DOCSLIB.ORG

Past Dressfuture Fashion

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Past Dressfuture Fashion WELCOME TO EDITION III OF / BENVENUTI ALLA III EDIZIONE DI Costume Colloquium m o c . s e l i t x e t - e m u t s o c . w w w PAST DRESS FUTURE FASHION Florence 8-11 November 2012 Firenze Life Beyond Tourism ®Auditorium al Duomo Fondazione Romualdo Del Bianco ® Associazione Amici Life Beyond Tourism ® della Galleria del Costume Florence, 8-11 November 2012 Costume Colloquium Firenze, 8-11 Novembre 2012 Florence, 8-11 November 2012 Costume Colloquium Firenze, 8-11 Novembre 2012 PAST DRESS FUTURE FASHION PAST DRESS FUTURE FASHION Costume Colloquium is an international, The current edition – Past Dress - Future Il Costume Colloquium è un incontro L’attuale edizione, Past Dress - Future intercultural and interdisciplinary meeting Fashion – intends to develop a pertinent internazionale, interculturale e Fashion, intende sviluppare un tema where numerous aspects of a complex and timely topic: the use of used dress. multidisciplinare dove si discutono oggi molto sentito: quello issue are discussed, in particular the This subject will be broken down into i differenti e molteplici aspetti di un dell’utilizzazione dell’abito usato, analysis of dress and its role, in the past, numerous aspects and striving to answer tema complesso: l’abito e il suo ruolo, declinandolo sotto molteplici aspetti: in the present and its future potential. many questions among which are: How did nei tempi passati, in quelli attuali e come nel passato si riguardava al the past relate to its past? How are clothes nelle prospettive future. passato; come oggi viene recuperato The study of dress can, in fact, be carried used or reused today by designers and for dagli stilisti e nelle scuole di moda; out from different angles and points of study in fashion schools? What are the Lo studio dell’abito infatti può essere quali motivazioni creative e quali aspetti view. The comparison between the creative motivations and the social aspects condotto con differenti angolazioni e sociali generano questo fenomeno; quali meanings of dress that have evolved over which generate the reusing and recycling punti di vista: il confronto fra i significati suggerimenti offre per il futuro di time, and in different cultures, offers a phenomenon? and What does the future che ha assunto nel tempo e in quelli di questo importante settore economico. broad perspective which is essential for the hold for this important economic sector? diverse culture, ieri e oggi, fornisce una I relatori provengono da 14 Paesi diversi development of studies, not only for the The speakers are from 14 different prospettiva ampia, fondamentale sia per e affrontano il tema sotto le diverse practical applications of designs but also countries and will address the issues from lo sviluppo degli studi, sia per le angolazioni. Accompagnano i lavori le for teaching. various viewpoints. Our work will be applicazioni pratiche nella progettazione visite a Palazzo Davanzati, alla Galleria accompanied by visits to Palazzo e nella didattica. del Costume di Palazzo Pitti, al Museo The event is organized in sessions which Davanzati, to the Galleria del Costume at Gucci, al Museo del Tessuto di Prato; ma address correlated themes delivered by the Palazzo Pitti, to the Gucci Museum, to L’evento è organizzato in moduli in cui si per finire in un clima di partecipazione e speakers of diverse backgrounds and the Textile Museum of Prato. The Costume affrontano tematiche simili da parte di scoperta non manca una passeggiata cultures. The discussion among all Colloquium will begin and conclude in an relatori di differenti provenienze e ‘guidata’ fra i negozi dedicati al vintage participants is encouraged so that they can atmosphere of participation and discovery. culture; si stimola in tal modo il di Firenze e una visita all’incredibile divulge and share their experiences or their There will be a 'guided' walking tour to confronto fra tutti i partecipanti perché Archivio Vintage di Giovanni Masi. scientific knowledge in an atmosphere of Florentine stores dedicated to vintage and possano esporre le loro esperienze o le fruitful participation. The special visits to a visit to the incredible Vintage Archive of loro acquisizioni scientifiche in un clima Costume Colloquium è una esplicitazione textile and costume collections in Giovanni Masi in Prato. di feconda partecipazione. Visite speciali dell'orientamento Life Beyond Tourism ® museums, foundations, and/or industries, – a musei con collezioni tessili, che ha quale obiettivo favorire il dialogo allow for an informal atmosphere where Costume Colloquium is a concrete example fondazioni, industrie – permettono poi di fra culture e offrire opportunità di ideas, methods and results can be further of Life Beyond Tourism’s main objective, approfondire in modo informale idee, reciproca conoscenza e cooperazione discussed. All this contributes to a greater that is: promoting dialogue among cultures metodi e risultati, contribuendo alla attraverso la comunicazione e understanding among people with and providing opportunities for mutual crescita della conoscenza fra persone di l’interpretazione del patrimonio culturale different, yet similar interests, from a understanding and cooperation through differenti interessi e provenienze. materiale e immateriale dei diversi multitude of origins. communication and interpretation of territori del mondo. N N O O I I tangible and intangible cultural heritage of Il primo Costume Colloquium - Tributo a H H S S The first Costume Colloquium - A Tribute to diverse world territories. Janet Arnold si tenne nel 2008, e fu Con i risultati delle tre edizioni e quale A A F F Janet Arnold was held in 2008, and was dedicato a questa maestra indiscussa modello di incontro internazionale, E E R R dedicated to this undisputed master of a Costume Colloquium has proven to be a della metodologia scientifica nello Costume Colloquium verrà presentato U U T T scientific methodology in the study of successful model of an international forum. studio dei costumi antichi. Il successo di durante il Forum Universale delle Culture U U F F historical dress. The success of this event Therefore all editions will be presented questo evento portò alla realizzazione di (Napoli 2013), evento che nasce su forte S S led to the creation of a second meeting in during the Universal Forum of Cultures un secondo incontro nel 2010, dedicato impulso dell’UNESCO per offrire uno S S E E 2010, dedicated to the clothing designed (Naples 2013), an event that was instigated agli abiti progettati per la danza, dal spazio di dialogo, confronto e dibattito R R D D for dance, entitled Dress for Dance. The by UNESCO to provide a moment dedicated titolo di Dress for Dance. La scadenza sulle nuove sfide della globalizzazione. T T S S meetings have now become much to dialogue and debate for the new degli incontri divenne da allora biennale. A A P P anticipated bi-annual events. challenges of globalization. 2 3 Florence, 8-11 November 2012 Costume Colloquium Firenze, 8-11 Novembre 2012 Florence, 8-11 November 2012 Costume Colloquium Firenze, 8-11 Novembre 2012 GENERAL INFORMATIONS / INFORMAZIONI GENERALI Museum pass / Tessera per i musei A personalized entrance pass for the following Florentine State Museums has been Conference Venue / Sede congressule: kindly offered by the Associazion Friends of the Costume Gallery of Palazzo Pitti / Una Life Beyond Tourism®Auditorium al Duomo – Via de’ Cerretani, 54r - 50123 Firenze tessera personalizzata di accesso ai seguenti Musei Statali Fiorentini è stata gentilmente offerta dall’Associazione Amici della Galleria del Costume di Palazzo Pitti : Secretariat Desk hours and contact numbers at the conference venue / Galleria dell’Accademia, Museo del Bargello, Cappelle Medicee, Galleria degli Uffizi, Orario della segreteria e contatti telefonici in sede congressuale: Museo di San Marco, Musei di Palazzo Pitti (Galleria del Costume, Museo degli Argenti, 7 November/ Novembre: 16:00- 19:00 - for registration / per registrazione Galleria dell’Arte Moderna, Galleria Palatina, Giardino di Boboli), Museo di Palazzo 8-10 November/ Novembre: 8:15-16.30 Davanzati. Tel. 055/2381752 Cell. 334/5970263 (Emergency only / solo per emergenze ) Florence Convention Bureau Card By registering on the Florence Convention Bureau website (www.conventionbureau.it) Translation Headphones / Cuffie per la Traduzione Simultanea you can download the Costume Colloquium III card. Showing this card you will be All Academic Sessions are translated in English and Italian. Headphones can be entitled to discounts at museums, restaurants, taxis, stores and more… / Tramite la borrowed from the Secretariat Desk by leaving a photo ID. Headphones must be registrazione sul sito del Florence Convention Bureau (www.conventionbureau.it) è returned at the end of each day. In case of loss or non return the user will be charged possibile scaricare la carta del Costume Colloquium III, la quale dà diritto a sconti nei full replacement cost ( € 250,00). / È prevista la traduzione simultanea in Italiano e musei, ristoranti, negozi, taxi e molto altro. Inglese delle Sessioni Accademiche e le cuffie sono disponibili presso la Segreteria Organizzativa lasciano un documento con fotografia. Le cuffie vanno restituite alla fine Certificates of participation / Certificato di partecipazione della giornata. In caso di perdita o non restituzione all’utente vedrà addebitato il costo Participation certificates can be issued upon request by the Organizing Secretariat at di sostituzione ( € 250,00). the conference venue / Un attestato
Load more

Recommended publications
  • February 26, 2021 Amazon Warehouse Workers In
    February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN;
    [Show full text]
  • Cora Ginsburg Catalogue 2015
    CORA GINSBURG LLC TITI HALLE OWNER A Catalogue of exquisite & rare works of art including 17th to 20th century costume textiles & needlework 2015 by appointment 19 East 74th Street tel 212-744-1352 New York, NY 10021 fax 212-879-1601 www.coraginsburg.com [email protected] NEEDLEWORK SWEET BAG OR SACHET English, third quarter of the 17th century For residents of seventeenth-century England, life was pungent. In order to combat the unpleasant odors emanating from open sewers, insufficiently bathed neighbors, and, from time to time, the bodies of plague victims, a variety of perfumed goods such as fans, handkerchiefs, gloves, and “sweet bags” were available for purchase. The tradition of offering embroidered sweet bags containing gifts of small scented objects, herbs, or money began in the mid-sixteenth century. Typically, they are about five inches square with a drawstring closure at the top and two to three covered drops at the bottom. Economical housewives could even create their own perfumed mixtures to put inside. A 1621 recipe “to make sweete bags with little cost” reads: Take the buttons of Roses dryed and watered with Rosewater three or foure times put them Muske powder of cloves Sinamon and a little mace mingle the roses and them together and putt them in little bags of Linnen with Powder. The present object has recently been identified as a rare surviving example of a large-format sweet bag, sometimes referred to as a “sachet.” Lined with blue silk taffeta, the verso of the central canvas section contains two flat slit pockets, opening on the long side, into which sprigs of herbs or sachets filled with perfumed powders could be slipped to scent a wardrobe or chest.
    [Show full text]
  • Fashion Arts. Curriculum RP-54. INSTITUTION Ontario Dept
    DOCUMENT RESUME ED 048 223 SP 007 137 TITLE Fashion Arts. Curriculum RP-54. INSTITUTION Ontario Dept. of Education, Toronto. PUB LATE 67 NOTE 34p. EDRS PRICE EDRS Price MF-$0.65 HC-$3.29 DESCRIPTORS Clothing Instruction, *Curriculum Guides, Distributive Education, *Grade 11, *Grade 12, *Hcme Economics, Interior Design, *Marketing, Merchandising, Textiles Instruction AESTRACT GRADES OR AGES: Grades 11 and 12. SUBJECT MATTER: Fashicn arts and marketing. ORGANIZATION AND PHkSTCAL APPEARANCE: The guide is divided into two main sections, one for fashion arts and one for marketing, each of which is further subdivided into sections fcr grade 11 and grade 12. Each of these subdivisions contains from three to six subject units. The guide is cffset printed and staple-todnd with a paper cover. Oi:IJECTIVE3 AND ACTIVITIES' Each unit contains a short list of objectives, a suggested time allotment, and a list of topics to he covered. There is only occasional mention of activities which can he used in studying these topics. INSTRUCTIONAL MATERIALS: Each unit contains lists of books which relate either to the unit as a whole or to subtopics within the unit. In addition, appendixes contain a detailed list of equipment for the fashion arts course and a two-page billiography. STUDENT A. ,'SSMENT:No provision. (RT) U $ DEPARTMENT OF hEALTH EOUCATION & WELFARE OFFICE OF THIS DOCUMENTEOUCATION HAS BEEN REPRO DUCED EXACT' VAS RECEIVED THE PERSON OR FROM INAnNO IT POINTSORGANIZATION ()RIG IONS STATED OF VIEW OR DO NUT OPIN REPRESENT OFFICIAL NECESSARILY CATION
    [Show full text]
  • Colonial Concert Series Featuring Broadway Favorites
    Amy Moorby Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For Immediate Release, Please: Berkshire Theatre Group Presents Colonial Concert Series: Featuring Broadway Favorites Kelli O’Hara In-Person in the Berkshires Tony Award-Winner for The King and I Norm Lewis: In Concert Tony Award Nominee for The Gershwins’ Porgy & Bess Carolee Carmello: My Outside Voice Three-Time Tony Award Nominee for Scandalous, Lestat, Parade Krysta Rodriguez: In Concert Broadway Actor and Star of Netflix’s Halston Stephanie J. Block: Returning Home Tony Award-Winner for The Cher Show Kate Baldwin & Graham Rowat: Dressed Up Again Two-Time Tony Award Nominee for Finian’s Rainbow, Hello, Dolly! & Broadway and Television Actor An Evening With Rachel Bay Jones Tony, Grammy and Emmy Award-Winner for Dear Evan Hansen Click Here To Download Press Photos Pittsfield, MA - The Colonial Concert Series: Featuring Broadway Favorites will captivate audiences throughout the summer with evenings of unforgettable performances by a blockbuster lineup of Broadway talent. Concerts by Tony Award-winner Kelli O’Hara; Tony Award nominee Norm Lewis; three-time Tony Award nominee Carolee Carmello; stage and screen actor Krysta Rodriguez; Tony Award-winner Stephanie J. Block; two-time Tony Award nominee Kate Baldwin and Broadway and television actor Graham Rowat; and Tony Award-winner Rachel Bay Jones will be presented under The Big Tent outside at The Colonial Theatre in Pittsfield, MA. Kate Maguire says, “These intimate evenings of song will be enchanting under the Big Tent at the Colonial in Pittsfield.
    [Show full text]
  • 73Rd-Nominations-Facts-V2.Pdf
    FACTS & FIGURES FOR 2021 NOMINATIONS as of July 13 does not includes producer nominations 73rd EMMY AWARDS updated 07.13.2021 version 1 Page 1 of 20 SUMMARY OF MULTIPLE EMMY WINS IN 2020 Watchman - 11 Schitt’s Creek - 9 Succession - 7 The Mandalorian - 7 RuPaul’s Drag Race - 6 Saturday Night Live - 6 Last Week Tonight With John Oliver - 4 The Marvelous Mrs. Maisel - 4 Apollo 11 - 3 Cheer - 3 Dave Chappelle: Sticks & Stones - 3 Euphoria - 3 Genndy Tartakovsky’s Primal - 3 #FreeRayshawn - 2 Hollywood - 2 Live In Front Of A Studio Audience: “All In The Family” And “Good Times” - 2 The Cave - 2 The Crown - 2 The Oscars - 2 PARTIAL LIST OF 2020 WINNERS PROGRAMS: Comedy Series: Schitt’s Creek Drama Series: Succession Limited Series: Watchman Television Movie: Bad Education Reality-Competition Program: RuPaul’s Drag Race Variety Series (Talk): Last Week Tonight With John Oliver Variety Series (Sketch): Saturday Night Live PERFORMERS: Comedy Series: Lead Actress: Catherine O’Hara (Schitt’s Creek) Lead Actor: Eugene Levy (Schitt’s Creek) Supporting Actress: Annie Murphy (Schitt’s Creek) Supporting Actor: Daniel Levy (Schitt’s Creek) Drama Series: Lead Actress: Zendaya (Euphoria) Lead Actor: Jeremy Strong (Succession) Supporting Actress: Julia Garner (Ozark) Supporting Actor: Billy Crudup (The Morning Show) Limited Series/Movie: Lead Actress: Regina King (Watchman) Lead Actor: Mark Ruffalo (I Know This Much Is True) Supporting Actress: Uzo Aduba (Mrs. America) Supporting Actor: Yahya Abdul-Mateen II (Watchmen) updated 07.13.2021 version 1 Page
    [Show full text]
  • Regolamento Generale Del Palio Di Legnano
    approvato con deliberazione CC n. 59 del 12 maggio 2009 modificato con deliberazione CC n. 23 del 9 aprile 2013 REGOLAMENTO GENERALE DEL PALIO DI LEGNANO ART. 1 Il Palio di Legnano è la rievocazione storica della Battaglia di Legnano che si celebra ogni anno al fine di valorizzare gli ideali di libertà e di autonomia dei Comuni. Il Palio di Legnano è il momento culminante dell’attività culturale e di aggregazione sociale delle Contrade cittadine. Art. 2 Il Palio comprende il corteo storico e la gara ippica che si svolgono di norma l’ultima domenica di maggio, nonché tutte le cerimonie di rito e le manifestazioni ufficiali. ART. 3 All’organizzazione, programmazione e calendarizzazione del Palio, di tutte le cerimonie di rito e delle manifestazioni ufficiali sovrintende il Comitato Palio di cui al successivo articolo. ART. 4 Il Comitato Palio è composto dal Sindaco, da un Assessore e due consiglieri comunali indicati dal Sindaco di cui uno in rappresentanza della minoranza, da tre rappresentanti della Famiglia Legnanese, da tre rappresentanti del Collegio dei Capitani e delle Contrade, dal Cavaliere del Carroccio, dal Gran Maestro del Collegio dei Capitani, dal Presidente della Famiglia Legnanese e dai Gran Priori reggenti le Contrade. Al Comitato Palio partecipano, senza diritto di voto, i funzionari dell’ufficio Palio. ART. 5 Il Comitato Palio è presieduto dal Sindaco o, in sua vece, dal Cavaliere del Carroccio. ART. 6 Il Comitato Palio, nell’ambito delle sue funzioni, può delegare l’organizzazione del Palio, delle cerimonie di rito e delle manifestazioni ufficiali ad un apposito comitato organizzatore allo scopo costituito.
    [Show full text]
  • 49Th USA Film Festival Schedule of Events
    HIGH FASHION HIGH FINANCE 49th Annual H I G H L I F E USA Film Festival April 24-28, 2019 Angelika Film Center Dallas Sienna Miller in American Woman “A R O L L E R C O A S T E R O F FABULOUSNESS AND FOLLY ” FROM THE DIRECTOR OF DIOR AND I H AL STON A F I L M B Y FRÉDERIC TCHENG prODUCeD THE ORCHARD CNN FILMS DOGWOOF TDOG preSeNT a FILM by FrÉDÉrIC TCHeNG IN aSSOCIaTION WITH pOSSIbILITy eNTerTaINMeNT SHarp HOUSe GLOSS “HaLSTON” by rOLaND baLLeSTer CO- DIreCTOr OF eDITeD MUSIC OrIGINaL SCrIpTeD prODUCerS STepHaNIe LeVy paUL DaLLaS prODUCer MICHaeL praLL pHOTOGrapHy CHrIS W. JOHNSON by ÈLIa GaSULL baLaDa FrÉDÉrIC TCHeNG SUperVISOr TraCy MCKNIGHT MUSIC by STaNLey CLarKe CINeMaTOGrapHy by aarON KOVaLCHIK exeCUTIVe prODUCerS aMy eNTeLIS COUrTNey SexTON aNNa GODaS OLI HarbOTTLe LeSLey FrOWICK IaN SHarp rebeCCa JOerIN-SHarp eMMa DUTTON LaWreNCe beNeNSON eLySe beNeNSON DOUGLaS SCHWaLbe LOUIS a. MarTaraNO CO-exeCUTIVe WrITTeN, prODUCeD prODUCerS ELSA PERETTI HARVEY REESE MAGNUS ANDERSSON RAJA SETHURAMAN FeaTUrING TaVI GeVINSON aND DIreCTeD by FrÉDÉrIC TCHeNG Fest Tix On@HALSTONFILM WWW.HALSTON.SaleFILM 4 /10 IMAGE © STAN SHAFFER Udo Kier The White Crow Ed Asner: Constance Towers in The Naked Kiss Constance Towers On Stage and Off Timothy Busfield Melissa Gilbert Jeff Daniels in Guest Artist Bryn Vale and Taylor Schilling in Family Denise Crosby Laura Steinel Traci Lords Frédéric Tcheng Ed Zwick Stephen Tobolowsky Bryn Vale Chris Roe Foster Wilson Kurt Jacobsen Josh Zuckerman Cheryl Allison Eli Powers Olicer Muñoz Wendy Davis in Christina Beck
    [Show full text]
  • Autumn 2017 Cover
    Volume 1, Issue 2, Autumn 2017 Front cover image: John June, 1749, print, 188 x 137mm, British Museum, London, England, 1850,1109.36. The Journal of Dress History Volume 1, Issue 2, Autumn 2017 Managing Editor Jennifer Daley Editor Alison Fairhurst Published by The Association of Dress Historians [email protected] www.dresshistorians.org i The Journal of Dress History Volume 1, Issue 2, Autumn 2017 ISSN 2515–0995 [email protected] www.dresshistorians.org Copyright © 2017 The Association of Dress Historians Online Computer Library Centre (OCLC) accession number: 988749854 The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer–reviewed environment. The journal is published biannually, every spring and autumn. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is distributed completely free of charge, solely for academic purposes, and not for sale or profit. The Journal of Dress History is published on an Open Access platform distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. The editors of the journal encourage the cultivation of ideas for proposals.
    [Show full text]
  • Panelist Bios
    PANELIST BIOGRAPHIES CATE ADAIR Catherine Adair was born in England, spent her primary education in Switzerland, and then returned to the UK where she earned her degree in Set & Costume Design from the University of Nottingham. After a series of apprenticeships in the London Theater, Catherine immigrated to the United States where she initially worked as a costume designer in East Coast theater productions. Her credits there include The Kennedy Center, Washington Ballet, Onley Theater Company, The Studio and Wolf Trap. Catherine then moved to Los Angeles, joined the West Coast Costume Designers Guild, and started her film and television career. Catherine’s credits include The 70s mini-series for NBC; The District for CBS; the teen film I Know What You Did Last Summer and Dreamworks’ Win a Date with Tad Hamilton. Currently Catherine is the costume designer for the new ABC hit series Desperate Housewives. ROSE APODACA As the West Coast Bureau Chief for Women's Wear Daily (WWD) and a contributor to W, Rose Apodaca and her team cover the fashion and beauty industries in a region reaching from Seattle to Las Vegas to San Diego, as well as report on the happenings in Hollywood and the culture-at-large. Apodaca is also instrumental in the many events and related projects tied to WWD and the fashion business in Los Angeles, including the establishment of LA Fashion Week, and has long been a champion of the local design community. Before joining Fairchild Publications in June 2000, Apodaca covered fashion and both popular and counter culture for over a decade for the Los Angeles Times, USA Today, Sportswear International, Detour, Paper and others.
    [Show full text]
  • Halston, Netflix's New Series, Imagines How the Designer Created Halston
    Halston, Netflix’s new series, imagines how the designer created Halston, his spectacularly successful 1975 fragrance. Grin or groan at the screenwriter’s fiction, the truth is much more interesting. Here is the real Halston story, an excerpt from AMERICAN LEGENDS, Michael Edwards’ new book coming out in Fall 2023. Twenty years in research, it traces the evolution of American perfumery thru forty legendary fragrances. By 1972, Halston’s business was grossing nearly $30 million in retail sales. That year, he won his fourth Coty Award and was acclaimed by Women’s Wear Daily as “one of the greats”. The elegance of the new American style was never more evident than at the couture show mounted in November 1973 to raise funds for the restoration of the Palace of Versailles. Five American designers - Bill Blass, Stephen Burrows, Halston, Anne Klein and Oscar de la Renta - joined five French couturiers in presenting their collections. The French used elaborate backdrops and props. The Americans used a bare stage and ten Black models. Their spare elegance put the French to shame. In late 1973, in a move that stunned the fashion industry, Halston sold his name, his company and his design services to David Mahoney of Norton Simon for sixteen million dollars. Norton Simon Inc. was one of the conglomerates stitched together in the 1960s. It owned such diverse interests as Hunt Food, Somerset Liquor, Avis Car Rental, Hartman Luggage and McCall Patterns. “We had also just bought the Max Factor cosmetic company,” said Dan Moriarty, then assistant to chairman of the board David Mahoney.
    [Show full text]
  • Hunting Shirts and Silk Stockings: Clothing Early Cincinnati
    Fall 1987 Clothing Early Cincinnati Hunting Shirts and Silk Stockings: Clothing Early Cincinnati Carolyn R. Shine play function is the more important of the two. Shakespeare, that fount of familiar quotations and universal truths, gave Polonius these words of advice for Laertes: Among the prime movers that have shaped Costly thy habit as thy purse can buy, But not expressed infancy; history, clothing should be counted as one of the most potent, rich not gaudy; For the apparel oft proclaims the man.1 although its significance to the endless ebb and flow of armed conflict tends to be obscured by the frivolities of Laertes was about to depart for the French fashion. The wool trade, for example, had roughly the same capital where, then as now, clothing was a conspicuous economic and political significance for the Late Middle indicator of social standing. It was also of enormous econo- Ages that the oil trade has today; and, closer to home, it was mic significance, giving employment to farmers, shepherds, the fur trade that opened up North America and helped weavers, spinsters, embroiderers, lace makers, tailors, button crack China's centuries long isolation. And think of the Silk makers, hosiers, hatters, merchants, sailors, and a host of others. Road. Across the Atlantic and nearly two hundred If, in general, not quite so valuable per pound years later, apparel still proclaimed the man. Although post- as gold, clothing like gold serves as a billboard on which to Revolution America was nominally a classless society, the display the image of self the individual wants to present to social identifier principle still manifested itself in the quality the world.
    [Show full text]
  • SFX’S Horror Columnist Peers Into If You’Re New to the Netflix Catherine Zeta-Jones Movie
    DOCTOR WHO JODIE WHITTAKER EXCLUSIVE SCI-FI 306 DAREDEVIL SEASON 3 On set with Over 30 pages the Man of pure terror! Without Fear featuring EXCLUSIVE! HALLOWEEN Jamie Lee Curtis and SUSPIRIA CHILLING John Carpenter on the ADVENTURES OF SABRINA return of Michael Myers THE HAUNTING OF HILL HOUSE OVERLORD BRUCE CAMPBELL SLAUGHTERHOUSE RULEZ AND LOADS MORE SCARES! ISSUE 306 NOVEMBER Contents2018 34 56 61 68 HALLOWEEN CHILLING DRACUL DOCTOR WHO Jamie Lee Curtis and John ADVENTURES Bram Stoker’s great-grandson We speak to the new Time Lord Carpenter tell us about new OF SABRINA unearths the iconic vamp for Jodie Whittaker about series 11 Michael Myers sightings in Remember Melissa Joan Hart another toothsome tale. and her Heroes & Inspirations. Haddonfield. That place really playing the teenage witch on CITV needs a Neighbourhood Watch. in the ’90s? Well this version is And a can of pepper spray. nothing like that. 62 74 OVERLORD TADE THOMPSON A WW2 zombie horror from the The award-winning Rosewater 48 56 JJ Abrams stable and it’s not a author tells us all about his THE HAUNTING OF Cloverfield movie? brilliant Nigeria-set novel. HILL HOUSE Shirley Jackson’s horror classic gets a new Netflix treatment. 66 76 Who knows, it might just be better PENNY DREADFUL DAREDEVIL than the 1999 Liam Neeson/ SFX’s horror columnist peers into If you’re new to the Netflix Catherine Zeta-Jones movie. her crystal ball to pick out the superhero shows, this third season Fingers crossed! hottest upcoming scares. is probably a bad place to start.
    [Show full text]