Provocative Dress and Sexual Responsibility
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Panties of Legend
Kris Newton [email protected] The Power to Change the World is in your Panties YOU are a regular, panty-wearing slob like the rest of us. You have exactly three layers – the same number as everybody else, and nearly half as many as a burrito. You've got a few distinguishing Features that make you stand out, one or two Fetishes that occasionally make you spout comical nosebleeds, and a Big Dream in your heart. You live a normal, boring life, but this roleplaying game isn't about that. That would be stupid. It's about the way your life changes when you don the Panties of Legend. THE PANTIES OF LEGEND are mysterious underwear of unknown origin. Only a handful of the panties are known to exist (and if the phrase "handful of the panties" excites you, you're playing the right game). When you sublimate sexual urges, your panties charge up like an overwrought metaphor for burgeoning sexuality, granting you superhuman Powers. Nothing can stop you when your panties are magical... except for your Rivals. YOUR RIVALS wear the other Panties of Legend. Despite their rarity, Panties of Legend probably belong to all your best friends and worst enemies at work or school. Go figure. When a Rival is near, you feel a tingle in your panties. Don't be confused; that's your body's natural way of telling you to defeat your Rivals and increase your magical powers. The only way to safely gain Panty Power is to make other Panties of Legend explode. PANTIES OF LEGEND GAIN POWER WHEN YOU'RE TURNED ON, BUT EXPLODE WHEN THEY'RE OVERCHARGED. -
European Union
OFFICE OF TEXTILES AND APPAREL (OTEXA) Market Reports Textiles, Apparel, Footwear and Travel Goods European Union The following information is provided only as a guide and should be confirmed with the proper authorities before embarking on any export activities. Import Tariffs The EU is a customs union that provides for free trade among its 28 member states--Austria, Belgium, Bulgaria, Cyprus, Czech Republic, Croatia, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Latvia, Lithuania, Luxembourg, Malta, The Netherlands, Poland, Portugal, Romania, Slovak Republic, Slovenia, Spain, Sweden, and The United Kingdom. The EU levies a common tariff on imported products entered from non-EU countries. By virtue of the Belgium-Luxembourg Economic Union (BLEU), Belgium and Luxembourg are considered a single territory for the purposes of customs and excise. The United Kingdom (UK) withdrew from the EU effective February 1, 2020. During the transition period, which ends on December 31, 2020, EU law continues to be applicable to and in the UK. Any reference to Member States shall be understood as including the UK where EU law remains applicable to and in the UK until the end of the transition period according to the Withdrawal Agreement (OJ C 384 1, 12.11.2019, p. 1). EU members apply the common external tariff (CET) to goods imported from non-EU countries. Import duties are calculated on an ad valorem basis, i.e., expressed as a percentage of the c.i.f. (cost, insurance and freight) value of the imported goods. EU: Tariffs (percent ad valorem) on Textiles, Apparel, Footwear and Travel Goods HS Chapter/Subheading Tariff Rate Range (%) Yarn -silk 5003-5006 0 - 5 -wool 5105-5110 2 - 5 -cotton 5204-5207 4 - 5 -other vegetable fiber 5306-5308 0 - 5 -man-made fiber 5401-5406/5501-5511 3.8 - 5 ....................... -
Press Kit the History of French Lingerie at the Sagamore Hotel Miami Beach
LINGERIE FRANCAISE EXHIBITION PRESS KIT THE HISTORY OF FRENCH LINGERIE AT THE SAGAMORE HOTEL MIAMI BEACH Continuing its world tour, the Lingerie Francaise exhibition will be presented at the famous Sagamore Hotel Miami Beach during the Art Basel Fair in Miami Beach from November 29th through December 6th, 2016. Free and open to all, the exhibition showcases the ingeniousness and creativity of French lingerie which, for over a century and a half, has been worn by millions of women worldwide. The exhibition is an immersion into the collections of eleven of the most prestigious French brands: AUBADE, BARBARA, CHANTELLE, EMPREINTE, IMPLICITE, LISE CHARMEL, LOU, LOUISA BRACQ, MAISON LEJABY, PASSIONATA and SIMONE PÉRÈLE. With both elegance and playfulness, the story of an exceptional craft unfolds in a space devoted to contemporary art. The heart of this historic exhibition takes place in the Game Room of the Sagamore Hotel. Beginning with the first corsets of the 1880’s, the presentation documents the custom-made creations of the 1930’s, showcases the lingerie of the 1950’s that was the first to use nylon, and culminates with the widespread use of Lycra® in the 1980’s, an epic era of forms and fabrics. This section focuses on contemporary and future creations; including the Lingerie Francaise sponsored competition’s winning entry by Salima Abes, a recent graduate from the university ESMOD Paris. An exclusive collection of approximately one hundred pieces will be exhibited, all of them emblematic of a technique, textile, and/or fashion innovation. A selection of landmark pieces will trace both the history of intimacy and the narrative of women’s liberation. -
Bikini Arrests, 1940-1960
W A V E R L E Y C O U N C I L BIKINI WARS A W a v e r l e y L i b r a r y L o c a l H i s t o r y F a c t S h e e t Although two piece swimsuits of keeping the costume in have been around since position. Ancient Rome (mosaics While it is impossible to say depicted found in the Villa who was the first to wear the Romana del Casale showed risqué bathing suit to Bondi women wearing bandeau tops Beach, there has been a history and shorts to compete in of arrests of women who dared sports), the bikini as we to breach the 1935 ordinance recognise it is commonly on swimming costumes. credited to French engineer Louis Réard in 1946. According to a Sunday However, the humble bikini has Telegraph report seen its share of controversy in 1946, an unnamed woman over the last 75 years. braved Bondi promenade wearing a bikini and ‘caused a In Waverley, bathing suits near riot’. Waverley Council needed to meet stringent Lifeguard (then known as measurement requirements to Beach Inspectors) Aub Laidlaw be allowed on public beaches. told her she was indecently The Local Government attired and ordered her to the Ordinance No. 52 (1935) changing sheds at Bondi indicated that both men and Pavilion with instructions to put women’s costumes must have on some more clothes. legs at least 3" long, must Later charged with offensive completely cover the front of behaviour, this was just one of the body from the level of the many events in the armpits to the waist, and have subsequent fight against ‘public shoulder straps or other means indecency’. -
Exporting Sleepwear to Europe 1. Product Description
Exporting sleepwear to Europe Last updated: 10 October 2018 The European market for sleepwear is growing. Most imports originate from developing countries. The middle to high-end segments offer you the most opportunities. Focus on design and quality to appeal to these consumers. Using sustainable fabrics and providing comfort can also give you a competitive advantage. Contents of this page 1. Product description 2. Which European markets offer opportunities for exporters of sleepwear? 3. Where is consumer demand located? 4. What is the role of European production in supplying European demand? 5. Which countries are most interesting in terms of imports from developing countries? 6. What role do exports play in supplying European demand? 7. What is the effect of real private consumption expenditure on European demand? 8. What trends offer opportunities on the European market for sleepwear? 9. What requirements should sleepwear comply with to be allowed on the European market? 10. What competition do you face on the European sleepwear market? 11. Through what channels can you put sleepwear on the European market? 12. What are the end-market prices for sleepwear? 1. Product description Sleepwear includes: adult onesie – all-in-one sleep suits worn by adults, usually cotton, similar to an infant onesie or children's blanket sleeper baby-doll – short, sometimes sleeveless, loose-fitting nightgown or negligee for women, generally designed to resemble a young girl's nightgown bathrobe – serving both as a towel and an informal garment, usually made -
Confidential
CONFIDENTIALFOR INTERNAL USE ONLY CONFIDENTIAL FOR INTERNAL� USE ONLY VISUALCONFIDENTIALFOR MERCHANDISINGINTERNAL USE ONLY GUIDE intimates & sleep : how-to library CONFIDENTIALFOR INTERNAL USE ONLY CONFIDENTIALFOR INTERNAL USE ONLY LOW SCOPE STORES INTIMATES & SLEEP - LOW SCOPE STORES HOW-TO POG types POG Grid will not be provided in this VMG. Use the MyDevice for Store Specific POGs. Intimates POGs are tied differently to allow for greater flexibility in cross-merchandising Intimates & Sleep. Z4 Review details below: Z4 NATIONAL BRAND NATIONAL Hybrid POG (tied to fixture): Z3 AUDEN P2 - Newest version of a POG (e.g. Core Bras). Styles are tied to a particular fixture – to allow for M2 M1 flexibility within the fixture. P1 P3 - Use both VMG and POG to execute. Refer to the POG to pull styles, but use the VMG for specific merchandising details (e.g.: color flow, hardware and ISM location). Flex POG (tied to one or multiple fixtures): D4 - Styles are tied to one POG (e.g. Auden Bralettes) to allow for flexible merchandising within the D3 entire shop. - Refer to the VMG for merchandising direction. D2 Traditional POG: D1 - Use the POG (e.g. Packaged Panties) to merchandise presentations. Z2 STARS ABOVE Z1 COLSIE - Refer to VMG for inspirational photos, if available. POG TITLES ON ADJACENCY POG TYPE STEPS TO MERCHANDISE 1. USE STORE SPECIFIC ADJACENCY & MYDEVICE FOR STORE SPECIFIC POG BALI, PARAMOUR, WARNERS, SEASONAL, CORE BRA HYBRID 2. PLAN POG LOCATION ALSO USING VMG PRODUCT FLOW MAP WALL, PLUS, PF BRA COMBO (SMALL FORMAT) 3. USE VMG FOR HOW-TO PAGES ON HARDWARE POSITION, MERCHANDISING AND ISM POSITIONING 1. -
SLIP-ON®, SLIP-ON One in Each Hand, and Engage the Hook CATALOG NO
Putting on Panties, Shorts, Pajama ® Bottoms, Slacks, etc. While sitting, hold the two parts of SLIP-ON®, SLIP-ON one in each hand, and engage the hook CATALOG NO. 73839-0000 end with the inside of the waistband of the apparel. Lower the apparel to the floor and MAKES pull it over the feet and up both legs until it can be reached by the hands and pulled DRESSING EASY into the desired position. If the waistband has an opening, as in slacks, close it before beginning and reopen before pulling over the hips. Hook and Loop tabs allow positive catch with easy release. SLIP-ON® helps you put on the following apparel without the aid of another person: Stockings–Socks • Shorts 6 Industrial Road • Pequannock, NJ 07440 Panties–Undershorts tel: 973-628-7600 • fax: 973-305-0841 email: [email protected] • www.maddak.com Pajama Bottoms • Slacks 973839002 0803 Can also be used to remove shoes. INSTRUCTIONS Engage the gear-like teeth to make SLIP-ON® As shown in Figure 3, keep the hook ends operable. As shown in Figure 1, hold engaged with the stocking and separate SLIP-ON® in one hand and insert the two parts of SLIP-ON®, holding one in the hook ends inside the each hand. Pull the stocking over the heel top opening of stocking. and up the leg to the point where it can Hold SLIP-ON® in the be reached by hand and adjusted to the left hand if you are desired position. putting the stocking Caution: When using with sheer stockings on the left foot; in the engage hook ends with reinforced top band right hand for the right to avoid rupturing the sheer knit. -
Fancy Dress Party
Fancy Dress Party Barbara and Alison want to find a way to get Albert, Barbara’s husband to admit he is a cross- dresser. They hit on the perfect solution, a fancy dress party to which everyone, well nearly everyone, has to wear a costume which involves wearing silky lingerie and stockings underneath. 1 Alison decided she would go and see her sister Barb at the beginning of October. They planned to go shopping again at the Mall, it was so much fun last time they went flashing on the up escalators. Alison had intended to take her 18 year old son Mike with her but he protested that he had too much college work to do and he could the washing and ironing whilst she was away. 2 She trusted him to do the washing and ironing as she knew he loved ironing all her silky slips but she wondered what else he might get up to whilst she was away for the weekend. 3 So Alison travelled up to Cheshire, on her own. When she got there she greeted both Barbara, and her husband Arnold, with a peck on the cheek. After asking how her journey was Arnold excused himself and went upstairs to read an ebook on his new Kindle, a birthday present from Barbara. The two sisters sat down with a cup of coffee and rolled back the years. They recalled the flashing they had done on their last shopping trip to the Mall. This triggered a memory for Barbara about when she was about 16 and still dancing. -
Victim Awareness
VICTIM AWARENESS SECTION 1: INTRODUCTION The primary goal of treatment is to never again sexually abuse someone. One way to achieve this goal is learn what it feels like to be a victim and to understand what your victim felt like. Men who commit sexual crimes are not necessarily bad people. They are not usually men who set out to be mean to others. They do not go through their entire lives wanting to hurt and injure people. When they committed their crimes, however, they did not care or were unaware of the harm that they were inflicting. The goal of this section is to increase your understanding of the trauma to victims and the consequences of sexual abuse. It is hoped that this awareness can be a tool that you can use to prevent yourself from abusing someone again in the future. ??? WHAT IS VICTIM AWARENESS ??? ______________________________________________ Victim awareness is composed of three parts • Victim Knowledge • Victim Sympathy • Victim Empathy K Victim Knowledge N Victim Knowledge refers to an understanding of the Means Recognizing O common feelings that people who are sexually abused Someone Has Been W may experience. It is not necessarily feeling sorry or Injured and Needs L bad for them. It is also not necessarily having the Help E D same feelings they may have. It is recognizing they G have been injured, that the harm is long-lasting, and E some of the specific effects that result from being sexually abused. This recognition is the first step in developing victim awareness. S Y Victim Sympathy refers to feeling bad or having compassion for victims of sexual M abuse. -
Policy Statement—Sexuality, Contraception, and the Media Abstract
Organizational Principles to Guide and Define the Child Health Care System and/or Improve the Health of all Children Policy Statement—Sexuality, Contraception, and the Media THE COUNCIL ON COMMUNICATIONS AND MEDIA abstract KEY WORDS From a health viewpoint, early sexual activity among US adolescents is sexual activity, adolescents, media, television a potential problem because of the risk of pregnancy and sexually ABBREVIATIONS STI—sexually transmitted infection transmitted infections. New evidence points to the media adolescents TV—television use frequently (television, music, movies, magazines, and the Internet) This document is copyrighted and is property of the American as important factors in the initiation of sexual intercourse. There is a Academy of Pediatrics and its Board of Directors. All authors major disconnect between what mainstream media portray—casual have filed conflict of interest statements with the American sex and sexuality with no consequences—and what children and teen- Academy of Pediatrics. Any conflicts have been resolved through a process approved by the Board of Directors. The American agers need—straightforward information about human sexuality and Academy of Pediatrics has neither solicited nor accepted any the need for contraception when having sex. Television, film, music, commercial involvement in the development of the content of and the Internet are all becoming increasingly sexually explicit, yet this publication. information on abstinence, sexual responsibility, and birth control re- mains rare. It is unwise to promote “abstinence-only” sex education when it has been shown to be ineffective and when the media have become such an important source of information about “nonabsti- nence.” Recommendations are presented to help pediatricians ad- dress this important issue. -
Women's Maternity
STUDIO N - FOR INTERNAL AND VENDOR USE ONLY ONLINE PHOTOGRAPHY GUIDE - Womens_ Maternity 1. TABLE OF CONTENTS 2. Dress / Romper / Jumpsuit 3. Top / Shirt 4. Camisole / Tank 5. Sweater 6. Poncho 7. Coat 8. Pant/ Legging / Denim / Skirt / Short 9. Bra & Sport bra 10. Swim: One Piece / Tankini / Bikini 11. Lounge & Sleep Outfit: Silver Look 12. Lounge & Sleep: Nightgown/ Chemise/ Robe 13. Lounge & Sleep: PJ Set / Nightshirt 1 STUDIO N - FOR INTERNAL AND VENDOR USE ONLY ONLINE PHOTOGRAPHY GUIDE - Womens_ Maternity Dress / Romper / Jumpsuit STYLE WITH WEDDING RING + HAND ON BELLY TO SEE SHAPE IF NEEDED MAIN AND ALT PRESENTATION Front Full Shoot all dresses Head-to-toe AT LEAST ONE VIEW SHOULD SHOW SLEEVE SHAPE WELL. Back Full Back view, Head-to-toe Side Full Side view, Head-to-toe Can use for Post Partum image if detail of nursing access is needed. Detail Full Detail view determined on set. Use for Nursing Access, Post Partum no-belly shot if requested, or other detail. Zoom Full Closeup of fabric, textures and prints. Avoid seams, wrinkles and graphics on tees. (Vendor images exempt) Front Full (look) Gold Look / Editorial / Catalog / video, if available ADDITIONAL INFO swatch presentation 2 STUDIO N - FOR INTERNAL AND VENDOR USE ONLY ONLINE PHOTOGRAPHY GUIDE - Womens_ Maternity Top / Shirt STYLE WITH WEDDING RING + HAND ON BELLY TO SEE SHAPE IF NEEDED MAIN AND ALT PRESENTATION Front Upper Crop mid-thigh and below hands, or per Art Director’s crop on AD notes (can leave head-to-toe when indicated for special collections) AT LEAST ONE VIEW SHOULD SHOW SLEEVE SHAPE WELL. -
Dress Codes: an Analysis of Gender in High
UNDRESSING THE DRESS CODES: AN ANALYSIS OF GENDER IN HIGH SCHOOL DRESS CODE POLICIES A Thesis Presented to the faculty of Graduate and Professional Studies in Education California State University, Sacramento Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in Education (Behavioral Science Gender Equity Studies) by Jaymie Arns FALL 2017 © 2017 Jaymie Arns ALL RIGHTS RESERVED ii UNDRESSING THE DRESS CODE: AN ANALYSIS OF GENDER IN HIGH SCHOOL DRESS CODE POLICIES A Thesis by Jaymie Arns Approved by: _____________________________________, Committee Chair Sherrie Carinci, Ed.D. _____________________________________, Second Reader Riana Pella, M.Ed. ______________________________ Date iii Student: Jaymie Arns I certify that this student has met the requirements for format contained in the University format manual, and that this thesis is suitable for shelving in the Library and credit is to be awarded for the thesis. __________________________, Graduate Coordinator _________________ Albert Lozano, Ph.D. Date Department of Graduate and Professional Studies in Education iv Abstract of UNDRESSING THE DRESS CODES: AN ANALYSIS OF GENDER IN HIGH SCHOOL DRESS CODE POLICIES by Jaymie Arns Statement of Problem Considered to be inherently sexual, the female body faces unique and disproportionate amounts of policing that their male peers do not (Whisner, 1982). In the educational setting, female students are required to take additional steps to ensure that they are not disrupting the learning environment at school (Glickman, 2016). These additional steps are laid out in educational policies like dress codes, which state the dress code rules, the rationales for those dress code rules, and the sanctions attached to dress code violations.