BAYSHORE Pedersen, Graham Join Council A.Berdeei Plans to Build War
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September-0Ctober 2013
september-0ctober 2013 On September 10, 1988, Museum of the As we enter our 25th anniversary year, I while doing the rounds through the Moving Image opened its doors to the can tell you that it has been a thrilling ride galleries, and then repair a video arcade public. At the time, years before the for the Museum, at least as action-packed game. He was a true professional, but will promise of the Internet and digital media as The Great Train Robbery. We have be best remembered as a great husband, were captured in the now-quaint phrase transformed and expanded over the years father, and friend, and he will be missed. “Information Superhighway,” the idea of a to serve a growing audience and to offer an We will pay tribute to Richie on October Museum, built on an historic site for movie increasingly ambitious slate of exhibitions, 4 at an event to mark the opening of a production, that would take a unified view screenings, and education programs. wonderful photo exhibit, The Booth, about of the disparate worlds of film, television, Our film programs range from the best projectionists and their workspaces. and video games, seemed as audacious as of classic Hollywood—as in our complete it was unprecedented. There was, simply, Howard Hawks retrospective—to the best Richie was a great showman; more than no museum like it in the world. It was an of contemporary world cinema—as in our anything at the Museum, he was obsessed innovative blend of a science museum, focus on the great French director Claire with making sure that we put on the best an art museum, a technology museum, Denis. -
Great Lakes Handicaps 2020-21.Xls
Great Lakes Handicaps 2020-21 01/10/2020 Type Boat Class Handicap RYA / Class Great Lakes Difference to Change from Notes for handicap changes: Status Handicap Handicap RYA / Class 2019/20 See key below D 405 RYA - A 1089 1089 D 420 RYA 1105 1083 -22 -3 Note 2: Based on SWS data D 470 RYA - A 973 973 D 505 RYA 903 883 -20 5 Note 2: Based on SWS data D 2000 RYA 1114 1090 -24 -10 Note 2: Based on SWS data D 3000 Class 1007 1007 D 4000 RYA - A 917 917 D 12 sqm Sharpie RYA - A 1026 1026 D 12ft Skiff Class 879 868 -11 Note 4: Based on boat specs D 18ft Skiff Class 675 675 K 2.4m RYA - A 1240 1230 -10 Note 3: Based on club data D 29er RYA 903 903 -4 Note 1: Based on RYA / Class D 29er XX Class 830 830 D 49er RYA - A 697 697 D 49er (Old rig) Class 740 740 D 49er FX Class ?? 720 D 59er Class 905 905 M A Class Classic RYA 684 684 M A Class Foiling SCHRS n/a 641 -15 Note 4: Based on boat specs D Albacore RYA 1040 1053 13 -2 Note 2: Based on SWS data D AltO RYA - A 926 926 D B14 RYA - E 860 860 D Blaze RYA 1033 1033 2 Note 1: Based on RYA / Class D Boss RYA - A 847 847 D Bosun RYA - A 1198 1198 D British Moth RYA 1160 1155 -5 D Buzz RYA - A 1030 1030 D Byte RYA - A 1190 1190 D Byte CI RYA - E 1215 1215 38 Note 1: Based on RYA / Class D Byte CII RYA 1135 1135 -3 Note 1: Based on RYA / Class D Cadet RYA - E 1430 1435 5 M Catapult RYA 898 898 -5 Note 1: Based on RYA / Class M Challenger RYA 1173 1162 -11 Note 4: Based on boat specs D Cherub RYA - A 903 890 -13 Note 4: Based on boat specs D Cherub 97 Class ?? 970 Note 4: Based on boat specs D Cherub -
C:\Boatlists\Boatlistdraft-2021.Xlsx Boat Name Owner Prefix Sail No
C:\BoatLists\boatlistdraft-2021.xlsx Boat Name Owner Prefix Sail No. Suffix Hull Boat Type Classification Abraham C 2821 RS Feva XL Sailing Dinghy Dunikolu Adams R 10127 Wayfarer Sailing Dinghy Masie Mary Adlington CPLM 18ft motorboat Motor Boat Isla Rose Adlington JPN Tosher Sailing Boat Demelza Andrew JA 28 Heard 28 Sailing Boat Helen Mary Andrew KC 11 Falmouth Working Boat Sailing Boat Mary Ann Andrew KC 25 Falmouth Working Boat Sailing Boat Verity Andrew N 20 Sunbeam Sailing Boat West Wind Andrew N 21 Tosher 20 Sailing Boat Andrews K 208210 white Laser 4.7 Sailing Dinghy Hermes Armitage AC 70 dark blue Ajax Sailing Boat Armytage CD RIB Motor Boat Alice Rose Ashworth TGH Cockwell's 38 Motor Boat Maggie O'Nare Ashworth TGH 10 Cornish Crabber Sailing Cruiser OMG Ashworth* C & G 221 Laser Pico Sailing Dinghy Alcazar Bailey C Motor Boat Bailey C RS Fevqa Sailing Dinghy Dither of Dart Bailey T white Motor Sailer Coconi Barker CB 6000 Contessa 32 Sailing Cruiser Diana Barker G Rustler 24 Sailing Boat Barker G 1140 RS200 Sailing Dinghy Gemini Barnes E RIB Motor Boat Pelorus Barnes E GBR 3731L Arcona 380 Sailing Cruiser Barnes E 177817 Laser Sailing Dinghy Barnes F & W 1906 29er Sailing Dinghy Lady of Linhay Barnes MJ Catamaran Motor Boat Triumph Barnes MJ Westerly Centaur Sailing Cruiser Longhaul Barstow OG Orkney Longliner 16 Motor Boat Barö Barstow OG 2630 Marieholm IF-Boat Sailing Cruiser Rinse & Spin Bateman MCW 5919 Laser Pico Sailing Dinghy Why Hurry Batty-Smith JR 9312 Mirror Sailing Dinghy Natasha Baylis M Sadler 26 Sailing Cruiser -
CTCS 464: the Romantic Comedy in Classical, Postwar, and Reactionary/Revolutionary Hollywood (1929 – 1976)
CTCS 464: The Romantic Comedy In Classical, Postwar, and Reactionary/Revolutionary Hollywood (1929 – 1976) Summer 2009 (First Session) Monday & Wednesdays 1 p.m to 5:30 p.m. Norris Theater Instructor: Dr. Drew Casper The Alma and Alfred Hitchcock Professor of American Film Course Description: An in-depth analysis the myths, conventions and iconographies of the romantic comedy genre in its Classical, Postwar and Reactionary/Revolutionary periods, this course will explore its extra-cinematic determinants (major historical events, economic situations, societal issues and other popular leisure activities) and cinematic determinants (business, technology, censorship, generic patterns, major directors, the star and the star system). Finally, this course will also examine the major theoretical issues of the genre. Teaching Assistants: Kate Fortmueller ([email protected]) & David Lerner ([email protected]). Office Hours: IMS Building, 2nd Floor, Monday and Wednesday 11:30 – 12:30pm Dr. Casper’s Office Hours: 12:00 – 1:00pm, Monday and Wednesday 323 School of Cinematic Arts Building – (213) 740-3334 If you wish to see Dr. Casper during his office hours, you must make an appointment in advance by signing up on the appointment sheet at the front desk of the Critical Studies office (SCA 320). Course Requirements: I. Attendance: Prompt and regular attendance for the full class period is of extreme importance. Missing the screening of any film will seriously limit your success in the course. NOT ALL OF THE FILMS SCREENED IN CLASS ARE AVAILABLE ON VIDEOTAPE OR DVD. It is your responsibility to make up any missed screenings and to obtain detailed notes from another student. -