Comparability in Evolutionary Biology: the Case of Darwin's Barnacles
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Bibliography Database of Living/Fossil Sharks, Rays and Chimaeras (Chondrichthyes: Elasmobranchii, Holocephali) Papers of the Year 2016
www.shark-references.com Version 13.01.2017 Bibliography database of living/fossil sharks, rays and chimaeras (Chondrichthyes: Elasmobranchii, Holocephali) Papers of the year 2016 published by Jürgen Pollerspöck, Benediktinerring 34, 94569 Stephansposching, Germany and Nicolas Straube, Munich, Germany ISSN: 2195-6499 copyright by the authors 1 please inform us about missing papers: [email protected] www.shark-references.com Version 13.01.2017 Abstract: This paper contains a collection of 803 citations (no conference abstracts) on topics related to extant and extinct Chondrichthyes (sharks, rays, and chimaeras) as well as a list of Chondrichthyan species and hosted parasites newly described in 2016. The list is the result of regular queries in numerous journals, books and online publications. It provides a complete list of publication citations as well as a database report containing rearranged subsets of the list sorted by the keyword statistics, extant and extinct genera and species descriptions from the years 2000 to 2016, list of descriptions of extinct and extant species from 2016, parasitology, reproduction, distribution, diet, conservation, and taxonomy. The paper is intended to be consulted for information. In addition, we provide information on the geographic and depth distribution of newly described species, i.e. the type specimens from the year 1990- 2016 in a hot spot analysis. Please note that the content of this paper has been compiled to the best of our abilities based on current knowledge and practice, however, -
Zootaxa, Pollicipes Caboverdensis Sp. Nov. (Crustacea: Cirripedia
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Portal do Conhecimento Zootaxa 2557: 29–38 (2010) ISSN 1175-5326 (print edition) www.mapress.com/zootaxa/ Article ZOOTAXA Copyright © 2010 · Magnolia Press ISSN 1175-5334 (online edition) Pollicipes caboverdensis sp. nov. (Crustacea: Cirripedia: Scalpelliformes), an intertidal barnacle from the Cape Verde Islands JOANA N. FERNANDES1, 2, 3, TERESA CRUZ1, 2 & ROBERT VAN SYOC4 1Laboratório de Ciências do Mar, Universidade de Évora, Apartado 190, 7520-903 Sines, Portugal 2Centro de Oceanografia, Faculdade de Ciências da Universidade de Lisboa, Campo Grande, 1749-016 Lisboa, Portugal 3Section of Evolution and Ecology, University of California, Davis, CA 95616, USA 4Department of Invertebrate Zoology and Geology, California Academy of Sciences, 55 Music Concourse Dr, San Francisco, CA 94118-4599, USA Abstract Recently, genetic evidence supported the existence of a new species of the genus Pollicipes from the Cape Verde Islands, previously considered a population of P. pollicipes. However, P. pollicipes was not sampled at its southern limit of distribution (Dakar, Senegal), which is geographically separated from the Cape Verde Islands by about 500 km. Herein we describe Pollicipes caboverdensis sp. nov. from the Cape Verde Islands and compare its morphology with the other three species of Pollicipes: P. pollicipes, P. elegans and P. po l y me ru s . Pollicipes pollicipes was sampled at both the middle (Portugal) and southern limit (Dakar, Senegal) of its geographical distribution. The genetic divergence among and within these two regions and Cape Verde was calculated through the analysis of partial mtDNA CO1 gene sequences. -
Arts Et Savoirs, 9 | 2018 L’Âme Cellulaire Et L’Ésotérisme Moderne De Haeckel 2
Arts et Savoirs 9 | 2018 Ernst Haeckel entre science et esthétique L’âme cellulaire et l’ésotérisme moderne de Haeckel Robert Matthias Erdbeer Traducteur : Julie Mottet et Henning Hufnagel Édition électronique URL : http://journals.openedition.org/aes/1193 DOI : 10.4000/aes.1193 ISSN : 2258-093X Éditeur Laboratoire LISAA Référence électronique Robert Matthias Erdbeer, « L’âme cellulaire et l’ésotérisme moderne de Haeckel », Arts et Savoirs [En ligne], 9 | 2018, mis en ligne le 14 mai 2018, consulté le 02 mai 2019. URL : http:// journals.openedition.org/aes/1193 ; DOI : 10.4000/aes.1193 Ce document a été généré automatiquement le 2 mai 2019. Centre de recherche LISAA (Littératures SAvoirs et Arts) L’âme cellulaire et l’ésotérisme moderne de Haeckel 1 L’âme cellulaire et l’ésotérisme moderne de Haeckel Robert Matthias Erdbeer Traduction : Julie Mottet et Henning Hufnagel NOTE DE L'AUTEUR Cet article est une version française du texte „Die ‚Erhaltung der Fühlung’. Haeckels Seelenzellen und der Stil der Esoterischen Moderne“ paru dans Lendemains. Études comparées sur la France, t. 41, n° 162-163, 2016, p. 100-123 (version en ligne : URL : http:// periodicals.narr.de/index.php/Lendemains/article/view/2939). Traduction de l’allemand par Julie Mottet et Henning Hufnagel En somme c’est le malheur du savoir de nos jours que tout vise si terriblement à la grandiloquence.1 Sören Kierkegaard, Le Concept de l’angoisse. De la science à la para-science ésotérique Arts et Savoirs, 9 | 2018 L’âme cellulaire et l’ésotérisme moderne de Haeckel 2 1 La modernité ésotérique est le pendant de « l’ère des sciences naturelles ». -
Making Art / Discovering Science Steven Shapin, Harvard University
Making Art / Discovering Science steven shapin, harvard university ere is one way that, in ordinary speech, we mark the dis- tinction between science and art. We say that scientists dis- H cover things—the relationship between the volume and pres- sure of air was discovered by Boyle; nuclear fission was discovered by Hahn, Strassmann, and Meitner; the structure of DNA was discovered by Watson and Crick. We say, however, that artists invent, compose, construct,ormake things—Mozart composed Così fan tutte; Botticelli made La Primavera; Philip Roth invented Nathan Zuckerman. In ordi- nary speech, all genuine art is made up and no genuine science is made up. Again, in ordinary speech, the difference between these catego- ries is fundamental: it’s an important way we have to distinguish science and art in the stream of culture, to assign them to different institutions, to give us confidence in our distinctions, to hold them to different standards, and to assign them to different schemes of value. The categories also mark out different kinds of relationship between the named responsible people, and what it is they are said to be re- sponsible for. And it picks out different existential standings for the © 2018 by the university of chicago. all rights reserved. know v2n2, fall 2018 This content downloaded from 206.253.207.235 on October 27, 2018 08:17:38 AM All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). know: a journal on the formation of knowledge objects of science and of art—as between things that exist indepen- dently in the world and things we bring into being through the work- ings of our creative imaginations. -
René Binet's Porte Monumentale at the 1900 Paris
Frontispiece. René Binet, Porte Monumentale for Exposition Universelle, Paris, 1900. Phototype, from Exposition Universelle, Paris 1900. Héliotypes de E. Le Deley (Paris, n.d.). (V&A Images, National Art Library, Victoria and Albert Museum). 224 A World of Things in Emergence and Growth: René Binet’s Porte Monumentale at the 1900 Paris Exposition robert proctor by 1898, René Binet had produced his final design for the Porte Monumentale of the 1900 Exposition Universelle in Paris, a building which came to symbolise the Exposition in the media, in the profusion of ephemeral literature which surrounded it, and in the public consciousness [Frontispiece; Figure 1].1 The arch was meant to be ‘a type and epitome of the Exposition itself ’, as an American commentator put it.2 The Exposition aimed to celebrate the achievements of the nineteenth century and the arrival of a new age of peace in the twentieth, under the steerage of the Third Republic. The Porte Monumentale compressed this ideological scheme into a single complex and ambivalent object. The contemporary discourse on nature provided Binet with an expressive range of symbolic forms with which to articulate such political concerns. Re-reading the Porte Monumentale through such discourse, however, produces more contradictions than certainties. While one strand of scientific enquiry maintained a rational view of life, and consequently of human society, as internally structured and constantly evolving according to understandable principles, another related strand proposed a more mystical, romantic and pseudo-religious view of nature. In Binet’s architectural adoption of natural forms, each of these views seems to have a role. -
Eduard Uhlenhuth/Anatomy Department Library
Dr. Eduard Uhlenhuth Papers Item Type Other Authors Wink, Tara Publication Date 2020-12-11 Abstract Dr. Eduard Uhlenhuth was a professor of Anatomy at the University of Maryland School of Medicine from 1925 until his retirement in 1955. In 1957 he was named professor emeritus. He was an avid book collector amassing an extensive collection of Anatom... Keywords Uhlenhuth, Eduard; Department of Anatomy; Anatomical Book Collection; Anatomy; Anatomy--education; Anatomists; University of Maryland, Baltimore; University of Maryland, Baltimore. School of Medicine; Medical education Rights Attribution-NonCommercial-ShareAlike 4.0 International Download date 28/09/2021 04:39:25 Item License http://creativecommons.org/licenses/by-nc-sa/4.0/ Link to Item http://hdl.handle.net/10713/14245 Eduard Uhlenhuth/Anatomy Department Library Title Author Date Found in Cat Notes De Medicina Aulus Cornelius Celsus 1497 Cordell Coll "On Medicine" Matthaei Curtii…In Mundini Anatomen Commentarius Elegans & Docties Mondino dei Luzzi 1551 Cordell Coll De conceptu et generatione hominis : et iis quae circa hȩc potissimum consyderantur, libri sex Jakob Rueff 1554 Cordell Coll "On Conception and Generation in Man" Gabrielis Falloppii medici Mutinensis Obseruationes anatomicae Gabriel Fallopius/Falloppio 1562 Cordell Coll Theatrum anatomicum Caspar Bauhin 1605 Cordell Coll 1st ed. De lactibus sive lacteis venis Gaspare Aselli 1627 Cordell Coll Syntagma anatomicum Johann Vesling 1647 Cordel Coll Corporis hvmani disqvisitio anatomica Nathaniel Highmore 1651 Cordell Coll -
Stalked Barnacles
*Manuscript Click here to view linked References Stalked barnacles (Cirripedia, Thoracica) from the Upper Jurassic (Tithonian) Kimmeridge Clay of Dorset, UK; palaeoecology and bearing on the evolution of living forms Andy Gale School of Earth and Environmental Sciences, University of Portsmouth, Burnaby Building, Burnaby Road, Portsmouth PO1 3QL; E-mail address: [email protected] A B S T R A C T New thoracican cirripede material from the Kimmeridge Clay (Upper Jurassic, Tithonian) is described. This includes a log, encrusted on the lower surface with hundreds of perfectly preserved, articulated specimens of Etcheslepas durotrigensis Gale, 2014, and fewer specimens of Concinnalepas costata (Withers, 1928). Some individuals are preserved in life position, hanging from the underside of the wood, and the material provides new morphological information on both species. It appears that Martillepas ovalis (Withers, 1928), which occurs at the same level (Freshwater Steps Stone Band, pectinatus Zone) attached preferentially to ammonites, whereas E. durotrigensis and C. costata used wood as a substrate for their epiplanktonic lifestyle. Two regurgitates containing abundant barnacle valves, mostly broken, and some bivalve fragments, have been found in the Kimmeridge Clay. These were produced by a fish grazing on epiplanktonic species, and are only the second example of regurgitates containing barnacle valves known from the fossil record. The evolution of modern barnacle groups is discussed in the light of the new Jurassic material as well as recently published molecular phylogenies. New clades defined herein are called the Phosphatothoracica, the Calamida and the Unilatera. Keywords Epiplanktonic barnacles Kimmeridge Clay predation 1. INTRODUCTION Amongst the most remarkable fossils collected by Steve Etches from the Kimmeridge Clay of Dorset are articulated stalked barnacles. -
DEEPFISHMAN Document 5 : Review of Parasites, Pathogens
DEEPFISHMAN Management And Monitoring Of Deep-sea Fisheries And Stocks Project number: 227390 Small or medium scale focused research action Topic: FP7-KBBE-2008-1-4-02 (Deepsea fisheries management) DEEPFISHMAN Document 5 Title: Review of parasites, pathogens and contaminants of deep sea fish with a focus on their role in population health and structure Due date: none Actual submission date: 10 June 2010 Start date of the project: April 1st, 2009 Duration : 36 months Organization Name of lead coordinator: Ifremer Dissemination Level: PU (Public) Date: 10 June 2010 Review of parasites, pathogens and contaminants of deep sea fish with a focus on their role in population health and structure. Matt Longshaw & Stephen Feist Cefas Weymouth Laboratory Barrack Road, The Nothe, Weymouth, Dorset DT4 8UB 1. Introduction This review provides a summary of the parasites, pathogens and contaminant related impacts on deep sea fish normally found at depths greater than about 200m There is a clear focus on worldwide commercial species but has an emphasis on records and reports from the north east Atlantic. In particular, the focus of species following discussion were as follows: deep-water squalid sharks (e.g. Centrophorus squamosus and Centroscymnus coelolepis), black scabbardfish (Aphanopus carbo) (except in ICES area IX – fielded by Portuguese), roundnose grenadier (Coryphaenoides rupestris), orange roughy (Hoplostethus atlanticus), blue ling (Molva dypterygia), torsk (Brosme brosme), greater silver smelt (Argentina silus), Greenland halibut (Reinhardtius hippoglossoides), deep-sea redfish (Sebastes mentella), alfonsino (Beryx spp.), red blackspot seabream (Pagellus bogaraveo). However, it should be noted that in some cases no disease or contaminant data exists for these species. -
The Art and Science of Nature in Nature Martin Kemp
study centre mellon lectures 13 April 2004 6 Processes and Structures: The Art and Science of Nature in Nature Martin Kemp The invitation to deliver a public lecture at the Canadian Centre for Architecture gives me a welcome opportunity to look back again over the regular column -- generally consisting of six-hundred-word pieces, each with one illustration -- that I have been writing in the science magazine Nature. The first two years of essays (at that point I was writing on a weekly basis) were brought together in the book Visualizations. Since then, there have been three years of monthly essays. It is good to be able to reflect on the years of writing, and to share with you some thoughts as to whether they are anything more than a series of separate, discrete essays. Each obviously had to stand on its own. However, are there motifs and undercurrents that can be drawn out of the diverse topics, which span a wide range of sciences, technologies, and visual arts from the Renaissance to today? Nature, as we know, is a very distinguished periodical. Founded in 1869, it has undergone many reincarnations, signalled by the multiple redesigns of its cover -- a process that has occurred ever more frequently as design fashions and technologies have changed at an accelerating rate. As a visual historian, one of the questions I am interested in asking is why Nature looks like it does now, and how this look relates to its past appearances. I wrote an essay in Visualizations specifically on this topic. The question as to why human-made things look like they do is a fascinating and complex matter, extending beyond the field of the history of art or even of design. -
Unprecedented Genomic Diversity of RNA Viruses In
RESEARCH ARTICLE elifesciences.org Unprecedented genomic diversity of RNA viruses in arthropods reveals the ancestry of negative-sense RNA viruses Ci-Xiu Li1,2†, Mang Shi1,2,3†, Jun-Hua Tian4†, Xian-Dan Lin5†, Yan-Jun Kang1,2†, Liang-Jun Chen1,2, Xin-Cheng Qin1,2, Jianguo Xu1,2, Edward C Holmes1,3, Yong-Zhen Zhang1,2* 1State Key Laboratory for Infectious Disease Prevention and Control, National Institute for Communicable Disease Control and Prevention, Chinese Center for Disease Control and Prevention, Beijing, China; 2Collaborative Innovation Center for Diagnosis and Treatment of Infectious Diseases, Hangzhou, China; 3Marie Bashir Institute for Infectious Diseases and Biosecurity, Charles Perkins Centre, School of Biological Sciences and Sydney Medical School, The University of Sydney, Sydney, Australia; 4Wuhan Center for Disease Control and Prevention, Wuhan, China; 5Wenzhou Center for Disease Control and Prevention, Wenzhou, China Abstract Although arthropods are important viral vectors, the biodiversity of arthropod viruses, as well as the role that arthropods have played in viral origins and evolution, is unclear. Through RNA sequencing of 70 arthropod species we discovered 112 novel viruses that appear to be ancestral to much of the documented genetic diversity of negative-sense RNA viruses, a number of which are also present as endogenous genomic copies. With this greatly enriched diversity we revealed that arthropods contain viruses that fall basal to major virus groups, including the vertebrate-specific *For correspondence: arenaviruses, filoviruses, hantaviruses, influenza viruses, lyssaviruses, and paramyxoviruses. We [email protected] similarly documented a remarkable diversity of genome structures in arthropod viruses, including †These authors contributed a putative circular form, that sheds new light on the evolution of genome organization. -
The Molecular Quest for the Origin of the Animal Kingdom
What makes an animal? The molecular quest for the origin of the Animal Kingdom Jordi Paps 1,2 1. School of Biological Sciences, University of Essex, Colchester CO4 3SQ, Essex, UK 2. Department of Zoology, University of Oxford, Oxford OX1 3PS, UK https://orcid.org/0000-0003-2636-6636 [email protected] From the symposium “From small and squishy to big and armored: Genomic, ecological and paleontological insights into the early evolution of animals”, presented at the annual meeting of the Society for Integrative and Comparative Biology, January 3–8, 2018, San Francisco, CA. Running title: The origin of the Animal Kingdom The total number of words (excluding references, tables, and figure legends): 4.668 Synopsis What makes an animal? To find the answer we need to integrate data from disciplines such as phylogenetics, palaeontology, ecology, development, anatomy and physiology, as well as molecular biology and genomics. Knowledge of which groups branched before and after the origin of animals is essential. Recent advances in molecular phylogenetics, together with the discovery of new eukaryotic lineages, have drawn a new picture of the ancestry of animals. The nature of the early diverging animal lineages and the timing of the transition are in a state of flux. Various factors have been linked to this striking transition to multicellularity, including changes in environmental conditions and the ecological interactions between unicellular eukaryotes. The current wealth of genomic data has also shed new light on this question. The analysis of the genome of various close relatives of animals has revealed the importance that recycling of ancient genes into metazoan biological functions played into animal origins. -
The Crustacean-Inspired Pokémon
Journal of Geek Studies jgeekstudies.org Pokécrustacea: the crustacean-inspired Pokémon Rafael M. Rosa, Daniel C. Cavallari & Ana L. Vera-Silva Faculdade de Filosofia, Ciências e Letras de Ribeirão Preto, Universidade de São Paulo. Ri- beirão Preto, SP, Brazil. E-mail: [email protected]; [email protected]; [email protected] Crustaceans are a large and incredi- spectable few meters of leg span (e.g., the bly diverse group of very familiar animals Japanese spider crab can reach a whopping such as crabs, lobsters, shrimps, woodlice, 3.8 m or 12.5 ft). They are quite an ancient barnacles, and their allies. As full-fledged group, ranging back to the Cambrian pe- arthropods (invertebrate animals with an riod some 511 million years ago. Some ex- exoskeleton, a segmented body, and paired isting animals are virtually identical to fos- jointed appendages), they comprise over silized forms from the Triassic, dating back 70,000 species (Brusca et al., 2016) ranging 200 million years ago. in size from a fraction of a millimeter to re- Left: Decapods, from German zoologist Ernst Haeckel’s 1904 work “Kunstformen der Natur”. Right: Pokémon inspired by real-world decapods. 97 Rosa et al. Despite being classically identified as a group of their own, recent studies have shown that Crustacea is actually a para- phyletic taxon (that is, a group of animals that doesn’t include all descendants of their common ancestor) and that some crusta- ceans are more closely related to Hexapoda (insects and their allies) than to other crus- taceans (Regier et al., 2010; Lozano-Fernan- dez et al., 2019).