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Jan Garbarek Works Mp3, Flac, Wma
Jan Garbarek Works mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Works Country: US Released: 1984 Style: Contemporary Jazz MP3 version RAR size: 1226 mb FLAC version RAR size: 1906 mb WMA version RAR size: 1325 mb Rating: 4.9 Votes: 103 Other Formats: MP2 VQF MIDI VOX RA ASF AAC Tracklist Hide Credits Folk Song (Traditional) A1 Arranged By – Garbarek*Bass – Charlie HadenComposed By – Trad.*Guitar – Egberto 8:12 GismontiSoprano Saxophone – Jan Garbarek Skrik + Hyl A2 1:30 Bass – Palle DanielssonComposed By – Garbarek*Tenor Saxophone – Jan Garbarek Passing A3 Composed By – Garbarek*Drums – Jack DeJohnetteGuitar – Bill ConnorsOrgan – John 11:18 Taylor Tenor Saxophone – Jan Garbarek Selje A4 Bass – Arild AndersenComposed By – Andersen*, Vesala*, Garbarek*Flute – Jan 2:16 GarbarekPercussion – Edward Vesala Viddene B1 Composed By – Garbarek*Soprano Saxophone – Jan GarbarekTwelve-string Guitar, Harp 5:35 [Windharp] – Ralph Towner Snipp, Snapp, Snute B2 Composed By – Garbarek*, Vasconcelos*Flute – Jan GarbarekPercussion – Nana 4:28 Vasconcelos* Beast Of Kommodo B3 Bass – Arild AndersenComposed By – Garbarek*Electric Guitar – Terje RypdalPercussion – 12:30 Jon ChristensenTenor Saxophone, Flute, Percussion – Jan Garbarek Svevende B4 Bass – Palle DanielssonComposed By – Garbarek*Drums – Jon ChristensenPiano – Bobo 4:58 StensonSoprano Saxophone – Jan Garbarek Companies, etc. Phonographic Copyright (p) – ECM Records GmbH Copyright (c) – ECM Records GmbH Marketed By – PolyGram Records, Inc. Distributed By – PolyGram Records, Inc. Credits -
Discourses of Decay and Purity in a Globalised Jazz World
1 Chapter Seven Cold Commodities: Discourses of Decay and Purity in a Globalised Jazz World Haftor Medbøe Since gaining prominence in public consciousness as a distinct genre in early 20th Century USA, jazz has become a music of global reach (Atkins, 2003). Coinciding with emerging mass dissemination technologies of the period, jazz spread throughout Europe and beyond via gramophone recordings, radio broadcasts and the Hollywood film industry. America’s involvement in the two World Wars, and the subsequent $13 billion Marshall Plan to rebuild Europe as a unified, and US friendly, trading zone further reinforced the proliferation of the new genre (McGregor, 2016; Paterson et al., 2013). The imposition of US trade and cultural products posed formidable challenges to the European identities, rooted as they were in 18th-Century national romanticism. Commercialised cultural representations of the ‘American dream’ captured the imaginations of Europe’s youth and represented a welcome antidote to post-war austerity. This chapter seeks to problematise the historiography and contemporary representations of jazz in the Nordic region, with particular focus on the production and reception of jazz from Norway. Accepted histories of jazz in Europe point to a period of adulatory imitation of American masters, leading to one of cultural awakening in which jazz was reimagined through a localised lens, and given a ‘national voice’. Evidence of this process of acculturation and reimagining is arguably nowhere more evident than in the canon of what has come to be received as the Nordic tone. In the early 1970s, a group of Norwegian musicians, including saxophonist Jan Garbarek (b.1947), guitarist Terje Rypdal (b.1947), bassist Arild Andersen (b.1945), drummer Jon Christensen (b.1943) and others, abstracted more literal jazz inflected reinterpretations of Scandinavian folk songs by Nordic forebears including pianist Jan Johansson (1931-1968), saxophonist Lars Gullin (1928-1976) bassist Georg Riedel (b.1934) (McEachrane 2014, pp. -
Windward Passenger
MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums. -
Gábor Juhász - Palle Mikkelborg P (2004) Titre: 60/40
Artiste: Gábor Juhász - Palle Mikkelborg P (2004) Titre: 60/40 L’aspect rythmique de l’existence La vie se fige parfois dans une certaine forme d’immobilité – du moins, elle semble l’être, lorsque vous vous trouvez seul en forêt, par exemple, retenant votre souffle, sans un seul clignotement des yeux. La forme rythmique est beaucoup plus évidente ; respiration, battements du cœur, jours, années, amour, vie... musique. J’ai entendu dire que les cycles rythmiques complexes de la musique indienne reproduisent le cours des étoiles. L’indescriptible et difficile rubato ressemble, quant à lui, à la plupart des cycles de l’existence : imprévisible. Le jazz vient du cœur, et il bat au rythme du cœur. Je remercie particulièrement mes amis Elemér, József, Péter, András et Zoltán, un groupe fort de ses connaissances sur le rythme, pour leur art et leur amour. Un grand merci également à Helen et à Palle dont la musique et l’amitié enrichissent mon existence. Je suis reconnaissant à Palle à plus d’un titre : lorsque je l’entends jouer de la trompette (retenant mon souffle, sans cligner des yeux), je peux sentir la présence de cette forme d’immobilité qui accompagne notre vie. Il est le seul à y arriver. Gábor Juhász J’ai rencontré Gábor pour la première fois au cours d’une soirée pluvieuse à Budapest, ou je donnais un concert avec Helen et Terje. Nous nous sommes séparés avec la promesse de se revoir et de jouer ensemble. Peu de temps après, György Wallner entra en contact avec moi et me demanda si je désirais jouer sur le prochain CD de Gábor et si je voulais également apporter quelques-uns de mes propres airs à enregistrer. -
Pdf Document
100 YEARS OF RECORDED SOUND INSIDE THE ARCTIC CIRCLE: Music Collections at the National Library of Norway, Rana Division Trond Valberg (Senior Archivist, National Library of Norway)* The National Library of Norway, Rana Division (hereafter NB Rana), was founded in 1989 when Parliament passed its latest Legal Deposit Act. The decision to choose a location 1,000 km north of the capital was a political one. In connection with the establishment of NB Rana it was decided to build a huge storage vault blasted into the mountain. The constant rock temperature of 9°C during every season makes it suitable for long-term storage of different kinds of material. There are 42,000 metres of shelves on four floors, and we have already prepared for another storage vault. The mountain vaults can resist all conventional bombs. To some extent it is important to know the origin of our institution to understand the development of the collections and associated activities. In addition to its state-of-the art storage facilities, much focus has been made on building a good technical infrastructure. We have a fully- equipped conservation laboratory and a recording studio that can handle most analogue and digital formats. Our digital mass storage system became fully operational in 2001, serving both legal deposit documents and historical material. On the subject of finance, though, I have to add that due to our budget we have barely spent any money on buying records or CDs. Since NB Rana is not open to the general public, our services can only be accessed online or by contacting the staff by phone or in other ways. -
Norway's Jazz Identity by © 2019 Ashley Hirt MA
Mountain Sound: Norway’s Jazz Identity By © 2019 Ashley Hirt M.A., University of Idaho, 2011 B.A., Pittsburg State University, 2009 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy, Musicology. __________________________ Chair: Dr. Roberta Freund Schwartz __________________________ Dr. Bryan Haaheim __________________________ Dr. Paul Laird __________________________ Dr. Sherrie Tucker __________________________ Dr. Ketty Wong-Cruz The dissertation committee for Ashley Hirt certifies that this is the approved version of the following dissertation: _____________________________ Chair: Date approved: ii Abstract Jazz musicians in Norway have cultivated a distinctive sound, driven by timbral markers and visual album aesthetics that are associated with the cold mountain valleys and fjords of their home country. This jazz dialect was developed in the decade following the Nazi occupation of Norway, when Norwegians utilized jazz as a subtle tool of resistance to Nazi cultural policies. This dialect was further enriched through the Scandinavian residencies of African American free jazz pioneers Don Cherry, Ornette Coleman, and George Russell, who tutored Norwegian saxophonist Jan Garbarek. Garbarek is credited with codifying the “Nordic sound” in the 1960s and ‘70s through his improvisations on numerous albums released on the ECM label. Throughout this document I will define, describe, and contextualize this sound concept. Today, the Nordic sound is embraced by Norwegian musicians and cultural institutions alike, and has come to form a significant component of modern Norwegian artistic identity. This document explores these dynamics and how they all contribute to a Norwegian jazz scene that continues to grow and flourish, expressing this jazz identity in a world marked by increasing globalization. -
Flamingo Sky
Flamingo Sky --- Marilyn Mazur Josefine Cronholm Krister Jonsson Stunt Records Stunt Records CD STUCD 14122 Distribution: DC Norden Multi-instrumentalist Marilyn Mazur began as a child pro- On Flamingo Sky the trio has created powerful, constantly digy in the late 1960s and in the early ‘70s she was alrea- developing music that touches on a multitude of sounds. dy leading her own group. Extremely progressive for the From tender ballads to dreamy musical canvases, from times, Zirenes featured Mazur as composer, pianist, voca- funky pieces to frenetic acid music, it is always played with list and dancer. Other groups followed: Six Winds, MM4 ease. Your shoulders will stay in place, and often you will be and Primi Band, all with Mazur as the creative epicenter. tempted to just lean back, close your eyes and let the music Mazur was extremely active on the international music sce- caress your soul and body. ne as a member of Miles Davis’ various bands from 1985, Each track has its own atmosphere and pulse, and Mazur’s and later toured with an impressive list of artists including special melodic touch. Each tune starts with a melodic line Wayne Shorter, Gil Evans and Jan Gabarek. Her own group or a few notes. Soon Josefine Cronholm’s beautiful, pristine for many years, Future Song, was also an international alto and Jonsson’s insistent, dynamic guitar are added. And attraction. although you may not be able to hum along the first time Marilyn Mazur has received many honors: The Ben Webster round, they are interpreted so wonderfully and with such Award (1983), The JazzPar Prize (2001), Wilhelm Hansen joy, that by the second listening each tune already sounds Composers Prize (2004), Django D’Or – Legend of Jazz completely natural and beautiful, and as if you’ve known it (2006), Telenor International Culture Prize (2007), JTI Jazz all your life. -
The Helsinki Spirit.Indd
HELSINGIN HENKI THE HELSINKI SPIRIT A Report on the Annual Meeting of the European Jazz Network held in Helsinki, Finland between 2nd and 3rd September 2006. The 2006 meeting of the European Jazz Network comprised the Working Parties meeting held on the 2nd September in the conference suites of the Hotel Sokos Presidentti and the General Assembly held on 3rd September at the UMO Jazz House. The 2006 meeting came at crucial moment in the EJN’s development. As chairman Lars Thorborg pointed out in his address, the success of the organization could be measured by its remarkable growth over the last five years, from fourteen members in 2000 to over fifty in 2006. Indeed, several new members were present for the first time at this year’s meeting while several potential members had been identified who were committed to joining in the near future, including the internationally famous Porgy & Bess jazz club in Vienna. However at a time when the EJN was enjoying its greatest success, a key funding line from the EEU under its Culture 2000 programme was not renewed, news of which had only been conveyed to the EJN a matter of weeks before the meeting. As Lars Thorborg pointed out, this demanded an imaginative and creative response from the organization and while it certainly represented a challenge for the future, it also represented financial independence. 3 THE WORKING PARTIES MEETING 2nd September held in the Conference Suites of the Hotel Sokos Presidentti After a welcome address by EJN President Lars Thorborg and a brief outline why the EJN/European Jazz Network bid for continued funding from the EEU under their Culture 2000 Programme was unsuccessful, the membership were asked for innovative thinking in deciding the future direction of the organization. -
UNIVERSITY of CALIFORNIA SAN DIEGO Composing a Creative Practice
UNIVERSITY OF CALIFORNIA SAN DIEGO Composing A Creative Practice: Collaborative Methodologies and Sonic Self- Inquiry In The Expansion Of Form Through Song A Thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Music by Jordan Mae Morton Committee in charge: Professor Mark Dresser, Chair Professor Sarah Hankins Professor Steven Schick 2018 The Thesis of Jordan Mae Morton as it is listed on UC San Diego Academic Records is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California San Diego 2018 iii I sit without thoughts by the log-road Hatching a new myth. Gary Synder iv TABLE OF CONTENTS Signature Page………………………………………………………………................................. iii Epigraph……………………………………………………………………………………………… iv Table of Contents……………………………………………………………………………………. v Abstract of the Thesis……………………………………………………………………………….. vi Introduction………………………………………………………………………………………….....1 Chapter 1 Reconfiguring an Instrument System: Cross Adaptive Collaborations ...….....…… 5 1.1 Introduction ……………………………………………………………………………....5 1.2 The Idea of Instrument Systems………………………………………………………..6 1.3 Improvisation with Live Convolution…………………………………………………...7 1.4 Composing in Dialogue with Cross-Adaptive Modulation Mappings……………...10 1.5 Expanding Existing Forms in Live Performance…………………………………….12 1.6 A Way Forward………………………………………………………………………….13 Chapter 2 Expanding Forms Through Song: The Music of Espen Reinertsen ………………16 2.1 Experimentation and Song -
Chick Willis Uk £3.25
ISSUE 163 WINTER 2020 CHICK WILLIS UK £3.25 Photo by Merlin Daleman CONTENTS Photo by CHRISTMAS STOCKING FILLERS Merlin Daleman CHICK WILLIS pictured at the Birmingham Jazz Festival. Chick makes an appearance in a new feature for Jazz BIG BEAR RECORDS CD OFFER Rag. We link up with Henry’s Blueshouse in Birmingham to EXCLUSIVELY FOR READERS OF THE JAZZ RAG present Henry’s Bluesletter (pages 32-33) ALL CDS £8 EACH OR THREE FOR £16 INCLUDING P&P 4 FESTIVAL IN TIME OF PLAGUE Birmingham, Sandwell and Westside Jazz Festival goes ahead 5 THE VIRUS IN NUMBERS JAZZ CITY UK VOLUME 2: THE JAM SESSIONS 6 ‘A TRUE NEW ORLEANS CHARACTER’ Coroner/trumpeter Frank Minyard Howard McCrary Various Artists Various Artists Lady Sings Potato Head 7 I GET A KICK OUT OF… Moments Like This Jazz City UK Volume 2 Jazz City UK Volume 1 The Blues Jazz Band Promoter John Billett Laughing at Life Stompin’ Around 8 COMPETITION: LOUIS ARMSTRONG 9 GOODBYE TO A STAR Roger Cotterrell on Peter King 11 BBC YOUNG JAZZ MUSICIAN OF THE YEAR 12 SUPERBLY SWINGING Alan Barnes remembers Dick Morrissey Remi Harris Trio Tipitina King Pleasure & Nomy Rosenberg Django’s Castle 14 FRENCH BOOGIE STAR Ninick Taking Care of The Biscuit Boys Nomy Rosenberg Trio with Bruce Adams Ron Simpson profiles Ben Toury Business Live At Last Swing Hotel du Vin 16 50 BY LOUIS Scott Yanow’s choice FIND US ON FACEBOOK 18 ROY WILLIAMS IN PICS The Jazz Rag now has its own Facebook page. For news of upcoming festivals, gigs and releases, 20 REFLECTING DREAMS Marilyn Mazur interviewed by Ron Simpson features from the archives, competitions and who knows what else, be sure to ‘like’ us. -
Creativity in Jazz
Creativity in Jazz Norman Lawrence Meehan A thesis submitted to Massey University and Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy New Zealand School of Music 2014 1 Creativity in Jazz ................................................................................................................ 1 Acknowledgements .......................................................................................................... 7 Part One: Creativity and Jazz ......................................................................................... 8 Introduction ........................................................................................................................ 9 Why are these questions important? .................................................................................. 9 The central idea ....................................................................................................................... 17 Thesis Plan ................................................................................................................................ 19 Chapter One: Creativity, and its importance ......................................................... 24 Why is creativity important? ............................................................................................... 24 Creativity in Music? ................................................................................................................ 27 Defining creativity ................................................................................................................. -
Tore Brunborg
Tore Brunborg Slow Snow ACT 9586-2 German release date: April 24th, 2015 Still waters run deep And the admiration for Brunborg goes further than Manu Katché, in 2012 he was honoured with the On a per-capita basis, no other country in the world "Buddyprisen", Norway's most prestigious jazz award. spawns more top-class jazz musicians than Brunborg now proves his worth one yet again on "Slow Norway. Jan Garbarek is the guiding star, but it was also Snow", an album that exclusively showcases his own the second generation born in the 60s that helped "Nordic compositions. It is characterised by the interweaving of Jazz" to global notoriety: Nils Petter Molvær, Bugge closeness and distance, relaxation and compaction, Wesseltoft, Geir Lysne, Eivind Aarset and saxophonist Tore eccentricity and simplicity, of electronic and natural sounds. Brunborg. Although highly respected in the Norwegian jazz Especially the contrast between the entirely reduced, almost scene, Brunborg has until now been known internationally gnarly bass rhythms and motifs and the warm and lyrical as a sideman, however this year, the 54 year-old brings out saxophone lines that lend pieces like "History" and "Tree his own international release, his ACT debut "Slow Snow". Strong, Tall Swaying, Swinging, Sighing" (a title that borders on an allegorical description of the song's The fact that he has not stepped into the limelight contents) an inspired, powerful flow that grabs you and until now may be due to Brunborg's unassuming doesn't let go. Brunborg selected his fellow campaigners and halcyon character. He grew up in the introspective for the record carefully: on the drums the 46 year-old Per and placid Voss, a town of 7000 inhabitants on the banks of Oddvar Johansen, a five-time winner of the Lake Vangsvatnet just north of the city of Bergen, "Spellemannprisen" (the Norwegian Grammy), who has surrounded by mountains, forests and waterfalls.