This Month's Other Highlights

Total Page:16

File Type:pdf, Size:1020Kb

This Month's Other Highlights The World’s Leading Classical Music Label MAY 2020 This Month’s Other Highlights Nine titles include World Premiere Recordings! © 2020 Naxos Rights US, Inc. • Contact Us: [email protected] www.naxos.com • www.NaxosMusicGroup.com • www.naxosmusiclibrary.com • blog.naxos.com NEW ON NAXOS | MAY 2020 Zubin Mehta © Wilfried Hösl Jonas Kaufmann Anja Harteros © Gregor Hohenberg © Marco Borggreve The State Opera (A film by Toni Schmid) With 2.110660 Anja Harteros, Soprano Playing Time: 88 minutes Picture format: NTSC 16:9 Jonas Kaufmann, Tenor Sound format: PCM stereo and DTS 5.1 7 1 Kirill Petrenko, Zubin Mehta and Ivor Bolton, Conductors Language: German 47313 56605 Nikolaus Bachler and Sir Peter Jonas, Directors Subtitles: German, English, French, Japanese, Korean, Chinese The State Opera is the first film ever made about the Bavarian State Region code: 0 (Worldwide) No. of disc/s: 1 (DVD 9) Opera, one of the world’s oldest, most prestigious and internationally Price Code: TBA esteemed companies. It charts the course of three operas – Die Release Date: 22 May 2020 Meistersinger von Nürnberg, Les Indes galantes and Un ballo in maschera – as they come to life on the stage. We meet some of Key Features: the great singers, such as Jonas Kaufmann and Anja Harteros, in ● The Bavarian State Opera (Bayerisches Staatsoper) in Munich performance and behind the scenes, as well as artistic directors past is regarded as one of the top companies in the world, and has and present, and two of the music directors in Kirill Petrenko and his been showered with many international awards throughout its predecessor Zubin Mehta. As both a celebration and an exploration, history. The company’s roster of conductors has included some this entertaining film is a declaration of love for the operatic form. of the world’s best, such as Hans von Bülow, Richard Strauss, Bruno Walter, Hans Knappertsbusch, Georg Solti, Wolfgang Also available on Blu-ray Video: Sawallisch, Zubin Mehta, Kent Nagano and Kirill Petrenko, NBD0110V Playing Time: 88 minutes among others. Picture format: HD 16:9 ● Many stars have also appeared in Bavarian State Opera Sound format: PCM stereo and DTS-MA 5.1 productions, with the likes of Krassimira Stoyanova, Diana Damrau, Language: German Subtitles: German, English, French, Nina Stemme, Juan Diego Flórez, Vittorio Grigolo, Piotr Beczala, Japanese, Korean, Chinese Thomas Hampson and others performing to great acclaim. Region code: A, B, C No. of disc/s: 1 (BD 50) ● This documentary by Toni Schmid is a declaration of love for Price Code: TBA an art form that is so often unjustly characterised as elitist and for Release Date: 22 May 2020 the people who so passionately practice that art. The audience witnesses how three opera productions come to life: Wagner’s Die Meistersingers von Nurnberg, Rameau’s Les Indes Galantes and Verdi’s Un ballo in maschera, as well as the Bavarian State 7 30099 01106 8 Ballet’s production of La Bayadère. ● The film also features interviews with tenor Jonas Kaufmann, soprano Anja Harteros, conductors Kirill Petrenko, Zubin Companion Titles – Mehta and Ivor Bolton, as well as opera directors Nikolaus Documentaries on DVD and Blu-ray Bachler and Sir Peter Jonas. Supplementary Marketing Materials: ● Sales Sheet ● Video Trailer ● Facebook cover and post 2.110639 2.110583 2.110389-91 (NBD0101V) (NBD0082V) (NBD0063-64V) 2 NEW ON NAXOS | MAY 2020 © Monika Rittershaus Mick Morris Mehnert as Der Zwerg (actor), Alexander von ZEMLINSKY (1871–1942) David Butt Philip as Der Zwerg (singer) and Der Zwerg Elena Tsallagova (Donna Clara) (‘The Dwarf’) 2.110657 Libretto by Georg C. Klaren Playing Time: 95 minutes after the fairy tale The Birthday of the Infanta by Oscar Wilde Picture format: NTSC 16:9 Sound format: PCM stereo and DTS 5.1 7 47313 56575 7 Language: German Subtitles: German, English, French, Arnold SCHOENBERG (1874–1951) Japanese, Korean Region code: 0 (Worldwide) Begleitungsmusik zu einer No. of disc/s: 1 (DVD 9) Lichtspielscene, Op. 34 Price Code: TBA Watch Video Trailer (‘Accompaniment to a Cinematographic Scene’) Release Date: 22 May 2020 Elena Tsallagova and Emily Magee, Sopranos Key Features: David Butt Philip, Tenor • Mick Morris Mehnert, Actor ● Alexander Zemlinsky’s powerful opera Der Zwerg (‘The Dwarf’) Orchestra and Chorus of the Deutsche Oper Berlin has few enough recordings on disc. This Deutsche Oper Berlin Donald Runnicles, Conductor • Tobias Kratzer, Stage Director production dramatises Schoenberg’s Begleitungsmusik zu einer Lichtspielscene to create a prologue in which Zemlinsky Based on Oscar Wilde’s story The Birthday of the Infanta, and Alma Schindler (soon to become Alma Mahler) appear as Zemlinsky’s single-act opera Der Zwerg is the tragic tale of a dwarf pianists to create a parallel and a background to the following who is presented at court, falls in love with the beautiful Donna drama. Clara, but is ultimately forced to see himself as others see him and to die of a broken heart. Preceded by Schoenberg’s Accompaniment ● Recorded in 2019 in Berlin, director Tobias to a Cinematographic Scene, Op. 34, Zemlinsky’s Romantic score Kratzer’s striking production was much admired is full of psychological intrigue. Is Der Zwerg a critique of society’s by Hugo Shirley in Bachtrack.com: ‘the prologue’s superficiality? Is it the composer’s self-portrait in his doomed affair fin-de-siècle salon [is] replaced by a kind of with Alma Schindler? Director Tobias Kratzer’s stunning, transparent white-box concert hall. Around this central double production creates a space in which each character is thrown into performance, the Deutsche Oper has assembled a © Falk Wenzel sharp relief in this ‘fine, noble and melancholy work’ (Bachtrack.com). very fine cast.Elena Tsallagova [is] chillingly spot Tobias Kratzer on as the heartless Infanta… As Ghita, the only compassionate member of court, Emily Magee sings movingly. Philipp Jekal is Also available on Blu-ray Video: NBD0108V a sturdy presence as Don Estoban, serving as MC for the whole Playing Time: 95 minutes episode. The other members of the cast, as well as the women of Picture format: HD 16:9 the Deutsche Oper Chorus, fill out the drama brilliantly.’ Sound format: PCM stereo and DTS 5.1 Language: German ● Bachtrack.com added: ‘In the pit, Donald Subtitles: German, English, French, Runnicles shows himself to be a clear convert Japanese, Korean to the Zemlinskian cause. There is excellent Region code: A, B, C • No. of disc/s: 1 (BD 50) work from the stage orchestra, too, fully involved Price Code: TBA in Kratzer’s conception of the drama, where the Release Date: 22 May 2020 Dwarf not only sings, but, in clear reference to Zemlinsky himself, is a composer-conductor.’ Companion Titles – 7 30099 01086 3 Other outstanding opera releases from Naxos Audiovisual NEW NEW Supplementary Marketing Materials: ● Sales Sheet ● Video Trailer ● Facebook cover and post 2.110658 2.110655 2.110656 2.110584-85 (NBD0109V) (NBD0106V) (NBD0107V) (NBD0083V) 3 NEW ON NAXOS | MAY 2020 WORLD PREMIERE RECORDINGS 8.574225 Playing Time: 72:02 Price Code: NXP Release Date: 7 47313 42257 9 08 May 2020 Sonia Rubinsky Fabio Mechetti © Isabela Senatore © Rafael Motta Click button to listen to an extract from Piano Concerto No. 1: Apelo I – LISTEN José Antônio Resende de Key Features: ● One of the most prolific composers to emerge from Brazil, ALMEIDA PRADO (1943–2010) José Antônio Resende de Almeida Prado began as a cultivator Piano Concerto No. 1 of nationalism. Aurora ● This new release is the latest in our ‘Music of Brazil’ series, Concerto Fribourgeois co-produced with the Brazilian Ministry of Foreign Affairs in order Sonia Rubinsky, Piano to promote music by Brazilian composers dating back to the 18th Minas Gerais Philharmonic Orchestra • Fabio Mechetti century. The initial release in the series, Alberto Nepomuceno’s Symphony in G minor, Série brasileira and Prelude to O At the time of his death in 2010, Almeida Prado was one of Brazil’s Garatuja (8.574067) recorded by the Minas Gerais Philharmonic most internationally admired composers, one who created music of Orchestra and Fabio Mechetti, was a Gramophone Choice: ‘The unique sonority and colour, rooted in his native country. In Aurora entire programme is played with panache… we have a lot to look (‘Dawn’) he employs his newly developed ‘transtonality’ to radiant forward to. Urgently recommended.’ effect, while the Concerto Fribourgeois features a collage technique. In his Piano Concerto No. 1 Almeida Prado explores a cogent ● The Nepomuceno disc was also selected as one of ‘The Best structure in which the soloist opens up, rips apart or transforms the Classical Recordings of 2019’ by WQXR: ‘[Nepomuceno’s] theme and variations, in a work that is both grandiose and luminous. energetic melodies are met with matching exuberance by conductor Fabio Mechetti and the Minas Gerais Philharmonic About Fabio Mechetti Orchestra.’ Brazilian conductor, Fabio ● Succeeding instalments include sonatas for violin and piano by Mechetti, was appointed Leopoldo Miguez and Glauco Velásquez (8.574118), performed music director and principal by Emmanuele Baldini and Karin Fernandes; and Heitor Villa- conductor of the Minas Lobos’ concertos for guitar and harmonica, as well as a couple Gerais Philharmonic of chamber works (8.574018), featuring world-renowned guitarist Orchestra in 2008. He Manuel Barrueco and harmonica player José Staneck, with the was the first Brazilian to São Paulo Symphony Orchestra under Giancarlo Guerrero. become director of an © Rafael Motta Asian orchestra when he Minas Gerais Philharmonic Orchestra ● Brazilian pianist Sonia Rubinsky was awarded Best Recording was appointed principal conductor of the Malaysian Philharmonic of the Year in the Classical Category of the 2009 Latin GRAMMY Orchestra. Mechetti also led the Syracuse Symphony Orchestra for Awards for the eighth volume of the complete piano works of ten seasons and was subsequently named music director laureate.
Recommended publications
  • LEON BOTSTEIN, Conductor
    Thursday Evening, November 14, 2019, at 7:00 Isaac Stern Auditorium / Ronald O. Perelman Stage presents LEON BOTSTEIN, Conductor Performance #141: Season 5, Concert 12 ARTHUR HONEGGER Rugby (1928) (1891–1955) OTHMAR SCHOECK Lebendig begraben (Buried Alive), Op. 40 (1886–1957) (1926) MICHAEL NAGY, Baritone Intermission DIMITRI MITROPOULOS Concerto Grosso (1929) (1896–1960) Largo Allegro—Largo Chorale: Largo Allegro IGOR STRAVINSKY Divertimento, Symphonic Suite from the (1882–1971) Ballet The Fairy’s Kiss (1928, 1931, rev. ’32, ’34, ’49) Danses suisses (“Swiss Dances”) Scherzo Pas de deux a. Adagio b. Variation c. Coda This evening’s concert will run approximately 2 hours and 25 minutes including one 20-minute intermission. PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. Notes ON THE MUSIC – TON’S KADEN HENDERSON ON ARTHUR HONEGGER’S RUGBY MATT DINE MATT Full Contact Music Honegger’s second tone poem, entitled Rugby, which we will be hearing today, was composed in 1928. Although it bears the name Rugby, the composer himself insisted that this work was not programmatic in a traditional sense. Despite what Honegger may have said, it takes little imagination to find oneself in the middle of the pitch dodging tack- les left and right from the very first note. Immediately from the downbeat it is apparent that Honegger is not alluding to two-hand-touch rugby, but rather the sport in its full contact, “hold no pris- oners” variety. The very first notes from The Composer the strings hit the audience like a ton of When thinking about the great orches- bricks as the cascading strings sweep us tral tone poems in our repertoire, the into a musical dogpile.
    [Show full text]
  • Berliner Philharmoniker
    Berliner Philharmoniker Sir Simon Rattle Artistic Director November 12–13, 2016 Hill Auditorium Ann Arbor CONTENT Concert I Saturday, November 12, 8:00 pm 3 Concert II Sunday, November 13, 4:00 pm 15 Artists 31 Berliner Philharmoniker Concert I Sir Simon Rattle Artistic Director Saturday Evening, November 12, 2016 at 8:00 Hill Auditorium Ann Arbor 14th Performance of the 138th Annual Season 138th Annual Choral Union Series This evening’s presenting sponsor is the Eugene and Emily Grant Family Foundation. This evening’s supporting sponsor is the Michigan Economic Development Corporation. This evening’s performance is funded in part by The Andrew W. Mellon Foundation and by the Michigan Council for Arts and Cultural Affairs. Media partnership provided by WGTE 91.3 FM and WRCJ 90.9 FM. The Steinway piano used in this evening’s performance is made possible by William and Mary Palmer. Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of lobby floral art for this evening’s performance. Special thanks to Bill Lutes for speaking at this evening’s Prelude Dinner. Special thanks to Journeys International, sponsor of this evening’s Prelude Dinner. Special thanks to Aaron Dworkin, Melody Racine, Emily Avers, Paul Feeny, Jeffrey Lyman, Danielle Belen, Kenneth Kiesler, Nancy Ambrose King, Richard Aaron, and the U-M School of Music, Theatre & Dance for their support and participation in events surrounding this weekend’s performances. Deutsche Bank is proud to support the Berliner Philharmoniker. Please visit the Digital Concert Hall of the Berliner Philharmoniker at www.digitalconcerthall.com.
    [Show full text]
  • The Digital Concert Hall
    Welcome to the Digital Concert Hall he time has finally come! Four years have Emmanuelle Haïm, the singers Marlis Petersen passed since the Berliner Philharmoniker – the orchestra’s Artist in Residence – Diana T elected Kirill Petrenko as their future chief Damrau, Elīna Garanča, Anja Kampe and Julia conductor. Since then, the orchestra and con- Lezhneva, plus the instrumentalists Isabelle ductor have given many exciting concerts, fuel- Faust, Janine Jansen, Alice Sara Ott and Anna ling anticipation of a new beginning. “Strauss Vinnitskaya. Yet another focus should be like this you encounter once in a decade – if mentioned: the extraordinary opportunities to you’re lucky,” as the London Times wrote about hear members of the Berliner Philharmoniker their Don Juan together. as protagonists in solo concertos. With the 2019/2020 season, the partnership We invite you to accompany the Berliner officially starts. It is a spectacular opening with Philharmoniker as they enter the Petrenko era. Beethoven’s Ninth Symphony, whose over- Look forward to getting to know the orchestra whelmingly joyful finale is perfect for the festive again, with fresh inspiration and new per- occasion. Just one day later, the work can be spectives, and in concerts full of energy and heard once again at an open-air concert in vibrancy. front of the Brandenburg Gate, to welcome the people of Berlin. Further highlights with Kirill Petrenko follow: the New Year’s Eve concert, www.digital-concert-hall.com featuring works by Gershwin and Bernstein, a concert together with Daniel Barenboim as the soloist, Mahler’s Sixth Symphony, Beethoven’s Fidelio at the Baden-Baden Easter Festival and in Berlin, and – for the European concert – the first appearance by the Berliner Philharmoniker in Israel for 26 years.
    [Show full text]
  • Digital Concert Hall Where We Play Just for You
    www.digital-concert-hall.com DIGITAL CONCERT HALL WHERE WE PLAY JUST FOR YOU PROGRAMME 2016/2017 Streaming Partner TRUE-TO-LIFE SOUND THE DIGITAL CONCERT HALL AND INTERNET INITIATIVE JAPAN In the Digital Concert Hall, fast online access is com- Internet Initiative Japan Inc. is one of the world’s lea- bined with uncompromisingly high quality. Together ding service providers of high-resolution data stream- with its new streaming partner, Internet Initiative Japan ing. With its expertise and its excellent network Inc., these standards will also be maintained in the infrastructure, the company is an ideal partner to pro- future. The first joint project is a high-resolution audio vide online audiences with the best possible access platform which will allow music from the Berliner Phil- to the music of the Berliner Philharmoniker. harmoniker Recordings label to be played in studio quality in the Digital Concert Hall: as vivid and authen- www.digital-concert-hall.com tic as in real life. www.iij.ad.jp/en PROGRAMME 2016/2017 1 WELCOME TO THE DIGITAL CONCERT HALL In the Digital Concert Hall, you always have Another highlight is a guest appearance the best seat in the house: seven days a by Kirill Petrenko, chief conductor designate week, twenty-four hours a day. Our archive of the Berliner Philharmoniker, with Mozart’s holds over 1,000 works from all musical eras “Haffner” Symphony and Tchaikovsky’s for you to watch – from five decades of con- “Pathétique”. Opera fans are also catered for certs, from the Karajan era to today. when Simon Rattle presents concert perfor- mances of Ligeti’s Le Grand Macabre and The live broadcasts of the 2016/2017 Puccini’s Tosca.
    [Show full text]
  • Digital Concert Hall
    Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence.
    [Show full text]
  • Berliner Philharmoniker Kirill Petrenko
    Philharmonie Premium 2 Berliner Philharmoniker Kirill Petrenko Mittwoch 19. Februar 2020 20:00 Bitte beachten Sie: Ihr Husten stört Besucher und Künstler. Wir halten daher für Sie an den Garderoben Ricola-Kräuterbonbons bereit. Sollten Sie elektronische Geräte, insbesondere Mobiltelefone, bei sich haben: Bitte schalten Sie diese zur Vermeidung akustischer Störungen unbedingt aus. Wir bitten um Ihr Verständnis, dass Bild- und Tonaufnahmen aus urheberrechtlichen Gründen nicht gestattet sind. Wenn Sie einmal zu spät zum Konzert kommen sollten, bitten wir Sie um Verständnis, dass wir Sie nicht sofort einlassen können. Wir bemühen uns, Ihnen so schnell wie möglich Zugang zum Konzertsaal zu gewähren. Ihre Plätze können Sie spätestens in der Pause einnehmen. Bitte warten Sie den Schlussapplaus ab, bevor Sie den Konzertsaal verlassen. Es ist eine schöne und respektvolle Geste den Künstlern und den anderen Gästen gegenüber. Mit dem Kauf der Eintrittskarte erklären Sie sich damit einverstanden, dass Ihr Bild möglicherweise im Fernsehen oder in anderen Medien ausgestrahlt oder veröffentlicht wird. Vordruck/Lackform_1920.indd 2-3 17.07.19 10:18 Philharmonie Premium 2 Berliner Philharmoniker Kirill Petrenko Dirigent Mittwoch 19. Februar 2020 20:00 Pause gegen 20:50 Ende gegen 22:00 PROGRAMM Igor Strawinsky 1882 – 1971 Symphony in Three Movements (1942 – 45) Quarter Note = 160 Andante – Interlude Con moto Bernd Alois Zimmermann 1918- 1970 Alagoana (1950 – 55) Caprichos Brasileiros. Ballett-Suite für Orchester Ouvertüre Sertanejo Saudade Caboclo Finale Pause Sergej Rachmaninow 1873 – 1943 Sinfonische Tänze op. 45 (1940) für Orchester Non allegro – Lento – Tempo primo Andante con moto. Tempo di valse Lento assai – Allegro vivace 2 ZU DEN WERKEN Musik und Tanz sind – über das Element des Rhythmischen – eng miteinander verknüpft.
    [Show full text]
  • Bayerisches Staatsorchester Kirill Petrenko Friday 1 June 2018 7.30Pm, Hall Mahler Symphony No 7
    Bayerisches Staatsorchester Kirill Petrenko Friday 1 June 2018 7.30pm, Hall Mahler Symphony No 7 Bayerisches Staatsorchester Kirill Petrenko conductor Hösl Pre-concert talk 6.30pm, Hall W Guido Gärtner in conversation with Huw Humphreys Part of Barbican Presents 2017–18 Please remember that to use our induction loop you should switch your hearing aid to T setting on entering the hall. If your hearing aid is not correctly set to T it may cause high-pitched feedback which can spoil the enjoyment of your fellow audience members. We appreciate that it’s not always possible to prevent coughing during a performance. But, for the sake of other audience members and the artists, if you feel the need to cough or sneeze, please stifle it with a handkerchief. Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. The City of London If anything limits your enjoyment please let us know Corporation is the founder and during your visit. Additional feedback can be given principal funder of online, as well as via feedback forms or the pods the Barbican Centre located around the foyers. Welcome A warm welcome to this evening’s concert, a guitar, mandolin, tenor horn and an given by the Bayerisches Staatsorchester unwieldy array of percussion? Was it under its Music Director Kirill Petrenko. sheer length? Neither of these aspects We are delighted to welcome the are exactly unique to this symphony, so orchestra and Maestro Petrenko for perhaps it’s more about the fact that the their long-overdue UK debut together.
    [Show full text]
  • Berliner Philharmoniker Kirill Petrenko Beethoven Tchaikovsky Schmidt Stephan
    BERLINER PHILHARMONIKER KIRILL PETRENKO BEETHOVEN TCHAIKOVSKY SCHMIDT STEPHAN 1 2 3 Inhalt · Contents Kirill Petrenko Zu dieser Edition · About the edition 6 Ludwig van Beethoven Symphonie Nr. 7 · Symphony No. 7 10 Symphonie Nr. 9 · Symphony No. 9 12 Gesangstext · Sung text 14 Peter Tschaikowsky Symphonie Nr. 5 · Symphony No. 5 18 Symphonie Nr. 6 · Symphony No. 6 20 Franz Schmidt Symphonie Nr. 4 · Symphony No. 4 22 Rudi Stephan Musik für Orchester · Music for Orchestra 24 »Finis coronat opus«? Alles andere als endgültige Bemerkungen zum Finalproblem in der Symphonie 29 “Finis coronat opus”? Far from final remarks on the symphony’s finale problem 41 Die extremste Form des Musikalischen Eine soziologische Perspektive auf die Symphonie 53 Music in Its Most Extreme Form A sociological perspective on the symphony 63 Berliner Philharmoniker Mitglieder · Members 74 Rosemarie Trockel Über die Künstlerin · About the artist 76 Credits 78 Zu dieser Edition Diese Edition ist so etwas wie eine klingende Moment- sie anfängt und aufhört, hat Schmidt als »die letzte aufnahme der beginnenden Zusammenarbeit zwischen Musik, die man ins Jenseits mitnimmt« beschrieben. Ich von Kirill Petrenko den Berliner Philharmonikern und mir, gleichsam die wollte sie dem Orchester, das dieses Werk jahrzehnte- Initialzündung unserer Gemeinschaft. lang nicht gespielt hatte, und dem Berliner Publikum so bald wie möglich bekannt machen, und ich freue mich, Die Sechste Symphonie von Peter Tschaikowsky haben dass dank dieser Ausgabe noch weitere musikliebende wir im ersten Konzert nach meiner Ernennung aufgeführt. Kreise mit ihr in Berührung kommen. Das war ein Moment, auf den wir mit großer Nervosität und beinahe berstender Spannung hingearbeitet haben, Auch den Komponisten Rudi Stephan halte ich für sehr und etwas von dieser Spannung spürt man noch in bedeutend und bei weitem nicht genug bekannt und diesem Mitschnitt: wie eine Energiequelle, die bis heute gewürdigt.
    [Show full text]
  • Oksana Lyniv
    OKSANA LYNIV Oksana Lyniv was born in Ukraine and got a preparatory degree in flute and conducting from 1992 until 1996 at the Lyudkevich School in Lviv. From 1996 till 2003 she studied conducting at the music Academy of Lviv. In 2004 she participated in the 1st Gustav-Mahler-Competition of the Symphony Orchestra of Bamberg and got the 3rd prize. In 2005 she became Assistant to Conductor Jonathan Nott. In 2005 she began her studies at the Hochschule für Musik ‚Carl Ma- ria von Weber‘ in Dresden and took masterclasses next to Ekkehard Klemm. She received scholarships from the DAAD, the Goethe-Institut and the Oscar-und-Vera-Ritter- Foundation. From 2007 till 2009 she was a scholar of the ‚‚Conductors‘ Forum‘‘ of the German Music Council and took Masterclasses with Hartmut Haenchen, Kurt Masur, Peter Gülke and Georg Fritzsch. Lyniv has recorded with the Symphony orchestra of Bamberg and the Bavarian Radio. She conducted concerts in Uk- raine, Germany, France, Rumania, Austria, Hungary, Esthonia and Switzerland. In 2008 she conducted ‚‚La Bohème‘‘, ‚‚Madama Butterfly‘‘, ‚‚Rigoletto‘‘ and ‚‚Cavalleria rusticana‘‘ at the State Opera in Odessa. From 2013 till 2017 Oksana Lyniv was Assistant of Chief conductor Kirill Petrenko at the Bavaria State Opera, where she conducted ‚‚Mirandolina‘‘, ‚‚La clemenza di Tito‘‘, ‚‚La traviata‘‘, ‚‚Die Fledermaus‘‘, ‚‚Lucia di Lammermoor‘‘, ‚‚Ari- adne auf Naxos‘‘, ‚‚Lady Macbeth von Mzensk‘‘, ‚‚Selma Ježková‘‘ (after Lars von Trier‘s Film "Dancer in the Dark") as well as the premiere of ‚‚Mauerschau‘‘. In May 2017 she was in charge of a production series of Wagner’s ‚‚Fliegender Holländer‘‘ at the Gran Teatre del Liceu in Barcelona.
    [Show full text]
  • Digital Concert Hall Programme 2018/2019 3
    2 DIGITAL CONCERT HALL PROGRAMME 2018/2019 3 WELCOME TO THE DIGITAL CONCERT HALL The 2018/2019 season marks a very special Zubin Mehta. Another highlight is the return phase in the history of the Berliner Philhar- on two occasions of Sir Simon Rattle, and moniker. Following on from the end of the with several debuts, new artistic connections Simon Rattle era, it is characterised by look- will also be made. Among the top-class guest ing forward to a new beginning when Kirill soloists is the pianist Daniil Trifonov to name Petrenko takes up office as chief conductor. but one, the Berliner Philharmoniker’s current Although this is not due until the summer of Artist in Residence. 2019, exciting joint concerts are on the hori- zon, beginning with the season opening con- Another special feature of this season: cert which is dedicated to the core repertoire the 10th anniversary of the Digital Concert of the Berliner Philharmoniker: a Beethoven Hall. On 17 December 2008, this unprece- symphony and two symphonic poems by dented project went online, followed by a first Richard Strauss. In the Digital Concert Hall live broadcast on 6 January 2009. Since then, we are also showing a tour concert from Lu- around 50 live concerts have been shown cerne, a programme with works by Schoen- per season. The video archive now holds more berg and Tchaikovsky in the spring of 2019, than 500 concert recordings, from the and Kirill Petrenko appears at the helm of the present day back to the Karajan era. There National Youth Orchestra of Germany as well.
    [Show full text]
  • Biography EN
    MAURO PETER … a dreamy song recital and a flawless, multi-faceted performance – thus Mauro Peter’s perfor- mance at the 2019 Salzburg Festival, according to the Salzburger Nachrichten. This expressive fascination has won him enthusiastic audiences since his spectacular debut at the Schubertiade Schwarzenberg in 2012. Ever since, he has appeared on concert and opera stages everywhere in Europe. The Swiss tenor begins the 2020/21 season with a song recital at the internationally renowned Lucerne Festival. Mauro Peter’s opera season starts with his role debut as Nemorino in Donizetti’s L’elisir d’amore at the Zurich Opera House, where he has been an ensemble member since 2013, celebrating major success, most recently in Zender’s Winterreise and in the title role of Handel’s Belshazzar. Another highlight of the season is his December debut at the Teatro Real in Madrid, where he sings Don Ottavio in Mozart’s Don Giovanni. He will also embody this role at the 2021 Mozart Week in Salzburg. Furthermore, Mauro Peter will perform Schubert’s cycle Schwanengesang for the first time at Vien- na’s Konzerthaus and at the Schubertiade Schwarzenberg in June. In addition, he will make his debut with the Berlin Philharmonic under the baton of Kirill Petrenko, appearing in the orchestra’s Europe Day Concert in 2021. Mauro Peter has celebrated international operatic success performing Wolfgang Amadeus Mo- zart’s music. Roles such as Belmonte, Ferrando, Don Ottavio and Tamino have taken him to the Canadian Opera Company in Toronto, the Bavarian State Opera, the Opéra de Lyon, the Opéra national de Paris, the Royal Opera House in London, the Teatro alla Scala in Milan, the Theater an der Wien, the Zurich Opera House and the Salzburg Festival.
    [Show full text]
  • Gustav Mahler Symphonie Nr. 7 Kirill Petrenko Bayerisches
    GUSTAV MAHLER KIRILL PETRENKO BAYERISCHES SYMPHONIE NR. 7 STAATSORCHESTER BAYERISCHE STAATSOPER RECORDINGS INHALT 4 Nikolaus Bachler Zu dieser CD 8 Guido Gärtner Zu Hause in Oper und Konzert Wesen und Wirken des Bayerischen Staatsorchesters 14 Malte Krasting „Auf höchstem Gipfel im Angesicht der Ewigkeit“ Kirill Petrenko und das Bayerische Staatsorchester interpretieren Gustav Mahlers Siebte Symphonie 28 Das Bayerische Staatsorchester 34 Kirill Petrenko CONTENT 36 Nikolaus Bachler About This CD 40 Guido Gärtner At Home Both in the Pit and on Stage The Essence and Achievements of the Bayerisches Staatsorchester 46 Malte Krasting “On the Highest Peak Facing Eternity” Kirill Petrenko and the Bayerisches Staatsorchester Perform Gustav Mahler’s Seventh Symphony 60 The Bayerisches Staatsorchester 66 Kirill Petrenko 3 GUSTAV MAHLER (1860 –1911) SYMPHONIE NR. 7 1 1. Langsam (Adagio) – Allegro risoluto, ma non troppo 20:47 2 2. Nachtmusik I. Allegro moderato 14:20 3 3. Scherzo. Schattenhaft. Fließend, aber nicht schnell; in den Anfangstakten 9:22 noch etwas zögernd – Trio – Wieder wie am Anfang 4 4. Nachtmusik II. Andante amoroso 11:45 5 5. Rondo-Finale. Tempo I (Allegro ordinario) – Tempo II 16:18 (Allegro moderato ma energico) [72:32] Konzertmitschnitt / Live Recording Nationaltheater München, 28. / 29. Mai 2018 / National Theatre in Munich, 28 / 29 May 2018 4 ZU DIESER CD Wollte man alle schmerzhaften Erfahrungen und tragischen Brüche der euro- päischen Geschichte am beginnenden 20. Jahrhundert in Klang setzen, käme man unweigerlich auf Gustav Mahlers Symphonien. Hier fügt sich nichts naht- los, was sich zu reiben hat. Hier tönt das Leben mit all seinen Konflikten und mit allen Beglückungen, die es dem Menschen bieten kann.
    [Show full text]