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Westfield Board of Edu- Cation Plans to Accept the 1994- 95 Audit and Discuss the Special Education Plans for 199G-99 at Its Meeting Next Week
-ju;t. Page A-8. To subscribe, call (800) 300-9321 TheWsstfield Record Vol. 7, No. 45 Thursday, November 16, 1995 A Forbes Newspaper 50 cents Briefs Plans discussion ShopRite's back in town The Westfield Board of Edu- cation plans to accept the 1994- 95 audit and discuss the Special Education Plans for 199G-99 at its meeting next week. The Planning Board OKs mart in special 4-0-2 vote board meets 8 p.m. Tuesday in the board room at 302 Elm By KEVIN COLUOAN and Marilyn Shields voted in favor board rejected 5-1 in April. As be- about increased traffic, Village Su- controlled escrow account. What is Street. of the settlement. Dr. Carol Molnar fore, the bulk of the supermarket permarkets has also pledged up to not used for traffic improvement THE RECORD and Town Engineer Kenneth building resides in Westfield and $210,000 to rework intersections will be returned to the developer. Prodded by the threat of a $2.3 Marsh abstained. * pinking falls in Garwood. Signifi- clogged by supermarket-goers. The Village Supermarkets will not fx? Harley show million lawsuit and the prospect of The public will have its say at cant changes are limited to: traffic flow improvements, how- liable for improvements in excess Westfield native Scott Jacobs an all-Garwood ShopRite and hearings scheduled to begin Nov. • The ShopRite building is ever, will not be attempted until of $210,000. is back in town this weekend to wooed by the promise of parking 28. The hearings may last one moved slightly eastward to allow Village Supermarkets is able to While these changes address display his internationally rec- and traffic improvements, the evening or continue Nov. -
Whose History and by Whom: an Analysis of the History of Taiwan In
WHOSE HISTORY AND BY WHOM: AN ANALYSIS OF THE HISTORY OF TAIWAN IN CHILDREN’S LITERATURE PUBLISHED IN THE POSTWAR ERA by LIN-MIAO LU (Under the Direction of Joel Taxel) ABSTRACT Guided by the tenet of sociology of school knowledge, this study examines 38 Taiwanese children’s trade books that share an overarching theme of the history of Taiwan published after World War II to uncover whether the seemingly innocent texts for children convey particular messages, perspectives, and ideologies selected, preserved, and perpetuated by particular groups of people at specific historical time periods. By adopting the concept of selective tradition and theories of ideology and hegemony along with the analytic strategies of constant comparative analysis and iconography, the written texts and visual images of the children’s literature are relationally analyzed to determine what aspects of the history and whose ideologies and perspectives were selected (or neglected) and distributed in the literary format. Central to this analysis is the investigation and analysis of the interrelations between literary content and the issue of power. Closely related to the discussion of ideological peculiarities, historians’ research on the development of Taiwanese historiography also is considered in order to examine and analyze whether the literary products fall into two paradigms: the Chinese-centric paradigm (Chinese-centricism) and the Taiwanese-centric paradigm (Taiwanese-centricism). Analysis suggests a power-and-knowledge nexus that reflects contemporary ruling groups’ control in the domain of children’s narratives in which subordinate groups’ perspectives are minimalized, whereas powerful groups’ assumptions and beliefs prevail and are perpetuated as legitimized knowledge in society. -
Green Arrow Year One Free
FREE GREEN ARROW YEAR ONE PDF Jock,Andy Diggle | 160 pages | 14 Apr 2009 | DC Comics | 9781401217433 | English | New York, NY, United States Green Arrow Year One (Volume) - Comic Vine Hackett saves Ollie from nearly falling into a ravine, and criticizes him for his recklessness. Oliver Queen Green Arrow Year One his partner Hackett go mountain climbing across Green Arrow Year One frozen tundra. Three days later, the two return to Star City where they appear at a charity auction fundraiser for the Star City Drug and Rehabilitation Center. Ollie is inebriated and makes a spectacle of himself — particularly when he makes an outrageous bid for the prop bow used by archer Howard Hill in the film The Adventures of Robin Hood. Ollie takes the stage after the auction, and embarrasses himself by throwing up into a wastepaper basket. The two leave, and Ollie is mortified over his behavior. He tells Hackett that he wishes to go with him on a business trip involving some of Queen Industries ' offshore accounts. Hackett tries to talk him out of it, but Ollie insists on coming along. He cannot bear to be in the public spotlight after the fundraiser fiasco. On the luxury ship called the Pacific QueenOllie learns that Hackett has been embezzling money on behalf of a criminal named China White. He didn't want Ollie involved, but knew that his presence on the journey threatened to expose China White's operations. Hackett holds Queen at gunpoint, but Ollie knocks him down with a punch to the jaw. Hackett responds with a head-butt and Ollie collapses onto the deck. -
Newsletter 14/12 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 14/12 DIGITAL EDITION Nr. 318 - August 2012 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 14/12 (Nr. 318) August 2012 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Mit ein paar Impressionen von der Premiere des Kinofilms DIE KIR- CHE BLEIBT IM DORF, zu der wir am vergangenen Mittwoch ein- geladen waren, möchten wir uns in den Sommerurlaub verabschieden. S ist wie fast jedes Jahr: erst wenn alle Anderen ihren Urlaub schon absolviert haben, sind wir dran. Aber so ein richtiger Urlaub ist das eigentlich gar nicht. Nichts von we- gen faul am Strand liegen und sich Filme in HD auf dem Smartphone reinziehen! Das Fantasy Filmfest Fotos (c) 2012 by Wolfram Hannemann steht bereits vor der Tür und wird uns wieder eine ganze Woche lang von morgens bis spät in die Nacht hinein mit aktueller Filmware ver- sorgen. Wie immer werden wir be- müht sein, möglichst viele der prä- sentierten Filme auch tatsächlich zu sehen. Schließlich wird eine Groß- zahl der Produktionen bereits kurze Zeit nach Ende des Festivals auf DVD und BD verfügbar sein. Und da möchte man natürlich schon vor- her wissen, ob sich ein Kauf lohnen wird. Nach unserer Sommerpause werden wir in einem der Newsletter wieder ein Resümee des Festivals ziehen. Es wird sich also lohnen weiter am Ball zu blei- ben. Ab Montag, den 17. -
See 2019 Festival Program for Review
Celebrating 10 years in the Media Capital of the World September 5th - 9th September 5, 2018 Dear Friends: On behalf of the City of Los Angeles, welcome to the 2018 Burbank International Film Festival. Since 2009, the Burbank International Film Festival has promoted up-and-coming filmmakers from around the world by providing a gateway to expand their careers in the entertainment industry. I applaud the efforts of the Festival’s organizers and sponsors to create an event that generates an appreciation of storytelling through film. Thank you for your contributions to the vibrant artistic culture of Los Angeles. Congratulations to all the Industry Icon honorees. I send my best wishes for what is sure to be a successful and memorable event. Sincerely, ERIC GARCETTI Mayor September 5, 2018 Dear Friends, Welcome to the 2018 Burbank International Film Festival as we celebrate 10 successful years in "The Media Capitol of the World." The Burbank International Film Festival has given a platform to promising filmmakers, sharing their hard work with an eager audience and providing the means to expand their budding careers. As champions of independent filmmaking, the Festival organizers represent true benefactors to the colorful Los Angeles arts scene that we all enjoy. Congratulations to all the Festival honorees at this pivotal point in their careers. We appreciate your dedication and the contribution it makes to our arts culture. Sincerely, ANTHONY J. PORTANTINO Senator 25th Senate District Board of Directors Jeff Rector President / Festival Director Jeff is an award-winning filmmaker and working actor. His feature film “Revamped” which he wrote, directed and produced, is currently being distributed worldwide. -
Surveillance of Drug Abuse Trends in the State of Ohio (OSAM)
OSAM Ohio Substance Abuse Monitoring Network Surveillance of Drug Abuse Trends in the State of Ohio June 2014 - January 2015 Legend Akron-Canton region Columbus region Athens region Dayton region Cincinnati region Toledo region Ohio Department of Mental Health and Addiction Services Cleveland region Youngstown region Office of Quality, Planning and Research Ohio Substance Abuse Monitoring Network Surveillance of Drug Abuse Trends in the State of Ohio June 2014 - January 2015 Prepared by: Ohio Department of Mental Health and Addiction Services Office of Quality, Planning and Research Sanford Starr, Deputy Director — MSW, LISW-S R. Thomas Sherba, OSAM Principal Investigator — PhD, MPH, LPCC Beth E. Gersper, OSAM Coordinator — MPA Table of Contents OSAM-O-Gram ...........................................................................................................................................................3 Executive Summary ...................................................................................................................................................5 Drug Abuse Trends by Region Akron-Canton Region ............................................................................................................................................ 21 Athens Region .......................................................................................................................................................... 39 Cincinnati Region ................................................................................................................................................... -
2018 in Review: Parades, Protests and Politics
WWW.BEVERLYPRESS.COM INSIDE • Pipeline repaired in Beverly Hills. pg. 3 Sunny, with • Target project set highs in the to resume. pg. 5 mid 60s Volume 28 No. 52 Serving the Beverly Hills, West Hollywood, Hancock Park and Wilshire Communities December 27, 2018 n 2018The leaders, inevents, review: Parades, Protests and Politics celebrations and controversies that shaped the past year in L.A., West Hollywood and Beverly Hills Leaders in Los Angeles, Beverly Hills and West Hollywood addressed challenges facing the community head on during the past year, making progress on many fronts but leaving some uncertain- ties as the new year arrives. Homelessness, school safety, development, economic growth, the housing crisis and transporta- tion were major issues in 2018, helping reshape the experiences of the people who live and visit the area. Politics also remained at the forefront, with local voters sending a resounding message in the mid- term elections, setting the stage for potentially dramatic change in 2019 in the state and federal branches of government. As a pre- See 2019 page 21 photo courtesy of the city of West Hollywood/by Jon Viscott The annual Pride Parade returned to West Hollywood after a one-year hiatus when a Resist March was held. LAUSDn comes marching in to Rose Parade Local students maintain rigors of rehearsal during their winter break Traditions abound in Pasadena’s Rose Parade, with its flower-covered floats, marching bands and equestrian teams traveling down Colorado Boulevard on Jan. 1. During the 130th annual presentation of the photo by Luke Harold parade, the Los Angeles Unified A designated dropoff and pickup zone for tour buses might be placed School District All City Honor in front of a medical building at 414 N. -
Momaexh 1405 Masterchecklist
\ . The Museum of Modern Art CHECKLIST Officeof the Registrar November 4, 1985 112-700 96.34 "That's Not All Folks! Warner Brothers Animation" September 10, 1985 - January 7, 1986 85.1336 - 85.1342 DUCK SOUP TO NUTS, 1944 Directed by Friz Freleng Animation drawings by Richard Bickenbach MoMAExh_1405_MasterChecklist 85.1343 - 85.1344 DUCK SOUP TO NUTS, 1944 Directed by Friz Freleng Animation drawings by Herman Cohen 85 .1345 DUCK AMUCK, 1953 Directed by Chuck Jones Character layout drawing by Chuck Jones 85.1346 DAFFY DUCK HUNT, 1949 Directed by Robert McKimson Preliminary model poses by John Carey 85.1347 YOU OUGHT TO BE IN PICTURES, 1940 Directed by Friz Freleng Preliminary model poses 85.1348 - 85.1352 THE OLD GREY HARE, 1944 Directed by Bob Clampett Character layout drawings by Michael Sasanoff 85.1353 BUGS BUNNY NIPS THE NIPS, 1944 Directed by Friz Freleng Animation drawing 85.1354 WHAT'S COOKIN', DOC? Directed by Bob Clampett Animation drawing .. 11 West 53 Street, New York, N Y 10019-5486Tel 212-700 94()()Coble MOOERNARI Telex. 62370MOOA�l -2- 85 .1355 BUGS BUNNY AND THE THREE BEARS, 1944 Directed by Chuck Jones Animation drawing 85.1356 THE WACKY WABBIT, 1942 Directed by Bob Clampett Animation drawing 85.1357 A WILD HARE, 1940 Directed by Tex Avery Size chart by Robert Givens 85.1358 THE HARE BRAINED HYPNOTIST, 1942 MoMAExh_1405_MasterChecklist Directed by Friz Freleng Animation drawing by Phil Monroe 85.1359 - 85.1362 HARE RIBBIN' , 1944 Directed by Bob Clampett Animation drawing by Robert McKimson 85.1363 HARE CONDITIONED, 1945 -
Favorite Looney Tunes Characters.Xlsx
FAVORITE LOONEY TUNES CHARACTERS - VOTING BRACKETS First Round Second Round Sweet Sixteen Elite Eight Final Four Championship Final Four Elite Eight Sweet Sixteen Second Round First Round Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes 1 Daffy Duck 58 70 Bugs Bunny 1 Daffy Duck 60 67Bugs Bunny 16 Clyde Bunny 13 1 Gruesome Gorilla 16 Daffy Duck 73 79Bugs Bunny 8 Charlie Dog 38 35 Rocky and Mugsy 8 Charlie Dog 10 3 Rocky and Mugsy 9 Henery Hawk 31 34 Slowpoke Rodriguez 9 Daffy Duck 48 56 Bugs Bunny 5 Barnyard Dawg 48 54 Penelope Pussycat 5 Barnyard Dawg 44 41 Penelope Pussycat 12 Drunken Stork 23 15 Blacque Jacque Shellacque 12 Barnyard Dawg 11 5 Penelope Pussycat 4 Pussyfoot 33 49 Marc Antony 4 Miss Prissy 24 28 Marc Antony 13 Miss Prissy 37 18 Babbit and Catstello 13 Division One Daffy Duck 28 67 Bugs Bunny Division Two 6 Granny 57 9 Weasel 6 Granny 29 17 Egghead Jr. 11 Hippety Hopper 14 61 Egghead Jr. 11 Porky Pig 41 41 Yosemite Sam 3 Porky Pig 61 65 Yosemite Sam 3 Porky Pig 41 53 Yosemite Sam 14 Claude Cat 10 6 The Dodo 14 Pepé Le Pew 26Wile E. Coyote 25 20 Taz 7 Spike the Bulldog 59 28 Chester the Terrier 7 Spike the Bulldog 17 9Lola Bunny 10 The Three Bears 12 39 Lola Bunny 10 Pepé Le Pew 44 43 Taz 2 Pepé Le Pew 64 66 Taz 2 Pepé Le Pew 53 60 Taz 15 The Gremlin 7 4 Nasty Canasta 15 CHAMPION Bugs Bunny 1 Wile E. -
Pulse Check: Trends in Drug Abuse November 2001
PULSE CHECK Trends in Drug Abuse November 2001 Executive Office of the President Office of National Drug Control Policy Washington, DC 20503 NCJ 191248 ACKNOWLEDGEMENTS ACKNOWLEDGEMENTS The Office of National Drug Control Policy (ONDCP) acknowledges the contributions made by the 83 Pulse Check sources who voluntarily prepared for and participated in the in-depth discussions that are the basis for this report. Their names (unless they requested anonymity) appear in an appendix. Information presented in this publication reflects the views of those sources, and not necessarily those of the Federal Government. Marcia Meth and Rebecca Chalmers of Johnson, Bassin & Shaw, Inc., produce the Pulse Check for ONDCP, under Contract Number 282-98-0011, Task Order Number 10. Anne McDonald Pritchett, Office of Programs, Budget, Research, and Evaluation, ONDCP, serves as the project director and editor for Pulse Check. All material in this publication is in the public domain and may be reproduced or copied without permission from ONDCP. Citation of the source is appreciated. The U.S. Government does not endorse or favor any spe- cific commercial product. Trade or proprietary names appearing in this publication are used only because they are considered essential in the context of the information reported. This issue and previous issues of Pulse Check are available online at <www.whitehousedrugpolicy.gov>. CONTENTS CONTENTS Highlights. 1 Introduction . 5 Heroin . 7 Crack Cocaine . 29 Powder Cocaine . 43 Marijuana . 55 Methamphetamine . 67 Ecstasy and Other Club Drugs. 75 Special Topic: Synthetic Opioids . 89 Appendix 1: Methodology . 99 Appendix 2: Population Demographics in the 21 Pulse Check Sites . 101 Appendix 3: National-Level Data Sources Available in the 21 Pulse Check Sites . -
Lots, Stalls, and Markets of Mexico City Were Rented by Their Owners And
Notes on Material Art Fair Material Art Fair 2014: version 0.0.0 lots, stalls, and markets of Mexico City were rented by their in new and stronger timber in their places, insomuch that 10. A weapon. The predicament in which Phil Connors (Groundhog Material Art Fair 2015: version 1.0.0 9. owners and placed on a red carpet around a series of this ship became a standing example among the philoso- Day) fnds himself is known in science fction circles as a time 1. Frontón México. Teodoro Kunhardt and joaquín Capilla desig- Material Art Fair 2016: version 2.0.0 planter-tables. This exercise generated an ephemeral phers, for the logical question of things that grow; one side loop, a plot device in which “typically, periods of time are repeated ned the Frontón México between 1921 and 1928. The frst stone Material Art Fair 2017: version 3.0.0 environment for visitors to interact. In addition, it allowed us holding that the ship remained the same, and the other and re-experienced by a character’s consciousness: there is often was placed in 1928, and President Emilio Portes Gil offcially Material Art Fair 2018: version 4.0.0 to start an inventory of typologies of peculiar chairs. contending that it was not the same.” some hope of breaking out of the useless cycle of repetition.”20 inaugurated it on May 10, 1929. In 1939, the conservative Parti- Material Art Fair 2019: version 4.1.0 Plutarch. “Theseus (23.1)”. The Internet Classics Archive. do Acción Nacional (National Action Party) was founded there1. -
Cartoon Noir: a Comparative Study of Visual Parody
CARTOON NOIR: A COMPARATIVE STUDY OF VISUAL PARODY A Thesis by BHUVANA DEVIGERE MALLIKARJUNAIAH Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE December 2010 Major Subject: Visualization Sciences CARTOON NOIR: A COMPARATIVE STUDY OF VISUAL PARODY A Thesis by BHUVANA DEVIGERE MALLIKARJUNAIAH Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Approved by: Chair of Committee, Louis G. Tassinary Committee Members, Michael L. Greenwald R. Yauger Williams Head of Department, Timothy McLaughlin December 2010 Major Subject: Visualization Sciences iii ABSTRACT Cartoon Noir: A Comparative Study of Visual Parody. (December 2010) Bhuvana Devigere Mallikarjunaiah, B.E., Visveswaraiah Technological University, India Chair of Advisory Committee: Dr. Louis G. Tassinary American film parody can be characterized as a distorted, comical and yet affectionate imitation of a given genre or specific work. Film noir as a genre with its distinct visual styles has been an easy target for such “creative criticism.” Mel Brooks, famous for his series of successful parody films, has exhorted that the situation alone must be absurd while the actors must be serious, not funny to make a comedy funnier. He also said that funny is in the writing and not in the performance itself. Film noir through its unconventional visual styles and convoluted story lines engenders feelings of anxiety and paranoia in the audience, providing rich fodder for parody. The animated theatrical series Looney Tunes with its trademark slapstick style is well suited for making serious situations look absurd, affording “creative criticism”.