Tripods, Triglyphs, and the Origin of the Doric Frieze Author(s): Mark Wilson Jones Source: American Journal of Archaeology, Vol. 106, No. 3 (Jul., 2002), pp. 353-390 Published by: Archaeological Institute of America Stable URL: http://www.jstor.org/stable/4126279 Accessed: 29-01-2016 12:55 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Archaeological Institute of America is collaborating with JSTOR to digitize, preserve and extend access to American Journal of Archaeology. http://www.jstor.org This content downloaded from 84.88.136.149 on Fri, 29 Jan 2016 12:55:28 UTC All use subject to JSTOR Terms and Conditions Tripods, Triglyphs, and the Origin of the Doric Frieze MARK WILSON JONES Abstract Conventional wisdom sees the origin and the The standard wisdom on the origins of the Doric order early development of the Doric order, and hence revolves around the doctrine of petrification, by which a the Doric temple as a whole, as the fruit of con- previously established timber vocabulary came to be per- structional mediated aesthetic in stone once the means to logic by experience. petuated society acquired The frieze is such a of this of build in this material.