Introduction to Innovation
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Just How Nasty Were the Video Nasties? Identifying Contributors of the Video Nasty Moral Panic
Stephen Gerard Doheny Just how nasty were the video nasties? Identifying contributors of the video nasty moral panic in the 1980s DIPLOMA THESIS submitted in fulfilment of the requirements for the degree of Magister der Philosophie Programme: Teacher Training Programme Subject: English Subject: Geography and Economics Alpen-Adria-Universität Klagenfurt Evaluator Univ.-Prof. Dr. Jörg Helbig, M.A. Alpen-Adria-Universität Klagenfurt Institut für Anglistik und Amerikanistik Klagenfurt, May 2019 i Affidavit I hereby declare in lieu of an oath that - the submitted academic paper is entirely my own work and that no auxiliary materials have been used other than those indicated, - I have fully disclosed all assistance received from third parties during the process of writing the thesis, including any significant advice from supervisors, - any contents taken from the works of third parties or my own works that have been included either literally or in spirit have been appropriately marked and the respective source of the information has been clearly identified with precise bibliographical references (e.g. in footnotes), - to date, I have not submitted this paper to an examining authority either in Austria or abroad and that - when passing on copies of the academic thesis (e.g. in bound, printed or digital form), I will ensure that each copy is fully consistent with the submitted digital version. I understand that the digital version of the academic thesis submitted will be used for the purpose of conducting a plagiarism assessment. I am aware that a declaration contrary to the facts will have legal consequences. Stephen G. Doheny “m.p.” Köttmannsdorf: 1st May 2019 Dedication I I would like to dedicate this work to my wife and children, for their support and understanding over the last six years. -
The Illusion of Choice: Parallels Between the Home Cinema Industry of the 1980S and Modern Streaming Services
International Journal of Media, Journalism and Mass Communications (IJMJMC) Volume 5, Issue 4, 2019, PP 01-08 ISSN 2454-9479 http://dx.doi.org/10.20431/2454-9479.0504001 www.arcjournals.org The Illusion of Choice: Parallels between the Home Cinema Industry of the 1980s and Modern Streaming Services Adam L. Miller* Aichi Shukutoku University, Aichi Pref, Sakuragaoka Ward 23, Nagoya City, Japan *Corresponding Author: Adam L. Miller, Aichi Shukutoku University, Aichi Pref, Sakuragaoka Ward 23, Nagoya City, Japan Abstract: This research article hopes to look at the prolific rise of VHS and home cinema in the 1980s; how it altered the viewing experiences of film-lovers, how the industry adapted to accommodate to this new market and how these viewing habits that started decades ago, still resonate today. The article will be drawing parallels between the VHS based home cinema of the 1980s to the subscription based streaming applications which are prolific today, using Netflix Inc. as the main point of focus. Keywords: “Film Studies;” “VHS;” “Home Cinema;” “Streaming” “Netflix;” 1. INTRODUCTION The article will go on to explore how the sudden emergence of home cinema in the 1980s allowed viewers to explore films, genres, filmmakers and content that is often referred to as „world cinema‟ that they may have otherwise been unaware of. It will be argued that streaming services have the same potential to expose viewers to a wide variety of content, but this potential may not be being fulfilled, as it is not in the best interests of streaming services to have viewers searching through unfamiliar territory. -
INFORMATION to USERS the Most Advanced Technology Has Been Used to Photo Graph and Reproduce This Manuscript from the Microfilm Master
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. These are also available as one exposure on a standard 35mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 8913647 Competition and acculturation: VCRs and CATV uses among Koreans in the Columbus area Han, Gwang-Jub, Ph.D. -
Reply Comments by QUEBECOR MEDIA INC. June 27, 2007
Reply Comments by QUEBECOR MEDIA INC. To Industry Canada As part of the Consultation Canada Gazette Notice DGTP-002-07, "Consultation on a Framework to Auction Spectrum in the 2 GHz Range including Advanced Wireless Services" June 27, 2007 Table of Contents 1. Executive Summary..................................................................................................... 4 2. The upcoming spectrum auction: a call for action from Canada’s government to ensure entry by new mobile carriers.......................................................................... 11 2.1 The need for special measures and a set aside............................................... 17 2.2 If no set aside for new entrants, hoarding spectrum by incumbent mobilecarriers will become a major pastime ................................................. 19 2.3 The future of Canada’s competitiveness in mobile is at stake, not the past! . 22 2.4 The presence of MVNOs and resellers does not make the Canadian market competitive; the actual level of success (or lack thereof) achieved does matter ........................................................................................................................ 23 2.5 The last chance for facilities based entry but not for incumbent mobile carriers............................................................................................................ 26 2.6 The critical requirements for the spectrum auctions to be a success for all Canadians...................................................................................................... -
Protection of Minors and Audiovisual Content On-Demand
Legal Information Services from the European Audiovisual Observatory Protection of Minors Order: and Audiovisual Content • online at http://www.obs.coe.int/about/order • by email: [email protected] • by fax: +33 (0) 3 90 21 60 19 20126 On-Demand IRIS Newsletter The IRIS Newsletter is a topical and reliable monthly information service covering all legal developments in Europe relating to the audiovisual sector. IRIS covers all areas of law relevant LEAD ARTICLE Legal Observations to the audiovisual sector. The main emphasis of the IRIS articles is on legal developments in of the European Audiovisual the fi fty or so countries that make up greater Europe. IRIS reports on media legislation in the The Protection of Minors in the Case Observatory broadest sense, as well as major developments in case law, important administrative decisions, of New (Non-Linear) Media and policy decisions which will potentially affect legislation in this fi eld. European Legal Rules and their National Transposition and Application Online, free of charge! A free subscription and the complete IRIS newsletter are available from the IRIS website: http://merlin.obs.coe.int/newsletter.php Background and challenges EU legal rules on youth protection IRIS plus Legal, technological or economic developments in the audiovisual sector generate immediate The treatment of on-demand audiovisual services in national law priority information needs for professionals. IRIS plus identifi es these issues and provides the and the relevant youth protection systems A legal hot topic examined relevant legal background. It features a combination of a lead article, related reporting and from different angles a Zoom section, comprising overview tables, market data or practical information. -
Trends in Multichannel Tv and Online Video in the United States
APPENDIX 3* Joint Submission of ACTRA, APFTQ, CMPA, DGC and WGC in response to B/TNOC 2011-344 * Funding for this study was provided by Ontario Media Development Corporation. Any opinions, findings, conclusions or recommendations expressed in this material are those of the author and do not necessarily reflect the views of Ontario Media Development Corporation or the Government of Ontario Joint Submission of ACTRA, APFTQ, CMPA, DGC and WGC in response to B/TNOC 2011-344 TRENDS IN MULTICHANNEL TV AND ONLINE VIDEO IN THE UNITED STATES Robert Tercek FRSA ** General Creativity Consulting LLC July 2011 About The Author Robert Tercek is one of the world's most prolific creators of interactive content. He has created entertainment experiences on every digital platform, including satellite television, game consoles, broadband Internet, interactive television and mobile networks. His expertise spans television, telecommunications and software. To design interactive multimedia products, Mr Tercek draws upon a broad range of experience as a television director, game designer, artist, and educator. Tercek has served in executive leadership roles at major media companies, most recently as President of Digital Media at OWN: The Oprah Winfrey Network, and previously as Senior Vice President of Digital Media at Sony Pictures Entertainment and earlier as Creative Director at MTV: Music Television. He also co-founded five startup ventures, including 7th Level, Inc., which went public in 1993. In 2008, Robert Tercek was named a Fellow of the Royal Society for the Arts. About General Creativity Consulting In addition to providing research and analysis of evolving market conditions, General Creativity Consulting provides business strategy services to companies in the media, telecommunications, and technology sectors. -
The Political Economy of the Film Industry in Tanzania: from Socialism to An
The Political Economy of the Film Industry in Tanzania: From Socialism to an Open Market Economy, 1961–2010 By C2010 Mona Ngusekela Mwakalinga Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chairperson _____________________ Tamara Falicov __________________________ Michael Baskett __________________________ Catherine Preston __________________________ Peter Ukpokodu ___________________________ Garth Myers Date Defended: i The Dissertation Committee for Mona Ngusekela Mwakalinga certifies that this is the approved version of the following dissertation: The Political Economy of the Film Industry in Tanzania: From Socialism to an Open Market Economy, 1961–2010 Chairperson ________________________ Tamara Falicov Date Approved: ii Acknowledgments Writing a dissertation requires a support system that is there for you throughout the laborious and exciting journey of planning, analyzing, and writing. I could not have accomplished this study without the unconditional support of my chair, Dr. Tamara Falicov. Her passion for the academy has inspired me to become a better scholar and person. My acknowledgment also goes to my committee members, Dr. Michael Baskett, Dr. Peter Ukpokodu, Dr. Catherine Preston, and Dr. Garth Myers, for their insightful and valuable suggestions, which have made this study what it is. My life in the United States and specifically at the University of Kansas would not have been worthwhile without my friends who went out of their way to make my life as a graduate student bearable. Brian Faucette, Baerbel Goebel, Julius Fackler, and Mary Beth Wilson’s love and friendship held me when at times I thought I could not move forward. -
Situation Analysis by Melissa Pilkey Netflix, Inc
Situation Analysis By Melissa Pilkey Netflix, Inc. is a subscription service that provides digital streaming of movies and TV shows as well as a DVD-by-mail option for customers. Over the years, the company has gone from a small start-up in Scotts Valley, California, to an international powerhouse, with services introduction available in 50 countries. Today, Netflix controls over 36 percent of the digital streaming market, with more than 57 million subscribers around the world. Netflix is clearly a force to be reckoned with. Although other competitors are entering the field, the company is positioned in the market to be around for many more years to come. 1 NETFLIX HISTORY late fee, as the movie was well overdue, their commute laying out a plan he had this was when Hastings got the idea to Hastings who would begin to shoot Netflix was founded in 1997 by Marc for Netflix. However, that is just a story, holes in his ideas. Randolph and Reed Hastings as an and not the truth. Apparently Hastings online DVD rental service. The two men liked to tell that story because it led to They had both originally shot down the had worked together at a company everything Netflix was created for: The idea of an online video rental services, called Pure Software, which Hastings simple return of a movie with little to no as the cost of VHS tapes was expensive, had launched in 1991, and came to be late fees. as was the cost to ship them. However, known as Pure Atria, after a series of Randolph soon became aware of a new acquisitions. -
CHAPTER ONE 1.0 INTRODUCTION Renting,Also Known As Hiring Or
(PDF) DOWNLOAD FREE PDF ON DESIGN AND IMPLEMENTATION OF ONLINE VIDEO RENTAL SERVICE CHAPTER ONE 1.0 INTRODUCTION Renting,also known as hiring or letting, is an agreement where a payment is made forthe temporary use of a good, service or property owned by another. A video rental shop/store is a physical businessthat rents home videos such as movies and prerecorded TV shows. Typically, arental shop conducts business with customers under conditions and terms agreedupon in a rental agreement or contract, which may be implied, explicit, orwritten. Many video rental stores also sell previously-viewed movies and/ornew, unopened movies. In the 1980s, video rental stores rented VHS and Beta]tape copies of movies, although most stores dropped Beta tapes when VHS won theformat war. In the 2000s, video rental stores began renting DVDs, whicheventually displaced VHS. In the 2010s, video rental stores added high-definitionBlu-ray discs to their offerings. Video rentals are also offered in otherbusiness such as drugstores or convenience stores. The widespread availability of video on demand oncable TV systems and VHS-by-mail services offered consumers a way of watchingmovies without having to leave their home. With the advent of the World WideWeb, Internet services such as Netflix have become increasingly popular sincethe mid–2000s. All of these new ways of watching movies have greatly reducedthe demand for video rental shops 1.0 BACKGROUND OF THE STUDY Traditional film rental stores base their inventorydecisions on formulas using historical rental data, store size, and box officesales among other factors. As titles become less popular, inventory can bereduced by selling previously viewed copies to members for a low cost. -
10, 1996 4 0 C E N T S VOLUME 26,, NUMBER N U R 28
IN THE NEWS SPORTS H o m e I t t i n g a t t h e l a s i t SERVING ABERDEEN, HAZLET, HOLMDEL, m a t s KEYPORT, MATAWAN AND MIDDLETOWN Page 7 age 34 - 2 JULY 10, 1996 4 0 C E N T S VOLUME 26,, NUMBERN u r 28 O fficials unhappy w ith nam e change PNC Bank Corp. to pay pleased by the sound o f the name and question whether everything has its price. $9.2 million for the Garden “ I have nothing against the tank, but I’m State Arts Center name disappointed in the name ch ange,” said Holmdel Deputy Mayor Mollie Giamanco. “It’ s been the Garden State Art:s Center for _________BY LAUREN JAEGER_________ some 20 odd years.” Staff W riter PNC Bank, w hich has o ffi ces in eight states, is expanding its horizon It recently A lthough it w ill bring in revenue which purchased a portion o f Chemical Bank New may prevent an increase in highway Jersey and merged with Midlantic Corporation, tolls, the PNC Bank Arts Center isn’t But should they be in the Garclilen State Arts getting credit for being a musically sounding Center? Committeeman Hank F<asrris, the for- name. mer mayor, is not so sure. The Garden State Arts Center’s new name, “ (The highway authority is) [trying not to unveiled at a July 2 press conference, is the raise tolls, but is this the right thing to do? I ’m result of a $9.2 m illion agreement between the not sure. -
Digital, Legal & Anywhere
Digital, Legal & Anywhere Innovation in Australian TV Table of Contents 1 Introduction 2 2 Report Conclusions 3 3 First, Some Definitions 5 4 Australia Today 7 5 The Shape of OTT in Australia 14 1 Introduction 2 INNOVATION IN AUSTRALIAN TV The way Australians watch TV is Alongside this report we are launching changing www.finddigitaltv.com.au, a pilot “one-stop” online resource showcasing legitimate TV services available Consumers are taking advantage of faster internet to consumers in Australia. It follows on from a and mobile connections and the proliferation of similar online resource launched in Singapore last connected devices to watch content in multiple year, which attracted very positive attention at press, locations and across multiple platforms and devices. industry and consumer levels. It also builds on work done by organisations in Australia such as the MPAA In turn, consumer interest is driving innovation at and IP Awareness. An enhanced service of this type industry level. The TV industry, technology platforms could be useful to Australian consumers and industry and content providers are responding to this growing alike to keep track of the range of content offerings demand by making available an increasing range of available. services. This study uncovered a broad range of “New Media TV Offerings” in Australia, ranging from catch- The intention is that this report and www. up services from the free-to-air broadcasters like finddigitaltv.com.au will together drive awareness ABC iview and subscription-based services like Foxtel about innovation in the Australian TV industry and Play to web-delivered aggregator OTT services like generate discussion about the changing face of TV in Quickflix (a “home-grown Netflix”, as it were). -
Good Dvd Movies to Watch
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