Find Doc « U2": Stories Behind the Songs

Total Page:16

File Type:pdf, Size:1020Kb

Find Doc « U2 R6ZQFKNF0MVZ > Doc > U2": Stories Behind the Songs U2": Stories Beh ind th e Songs Filesize: 4.32 MB Reviews Absolutely essential read through pdf. it was actually writtern extremely flawlessly and valuable. You will like how the writer publish this book. (Destin Leffler) DISCLAIMER | DMCA V38PTMF6TMJW » Book U2": Stories Behind the Songs U2": STORIES BEHIND THE SONGS Carlton Books Ltd. Paperback. Book Condition: new. BRAND NEW, "U2": Stories Behind the Songs, Niall Stokes, Featuring original and revealing interviews with band members and key people close to them, and tracing the band's meteroic rise from the early days to a group that has galvanized the pop music scene for more than twenty years, "Stories Behind The Songs" explores the background and inspiration behind every song written by U2, and is the definitive text on the subject. As testament to the band's enduring popularity, a full twenty-four years aer the release of their first album, "Boy", in 1980, U2 hit Number 1 on both sides of the Atlantic with "How to Dismantle an Atomic Bomb", selling a million copies in three weeks. The first single from that album, "Vertigo" won three Grammys. U2 remains in every sense a world-class rock 'n' roll band, and this book takes you into the heart of the group, to reveal the inspiration behind their music. Read U2": Stories Behind the Songs Online Download PDF U2": Stories Behind the Songs ALXVJCM6IZLT > PDF // U2": Stories Behind the Songs Oth er Kindle Books Books are well written, or badly written. That is all. GRIN Verlag Okt 2013, 2013. Taschenbuch. Book Condition: Neu. 210x148x1 mm. This item is printed on demand - Print on Demand Neuware - Essay from the year 2007 in the subject English - Literature, Works,... Download Document » Ready, Set, Preschool! : Stories, Poems and Picture Games with an Educational Guide for Parents Book Condition: Brand New. Book Condition: Brand New. Download Document » Vanishing Point ("24" Declassified) Pocket Books, 2007. Paperback. Book Condition: New. A new, unread, unused book in perfect condition with no missing or damaged pages. Shipped from UK. Orders will be dispatched within 48 hours of receiving your order.... Download Document » Cat's Claw ("24" Declassified) Pocket Books, 2007. Paperback. Book Condition: New. A new, unread, unused book in perfect condition with no missing or damaged pages. Shipped from UK. Orders will be dispatched within 48 hours of receiving your order.... Download Document » Fart Book African Bean Fart Adventures in the Jungle: Short Stories with Moral Createspace, United States, 2013. Paperback. Book Condition: New. 229 x 152 mm. Language: English . Brand New Book ***** Print on Demand *****.Black White Illustration Version! BONUS - Includes FREE Dog Fart Audio Book for... Download Document » .
Recommended publications
  • Press Book from 01.02.2014 to 28.02.2014
    Press Book from 01.02.2014 to 28.02.2014 Copyright Material. This may only be copied under the terms of a Newspaper Licensing Ireland agreement (www.newspaperlicensing.ie) or written publisher permission. -2- Table of Contents 15/02/2014 Limerick Leader West Edition - Leader 2: Dolan's win top award.................................................................................................................. 3 06/02/2014 Donegal Democrat: Donegal acts for Other Voices....................................................................................................... 4 27/02/2014 Irish Independent Tabloid-Fit Magazine supplement: Don't give up at the first little roadblock.......................................................................................5 08/02/2014 Limerick Post: IMRO Award for Limerick venue....................................................................................................6 12/02/2014 Bray People: IMRO crowns Mermaid Leinster's top live venue........................................................................... 7 12/02/2014 Wicklow People: IMRO crowns Mermaid Leinster's top live venue........................................................................... 8 08/02/2014 Limerick Leader Saturday City: IMRO gets injunction against Bourke's bar................................................................................... 9 08/02/2014 Limerick Leader Saturday West: IMRO gets injunction against Bourke's bar................................................................................
    [Show full text]
  • Sociopolitical Issues in U2's War and the Joshua Tree
    Études irlandaises 45-2 | 2020 Varia “Flowers of Fire”: Sociopolitical Issues in U2’s War and The Joshua Tree Elena Canido Muiño Electronic version URL: http://journals.openedition.org/etudesirlandaises/10187 DOI: 10.4000/etudesirlandaises.10187 ISSN: 2259-8863 Publisher Presses universitaires de Caen Printed version Date of publication: 31 December 2020 Number of pages: 55-75 ISBN: 978-2-84133-996-9 ISSN: 0183-973X Electronic reference Elena Canido Muiño, ““Flowers of Fire”: Sociopolitical Issues in U2’s War and The Joshua Tree”, Études irlandaises [Online], 45-2 | 2020, Online since 31 December 2020, connection on 14 February 2021. URL: http://journals.openedition.org/etudesirlandaises/10187 ; DOI: https://doi.org/10.4000/ etudesirlandaises.10187 Études irlandaises est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International. “Flowers of Fire”: Sociopolitical Issues in U2’s War and The Joshua Tree Abstract: U2 have always managed to hold a narrow line between social awareness and partisan political allegiance, belonging to a broad category of music that Rachel E. Seiler calls “contemporary conscious popular music”, which includes “music of any genre that focuses on social issues and perceived problems in society and may or may not include music that carries an overtly political message”. Consequently, much of the analysis of their songs claim that these are only a mere description of the terrible situation countries such as Ireland and the US were facing at that time. In this paper, however, I will examine the sociopolitical significance of U2’s songs as an appreciator of their cultural contribution and show that the events which formed the backdrop to some of U2’s most explicitly political songs in the 1980s – especially those included in War and The Joshua Tree – are etched indelibly into the text of both Ireland’s and America’s troubled colonial and political history.
    [Show full text]
  • Educating Popular Musicians: Insights Into Music Teaching and Learning on Higher and Further Education Programmes in Ireland
    Educating Popular Musicians: Insights into Music Teaching and Learning on Higher and Further Education Programmes in Ireland by Miranda Cournane The University of Sheffield Department of Music July 2019 Submitted for the Degree of Master of Philosophy This page intentionally left blank 2 Abstract The aim of this thesis is to investigate approaches to the teaching and learning of popular music in higher and further education institutions in the Republic of Ireland. Despite the proliferation of popular music in contemporary culture, very little research has been conducted into how popular musicians are educated in Ireland. This research presents an analysis of case study data using Interpretative Phenomenological Analysis (IPA) as a framework. The research examines how students of popular music approach their learning and whether their needs are adequately supported in higher and further education settings. The research also investigates how the study of popular music is valued at institutional level. Findings highlight the importance of informal learning, authentic learning environments, technology, performance and industry engagement amongst popular music students and tutors. Findings also show an inconsistent approach to the facilitation of these learning needs within higher and further education institutions in Ireland. Disparate attitudes between students and teaching staff in relation to the value of studying music in higher education is also evidenced in the findings. The research makes an important contribution to the field of popular music education in Ireland and provides a number of recommendations for the delivery of popular music programmes in higher and further education. 3 Acknowledgements I would like to thank the teaching staff and music students who participated in my research study over the past number of years.
    [Show full text]
  • The Stories Behind Every U2 Song (Stories Behind the Songs) by Niall Stokes
    U2: The Stories Behind Every U2 Song (Stories Behind the Songs) by Niall Stokes Ebook U2: The Stories Behind Every U2 Song (Stories Behind the Songs) currently available for review only, if you need complete ebook U2: The Stories Behind Every U2 Song (Stories Behind the Songs) please fill out registration form to access in our databases Download here >> Series:::: Stories Behind the Songs+++Perfect Paperback:::: 192 pages+++Publisher:::: Carlton Books; Reprint edition (October 6, 2009)+++Language:::: English+++ISBN-10:::: 1847322875+++ISBN-13:::: 978-1847322876+++Product Dimensions::::5.8 x 0.5 x 8 inches++++++ ISBN10 1847322875 ISBN13 978-1847322 Download here >> Description: U2 fans who want material on the band but “still haven’t found what they’re looking for” will welcome this song-by-song volume. This definitive new book features original and revealing interviews with the group, plus key people close to them. It not only traces U2’s meteoric rise to fame, but explores the background and inspiration behind every song written by the band. A full analysis of U2’s long-awaited new album No Line on the Horizon makes up the last main chapter. U2: The Stories Behind the Song is a good book for anyone wanting to know more about U2. The book is very reasonably-priced, mainly due to its small size, compared to older editions. However, this is the fourth edition of the book, and compared to the previous edition, it is quite lacking. For starters, a lot of information from the previous edition is missing. Almost every song from Boy up to No Line on the Horizon is explained in detail, but a lot of the entries for older songs have been shortened, with less information that was previously available.
    [Show full text]
  • The Cultural and Economic Contribution of Live Entertainment Events in Ireland
    LET’S CELEBRATE 2017 Le t’s The Cultural and Economic Contribution of Live Entertainment Events in Ireland 1 LET’S CELEBRATE Irish people's collective adeptness The cultural impact of live at weaving our rich artistic heritage entertainment is unique in into the events that we stage is one that it not only allows for of the major reasons why our cultural footprint audiences to witness the craft of all is so well travelled. Time and again we witness those bringing art and culture to life iconic live events that capture all that is great but, more importantly, brings audiences about Irish culture and identity and see it together to discuss and mediate what shared around the world.“ has unfolded before them.“ Mary Davis, Global CEO, Special Moya Doherty, Riverdance Producer & Olympics International Chairperson of the RTE Board Croke Park Riverdance, Croke Park Photo credit: Paulo Goncalves Photo credit: Tyrone Productions 2 LET’S CELEBRATE Playing in Ireland is always one of the highlights of my tours. I always look forward to coming to Ireland, the crowd is always amazing and there seems to be an incredible connection between audience and performer. Ireland has a special place in it’s heart for live music.” Robbie Williams Robbie Williams, Aviva Stadium Photo credit: Paulo Goncalves Results of 5,764 Customer Contents Research Data Executive Summary Importance, Quality & Recommendations p.23 A special message from Michael Bublé p.4 p.25 Number of Bed Nights, Distance Travelled, Introduction by Justin Green, and Time Spent p.27 Wide Awake
    [Show full text]
  • L^Cr- 'Jn C^\' Rio*' ^ J^X for Everyone in the Business of Music 22
    l^cR- 'jn c^\' Rio*' ^ j^X For Everyone in the Business of Music 22 MARCH 1997 £3.25 Befîore The Rain ii ;.., -:ft M vfiZ Présent their Brand New Album Befiore The Rain Out Ncw-Featuring the singles "Dcn'tyou Levé Me , their I2th and biggest hit te date, plus the top 5 smash "Scmeday" (from the Dimey movie "The Hunchback cf Notre Dame ) Ji" ft .'i ' ii Wm % (/1 t Marketing Befcre The Rain will include: National TVadvertising week one. Radie & TV advertising week three. A national twe week adshel poster campaign w/c icth March. Cxtemive music, teen, specialist & national press advertisins along wlth major imtore dlsplays and Windows. The marketing campaign will continue throughout CtemaTs Arena Tour which starts in March Aise included on BefjCVC The Rctiîi is the glorious new single "I Wanna Be The Cnly One" recorded with the legendary BeBe Winans ^ ^ and due jjor release in May. usKwe For Everyone In the Business of Music 22 MARCH 1997 THIS WEEK Grainge takes Polydor hotseat 4 Record CD ! seizurehitspirates ; comeKennedy through says, A&R." "Polydor's But hesuccess adds thathas renewed his deal as Wild Gard A&R there is more to Grainge. "1 wouldn't director. are important to me. I war 5price Woolies action i managing dire r of Polydor, replacin. have appointed him if he ; didn'tskills," have is entirelyKennedy amicable says Lumbroso's and that departure he leaves eoplereally to happy have environraentfun." raisesfears after two-and-half years. In 1996, Polydor established itself as Lumbroso arrived at Polydor from 'actsor's strengthwhich he isis déterminein a div announced to staff on Friday, cornes one of the UK industr/s most prolific SeptemberPolyGram France's 1994.
    [Show full text]
  • Ireland Into the Mystic: the Poetic Spirit and Cultural Content of Irish Rock
    IRELAND INTO THE MYSTIC: THE POETIC SPIRIT AND CULTURAL CONTENT OF IRISH ROCK MUSIC, 1970-2020 ELENA CANIDO MUIÑO Doctoral Thesis / 2020 Director: David Clark Mitchell PROGRAMA DE DOCTORADO EN ESTUDIOS INGLESES AVANZADOS: LENGUA, LITERATURA Y CULTURA Ireland into the Mystic: The Poetic Spirit and Cultural Content of Irish Rock Music, 1970-2020 by Elena Canido Muiño, 2020. INDEX Abstract .......................................................................................................................... viii Resumen .......................................................................................................................... ix Resumo ............................................................................................................................. x 1. Introduction ............................................................................................................. 1 1.1.1. Methodology ................................................................................................................. 3 1.1.2. Thesis Structure ............................................................................................................. 5 2. Historical and Theoretical Introduction to Irish Rock ........................................ 9 2.1.1. Introduction ................................................................................................................... 9 2.1.2. The Origins of Rock ...................................................................................................... 9 2.1.3.
    [Show full text]
  • IMRO Annual Report 2007
    IMRO ANNUAL REPORT & ACCOUNTS 2007 Cover IMRO.indd 1 07/08/2008 10:50:57 IMRO ANNUAL REPORT & ACCOUNTS 2007 Title Page IMRO 1 30/07/2008 1 3:11:55 Blank Page IMRO 1 30/07/2008 1 3:07:51 IMRO BOARD OF DIRECTORS: Keith Donald (Cathaoirleach), Paul Brady, Philip Flynn, Eddie Joyce, Johnny Lappin, Steve Lindsey (UK), Donagh Long, Eleanor McEvoy, Charlie McGettigan, Christy Moore, James Morris, CREDITS Michael O’Riordan, Niall Toner. PRODUCTION MANAGER: Mairin Sheehy CONTRIBUTORS: Jackie Hayden, Greg McAteer, Colm O’Hare, Peter Murphy DESIGN & PRODUCTION: Hot Press, 13 Trinity Street, Dublin 2. ART DIRECTOR: David Keane ADDITIONAL DESIGN: Graham Keogh PRODUCTION CO-ORDINATOR: Anne Marie Conlon 3 Credits IMRO 1 30/07/2008 1 3:13:14 Blank Page IMRO 1 30/07/2008 1 3:08:22 6 TAKING IMRO TO HEART KEITH DONALD tells us about his plans for his term as IMRO Chairman. 9 FINANCIAL HIGHLIGHTS IN 2007 10 IMRO WELCOMES NEW CEO VICTOR FINN We talk to newly-appointed CEO, VICTOR FINN about the future of the CONTENTS organisation. 12 NEWS REVIEW A look at the music news that made headlines over the last year. 15 IMRO MOVING AHEAD Publishers MICHAEL O’RIORDAN, PETER BARDON and STEVE LINDSEY share their views on the challenges and opportunities facing Irish music. 18 THE SONGWRITERS’ PERSPECTIVE PAUL BRADY and ELEANOR MCEVOY on the trials and tribulations of being a modern-day songwriter. 20 ONCE UPON A TIME GLEN HANSARD and MARKETA IRGLOVA talk about the life-changing experience of winning an Oscar in March 2008.
    [Show full text]
  • Music Magazines and Gendered Space: the Representation of Artists on the Covers of Hot Press and Rolling Stone
    Irish Communication Review Volume 17 Issue 1 Article 5 July 2020 Music Magazines and Gendered Space: The Representation of Artists on the Covers of Hot Press and Rolling Stone Yvonne Kiely N/A, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/icr Part of the Critical and Cultural Studies Commons, Gender and Sexuality Commons, Mass Communication Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Visual Studies Commons Recommended Citation Kiely, Yvonne (2020) "Music Magazines and Gendered Space: The Representation of Artists on the Covers of Hot Press and Rolling Stone," Irish Communication Review: Vol. 17: Iss. 1, Article 5. Available at: https://arrow.tudublin.ie/icr/vol17/iss1/5 This Article is brought to you for free and open access by the Current Publications at ARROW@TU Dublin. It has been accepted for inclusion in Irish Communication Review by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License Music Magazines and Gendered Space: The Representation of Artists on the Covers of Hot Press and Rolling Stone Cover Page Footnote A special thank you to Denis Kiely, who made significant contributions ot the statistical analysis of this data. This article is available in Irish Communication Review: https://arrow.tudublin.ie/icr/vol17/iss1/5 Irish Communications Review vol 17 (2020) Music magazines and gendered space: The representation of artists on the covers of Hot Press and Rolling Stone Yvonne Kiely Abstract Over the past two decades the commercial music magazine industry has lapsed into a deepening cycle of continuous decline.
    [Show full text]
  • Evolving a Signature Sound: Blending Celtic Roots and Aesthetics with Divergent Music Production Practices in Studio Albums Recorded by the Corrs
    Evolving a signature sound: blending Celtic roots and aesthetics with divergent music production practices in studio albums recorded by The Corrs Stephanie Caffrey May 2020 Supervisors: Dr Daithí Kearney and Mr Seán Keegan External Examiner: Dr Leah Kardos Internal Examiner: Mr Paul McGettrick Master of Arts by Research in Music Declaration I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of Master of Arts by Research in Music is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ID No: D00140714 Date: 29th of May 2020 i Acknowledgements First of all, I am sincerely grateful to Dundalk Institute of Technology’s Research Scholarship Programme for providing me with the opportunity to study at a postgraduate research degree level. I would also like to thank the staff of the Research Support Team and the Department of Creative Arts, Media and Music. I am particularly indebted to my joint supervisors Dr Daithí Kearney and Mr Seán Keegan for their unwavering commitment, support and encouragement throughout the course of my project. Their enthusiasm for music, music production and scholarly learning motivated me throughout my research and their guidance kept me on the right path throughout. I am exceptionally grateful to Jim Corr for providing me with many opportunities to discuss aspects of my research.
    [Show full text]
  • Submission, Sophie Ridley, Chair, Event Production Industry Covid 19
    SCC19R-R-0360(i) D EVENT PRODUCTION INDUSTRY COVID-19 WORKING GROUP OIREACHTAS SPECIAL COMMITTEE COVID-19 RESPONSE RECOVERY OF THE ARTS & ENTERTAINMENT INDUSTRY SCC19R-R-0360(i) D SECTION PAGE Executive Summary 3 The EPIC Working Group 5 EPIC Working Group Elected Members 6 What Are Live Events? 8 Recovery 9 What Do We Need For Recovery? 10 Brand Ireland 13 Festivals & Events In Ireland 14 Who Do EPIC Represent? 16 Contribution 17 Snapshot - Electric Picnic 18 Snapshot - Indiependence 19 Snapshot - The Business & The SMEs 20 In Conclusion 22 Appendices 23 AIST COVID-19 IMPACT SURVEY / LET’S CELEBRATE REPORT / THEATRE FORUM SUBMISSION SCC19R-R-0360(i) D Live events continue through wars, they raise money for famine, they raise the spirits of a nation in times of need and provide a focus in times of celebration. Never, in the history of staging live performance and events, has there been such a sudden and total stop to work in Ireland, as happened on the 12th of March 2020. In response to the crisis in the live event industry, created by the Covid-19 pandemic, this working group was elected, to represent the interests and concerns of the individuals and business involved in producing live events and performance. Our critical supports, needed from the State: 1. The Covid Payment, and Wage Subsidy to continue for Event and Arts workers until the mass gathering ban and social distancing are not required for medical safety in Ireland. 2. Business grant support of 20% of 2018 turnover, for SMEs in the Event and Arts sector, to aid with rent and bank loan payments.
    [Show full text]
  • Culture-Night-Brochures-2019.Pdf
    WRAP UP IN CULTURE 1 FRI 20 SEP CULTURENIGHT.IE CULTURE WRAP UP IN UP WRAP FRI 20 CONNECT WITH US DUBLIN SEP 2019 @CultureNight #CultureNight #OícheChultúir CULTURENIGHT.IE T. +353 (0)1 415 1295 E. [email protected] culturenight.ie DUBLIN 2019 1 WELCOME TO CULTURE NIGHT 2019 Bígí linn chun Oíche Chultúir a cheiliúiradh i The fun spills out onto the streets of the city, mBaile Átha Cliath! with a diverse outdoor programme bringing the magic of Culture Night to a number of Wrap Up in Culture on Friday September 20th, public spaces. The Amphitheatre and Meeting as venues and public spaces across Dublin House Square will come alive with musical City and County open their doors to host a performances and more, while Barnardo programme of free late-night entertainment for Square hosts a selection of short films by Culture Night 2019 – an island-wide celebration Screen Ireland. of arts, heritage and culture. Following a hugely successful outing last Now in its fourteenth year, Culture Night Dublin year, Culture Night will join forces once again returns with its biggest programme to date. Over with RTÉ, the Department of Culture, Heritage 300 venues are participating, with upwards of and the Gaeltacht and the National Museum 500 events for locals and visitors to enjoy. of Ireland to present an incredible open-air Dublin City Council is delighted to collaborate concert in Clarke Square. with the Department of Culture, Heritage If you’re undecided on what route to take on and the Gaeltacht, Culture Night’s valued the night, why not embark on a Culture Night partners and all of the participating artists tour to help you get your bearings? There’s also and organisations to ensure this night is a the option of hitching a ride on one of the free memorable celebration of the creative spirit and Culture Night buses, kindly provided by Dublin hidden treasures that make Dublin so unique.
    [Show full text]