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Moral Questions Concerning Story in Immersive Hypertext Narrative
Thoughts On Some Moral Questions Concerning Story In Immersive Hypertext Narrative Mark Bernstein1 1 Eastgate Systems, Inc, 134 Main Street, Watertown Massachusetts USA [email protected] Abstract. The moral dangers of fiction have always alarmed commentators, but immersive interaction gives rise to new qualms derived not from fiction’s indulgence of untruth nor in the sexual license of itinerant players, but that grow from immersion, from fictive immersive experiences that resist reflection. Keywords: Hypertext, Fiction, Storytelling, Narrative. 1 Twenty Years On The Holodeck Twenty years have elapsed since Janet Murray’s Hamlet On The Holodeck [1] argued that the future of new media lay in vividly immersive, encyclopedic and emotional interactive experi- ences rather than in the intertexual, allusive, lyrical and intellectual(ized) works that had epito- mized new media through the preceding decade [2]. Murray’s vision of immersive dialogic experience been enormously influential throughout new media. In these notes, I would like to call attention to a number of questions and sources of disquiet that arise in composing immersive works in which the reader intentionally and effectually acts to change the events that take place in the story1. These issues are not new but they have not been widely discussed, and drawing them together in this context may have some value. These are not hypothetical or invented questions. Most actually arose in the course of my writing a hypertext school story, Those Trojan Girls [6]. Others were familiar to me from edit- ing and publishing hypertext fictions over several decades. Reflective practice is an important source of insight, and its judicious use can prove invaluable [7]. -
A Wishy-Washy, Sort-Of-Feeling: Episodes in the History of the Wishy-Washy Aesthetic
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-22-2014 12:00 AM A Wishy-Washy, Sort-of-Feeling: Episodes in the History of the Wishy-Washy Aesthetic Amy Gaizauskas The University of Western Ontario Supervisor Christine Sprengler The University of Western Ontario Graduate Program in Art History A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Amy Gaizauskas 2014 Follow this and additional works at: https://ir.lib.uwo.ca/etd Recommended Citation Gaizauskas, Amy, "A Wishy-Washy, Sort-of-Feeling: Episodes in the History of the Wishy-Washy Aesthetic" (2014). Electronic Thesis and Dissertation Repository. 2332. https://ir.lib.uwo.ca/etd/2332 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. A WISHY-WASHY, SORT-OF FEELING: EPISODES IN THE HISTORY OF THE WISHY-WASHY AESTHETIC Thesis Format: Monograph by Amy Gaizauskas Graduate Program in Art History A thesis submitted in partial fulfillment of the requirements for the degree of Master of Art The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Amy Gaizauskas 2014 Abstract Following Sianne Ngai’s Our Aesthetic Categories (2012), this thesis studies the wishy- washy as an aesthetic category. Consisting of three art world and visual culture case studies, this thesis reveals the surprising strength that lies behind the wishy-washy’s weak veneer. -
Bamcinématek Presents a Brand New 40Th Anniversary Restoration of Robert Clouse’S Enter the Dragon, Starring Bruce Lee, in a Week-Long Run, Aug 30—Sep 5
BAMcinématek presents a brand new 40th anniversary restoration of Robert Clouse’s Enter the Dragon, starring Bruce Lee, in a week-long run, Aug 30—Sep 5 Series sidebar features five wing chun classics including Sammo Hung’s The Prodigal Son, Chang Cheh’s Invincible Shaolin, and Bruce Lee’s The Way of the Dragon, beginning Aug 29 “Bruce Lee was the Fred Astaire of martial arts.”—Pauline Kael, The New Yorker The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Brooklyn, NY/Aug 7, 2013—From Friday, August 30 through Thursday, September 5, BAMcinématek presents a week-long run of Robert Clouse’s Enter the Dragon, screening in a new DCP restoration for its 40th anniversary. In conjunction with the release of Wong Kar-wai’s Ip Man biopic The Grandmaster, this series revels in the lightning-fast moves of the revered kung fu tradition known as wing chun, featuring a five-film sidebar of martial arts rarities. Passed on through generations of martial artists, wing chun was popularized by icons like Sammo Hung and Ip’s movie-star disciple Bruce Lee—and has become an action movie mainstay. The first Chinese martial arts movie to be produced by a major Hollywood studio, Clouse’s Enter the Dragon features Bruce Lee in his final role before his untimely death (just six days before the film’s theatrical release). Shaolin master Mr. Lee (Lee) is recruited to infiltrate the island of sinister crime lord Mr. Han by going undercover as a competitor in a kung fu tournament. -
Animated Works by Nancy Andrews
FILM AT REDCAT PRESENTS Tue Mar 8 | 8:30 pm Jack H. Skirball Series $9 [students $7, CalArts $5] The Birdwoman and Her Dreams: Animated Works by Nancy Andrews World premiere and Los Angeles premieres With characters and stories synthesized from sources including history and autobiography, Nancy Andrews works in a hybrid form that combines research with storytelling, documentary, puppetry and vaudeville. The program presents the World Premiere of a Surprise Film along with two of her latest animated works. Inspired by classic "mad scientist" horror films and research into the physiology of insects, Behind the Eyes are the Ears (2010, 26 min.) features a soundtrack by Andrews and Zach Soares and mixes animation, live action and found footage to follow the revolutionary attempts of Dr. Sheri Myes to expand human perception and consciousness. On a Phantom Limb (2009, 35 min.), with music by John Cooper, invokes the realm of the invisible and takes as its starting point the filmmaker’s near-death experience during a harrowing surgical procedure. Andrews is the recipient of awards and grants from the John Simon Guggenheim Memorial Foundation and the National Endowment for the Arts, among others. In person: Nancy Andrews “Nancy Andrews’s films are small treasures, finely crafted, exquisite in small details and as rare as they come. Her cinema is artisanal, beautiful in its homespuness, expressive in its miscellany of hand-made images, whether drawn, animated or acted, and sly in its humor.” www.redcat.org | 1 – Lawrence Kardish, The Museum of Modern Art “Behind the Eyes are the Ears embraces the full scope of the unknown—from the sinister to the rhapsodic… The now-familiar Rorschach is consumed/ subsumed by an unknown, other-dimensional entity growing inward from the sides of the screen—making the peripheral central, conflating analog and digital into a warm, comforting, enigmatic, oily stain of a talisman. -
1 Hawaii Invasive Species Council (HISC) Research and Technology
Hawaii Invasive Species Council (HISC) Research and Technology Grant Program, Progress/Final Report Project Title: Identifying Sex Pheromone Components of the Nettle Caterpillar, Darna pallivitta (Moore), to Facilitate Detection and Pheromone Disruption Control Principal Investigators: Matthew S. Siderhurst1, Eric B. Jang1, Arnold H. Hara2, Patrick Conant3 1US Pacific Basin Agric. Res. Center, USDA-ARS, P.O. Box 4459, Hilo, HI 2Dept. Plant Environ. Protect. Sci., CTAHR, University of Hawaii at Manoa, 461 West Lanikaula Street, Hilo, HI 3 Hawaii Dept. Agric., 16 East Lanikaula St., Hilo, HI 1 Executive Summary: The nettle caterpillar, Darna pallivitta (Moore), is an invasive pest on the island of Hawai’i, causing defoliation of ornamental nursery stock and posing a human health hazard due to their painful sting. Wind tunnel and field tests with 2 day old moths revealed male behavioral responses to caged females consistent with a female released sex pheromone. Coupled gas chromatography-electroantennogram detection (GC-EAD) analysis of abdominal tip extracts revealed two male electroantennographically active compounds produced by female D. pallivitta. Mass spectral analysis and subsequent synthesis identified the active compounds as n- butyl (E)-7,9-decadienoate (major component) and ethyl (E)-7,9-decadienoate (minor component), both structurally similar to sex pheromone components previous reported from related Darna spp. Additionally, methyl (E)-7,9-decadienoate was identified from female abdominal extracts and a strong EAD response was elicited by the synthetic compound. n-Butyl (E)-7,9-decadienoate was the only component detected by solid phase microextraction (SPME) collections from single calling female moths, however the absence of the minor components may be a result of their lower abundance. -
Women in Filipino Religion-Themed Films
Review of Women’s Studies 20 (1-2): 33-65 WOMEN IN FILIPINO RELIGION-THEMED FILMS Erika Jean Cabanawan Abstract This study looks at four Filipino films—Mga Mata ni Angelita, Himala, Ang Huling Birhen sa Lupa, Santa Santita—that are focused on the discourse of religiosity and featured a female protagonist who imbibes the image and role of a female deity. Using a feminist framework, it analyzes the subgenre’s connection and significance to the Filipino consciousness of a female God, and the imaging of the Filipino woman in the context of a hybrid religion. The study determines how religion is used in Philippine cinema, and whether or not it promotes enlightenment. The films’ heavy reference to religious and biblical images is also examined as strategies for myth-building. his study looks at the existence of Filipino films that are focused T on the discourse of religiosity, featuring a female protagonist who imbibes the image and assumes the role of a female deity. The films included are Mga Mata ni Angelita (The Eyes of Angelita, 1978, Lauro Pacheco), Himala (Miracle, 1982, Ishmael Bernal), Ang Huling Birhen sa Lupa (The Last Virgin, 2002, Joel Lamangan) and Santa Santita (Magdalena, 2004, Laurice Guillen). In the four narratives, the female protagonists eventually incur supernatural powers after a perceived apparition of the Virgin Mary or the image of the Virgin Mary, and incurring stigmata or the wounds of Christ. Using a feminist framework, this paper through textual analysis looks at the Filipino woman in this subgenre, as well as those images’ connection and significance to the Filipino consciousness of a female God. -
The Speed of the VCR
Edinburgh Research Explorer The speed of the VCR Citation for published version: Davis, G 2018, 'The speed of the VCR: Ti West's slow horror', Screen, vol. 59, no. 1, pp. 41-58. https://doi.org/10.1093/screen/hjy003 Digital Object Identifier (DOI): 10.1093/screen/hjy003 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Screen Publisher Rights Statement: This is a pre-copyedited, author-produced PDF of an article accepted for publication in Screen following peer review. The version of record Glyn Davis; The speed of the VCR: Ti West’s slow horror, Screen, Volume 59, Issue 1, 1 March 2018, Pages 41–58 is available online at: https://doi.org/10.1093/screen/hjy003. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 The speed of the VCR: Ti West’s slow horror GLYN DAVIS In Ti West’s horror film The House of the Devil (2009), Samantha (Jocelin Donahue), a college student short of cash, takes on a babysitting job. -
Komiks and Retelling the Lore of the Folk
philippine studies Ateneo de Manila University • Loyola Heights, Quezon City • 1108 Philippines The Komiks and Retelling the Lore of the Folk Soledad S. Reyes Philippine Studies vol. 57 no. 3 (2009): 389–417 Copyright © Ateneo de Manila University Philippine Studies is published by the Ateneo de Manila University. Contents may not be copied or sent via email or other means to multiple sites and posted to a listserv without the copyright holder’s written permission. Users may download and print articles for individual, noncom- mercial use only. However, unless prior permission has been obtained, you may not download an entire issue of a journal, or download multiple copies of articles. Please contact the publisher for any further use of this work at [email protected]. http://www.philippinestudies.net SOledad S. REYES The Komiks and Retelling the Lore of the Folk Komiks (comics), which emerged in the 1920s, have captured the Filipinos’ imagination, subsequently becoming materials for major motion pictures, yet marginalized in cultural studies. This article offers a diachronic analysis of the komiks between the 1930s and the 1970s to reveal the relationship between selected komiks characters and the folk tradition embodied in epics and legends. It also explains the komiks writers’ fascination with the remote past and their construction of heroes and heroines. In illuminating the worldview of writers and readers and the meanings generated when texts and readers interact, this article problematizes the supposition that popular culture is unalloyed escapism. Keywords: PhiliPPine KomiKs • folKlore • romance mode • heroes • PoPular culture PHILIPPINE STUDIES 57, NO. 3 (2009) 389–417 © Ateneo de Manila University he history of the komiks (comics) in the Philippines consti- Resurrecting the Komiks in the Twenty-First Century tutes a narrative full of color and spectacle interspersed with With the emergence and proliferation of new forms, undoubtedly brought indescribable gloom and eerie silence. -
Folktale Types and Motifs in Greek Heroic Myth Review P.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic Quest
Mon Feb 13: Heracles/Hercules and the Greek world Ch. 15, pp. 361-397 Folktale types and motifs in Greek heroic myth review p.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic quest NAME: Hera-kleos = (Gk) glory of Hera (his persecutor) >p.395 Roman name: Hercules divine heritage and birth: Alcmena +Zeus -> Heracles pp.362-5 + Amphitryo -> Iphicles Zeus impersonates Amphityron: "disguised as her husband he enjoyed the bed of Alcmena" “Alcmena, having submitted to a god and the best of mankind, in Thebes of the seven gates gave birth to a pair of twin brothers – brothers, but by no means alike in thought or in vigor of spirit. The one was by far the weaker, the other a much better man, terrible, mighty in battle, Heracles, the hero unconquered. Him she bore in submission to Cronus’ cloud-ruling son, the other, by name Iphicles, to Amphitryon, powerful lancer. Of different sires she conceived them, the one of a human father, the other of Zeus, son of Cronus, the ruler of all the gods” pseudo-Hesiod, Shield of Heracles Hera tries to block birth of twin sons (one per father) Eurystheus born on same day (Hera heard Zeus swear that a great ruler would be born that day, so she speeded up Eurystheus' birth) (Zeus threw her out of heaven when he realized what she had done) marvellous infancy: vs. Hera’s serpents Hera, Heracles and the origin of the MIlky Way Alienation: Madness of Heracles & Atonement pp.367,370 • murders wife Megara and children (agency of Hera) Euripides, Heracles verdict of Delphic oracle: must serve his cousin Eurystheus, king of Mycenae -> must perform 12 Labors (‘contests’) for Eurystheus -> immortality as reward The Twelve Labors pp.370ff. -
Cinema in Dispute: Audiovisual Adventures of the Political Names ‘Worker’, ‘Factory’, ‘People’
Cinema In Dispute: Audiovisual Adventures of the Political Names ‘Worker’, ‘Factory’, ‘People’ Manuel Ramos Martínez Ph.D. Visual Cultures Goldsmiths College, University of London September 2013 1 I declare that all of the work presented in this thesis is my own. Manuel Ramos Martínez 2 Abstract Political names define the symbolic organisation of what is common and are therefore a potential site of contestation. It is with this field of possibility, and the role the moving image can play within it, that this dissertation is concerned. This thesis verifies that there is a transformative relation between the political name and the cinema. The cinema is an art with the capacity to intervene in the way we see and hear a name. On the other hand, a name operates politically from the moment it agitates a practice, in this case a certain cinema, into organising a better world. This research focuses on the audiovisual dynamism of the names ‘worker’, ‘factory’ and ‘people’ in contemporary cinemas. It is not the purpose of the argument to nostalgically maintain these old revolutionary names, rather to explore their efficacy as names-in-dispute, as names with which a present becomes something disputable. This thesis explores this dispute in the company of theorists and audiovisual artists committed to both emancipatory politics and experimentation. The philosophies of Jacques Rancière and Alain Badiou are of significance for this thesis since they break away from the semiotic model and its symptomatic readings in order to understand the name as a political gesture. Inspired by their affirmative politics, the analysis investigates cinematic practices troubled and stimulated by the names ‘worker’, ‘factory’, ‘people’: the work of Peter Watkins, Wang Bing, Harun Farocki, Danièle Huillet and Jean-Marie Straub. -
St. Joseph's Hospital, St. Joseph's Children's Hospital And
St. Joseph's Hospital and St, Joseph's Women's Hospital Medical Providers not Covered Under April 2021 the Financial Assistance Policy Provider Entity Providers Last Name Providers First Name Providers Display Degrees Short Provider Specialties Description St. Joseph's HospitalMain Abanses Juan MD Pediatric Emergency Medicine St. Joseph's HospitalMain Abney Ancil MD Pediatrics St. Joseph's HospitalMain Abouzied Amr MD Internal Medicine St. Joseph's HospitalMain Abraham Nicholas MD Internal Medicine St. Joseph's HospitalMain Abugrara Hazem MD Internal Medicine St. Joseph's HospitalMain Ackley Karen MD Pediatrics St. Joseph's HospitalMain Ads Ashraf MD Pediatric Emergency Medicine St. Joseph's HospitalMain Aggarwal Ashish DO Critical Care Medicine St. Joseph's HospitalMain Agliano Dennis MD Otolaryngology-Head and Neck Surgery St. Joseph's HospitalMain Agnello Peter MD Otolaryngology-Head and Neck Surgery St. Joseph's HospitalMain Agocha Augustine MD Cardiovascular Diseases St. Joseph's HospitalMain Agyemang Akosua APRN APRN-Cardiology St. Joseph's HospitalMain Ahmed Aysha DO Internal Medicine St. Joseph's HospitalMain Ahson Minal MD Pediatrics St. Joseph's HospitalMain Aitchison Sarah APRN APRN-Pediatrics St. Joseph's HospitalMain Albarran Carla DO Pediatrics St. Joseph's HospitalMain Albaugh Jessica APRN APRN-Pediatrics St. Joseph's HospitalMain Alexander Abigail AA Anesthesiologist Assistant St. Joseph's HospitalMain Alexander Andrew MD Emergency Medicine St. Joseph's HospitalMain Alfonso Camille DO Internal Medicine St. Joseph's HospitalMain Alfonso Dennis MD Surgery St. Joseph's HospitalMain Alidina Janeen MD Obstetrics/Gynecology St. Joseph's HospitalMain Allen Kyle MD Otolaryngology-Head and Neck Surgery St. Joseph's HospitalMain Allen Maribeth APRN APRN-Pediatrics St. -
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Dictionary of Media Studies Specialist dictionaries Dictionary of Accounting 0 7475 6991 6 Dictionary of Aviation 0 7475 7219 4 Dictionary of Banking and Finance 0 7136 7739 2 Dictionary of Business 0 7475 6980 0 Dictionary of Computing 0 7475 6622 4 Dictionary of Economics 0 7475 6632 1 Dictionary of Environment and Ecology 0 7475 7201 1 Dictionary of Human Resources and Personnel Management 0 7475 6623 2 Dictionary of ICT 0 7475 6990 8 Dictionary of Information and Library Management 0 7136 7591 8 Dictionary of Law 0 7475 6636 4 Dictionary of Leisure, Travel and Tourism 0 7475 7222 4 Dictionary of Marketing 0 7475 6621 6 Dictionary of Medical Terms 0 7136 7603 5 Dictionary of Military Terms 0 7475 7477 4 Dictionary of Nursing 0 7475 6634 8 Dictionary of Politics and Government 0 7475 7220 8 Dictionary of Science and Technology 0 7475 6620 8 Easier English™ titles Easier English Basic Dictionary 0 7475 6644 5 Easier English Basic Synonyms 0 7475 6979 7 Easier English Dictionary: Handy Pocket Edition 0 7475 6625 9 Easier English Intermediate Dictionary 0 7475 6989 4 Easier English Student Dictionary 0 7475 6624 0 English Thesaurus for Students 1 9016 5931 3 Check Your English Vocabulary workbooks Academic English 0 7475 6691 7 Business 0 7475 6626 7 Computing 1 9016 5928 3 Human Resources 0 7475 6997 5 Law 0 7136 7592 6 Leisure, Travel and Tourism 0 7475 6996 7 FCE + 0 7475 6981 9 IELTS 0 7136 7604 3 PET 0 7475 6627 5 TOEFL® 0 7475 6984 3 TOEIC 0 7136 7508 X Visit our website for full details of all our books: www.acblack.com Dictionary of Media Studies A & C Black ț London www.acblack.com First published in Great Britain in 2006 A & C Black Publishers Ltd 38 Soho Square, London W1D 3HB © A & C Black Publishers Ltd 2006 All rights reserved.