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Updated Checklist of Marine Fishes (Chordata: Craniata) from Portugal and the Proposed Extension of the Portuguese Continental Shelf
European Journal of Taxonomy 73: 1-73 ISSN 2118-9773 http://dx.doi.org/10.5852/ejt.2014.73 www.europeanjournaloftaxonomy.eu 2014 · Carneiro M. et al. This work is licensed under a Creative Commons Attribution 3.0 License. Monograph urn:lsid:zoobank.org:pub:9A5F217D-8E7B-448A-9CAB-2CCC9CC6F857 Updated checklist of marine fishes (Chordata: Craniata) from Portugal and the proposed extension of the Portuguese continental shelf Miguel CARNEIRO1,5, Rogélia MARTINS2,6, Monica LANDI*,3,7 & Filipe O. COSTA4,8 1,2 DIV-RP (Modelling and Management Fishery Resources Division), Instituto Português do Mar e da Atmosfera, Av. Brasilia 1449-006 Lisboa, Portugal. E-mail: [email protected], [email protected] 3,4 CBMA (Centre of Molecular and Environmental Biology), Department of Biology, University of Minho, Campus de Gualtar, 4710-057 Braga, Portugal. E-mail: [email protected], [email protected] * corresponding author: [email protected] 5 urn:lsid:zoobank.org:author:90A98A50-327E-4648-9DCE-75709C7A2472 6 urn:lsid:zoobank.org:author:1EB6DE00-9E91-407C-B7C4-34F31F29FD88 7 urn:lsid:zoobank.org:author:6D3AC760-77F2-4CFA-B5C7-665CB07F4CEB 8 urn:lsid:zoobank.org:author:48E53CF3-71C8-403C-BECD-10B20B3C15B4 Abstract. The study of the Portuguese marine ichthyofauna has a long historical tradition, rooted back in the 18th Century. Here we present an annotated checklist of the marine fishes from Portuguese waters, including the area encompassed by the proposed extension of the Portuguese continental shelf and the Economic Exclusive Zone (EEZ). The list is based on historical literature records and taxon occurrence data obtained from natural history collections, together with new revisions and occurrences. -
New Zealand Fishes a Field Guide to Common Species Caught by Bottom, Midwater, and Surface Fishing Cover Photos: Top – Kingfish (Seriola Lalandi), Malcolm Francis
New Zealand fishes A field guide to common species caught by bottom, midwater, and surface fishing Cover photos: Top – Kingfish (Seriola lalandi), Malcolm Francis. Top left – Snapper (Chrysophrys auratus), Malcolm Francis. Centre – Catch of hoki (Macruronus novaezelandiae), Neil Bagley (NIWA). Bottom left – Jack mackerel (Trachurus sp.), Malcolm Francis. Bottom – Orange roughy (Hoplostethus atlanticus), NIWA. New Zealand fishes A field guide to common species caught by bottom, midwater, and surface fishing New Zealand Aquatic Environment and Biodiversity Report No: 208 Prepared for Fisheries New Zealand by P. J. McMillan M. P. Francis G. D. James L. J. Paul P. Marriott E. J. Mackay B. A. Wood D. W. Stevens L. H. Griggs S. J. Baird C. D. Roberts‡ A. L. Stewart‡ C. D. Struthers‡ J. E. Robbins NIWA, Private Bag 14901, Wellington 6241 ‡ Museum of New Zealand Te Papa Tongarewa, PO Box 467, Wellington, 6011Wellington ISSN 1176-9440 (print) ISSN 1179-6480 (online) ISBN 978-1-98-859425-5 (print) ISBN 978-1-98-859426-2 (online) 2019 Disclaimer While every effort was made to ensure the information in this publication is accurate, Fisheries New Zealand does not accept any responsibility or liability for error of fact, omission, interpretation or opinion that may be present, nor for the consequences of any decisions based on this information. Requests for further copies should be directed to: Publications Logistics Officer Ministry for Primary Industries PO Box 2526 WELLINGTON 6140 Email: [email protected] Telephone: 0800 00 83 33 Facsimile: 04-894 0300 This publication is also available on the Ministry for Primary Industries website at http://www.mpi.govt.nz/news-and-resources/publications/ A higher resolution (larger) PDF of this guide is also available by application to: [email protected] Citation: McMillan, P.J.; Francis, M.P.; James, G.D.; Paul, L.J.; Marriott, P.; Mackay, E.; Wood, B.A.; Stevens, D.W.; Griggs, L.H.; Baird, S.J.; Roberts, C.D.; Stewart, A.L.; Struthers, C.D.; Robbins, J.E. -
Arts Et Savoirs, 9 | 2018 L’Âme Cellulaire Et L’Ésotérisme Moderne De Haeckel 2
Arts et Savoirs 9 | 2018 Ernst Haeckel entre science et esthétique L’âme cellulaire et l’ésotérisme moderne de Haeckel Robert Matthias Erdbeer Traducteur : Julie Mottet et Henning Hufnagel Édition électronique URL : http://journals.openedition.org/aes/1193 DOI : 10.4000/aes.1193 ISSN : 2258-093X Éditeur Laboratoire LISAA Référence électronique Robert Matthias Erdbeer, « L’âme cellulaire et l’ésotérisme moderne de Haeckel », Arts et Savoirs [En ligne], 9 | 2018, mis en ligne le 14 mai 2018, consulté le 02 mai 2019. URL : http:// journals.openedition.org/aes/1193 ; DOI : 10.4000/aes.1193 Ce document a été généré automatiquement le 2 mai 2019. Centre de recherche LISAA (Littératures SAvoirs et Arts) L’âme cellulaire et l’ésotérisme moderne de Haeckel 1 L’âme cellulaire et l’ésotérisme moderne de Haeckel Robert Matthias Erdbeer Traduction : Julie Mottet et Henning Hufnagel NOTE DE L'AUTEUR Cet article est une version française du texte „Die ‚Erhaltung der Fühlung’. Haeckels Seelenzellen und der Stil der Esoterischen Moderne“ paru dans Lendemains. Études comparées sur la France, t. 41, n° 162-163, 2016, p. 100-123 (version en ligne : URL : http:// periodicals.narr.de/index.php/Lendemains/article/view/2939). Traduction de l’allemand par Julie Mottet et Henning Hufnagel En somme c’est le malheur du savoir de nos jours que tout vise si terriblement à la grandiloquence.1 Sören Kierkegaard, Le Concept de l’angoisse. De la science à la para-science ésotérique Arts et Savoirs, 9 | 2018 L’âme cellulaire et l’ésotérisme moderne de Haeckel 2 1 La modernité ésotérique est le pendant de « l’ère des sciences naturelles ». -
Making Art / Discovering Science Steven Shapin, Harvard University
Making Art / Discovering Science steven shapin, harvard university ere is one way that, in ordinary speech, we mark the dis- tinction between science and art. We say that scientists dis- H cover things—the relationship between the volume and pres- sure of air was discovered by Boyle; nuclear fission was discovered by Hahn, Strassmann, and Meitner; the structure of DNA was discovered by Watson and Crick. We say, however, that artists invent, compose, construct,ormake things—Mozart composed Così fan tutte; Botticelli made La Primavera; Philip Roth invented Nathan Zuckerman. In ordi- nary speech, all genuine art is made up and no genuine science is made up. Again, in ordinary speech, the difference between these catego- ries is fundamental: it’s an important way we have to distinguish science and art in the stream of culture, to assign them to different institutions, to give us confidence in our distinctions, to hold them to different standards, and to assign them to different schemes of value. The categories also mark out different kinds of relationship between the named responsible people, and what it is they are said to be re- sponsible for. And it picks out different existential standings for the © 2018 by the university of chicago. all rights reserved. know v2n2, fall 2018 This content downloaded from 206.253.207.235 on October 27, 2018 08:17:38 AM All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). know: a journal on the formation of knowledge objects of science and of art—as between things that exist indepen- dently in the world and things we bring into being through the work- ings of our creative imaginations. -
René Binet's Porte Monumentale at the 1900 Paris
Frontispiece. René Binet, Porte Monumentale for Exposition Universelle, Paris, 1900. Phototype, from Exposition Universelle, Paris 1900. Héliotypes de E. Le Deley (Paris, n.d.). (V&A Images, National Art Library, Victoria and Albert Museum). 224 A World of Things in Emergence and Growth: René Binet’s Porte Monumentale at the 1900 Paris Exposition robert proctor by 1898, René Binet had produced his final design for the Porte Monumentale of the 1900 Exposition Universelle in Paris, a building which came to symbolise the Exposition in the media, in the profusion of ephemeral literature which surrounded it, and in the public consciousness [Frontispiece; Figure 1].1 The arch was meant to be ‘a type and epitome of the Exposition itself ’, as an American commentator put it.2 The Exposition aimed to celebrate the achievements of the nineteenth century and the arrival of a new age of peace in the twentieth, under the steerage of the Third Republic. The Porte Monumentale compressed this ideological scheme into a single complex and ambivalent object. The contemporary discourse on nature provided Binet with an expressive range of symbolic forms with which to articulate such political concerns. Re-reading the Porte Monumentale through such discourse, however, produces more contradictions than certainties. While one strand of scientific enquiry maintained a rational view of life, and consequently of human society, as internally structured and constantly evolving according to understandable principles, another related strand proposed a more mystical, romantic and pseudo-religious view of nature. In Binet’s architectural adoption of natural forms, each of these views seems to have a role. -
Eduard Uhlenhuth/Anatomy Department Library
Dr. Eduard Uhlenhuth Papers Item Type Other Authors Wink, Tara Publication Date 2020-12-11 Abstract Dr. Eduard Uhlenhuth was a professor of Anatomy at the University of Maryland School of Medicine from 1925 until his retirement in 1955. In 1957 he was named professor emeritus. He was an avid book collector amassing an extensive collection of Anatom... Keywords Uhlenhuth, Eduard; Department of Anatomy; Anatomical Book Collection; Anatomy; Anatomy--education; Anatomists; University of Maryland, Baltimore; University of Maryland, Baltimore. School of Medicine; Medical education Rights Attribution-NonCommercial-ShareAlike 4.0 International Download date 28/09/2021 04:39:25 Item License http://creativecommons.org/licenses/by-nc-sa/4.0/ Link to Item http://hdl.handle.net/10713/14245 Eduard Uhlenhuth/Anatomy Department Library Title Author Date Found in Cat Notes De Medicina Aulus Cornelius Celsus 1497 Cordell Coll "On Medicine" Matthaei Curtii…In Mundini Anatomen Commentarius Elegans & Docties Mondino dei Luzzi 1551 Cordell Coll De conceptu et generatione hominis : et iis quae circa hȩc potissimum consyderantur, libri sex Jakob Rueff 1554 Cordell Coll "On Conception and Generation in Man" Gabrielis Falloppii medici Mutinensis Obseruationes anatomicae Gabriel Fallopius/Falloppio 1562 Cordell Coll Theatrum anatomicum Caspar Bauhin 1605 Cordell Coll 1st ed. De lactibus sive lacteis venis Gaspare Aselli 1627 Cordell Coll Syntagma anatomicum Johann Vesling 1647 Cordel Coll Corporis hvmani disqvisitio anatomica Nathaniel Highmore 1651 Cordell Coll -
The Art and Science of Nature in Nature Martin Kemp
study centre mellon lectures 13 April 2004 6 Processes and Structures: The Art and Science of Nature in Nature Martin Kemp The invitation to deliver a public lecture at the Canadian Centre for Architecture gives me a welcome opportunity to look back again over the regular column -- generally consisting of six-hundred-word pieces, each with one illustration -- that I have been writing in the science magazine Nature. The first two years of essays (at that point I was writing on a weekly basis) were brought together in the book Visualizations. Since then, there have been three years of monthly essays. It is good to be able to reflect on the years of writing, and to share with you some thoughts as to whether they are anything more than a series of separate, discrete essays. Each obviously had to stand on its own. However, are there motifs and undercurrents that can be drawn out of the diverse topics, which span a wide range of sciences, technologies, and visual arts from the Renaissance to today? Nature, as we know, is a very distinguished periodical. Founded in 1869, it has undergone many reincarnations, signalled by the multiple redesigns of its cover -- a process that has occurred ever more frequently as design fashions and technologies have changed at an accelerating rate. As a visual historian, one of the questions I am interested in asking is why Nature looks like it does now, and how this look relates to its past appearances. I wrote an essay in Visualizations specifically on this topic. The question as to why human-made things look like they do is a fascinating and complex matter, extending beyond the field of the history of art or even of design. -
Dyuthi T-2487.Pdf
Thesis submitted to COCHIN UNIVERSITY OF SCIENCE AND TECHNOLOGY in partial fulfilment of the requirements for the award of the degree of DOCTOR OF PHILOSOPHY in MARINE BIOLOGY Under the FACULTY OF MARINE SCIENCES RAJEESH KUMAR M. P. Centre for Marine Living Resources & Ecology Ministry of Earth Sciences Kochi- 682037 JUNE 2018 Deep-sea Anglerfishes (Pisces- Lophiiformes) of the Indian EEZ: Systematics, Distribution and Biology Ph. D. Thesis in Marine Biology Author Rajeesh Kumar M. P. Centre for Marine Living Resources & Ecology Ministry of Earth Sciences, Government of India Block C, 6th Floor, Kendriya Bhavan, Kakkanad Kochi682037, Kerala, India Email: [email protected] Supervising Guide Dr. V. N. Sanjeevan Former Director Centre for Marine Living Resources & Ecology Ministry of Earth Sciences, Government of India Block C, 6th Floor, Kendriya Bhavan, Kakkanad Kochi682037, Kerala, India Email: [email protected] June 2018 Front cover New species of Himantolophus (Ceratioidei: Himantolophidae) collected onboard FORV Sagar Sampada from Andaman Sea. Cover Design- Shebin Jawahar This is to certify that the thesis entitled ―Deep-sea Anglerfishes (Pisces- Lophiiformes) of the Indian E.EZ: Systematics, Distribution and Biology‖ is an authentic record of the research work carried out by Mr. Rajeesh Kumar M. P. (Reg. No.: 4323), under my scientific supervision and guidance at the Centre for Marine Living Resources & Ecology (CMLRE), Kochi, in partial fulfilment of the requirements for award of the degree of Doctor of Philosophy of the Cochin University of Science & Technology and that no part thereof has been presented before for the award of any other degree, diploma or associateship in any University. -
The Molecular Quest for the Origin of the Animal Kingdom
What makes an animal? The molecular quest for the origin of the Animal Kingdom Jordi Paps 1,2 1. School of Biological Sciences, University of Essex, Colchester CO4 3SQ, Essex, UK 2. Department of Zoology, University of Oxford, Oxford OX1 3PS, UK https://orcid.org/0000-0003-2636-6636 [email protected] From the symposium “From small and squishy to big and armored: Genomic, ecological and paleontological insights into the early evolution of animals”, presented at the annual meeting of the Society for Integrative and Comparative Biology, January 3–8, 2018, San Francisco, CA. Running title: The origin of the Animal Kingdom The total number of words (excluding references, tables, and figure legends): 4.668 Synopsis What makes an animal? To find the answer we need to integrate data from disciplines such as phylogenetics, palaeontology, ecology, development, anatomy and physiology, as well as molecular biology and genomics. Knowledge of which groups branched before and after the origin of animals is essential. Recent advances in molecular phylogenetics, together with the discovery of new eukaryotic lineages, have drawn a new picture of the ancestry of animals. The nature of the early diverging animal lineages and the timing of the transition are in a state of flux. Various factors have been linked to this striking transition to multicellularity, including changes in environmental conditions and the ecological interactions between unicellular eukaryotes. The current wealth of genomic data has also shed new light on this question. The analysis of the genome of various close relatives of animals has revealed the importance that recycling of ancient genes into metazoan biological functions played into animal origins. -
I Rtin Itf Sidoiimtiipj Mm Ix% M
C%H I rtin itf SiDoiiMtiipj mm iX% m DIV. 10 AMERICAN PSYCHOLOGICAL ASSOCIATION VOL. 2 (1) Involution. Creativity, and Aesthetics (.«re*jor\ I, Feist, Guest Fditor Ernst Haeckel - Kunstformen der Natur. Tafel 74: Cypnpedium (Orchideac. Venusblumen), 1904 Sir Edward Povnter - A Comer of the Villa Emile Mimicr - llcr '.'nai dian ain'cl km Sir l.iiwrcinc Mniu-Tadema f a I iii ihl\ Paradise William Alolplw Bouguereau - L'Anwur an papillon William Adolphv Bougneremt Le Coquillage Bulletin of Psychology and the Arts Vol 2 (1) Contents Evolution, Creativity, and Aesthetics - Gregory J. Feist, Guest Editor 33 Creativity as a Secondary Darwinian Process 2 Three Perspectives on Evolution, Creativity, and Aesthetics Dean Keith Simonton Gregory J. Feist 39 The Role of Creativity in the Dialectical Evolution of Ideas 3 An Evolutionary Perspective on the Nature of Art Robert J. Sternberg Nancy E. Aiken 7 Ars Brevis, Vita Longa: The Possible Evolutionary Antecedents of 44 Division 10 News Art and Aesthetics Message from the President John L. Bradshaw Sandra W. Russ 11 Natural and Sexual Selection in the Evolution of Creativity Message from the Past President Gregory J. Feist Robert J. Sternberg 16 Fit To Be Eyed: Genes, Culture and Creative Minds Charles J. Lumsden Editorial 20 Aesthetic Fitness: How Sexual Selection shaped Artistic Virtuosity Colin Martindale as a Fitness Indicator and Aesthetic Preferences as Mate Choice Criteria Div. 10 Executive Committee endorses Bob Sternberg for Goeffrey F. Miller APA President 25 An Evolutionary Perspective on Aesthetics Announcements Gordon H. Orians 30 Creativity in Art: Stylistic Waves and Monotonic Evolutionary Division 10 2001 APA Program Trends (Information Approach) Vladimir M. -
ASFIS ISSCAAP Fish List February 2007 Sorted on Scientific Name
ASFIS ISSCAAP Fish List Sorted on Scientific Name February 2007 Scientific name English Name French name Spanish Name Code Abalistes stellaris (Bloch & Schneider 1801) Starry triggerfish AJS Abbottina rivularis (Basilewsky 1855) Chinese false gudgeon ABB Ablabys binotatus (Peters 1855) Redskinfish ABW Ablennes hians (Valenciennes 1846) Flat needlefish Orphie plate Agujón sable BAF Aborichthys elongatus Hora 1921 ABE Abralia andamanika Goodrich 1898 BLK Abralia veranyi (Rüppell 1844) Verany's enope squid Encornet de Verany Enoploluria de Verany BLJ Abraliopsis pfefferi (Verany 1837) Pfeffer's enope squid Encornet de Pfeffer Enoploluria de Pfeffer BJF Abramis brama (Linnaeus 1758) Freshwater bream Brème d'eau douce Brema común FBM Abramis spp Freshwater breams nei Brèmes d'eau douce nca Bremas nep FBR Abramites eques (Steindachner 1878) ABQ Abudefduf luridus (Cuvier 1830) Canary damsel AUU Abudefduf saxatilis (Linnaeus 1758) Sergeant-major ABU Abyssobrotula galatheae Nielsen 1977 OAG Abyssocottus elochini Taliev 1955 AEZ Abythites lepidogenys (Smith & Radcliffe 1913) AHD Acanella spp Branched bamboo coral KQL Acanthacaris caeca (A. Milne Edwards 1881) Atlantic deep-sea lobster Langoustine arganelle Cigala de fondo NTK Acanthacaris tenuimana Bate 1888 Prickly deep-sea lobster Langoustine spinuleuse Cigala raspa NHI Acanthalburnus microlepis (De Filippi 1861) Blackbrow bleak AHL Acanthaphritis barbata (Okamura & Kishida 1963) NHT Acantharchus pomotis (Baird 1855) Mud sunfish AKP Acanthaxius caespitosa (Squires 1979) Deepwater mud lobster Langouste -
Protistian Diversity As Revealed by Ribosomal Barcoding Along the TARA OCEANS' Circumnavigation
The POSEIDON Project: Protistian diversity as revealed by Ribosomal Barcoding along the TARA OCEANS' circumnavigation. ● Global Presentation of The Tara ocean's circumnavigation: Frederic Mahé ● Bioinformatics analyses of Barcode data: Stéphane Audic Equipe “Evolution du Plancton et PaléOcéans”, UMR7144 “Adaptation et Diversité en Milieu Marin”, Station Biologique de Roscoff. [email protected] [email protected] Figure 2: The marine protist biodiversity gap. A. a: Total number of living phenotypically described species on Earth (N=1.7 million; from International Union for Conservation of Nature). The relatively lower numbers of unicellular (pro- and eu-karyotic) species principally reflects the history of biological science, dominated by de visu and microscopy observations since the 1600s. b: 1982 (single author) and 2007 (consortium) surveys of described protist species and their classification among the higher level protist super-groups. These censuses are highly dependant on the number (and character!) of experts working on particular groups. The 2007 picture is for instance largely skewed toward fungi and diatoms; estimation of the “real” biodiversity by the same expert consortium, based on preliminary molecular datasets and gut-feeling, reached ~18 million species. Environmental (e)-rDNA clone library based studies over the last decade, have shown that eukaryotic microbial diversity is far greater than previously catalogued. Recent group-specific PCR of shorter e-DNA fragments (which reduces classical PCR biases) have further shown that protist biodiversity remains largely undersampled even using standard molecular approaches (Fig. 3). Overall, the molecular exploration of biodiversity tends to support the hypothetical distributions shown in Ac. and B. Hypothetical number of species (a species being defined as a distinct genome/phenotype couple at a given time) of viruses, prokaryotes, and eukaryotes in relation to cell/body size.