesabarannya sungguh membekas di hati sanubari dan sekaligus merupakan pendorong semangat penulis. Semoga amal baiknya, mendapat imbalan yang sepadan dari Tuhan Yang Mahakuasa. Prof. Dr. H. Soediro Satoto selaku Pembimbing II, yang dengan penuh kesabaran dan rasa tanggung jawab telah memberikan pengarahan dan saran-saran yang sangat berharga dalam penulisan tesis. Semoga Allah Swt menerima amal baiknya. Drs. Supardjo, M.Hum. selaku pimpinan Yayasan Sastra, yang telah memberikan kesempatan kepada penulis untuk meneliti Serat Centhini yang tersimpan di perpustakaan koleksi milik Yayasan Sastra. Ayah penulis Cipto Sunarno dan kedua mertua penulis Suwarto dan Sukinah yang telah memberikan doa dan pengorbanannya dengan setulus hati telah mendorong semangat penulis untuk menyelesaikan program magister. Prasetyo Adi Wisnu W, suami penulis dan kedua anak penulis yaitu Bagus Nur Indra Pangestu serta Dhimas Tedja Arif Pangestu yang telah memberikan pengorbanan dan cinta kasih dengan setulus hati demi kelancaran program ini. Saudara seperjuangan penulis yang selalu bersama dalam suka maupun duka. Teman-teman penulis di Program Studi Lingusitik Deskriptif ‘08 yaitu Bu Elis, Nene, Bayu, Suleman, Eko Marini, Widy, Unie, Okta, Yangyang, Jasmin dan teman-teman penulis di Yayasan Sastra, Prodi PBSD Univet Bantara serta SMA Mojolaban Sukoharjo semuanya yang tidak dapat disebutkan namanya satu per satu telah banyak membantu dan mendorong penulis agar segera menyelesaikan tesis ini. Akhirnya, penulis berharap mudah-mudahan tesis ini bermanfaat baik secara teoretis maupun secara praktis. Segala saran dari pembaca selalu penulis harapkan. Surakarta, 7 Juni 2010 Penulis, DAFTAR ISI Halaman PENGESAHAN PEMBIMBING TESIS . ii PENGESAHAN TESIS . iii PERNYATAAN . iv KATA PENGANTAR . v DAFTAR ISI . vii DAFTAR TANDA . xi ABSTRAK . x. ii . ABSTRACT . xiv. BAB I PENDAHULUAN . 1 A. Latar Belakang Masalah . 1 B. Rumusan Masalah . 15 C. Tujuan Penelitian . 15 D. Manfaat Penelitian . 16 BAB II TINJAUAN PUSTAKA DAN LANDASAN TEORI 17 A. Tinjauan Pustaka . 17 1. Penelitian tentang Serat Centhini. 17 2. Perbedaan Penelitian Serat Centhini Terdahulu dengan 22 Kajian Stilistika Teks-teks Seksual Serat Centhini Karya Pakubuwana V Dalam Penelitian Ini . B. Landasan Teori . 23 1. Stilistika . 23 2. Morfologi . 25 3. Bahasa / Diksi dalam Puisi. 26 4. Rima dan Ritme . 28 5. Bahasa Figuratif . 29 6. Struktur Batin Puisi. 33 a. Tema ‘Sense’. 33 b. Perasaan ‘Feeling’ . 34 c. Nada ‘Tone’. 35 d. Amanat atau Tujuan ‘Intention’. 35 7. Seks . 36 8. Kerangka Pikir . 41 BAB III METODODOLOGI PENELITIAN . 4 .2 . A. Jenis Penelitian . 42 B. Teknik Penarikan Sampel (Cuplikan/Sampling) . 43 C. Sumber Data dan Data . 44 D. Metode dan Teknik Pengumpulan Data. 4 .5 E. Validitas Data . 46 F. Metode dan Teknik Analisis Data . 47 BAB IV HASIL ANALISIS DAN PEMBAHASAN . 52 A. Hasil Analisis . 52 1. Pemanfaatan Rima dan Ritma dalam Serat Centhini . 52 a. Asonansi (Purwakanthi Guru Swara) . 55 b. Aliterasi (Purwakanthi Guru Sastra) . 73 c. Purwakanthi Lumaksita . 104 2. Kekhasan Proses Morfologis dalam Serat Centhini . 111 a. Proses Afiksasi . 112 b. Proses Perulangan . 138 1). Perulangan Seluruh . 139 2). Perulangan Dwipurwa . 142 3). Perulangan Berkombinasi dengan Pembubuhan Afiks . 144 c. Proses Persenyawaan . 145 d. Proses Perubahan Fonem dan Bentuk Kata . 148 1). Perubahan Fonem karena Konvensi Tembang . 149 2). Proses Perubahan Bentuk Kata karena Konvensi 157 Tembang . 3. Pemilihan Diksi dan Bahasa Figuratif dalam Teks Seksual 161 Serat Centhini Karya Pakubuwana V. a. Pilihan Kata (Diksi) . 161 1). Tembung Dasanama. 162 2). Kata-kata Kawi. 166 3). Sasmita Tembang . 167 4). Diksi yang Bersifat Pribadi dan Khas Dalam Hal Seks 170 a). Diksi nama-nama bagian anggota tubuh yang sering 170 disebutkan berkenaan dengan masalah seksual . b). Diksi yang mengundang khayalan seks . 181 c). Diksi Penggunaan Kata-kata dari Bahasa Arab. 189 b. Gaya Bahasa / Majas . 194 1). Metafora . 194 2). Simile . 198 3). Metonimia . 205 4). Personifikasi . 211 4. Pengungkapan Struktur Batin Teks Seksual Serat Centhini 214 Karya Pakubuwana V . a. Tema . 214 b. Perasaan . 248 c. Nada . 253 d. Amanat . 259 B. Ajaran-ajaran Seks dalam Serat Centhini . 269 C. Pembahasan . 320 BAB V PENUTUP . 360 A. Kesimpulan . 360 B. Saran . 361 C. Implikasi Linguistik . 362 DAFTAR PUSTAKA . 363 Lampiran Data (I). 367 Lampiran Data (II). 393 Lampiran Data (III). 475 DAFTAR TANDA Daftar Tanda (.../.../...) : Tanda ini berisi secara berturut-turut: nama pupuh, pada ‘bait’, gatra ‘baris’ puisi. / : Jeda pendek (setaraf dengan koma). // : Jeda panjang (setaraf dengan titik). ... : Tuturan sebelumnya atau tuturan selanjutnya. ( ) : Opsional, pemerlengkap. { } : Yang terdapat di dalamnya bersifat morfemis. /.../ : Menunjukkan ejaan fonemis. ‘...’ : - Mengapit makna unsur leksikal atau terjemahan. - Arti dari suatu kata. “...” : Istilah khusus. Diakritik /ê/ : Untuk menulis kata misalnya lênga, têka, bêgja dan sebagainya. Diakritik /è/ : Untuk menulis kata misalnya gègèr, lèmpèr, sebagainya. ABSTRAK Nurnaningsih. S110908010. 2010. Kajian Stilistika ”Teks Seksual Dalam Serat Centhini” Karya Pakubuwana V. Tesis. Program Pascasarjana Universitas Sebelas Maret Surakarta. Kajian stilistika ini merupakan analisis kekhasan pemakaian bahasa seksual dalam Serat Centhini karya Pakubuwana V. Adapun permasalahan yang dibahas dalam penelitian ini, yaitu 1) Bagaimanakah pemanfaatan bunyi-bunyi bahasa yang dominan muncul, yaitu rima/ purwakanthi serta aspek ritma dalam Serat Centhini khususnya dalam hal seks? 2) Bagaimanakah kekhususan aspek morfologis dalam Serat Centhini khususnya dalam hal seks? 3) Bagaimanakah pemilihan kata (diksi), dan pemilihan bahasa figuratif (majas) dalam Serat Centhini khususnya dalam hal seks? 4) Bagaimanakah pengungkapan struktur batin puisi yang meliputi tema (sense), perasaan (feeling), nada (tone), dan amanat (intention) dalam Serat Centhini khususnya dalam hal seks? Tinjauan pustaka dalam penelitian ini meliputi penelitian yang berkaitan dengan Serat Centhini yang telah dilakukan oleh para peneliti terdahulu dan memberikan gambaran mengenai perbedaan penelitian teks seksual Serat Centhini secara stilistika yang akan dilakukan oleh penulis. Adapun landasan teori yang dipergunakan meliputi tujuh teori,
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