L^Cr- 'Jn C^\' Rio*' ^ J^X for Everyone in the Business of Music 22
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Press Book from 01.02.2014 to 28.02.2014
Press Book from 01.02.2014 to 28.02.2014 Copyright Material. This may only be copied under the terms of a Newspaper Licensing Ireland agreement (www.newspaperlicensing.ie) or written publisher permission. -2- Table of Contents 15/02/2014 Limerick Leader West Edition - Leader 2: Dolan's win top award.................................................................................................................. 3 06/02/2014 Donegal Democrat: Donegal acts for Other Voices....................................................................................................... 4 27/02/2014 Irish Independent Tabloid-Fit Magazine supplement: Don't give up at the first little roadblock.......................................................................................5 08/02/2014 Limerick Post: IMRO Award for Limerick venue....................................................................................................6 12/02/2014 Bray People: IMRO crowns Mermaid Leinster's top live venue........................................................................... 7 12/02/2014 Wicklow People: IMRO crowns Mermaid Leinster's top live venue........................................................................... 8 08/02/2014 Limerick Leader Saturday City: IMRO gets injunction against Bourke's bar................................................................................... 9 08/02/2014 Limerick Leader Saturday West: IMRO gets injunction against Bourke's bar................................................................................ -
Sociopolitical Issues in U2's War and the Joshua Tree
Études irlandaises 45-2 | 2020 Varia “Flowers of Fire”: Sociopolitical Issues in U2’s War and The Joshua Tree Elena Canido Muiño Electronic version URL: http://journals.openedition.org/etudesirlandaises/10187 DOI: 10.4000/etudesirlandaises.10187 ISSN: 2259-8863 Publisher Presses universitaires de Caen Printed version Date of publication: 31 December 2020 Number of pages: 55-75 ISBN: 978-2-84133-996-9 ISSN: 0183-973X Electronic reference Elena Canido Muiño, ““Flowers of Fire”: Sociopolitical Issues in U2’s War and The Joshua Tree”, Études irlandaises [Online], 45-2 | 2020, Online since 31 December 2020, connection on 14 February 2021. URL: http://journals.openedition.org/etudesirlandaises/10187 ; DOI: https://doi.org/10.4000/ etudesirlandaises.10187 Études irlandaises est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International. “Flowers of Fire”: Sociopolitical Issues in U2’s War and The Joshua Tree Abstract: U2 have always managed to hold a narrow line between social awareness and partisan political allegiance, belonging to a broad category of music that Rachel E. Seiler calls “contemporary conscious popular music”, which includes “music of any genre that focuses on social issues and perceived problems in society and may or may not include music that carries an overtly political message”. Consequently, much of the analysis of their songs claim that these are only a mere description of the terrible situation countries such as Ireland and the US were facing at that time. In this paper, however, I will examine the sociopolitical significance of U2’s songs as an appreciator of their cultural contribution and show that the events which formed the backdrop to some of U2’s most explicitly political songs in the 1980s – especially those included in War and The Joshua Tree – are etched indelibly into the text of both Ireland’s and America’s troubled colonial and political history. -
Educating Popular Musicians: Insights Into Music Teaching and Learning on Higher and Further Education Programmes in Ireland
Educating Popular Musicians: Insights into Music Teaching and Learning on Higher and Further Education Programmes in Ireland by Miranda Cournane The University of Sheffield Department of Music July 2019 Submitted for the Degree of Master of Philosophy This page intentionally left blank 2 Abstract The aim of this thesis is to investigate approaches to the teaching and learning of popular music in higher and further education institutions in the Republic of Ireland. Despite the proliferation of popular music in contemporary culture, very little research has been conducted into how popular musicians are educated in Ireland. This research presents an analysis of case study data using Interpretative Phenomenological Analysis (IPA) as a framework. The research examines how students of popular music approach their learning and whether their needs are adequately supported in higher and further education settings. The research also investigates how the study of popular music is valued at institutional level. Findings highlight the importance of informal learning, authentic learning environments, technology, performance and industry engagement amongst popular music students and tutors. Findings also show an inconsistent approach to the facilitation of these learning needs within higher and further education institutions in Ireland. Disparate attitudes between students and teaching staff in relation to the value of studying music in higher education is also evidenced in the findings. The research makes an important contribution to the field of popular music education in Ireland and provides a number of recommendations for the delivery of popular music programmes in higher and further education. 3 Acknowledgements I would like to thank the teaching staff and music students who participated in my research study over the past number of years. -
The Stories Behind Every U2 Song (Stories Behind the Songs) by Niall Stokes
U2: The Stories Behind Every U2 Song (Stories Behind the Songs) by Niall Stokes Ebook U2: The Stories Behind Every U2 Song (Stories Behind the Songs) currently available for review only, if you need complete ebook U2: The Stories Behind Every U2 Song (Stories Behind the Songs) please fill out registration form to access in our databases Download here >> Series:::: Stories Behind the Songs+++Perfect Paperback:::: 192 pages+++Publisher:::: Carlton Books; Reprint edition (October 6, 2009)+++Language:::: English+++ISBN-10:::: 1847322875+++ISBN-13:::: 978-1847322876+++Product Dimensions::::5.8 x 0.5 x 8 inches++++++ ISBN10 1847322875 ISBN13 978-1847322 Download here >> Description: U2 fans who want material on the band but “still haven’t found what they’re looking for” will welcome this song-by-song volume. This definitive new book features original and revealing interviews with the group, plus key people close to them. It not only traces U2’s meteoric rise to fame, but explores the background and inspiration behind every song written by the band. A full analysis of U2’s long-awaited new album No Line on the Horizon makes up the last main chapter. U2: The Stories Behind the Song is a good book for anyone wanting to know more about U2. The book is very reasonably-priced, mainly due to its small size, compared to older editions. However, this is the fourth edition of the book, and compared to the previous edition, it is quite lacking. For starters, a lot of information from the previous edition is missing. Almost every song from Boy up to No Line on the Horizon is explained in detail, but a lot of the entries for older songs have been shortened, with less information that was previously available. -
The Brooklyn Food Conference
09.06.04_pages 1-16 6/3/09 3:53 PM Page 1 OFFICIAL NEWSLETTER OF THE PARK SLOPE FOOD COOP Established 1973 Volume DD, Number 12 June 4, 2009 The Brooklyn Food Conference A Few By Alison Levy ay 2’s well-attended Brooklyn Food Conference was co-sponsored Less-Celebrated by the Park Slope Food Coop and held at the John Jay High School. MFrom gourmands to policy wonks, from community Veggies organizers to chefs and gardeners, the conference had something for By Ed Levy everyone. For green-thumbed city dwellers, there were offerings on growing your own food, including “Permaculture, Community Gardens” and “A ll the regular spring Tatsoi Modern Victory Garden: Making and Growing Food in Your Backyard.” vegetables are arriving Tatsoi is an Asian green, A in force, partly because with dark green spoon- one of the Coop’s main suppli- shaped leaves that form a “A Roundtable of New York ers got an earlier start than thick rosette. Tatsoi also goes Chefs” featured innovators usual this year in hothouses. by the names spoon cabbage, who offer local, sustainably The old regulars like spinach, spinach mustard and rosette grown food in their chard, kale, lettuce and beet bok choy. A member of the restaurants, while a session greens have brought along brassica family (which called“Gastropolis” focused some of their less familiar includes broccoli, brussel on the variegated food cul- cousins —like cardone, tatsoi, sprouts and cabbage), it has ture of New York, highlighted mizuna and nettles. One by the appearance of a cur- caveat: some, but probably not CONTINUED ON PAGE 6 rent-generation family mem- all, of these vegetables may ber of Russ and Daughters, still be on the shelves by the the Lower East Side’s smoked time this is published. -
Find Doc « U2": Stories Behind the Songs
R6ZQFKNF0MVZ > Doc > U2": Stories Behind the Songs U2": Stories Beh ind th e Songs Filesize: 4.32 MB Reviews Absolutely essential read through pdf. it was actually writtern extremely flawlessly and valuable. You will like how the writer publish this book. (Destin Leffler) DISCLAIMER | DMCA V38PTMF6TMJW » Book U2": Stories Behind the Songs U2": STORIES BEHIND THE SONGS Carlton Books Ltd. Paperback. Book Condition: new. BRAND NEW, "U2": Stories Behind the Songs, Niall Stokes, Featuring original and revealing interviews with band members and key people close to them, and tracing the band's meteroic rise from the early days to a group that has galvanized the pop music scene for more than twenty years, "Stories Behind The Songs" explores the background and inspiration behind every song written by U2, and is the definitive text on the subject. As testament to the band's enduring popularity, a full twenty-four years aer the release of their first album, "Boy", in 1980, U2 hit Number 1 on both sides of the Atlantic with "How to Dismantle an Atomic Bomb", selling a million copies in three weeks. The first single from that album, "Vertigo" won three Grammys. U2 remains in every sense a world-class rock 'n' roll band, and this book takes you into the heart of the group, to reveal the inspiration behind their music. Read U2": Stories Behind the Songs Online Download PDF U2": Stories Behind the Songs ALXVJCM6IZLT > PDF // U2": Stories Behind the Songs Oth er Kindle Books Books are well written, or badly written. That is all. GRIN Verlag Okt 2013, 2013. -
The Cultural and Economic Contribution of Live Entertainment Events in Ireland
LET’S CELEBRATE 2017 Le t’s The Cultural and Economic Contribution of Live Entertainment Events in Ireland 1 LET’S CELEBRATE Irish people's collective adeptness The cultural impact of live at weaving our rich artistic heritage entertainment is unique in into the events that we stage is one that it not only allows for of the major reasons why our cultural footprint audiences to witness the craft of all is so well travelled. Time and again we witness those bringing art and culture to life iconic live events that capture all that is great but, more importantly, brings audiences about Irish culture and identity and see it together to discuss and mediate what shared around the world.“ has unfolded before them.“ Mary Davis, Global CEO, Special Moya Doherty, Riverdance Producer & Olympics International Chairperson of the RTE Board Croke Park Riverdance, Croke Park Photo credit: Paulo Goncalves Photo credit: Tyrone Productions 2 LET’S CELEBRATE Playing in Ireland is always one of the highlights of my tours. I always look forward to coming to Ireland, the crowd is always amazing and there seems to be an incredible connection between audience and performer. Ireland has a special place in it’s heart for live music.” Robbie Williams Robbie Williams, Aviva Stadium Photo credit: Paulo Goncalves Results of 5,764 Customer Contents Research Data Executive Summary Importance, Quality & Recommendations p.23 A special message from Michael Bublé p.4 p.25 Number of Bed Nights, Distance Travelled, Introduction by Justin Green, and Time Spent p.27 Wide Awake -
Ireland Into the Mystic: the Poetic Spirit and Cultural Content of Irish Rock
IRELAND INTO THE MYSTIC: THE POETIC SPIRIT AND CULTURAL CONTENT OF IRISH ROCK MUSIC, 1970-2020 ELENA CANIDO MUIÑO Doctoral Thesis / 2020 Director: David Clark Mitchell PROGRAMA DE DOCTORADO EN ESTUDIOS INGLESES AVANZADOS: LENGUA, LITERATURA Y CULTURA Ireland into the Mystic: The Poetic Spirit and Cultural Content of Irish Rock Music, 1970-2020 by Elena Canido Muiño, 2020. INDEX Abstract .......................................................................................................................... viii Resumen .......................................................................................................................... ix Resumo ............................................................................................................................. x 1. Introduction ............................................................................................................. 1 1.1.1. Methodology ................................................................................................................. 3 1.1.2. Thesis Structure ............................................................................................................. 5 2. Historical and Theoretical Introduction to Irish Rock ........................................ 9 2.1.1. Introduction ................................................................................................................... 9 2.1.2. The Origins of Rock ...................................................................................................... 9 2.1.3. -
IMRO Annual Report 2007
IMRO ANNUAL REPORT & ACCOUNTS 2007 Cover IMRO.indd 1 07/08/2008 10:50:57 IMRO ANNUAL REPORT & ACCOUNTS 2007 Title Page IMRO 1 30/07/2008 1 3:11:55 Blank Page IMRO 1 30/07/2008 1 3:07:51 IMRO BOARD OF DIRECTORS: Keith Donald (Cathaoirleach), Paul Brady, Philip Flynn, Eddie Joyce, Johnny Lappin, Steve Lindsey (UK), Donagh Long, Eleanor McEvoy, Charlie McGettigan, Christy Moore, James Morris, CREDITS Michael O’Riordan, Niall Toner. PRODUCTION MANAGER: Mairin Sheehy CONTRIBUTORS: Jackie Hayden, Greg McAteer, Colm O’Hare, Peter Murphy DESIGN & PRODUCTION: Hot Press, 13 Trinity Street, Dublin 2. ART DIRECTOR: David Keane ADDITIONAL DESIGN: Graham Keogh PRODUCTION CO-ORDINATOR: Anne Marie Conlon 3 Credits IMRO 1 30/07/2008 1 3:13:14 Blank Page IMRO 1 30/07/2008 1 3:08:22 6 TAKING IMRO TO HEART KEITH DONALD tells us about his plans for his term as IMRO Chairman. 9 FINANCIAL HIGHLIGHTS IN 2007 10 IMRO WELCOMES NEW CEO VICTOR FINN We talk to newly-appointed CEO, VICTOR FINN about the future of the CONTENTS organisation. 12 NEWS REVIEW A look at the music news that made headlines over the last year. 15 IMRO MOVING AHEAD Publishers MICHAEL O’RIORDAN, PETER BARDON and STEVE LINDSEY share their views on the challenges and opportunities facing Irish music. 18 THE SONGWRITERS’ PERSPECTIVE PAUL BRADY and ELEANOR MCEVOY on the trials and tribulations of being a modern-day songwriter. 20 ONCE UPON A TIME GLEN HANSARD and MARKETA IRGLOVA talk about the life-changing experience of winning an Oscar in March 2008. -
Music Magazines and Gendered Space: the Representation of Artists on the Covers of Hot Press and Rolling Stone
Irish Communication Review Volume 17 Issue 1 Article 5 July 2020 Music Magazines and Gendered Space: The Representation of Artists on the Covers of Hot Press and Rolling Stone Yvonne Kiely N/A, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/icr Part of the Critical and Cultural Studies Commons, Gender and Sexuality Commons, Mass Communication Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Visual Studies Commons Recommended Citation Kiely, Yvonne (2020) "Music Magazines and Gendered Space: The Representation of Artists on the Covers of Hot Press and Rolling Stone," Irish Communication Review: Vol. 17: Iss. 1, Article 5. Available at: https://arrow.tudublin.ie/icr/vol17/iss1/5 This Article is brought to you for free and open access by the Current Publications at ARROW@TU Dublin. It has been accepted for inclusion in Irish Communication Review by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License Music Magazines and Gendered Space: The Representation of Artists on the Covers of Hot Press and Rolling Stone Cover Page Footnote A special thank you to Denis Kiely, who made significant contributions ot the statistical analysis of this data. This article is available in Irish Communication Review: https://arrow.tudublin.ie/icr/vol17/iss1/5 Irish Communications Review vol 17 (2020) Music magazines and gendered space: The representation of artists on the covers of Hot Press and Rolling Stone Yvonne Kiely Abstract Over the past two decades the commercial music magazine industry has lapsed into a deepening cycle of continuous decline. -
Evolving a Signature Sound: Blending Celtic Roots and Aesthetics with Divergent Music Production Practices in Studio Albums Recorded by the Corrs
Evolving a signature sound: blending Celtic roots and aesthetics with divergent music production practices in studio albums recorded by The Corrs Stephanie Caffrey May 2020 Supervisors: Dr Daithí Kearney and Mr Seán Keegan External Examiner: Dr Leah Kardos Internal Examiner: Mr Paul McGettrick Master of Arts by Research in Music Declaration I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of Master of Arts by Research in Music is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ID No: D00140714 Date: 29th of May 2020 i Acknowledgements First of all, I am sincerely grateful to Dundalk Institute of Technology’s Research Scholarship Programme for providing me with the opportunity to study at a postgraduate research degree level. I would also like to thank the staff of the Research Support Team and the Department of Creative Arts, Media and Music. I am particularly indebted to my joint supervisors Dr Daithí Kearney and Mr Seán Keegan for their unwavering commitment, support and encouragement throughout the course of my project. Their enthusiasm for music, music production and scholarly learning motivated me throughout my research and their guidance kept me on the right path throughout. I am exceptionally grateful to Jim Corr for providing me with many opportunities to discuss aspects of my research. -
Submission, Sophie Ridley, Chair, Event Production Industry Covid 19
SCC19R-R-0360(i) D EVENT PRODUCTION INDUSTRY COVID-19 WORKING GROUP OIREACHTAS SPECIAL COMMITTEE COVID-19 RESPONSE RECOVERY OF THE ARTS & ENTERTAINMENT INDUSTRY SCC19R-R-0360(i) D SECTION PAGE Executive Summary 3 The EPIC Working Group 5 EPIC Working Group Elected Members 6 What Are Live Events? 8 Recovery 9 What Do We Need For Recovery? 10 Brand Ireland 13 Festivals & Events In Ireland 14 Who Do EPIC Represent? 16 Contribution 17 Snapshot - Electric Picnic 18 Snapshot - Indiependence 19 Snapshot - The Business & The SMEs 20 In Conclusion 22 Appendices 23 AIST COVID-19 IMPACT SURVEY / LET’S CELEBRATE REPORT / THEATRE FORUM SUBMISSION SCC19R-R-0360(i) D Live events continue through wars, they raise money for famine, they raise the spirits of a nation in times of need and provide a focus in times of celebration. Never, in the history of staging live performance and events, has there been such a sudden and total stop to work in Ireland, as happened on the 12th of March 2020. In response to the crisis in the live event industry, created by the Covid-19 pandemic, this working group was elected, to represent the interests and concerns of the individuals and business involved in producing live events and performance. Our critical supports, needed from the State: 1. The Covid Payment, and Wage Subsidy to continue for Event and Arts workers until the mass gathering ban and social distancing are not required for medical safety in Ireland. 2. Business grant support of 20% of 2018 turnover, for SMEs in the Event and Arts sector, to aid with rent and bank loan payments.