DOCSLIB.ORG

L^Cr- 'Jn C^\' Rio*' ^ J^X for Everyone in the Business of Music 22

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
L^Cr- 'Jn C^\' Rio*' ^ J^X for Everyone in the Business of Music 22 l^cR- 'jn c^\' Rio*' ^ j^X For Everyone in the Business of Music 22 MARCH 1997 £3.25 Befîore The Rain ii ;.., -:ft M vfiZ Présent their Brand New Album Befiore The Rain Out Ncw-Featuring the singles "Dcn'tyou Levé Me , their I2th and biggest hit te date, plus the top 5 smash "Scmeday" (from the Dimey movie "The Hunchback cf Notre Dame ) Ji" ft .'i ' ii Wm % (/1 t Marketing Befcre The Rain will include: National TVadvertising week one. Radie & TV advertising week three. A national twe week adshel poster campaign w/c icth March. Cxtemive music, teen, specialist & national press advertisins along wlth major imtore dlsplays and Windows. The marketing campaign will continue throughout CtemaTs Arena Tour which starts in March Aise included on BefjCVC The Rctiîi is the glorious new single "I Wanna Be The Cnly One" recorded with the legendary BeBe Winans ^ ^ and due jjor release in May. usKwe For Everyone In the Business of Music 22 MARCH 1997 THIS WEEK Grainge takes Polydor hotseat 4 Record CD ! seizurehitspirates ; comeKennedy through says, A&R." "Polydor's But hesuccess adds thathas renewed his deal as Wild Gard A&R there is more to Grainge. "1 wouldn't director. are important to me. I war 5price Woolies action i managing dire r of Polydor, replacin. have appointed him if he ; didn'tskills," have is entirelyKennedy amicable says Lumbroso's and that departure he leaves eoplereally to happy have environraentfun." raisesfears after two-and-half years. In 1996, Polydor established itself as Lumbroso arrived at Polydor from 'actsor's strengthwhich he isis déterminein a div announced to staff on Friday, cornes one of the UK industr/s most prolific SeptemberPolyGram France's 1994. RemarkAlthough Records he has in t, he says, "We've got so ir justscooped a week the A&Rafter awardhe and at histhe teamMW Ailteams Change of talent-spotters, album and The tuming Lighthouse Cast's presided over one of the company's irted yet." Awards in récognition of the extraordi- Family's Océan Drive into the two determinedlymost successful low periods, profile hein hasthe UK.taken a withîd Polydor PolyGrai in 1! Mus naryThe tumaround élévation of at Grainge, the Company. 36, follows biggest-sellinghistory and developing débuts in a thestring compan/s of baby He is now in talks with PolyGram Publishing which he 1 Raissa,acts including Monaco Silver and CodeSun, DustRed. Junkys, couple of theDuring UK. 18 years in the music indu 29 New affairs, in which he jrhas A&R led £ n A&R In a further affirmation of the team's try, Grainge has also worked wi Charlatansgoals for Thei révolution through the develo. success, A&R director Paul Adam - ;i hetime could to artists17 and Dinaranging Carroll from to Eurythmies, Metallica, Suei Ea Family,acts such Shed as 7 Cast,and Gene. The Lighthouse whoPolyGram joined MusicPolydor Publishing with Grainge in 1993 from - and Bjork, in spells at April Mus: 30 Damage: PolyGram chairman and ceo John is for the company and RCA Music and MCA Records. contendersUKR&B Lloyd Webber hires Reid as manager :W Lloyd Webber has hired Eltc will co 49score Dooley: draw in manager John Reid to nui his cr copyrightsNeither Lloydand theatrical Webber norproductions. Reid were with Fugees the new rôle, which was available to comment, but a spokes- >verinnounced as Lloyd on Webber's Friday, manaReid womanhiring for Reid Webber to ease says his the workload. composer is .)ut.;eeing Patrick the composer's McK( new cre lossThe of 18 appolntment jobs at the London of Reid office follows of thethe of The îdbyReally Webber- Useful Really Useful Group in January this Starnamessignup for creative awards REAYTRNn S Î7 'Flexible' TOTP features charttumblers the show's use of ex. THE BRAXTONS Produced by Masters Al Work shifl in goodifTOTPis onDut CD.l2".CaSsette This Week in the mm^flexibility. ît iîmore t CHANNEL FIVE UNVEILS MUSIC PLANS - p3 ► ► ► ► B o N/A)N n I V E R S A I R FALLING INTO YOU One year in the chans - An average of 5,500 copies sold eveiy day TWO MILLION COPIES SO FAR ... GRAMMY - 'Album of the Year' Over a million copies sold of the hit singles ALL BY MYSELF FALLING INTO YOU BECAUSE YOU LOVED ME IT'S ALL COMING BACK TO ME NOW BRITS AWARD nominee - two years running EUROPEAN SUMMER TOUR '-M. NEWSDESK: 0171-921 59! NEWSFILE policyChannel at Fi\a meeting wilh Sony executives on Tuesday. At Ihe event, chairod by Sony's vice président of Arista is pressinggoes ahead ahead with with the releaseB.I.G. nextalbum Monday stratégiecommunications marketing Gary Tony Farrow, Clark C5 and head vice of président régional of (24) of Notorious B.I.G.'s prophetically-titled album indepondent productions and soecial events Adam AngelesLife After on Death, March despite 8. The the album, rappeFs whose death sleeve in Los art concertPerry revealed films of thalthe Fugees channel- from Haiti had -turned and U2, down live features a picture of the rapper standing next to a Aprilhearse, 28. will See be story.RMpl followed by the single Hypnotize on notconcert justify alone the outlay.would Broadcaslbave cost £100,000, rights to saidthe UZ Perry. Pictured at the Sony meeting are (I-r) C5 research/nev EMI Records déniés has VOP rejected favouritism claims by independent Mark Halstead, Clark, Farrow, Adam Perry and C5 preferentialretailers that trealment Virgin Our over Price its hasSale been of the given Century tocampaign. ail multiples As part and of independents, the £400,000 campaign, 100 classic availabfe albums fromprice the of £9.99 EMI andeach. Virgin But severalvaults are indies offered have at complained a retail CSpledgestolaunch to EMI that VOP received stock several days before anyoneEMI says else VOP as did well not as reçoive extra titles. discount A spokesman on the albums for storeswhich werethe retailer supplied added with to produet the campaign, before theand TV that ail peak-time chart show campaign launched. New arrivai finalises Columbia line-up by Robert Ashton WHERE MUSIC WILL ings,i ITVs BBC's Videotech Top OfThe on ThursdayPops on Fridays Columbia Records head of A&R/general manager Dave FIT IN ON C5 nights.and MTVs BBC The Radio Hit OneList remainson Monday the Balfe has appointed Simon Aldridge as A&R manager. er this : Jackihow. Doherty Weekdays, Show llpm. - Letterman-style chat first radio station to broadeast the chart willAldridge he responsible joins Columbia (or signing after seven and developing years at ZTT. R&B He and Exclusive - A showbiz gossip show. Show.through its Sunday aflernoon Chart pop acts. on TheEaster new Sundaychannel, (30). which is hitstalking the airto Weekdays,Five's Company 7pm. - Housewives magazine At Tuesda/s Sony Music meeting, show.Mag-Ayouth Weekday afternoons. magazine show. nicationsorganised byGary vice présidentFarrow, ofexecutives commu- RGA lures Howard to head press team whichweekly would show run in September.52 weeks a year, The wouldshow, remarked on the lack of music being Amy24, running Howard the Is lahel'sjoining five-strong RCA as head press of press team. on Howard, March Night Fever - Celebrity karaoké show At the meeting, C5's Adam Perry who joins from WEA, replaces Kristina Kyriacou who TuesdayPlans for(11) the when show executives were leaked from lastthe "ronted by Suggs.- Saturday Pop quiz evenings.hosted by DJ told the Sony audience that C5 is became marketing director at the end of last year. station outlined their plans to 180 Sony Alpha Zone-Contempoi matsunlikely like to programmeBBC2's Later music-only With Jool: for Following Howard s departure, WEA is aise Music staff at a Q&A Holland and C4's The White Roon strengtheningGinny Luckhurstfrom its press Parlophone team with theas senior appointment press of headquarters. ThatTune-Quizsh showsbecause attract. of the The small channel audiences will aim sud t( offîcer and Pippa Hall from Freud Communications as independentAdam Perry, productions C5 head andof régionalspéciali-xC this spring.JbyJoolsHolland. t press offîcer. events and one of two i Jack Doherty i Showsuch andai The Mag3, I the panel). TheDublin Divine festival Comedy, Babybird, unveils Suede, headline Counting bands Crows î channel, but it is under- The channel will comprise 60% origi- and Beck are to headline the second Heineken Greeh adeeveral preliminary production enquiries compa- fromEnergy May International 1-5. The Dublin Music event Festival, aise features which takes a place Perry will not be drawn on the format ossibility of licensing the available in 60%-65% ofUK homes by showease of new talent plus seminars and workshops. Initial,or length or of the the time-slotshow it is inplanning which withit is usic show. next week's launch, but that it would be likely to air. "I can only say we are a show. Existing TV expo- happy with a 5% market share by the Brilliant! PR hasfills promoted new TVSarah rôle Davis to the new HMV reacheslOO hasposition worked of head at Brilliant of télévision for the promotion. pasttwo years, Davis, was who Total/BMG clinches new withMidlandsshop previouslyparallel moves, in Virgin's Laura promotion Gilchrist becomes departmenl. radio In andtwo TV distribution deal with Edel promotionpromotions assistant. assistant and Andréa Phipps becomes radio Edel is switching disf Pinnacle and w £750,000,is Friday (Mardi 750 sq Total/BMGSteve Mason's after Pinnacle two Awards boostfor Spice and Bee Gees Edel managing dire r Daniel ded. "It will BPt^ platinumSpice Girls' by theSpice BPI was last certifîed week as eight The Beetimes Lyccttbid to allow says theEdel label greater is flexibility. as they are retailer is hoping to finalise Geesalso received awards for The Very Best OfThe Bee "We wanted the freedom to see happy with us," hc says.
Load more

Recommended publications
  • Press Book from 01.02.2014 to 28.02.2014
    Press Book from 01.02.2014 to 28.02.2014 Copyright Material. This may only be copied under the terms of a Newspaper Licensing Ireland agreement (www.newspaperlicensing.ie) or written publisher permission. -2- Table of Contents 15/02/2014 Limerick Leader West Edition - Leader 2: Dolan's win top award.................................................................................................................. 3 06/02/2014 Donegal Democrat: Donegal acts for Other Voices....................................................................................................... 4 27/02/2014 Irish Independent Tabloid-Fit Magazine supplement: Don't give up at the first little roadblock.......................................................................................5 08/02/2014 Limerick Post: IMRO Award for Limerick venue....................................................................................................6 12/02/2014 Bray People: IMRO crowns Mermaid Leinster's top live venue........................................................................... 7 12/02/2014 Wicklow People: IMRO crowns Mermaid Leinster's top live venue........................................................................... 8 08/02/2014 Limerick Leader Saturday City: IMRO gets injunction against Bourke's bar................................................................................... 9 08/02/2014 Limerick Leader Saturday West: IMRO gets injunction against Bourke's bar................................................................................
    [Show full text]
  • Sociopolitical Issues in U2's War and the Joshua Tree
    Études irlandaises 45-2 | 2020 Varia “Flowers of Fire”: Sociopolitical Issues in U2’s War and The Joshua Tree Elena Canido Muiño Electronic version URL: http://journals.openedition.org/etudesirlandaises/10187 DOI: 10.4000/etudesirlandaises.10187 ISSN: 2259-8863 Publisher Presses universitaires de Caen Printed version Date of publication: 31 December 2020 Number of pages: 55-75 ISBN: 978-2-84133-996-9 ISSN: 0183-973X Electronic reference Elena Canido Muiño, ““Flowers of Fire”: Sociopolitical Issues in U2’s War and The Joshua Tree”, Études irlandaises [Online], 45-2 | 2020, Online since 31 December 2020, connection on 14 February 2021. URL: http://journals.openedition.org/etudesirlandaises/10187 ; DOI: https://doi.org/10.4000/ etudesirlandaises.10187 Études irlandaises est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International. “Flowers of Fire”: Sociopolitical Issues in U2’s War and The Joshua Tree Abstract: U2 have always managed to hold a narrow line between social awareness and partisan political allegiance, belonging to a broad category of music that Rachel E. Seiler calls “contemporary conscious popular music”, which includes “music of any genre that focuses on social issues and perceived problems in society and may or may not include music that carries an overtly political message”. Consequently, much of the analysis of their songs claim that these are only a mere description of the terrible situation countries such as Ireland and the US were facing at that time. In this paper, however, I will examine the sociopolitical significance of U2’s songs as an appreciator of their cultural contribution and show that the events which formed the backdrop to some of U2’s most explicitly political songs in the 1980s – especially those included in War and The Joshua Tree – are etched indelibly into the text of both Ireland’s and America’s troubled colonial and political history.
    [Show full text]
  • Educating Popular Musicians: Insights Into Music Teaching and Learning on Higher and Further Education Programmes in Ireland
    Educating Popular Musicians: Insights into Music Teaching and Learning on Higher and Further Education Programmes in Ireland by Miranda Cournane The University of Sheffield Department of Music July 2019 Submitted for the Degree of Master of Philosophy This page intentionally left blank 2 Abstract The aim of this thesis is to investigate approaches to the teaching and learning of popular music in higher and further education institutions in the Republic of Ireland. Despite the proliferation of popular music in contemporary culture, very little research has been conducted into how popular musicians are educated in Ireland. This research presents an analysis of case study data using Interpretative Phenomenological Analysis (IPA) as a framework. The research examines how students of popular music approach their learning and whether their needs are adequately supported in higher and further education settings. The research also investigates how the study of popular music is valued at institutional level. Findings highlight the importance of informal learning, authentic learning environments, technology, performance and industry engagement amongst popular music students and tutors. Findings also show an inconsistent approach to the facilitation of these learning needs within higher and further education institutions in Ireland. Disparate attitudes between students and teaching staff in relation to the value of studying music in higher education is also evidenced in the findings. The research makes an important contribution to the field of popular music education in Ireland and provides a number of recommendations for the delivery of popular music programmes in higher and further education. 3 Acknowledgements I would like to thank the teaching staff and music students who participated in my research study over the past number of years.
    [Show full text]
  • The Stories Behind Every U2 Song (Stories Behind the Songs) by Niall Stokes
    U2: The Stories Behind Every U2 Song (Stories Behind the Songs) by Niall Stokes Ebook U2: The Stories Behind Every U2 Song (Stories Behind the Songs) currently available for review only, if you need complete ebook U2: The Stories Behind Every U2 Song (Stories Behind the Songs) please fill out registration form to access in our databases Download here >> Series:::: Stories Behind the Songs+++Perfect Paperback:::: 192 pages+++Publisher:::: Carlton Books; Reprint edition (October 6, 2009)+++Language:::: English+++ISBN-10:::: 1847322875+++ISBN-13:::: 978-1847322876+++Product Dimensions::::5.8 x 0.5 x 8 inches++++++ ISBN10 1847322875 ISBN13 978-1847322 Download here >> Description: U2 fans who want material on the band but “still haven’t found what they’re looking for” will welcome this song-by-song volume. This definitive new book features original and revealing interviews with the group, plus key people close to them. It not only traces U2’s meteoric rise to fame, but explores the background and inspiration behind every song written by the band. A full analysis of U2’s long-awaited new album No Line on the Horizon makes up the last main chapter. U2: The Stories Behind the Song is a good book for anyone wanting to know more about U2. The book is very reasonably-priced, mainly due to its small size, compared to older editions. However, this is the fourth edition of the book, and compared to the previous edition, it is quite lacking. For starters, a lot of information from the previous edition is missing. Almost every song from Boy up to No Line on the Horizon is explained in detail, but a lot of the entries for older songs have been shortened, with less information that was previously available.
    [Show full text]
  • The Brooklyn Food Conference
    09.06.04_pages 1-16 6/3/09 3:53 PM Page 1 OFFICIAL NEWSLETTER OF THE PARK SLOPE FOOD COOP Established 1973 Volume DD, Number 12 June 4, 2009 The Brooklyn Food Conference A Few By Alison Levy ay 2’s well-attended Brooklyn Food Conference was co-sponsored Less-Celebrated by the Park Slope Food Coop and held at the John Jay High School. MFrom gourmands to policy wonks, from community Veggies organizers to chefs and gardeners, the conference had something for By Ed Levy everyone. For green-thumbed city dwellers, there were offerings on growing your own food, including “Permaculture, Community Gardens” and “A ll the regular spring Tatsoi Modern Victory Garden: Making and Growing Food in Your Backyard.” vegetables are arriving Tatsoi is an Asian green, A in force, partly because with dark green spoon- one of the Coop’s main suppli- shaped leaves that form a “A Roundtable of New York ers got an earlier start than thick rosette. Tatsoi also goes Chefs” featured innovators usual this year in hothouses. by the names spoon cabbage, who offer local, sustainably The old regulars like spinach, spinach mustard and rosette grown food in their chard, kale, lettuce and beet bok choy. A member of the restaurants, while a session greens have brought along brassica family (which called“Gastropolis” focused some of their less familiar includes broccoli, brussel on the variegated food cul- cousins —like cardone, tatsoi, sprouts and cabbage), it has ture of New York, highlighted mizuna and nettles. One by the appearance of a cur- caveat: some, but probably not CONTINUED ON PAGE 6 rent-generation family mem- all, of these vegetables may ber of Russ and Daughters, still be on the shelves by the the Lower East Side’s smoked time this is published.
    [Show full text]
  • Find Doc « U2": Stories Behind the Songs
    R6ZQFKNF0MVZ > Doc > U2": Stories Behind the Songs U2": Stories Beh ind th e Songs Filesize: 4.32 MB Reviews Absolutely essential read through pdf. it was actually writtern extremely flawlessly and valuable. You will like how the writer publish this book. (Destin Leffler) DISCLAIMER | DMCA V38PTMF6TMJW » Book U2": Stories Behind the Songs U2": STORIES BEHIND THE SONGS Carlton Books Ltd. Paperback. Book Condition: new. BRAND NEW, "U2": Stories Behind the Songs, Niall Stokes, Featuring original and revealing interviews with band members and key people close to them, and tracing the band's meteroic rise from the early days to a group that has galvanized the pop music scene for more than twenty years, "Stories Behind The Songs" explores the background and inspiration behind every song written by U2, and is the definitive text on the subject. As testament to the band's enduring popularity, a full twenty-four years aer the release of their first album, "Boy", in 1980, U2 hit Number 1 on both sides of the Atlantic with "How to Dismantle an Atomic Bomb", selling a million copies in three weeks. The first single from that album, "Vertigo" won three Grammys. U2 remains in every sense a world-class rock 'n' roll band, and this book takes you into the heart of the group, to reveal the inspiration behind their music. Read U2": Stories Behind the Songs Online Download PDF U2": Stories Behind the Songs ALXVJCM6IZLT > PDF // U2": Stories Behind the Songs Oth er Kindle Books Books are well written, or badly written. That is all. GRIN Verlag Okt 2013, 2013.
    [Show full text]
  • The Cultural and Economic Contribution of Live Entertainment Events in Ireland
    LET’S CELEBRATE 2017 Le t’s The Cultural and Economic Contribution of Live Entertainment Events in Ireland 1 LET’S CELEBRATE Irish people's collective adeptness The cultural impact of live at weaving our rich artistic heritage entertainment is unique in into the events that we stage is one that it not only allows for of the major reasons why our cultural footprint audiences to witness the craft of all is so well travelled. Time and again we witness those bringing art and culture to life iconic live events that capture all that is great but, more importantly, brings audiences about Irish culture and identity and see it together to discuss and mediate what shared around the world.“ has unfolded before them.“ Mary Davis, Global CEO, Special Moya Doherty, Riverdance Producer & Olympics International Chairperson of the RTE Board Croke Park Riverdance, Croke Park Photo credit: Paulo Goncalves Photo credit: Tyrone Productions 2 LET’S CELEBRATE Playing in Ireland is always one of the highlights of my tours. I always look forward to coming to Ireland, the crowd is always amazing and there seems to be an incredible connection between audience and performer. Ireland has a special place in it’s heart for live music.” Robbie Williams Robbie Williams, Aviva Stadium Photo credit: Paulo Goncalves Results of 5,764 Customer Contents Research Data Executive Summary Importance, Quality & Recommendations p.23 A special message from Michael Bublé p.4 p.25 Number of Bed Nights, Distance Travelled, Introduction by Justin Green, and Time Spent p.27 Wide Awake
    [Show full text]
  • Ireland Into the Mystic: the Poetic Spirit and Cultural Content of Irish Rock
    IRELAND INTO THE MYSTIC: THE POETIC SPIRIT AND CULTURAL CONTENT OF IRISH ROCK MUSIC, 1970-2020 ELENA CANIDO MUIÑO Doctoral Thesis / 2020 Director: David Clark Mitchell PROGRAMA DE DOCTORADO EN ESTUDIOS INGLESES AVANZADOS: LENGUA, LITERATURA Y CULTURA Ireland into the Mystic: The Poetic Spirit and Cultural Content of Irish Rock Music, 1970-2020 by Elena Canido Muiño, 2020. INDEX Abstract .......................................................................................................................... viii Resumen .......................................................................................................................... ix Resumo ............................................................................................................................. x 1. Introduction ............................................................................................................. 1 1.1.1. Methodology ................................................................................................................. 3 1.1.2. Thesis Structure ............................................................................................................. 5 2. Historical and Theoretical Introduction to Irish Rock ........................................ 9 2.1.1. Introduction ................................................................................................................... 9 2.1.2. The Origins of Rock ...................................................................................................... 9 2.1.3.
    [Show full text]
  • IMRO Annual Report 2007
    IMRO ANNUAL REPORT & ACCOUNTS 2007 Cover IMRO.indd 1 07/08/2008 10:50:57 IMRO ANNUAL REPORT & ACCOUNTS 2007 Title Page IMRO 1 30/07/2008 1 3:11:55 Blank Page IMRO 1 30/07/2008 1 3:07:51 IMRO BOARD OF DIRECTORS: Keith Donald (Cathaoirleach), Paul Brady, Philip Flynn, Eddie Joyce, Johnny Lappin, Steve Lindsey (UK), Donagh Long, Eleanor McEvoy, Charlie McGettigan, Christy Moore, James Morris, CREDITS Michael O’Riordan, Niall Toner. PRODUCTION MANAGER: Mairin Sheehy CONTRIBUTORS: Jackie Hayden, Greg McAteer, Colm O’Hare, Peter Murphy DESIGN & PRODUCTION: Hot Press, 13 Trinity Street, Dublin 2. ART DIRECTOR: David Keane ADDITIONAL DESIGN: Graham Keogh PRODUCTION CO-ORDINATOR: Anne Marie Conlon 3 Credits IMRO 1 30/07/2008 1 3:13:14 Blank Page IMRO 1 30/07/2008 1 3:08:22 6 TAKING IMRO TO HEART KEITH DONALD tells us about his plans for his term as IMRO Chairman. 9 FINANCIAL HIGHLIGHTS IN 2007 10 IMRO WELCOMES NEW CEO VICTOR FINN We talk to newly-appointed CEO, VICTOR FINN about the future of the CONTENTS organisation. 12 NEWS REVIEW A look at the music news that made headlines over the last year. 15 IMRO MOVING AHEAD Publishers MICHAEL O’RIORDAN, PETER BARDON and STEVE LINDSEY share their views on the challenges and opportunities facing Irish music. 18 THE SONGWRITERS’ PERSPECTIVE PAUL BRADY and ELEANOR MCEVOY on the trials and tribulations of being a modern-day songwriter. 20 ONCE UPON A TIME GLEN HANSARD and MARKETA IRGLOVA talk about the life-changing experience of winning an Oscar in March 2008.
    [Show full text]
  • Music Magazines and Gendered Space: the Representation of Artists on the Covers of Hot Press and Rolling Stone
    Irish Communication Review Volume 17 Issue 1 Article 5 July 2020 Music Magazines and Gendered Space: The Representation of Artists on the Covers of Hot Press and Rolling Stone Yvonne Kiely N/A, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/icr Part of the Critical and Cultural Studies Commons, Gender and Sexuality Commons, Mass Communication Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Visual Studies Commons Recommended Citation Kiely, Yvonne (2020) "Music Magazines and Gendered Space: The Representation of Artists on the Covers of Hot Press and Rolling Stone," Irish Communication Review: Vol. 17: Iss. 1, Article 5. Available at: https://arrow.tudublin.ie/icr/vol17/iss1/5 This Article is brought to you for free and open access by the Current Publications at ARROW@TU Dublin. It has been accepted for inclusion in Irish Communication Review by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License Music Magazines and Gendered Space: The Representation of Artists on the Covers of Hot Press and Rolling Stone Cover Page Footnote A special thank you to Denis Kiely, who made significant contributions ot the statistical analysis of this data. This article is available in Irish Communication Review: https://arrow.tudublin.ie/icr/vol17/iss1/5 Irish Communications Review vol 17 (2020) Music magazines and gendered space: The representation of artists on the covers of Hot Press and Rolling Stone Yvonne Kiely Abstract Over the past two decades the commercial music magazine industry has lapsed into a deepening cycle of continuous decline.
    [Show full text]
  • Evolving a Signature Sound: Blending Celtic Roots and Aesthetics with Divergent Music Production Practices in Studio Albums Recorded by the Corrs
    Evolving a signature sound: blending Celtic roots and aesthetics with divergent music production practices in studio albums recorded by The Corrs Stephanie Caffrey May 2020 Supervisors: Dr Daithí Kearney and Mr Seán Keegan External Examiner: Dr Leah Kardos Internal Examiner: Mr Paul McGettrick Master of Arts by Research in Music Declaration I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of Master of Arts by Research in Music is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ID No: D00140714 Date: 29th of May 2020 i Acknowledgements First of all, I am sincerely grateful to Dundalk Institute of Technology’s Research Scholarship Programme for providing me with the opportunity to study at a postgraduate research degree level. I would also like to thank the staff of the Research Support Team and the Department of Creative Arts, Media and Music. I am particularly indebted to my joint supervisors Dr Daithí Kearney and Mr Seán Keegan for their unwavering commitment, support and encouragement throughout the course of my project. Their enthusiasm for music, music production and scholarly learning motivated me throughout my research and their guidance kept me on the right path throughout. I am exceptionally grateful to Jim Corr for providing me with many opportunities to discuss aspects of my research.
    [Show full text]
  • Submission, Sophie Ridley, Chair, Event Production Industry Covid 19
    SCC19R-R-0360(i) D EVENT PRODUCTION INDUSTRY COVID-19 WORKING GROUP OIREACHTAS SPECIAL COMMITTEE COVID-19 RESPONSE RECOVERY OF THE ARTS & ENTERTAINMENT INDUSTRY SCC19R-R-0360(i) D SECTION PAGE Executive Summary 3 The EPIC Working Group 5 EPIC Working Group Elected Members 6 What Are Live Events? 8 Recovery 9 What Do We Need For Recovery? 10 Brand Ireland 13 Festivals & Events In Ireland 14 Who Do EPIC Represent? 16 Contribution 17 Snapshot - Electric Picnic 18 Snapshot - Indiependence 19 Snapshot - The Business & The SMEs 20 In Conclusion 22 Appendices 23 AIST COVID-19 IMPACT SURVEY / LET’S CELEBRATE REPORT / THEATRE FORUM SUBMISSION SCC19R-R-0360(i) D Live events continue through wars, they raise money for famine, they raise the spirits of a nation in times of need and provide a focus in times of celebration. Never, in the history of staging live performance and events, has there been such a sudden and total stop to work in Ireland, as happened on the 12th of March 2020. In response to the crisis in the live event industry, created by the Covid-19 pandemic, this working group was elected, to represent the interests and concerns of the individuals and business involved in producing live events and performance. Our critical supports, needed from the State: 1. The Covid Payment, and Wage Subsidy to continue for Event and Arts workers until the mass gathering ban and social distancing are not required for medical safety in Ireland. 2. Business grant support of 20% of 2018 turnover, for SMEs in the Event and Arts sector, to aid with rent and bank loan payments.
    [Show full text]