EVALUATING YOUR EPROOF If You Wish to Make Changes to Your Title Metadata, Click on the See More Details Link in the Title Approval Page
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EVALUATING YOUR EPROOF If you wish to make changes to your title metadata, click on the See More Details link in the Title Approval page. You’ll then be able to edit and save changes to each section of metadata as needed. Your eproof file contains the following: • Evaluating your eProof information page • eProof hairlines information page • Full dustjacket image (if applicable) • Full cover image • Cropped front cover image (this does not appear in the printed book) • Interior content (multiple pages, in reader order), first page to be on the right-hand side (or left-hand for RTL books*) • Cropped back cover image (this does not appear in the printed book) Recommended items to consider while evaluating your eProof: • Have your latest changes been incorporated? • Is the pagination correct? • Odd numbered pages on the right/recto and even numbers on the left/verso? • RTL books*: odd numbered pages on the left/verso and even number on the right/recto? • Are the pages in the desired reading order? • Are the page items and text positioned correctly on the page? • Does your proof contain any spelling or grammatical errors or typos that need to be corrected? • Is the ISBN correct and identical on the cover as well as the copyright page? • Does the price on the cover match the price in the title metadata? Other considerations: • eProofs should not be used to evaluate color or print quality. A physical copy should be reviewed to evaluate this. • The cropping of both cover and interior is approximate and does not account for the manufacturing variance of 1/16” (2mm) • eProof file sizes are limited. Where a file is close to its limit, pages are removed from the middle of the content to reduce the file size. Where this happens, you will see a watermark appear at the bottom of each interior page confirming that pages have been removed. Note: this only appears in the eProof file and does not apply when the book is printed. Important note: ! Pending production orders cannot be released for printing until your proof approval is completed. ! It is the publisher’s responsibility to review each eProof to confirm it is accurate and does not contain errors. Lightning Source is not a publisher and as such does not review any content for accuracy, completeness or typographical errors of any kind and will print the file as approved by the publisher. Need more? Read our eproof article at https://lightningsource.zendesk.com/hc/en- us/articles/211720103-eProofs *RTL: Right to left content, also known as Reverse Bound, is content that is bound on the right-hand side and with text that reads from right to left. This format is commonly used for content written in languages that read from right to left; some examples of which are Arabic, Hebrew, Farsi and Urdu. Eproof Hairlines When reviewing eproofs and PDFs, you will often see hairlines. These thin, light colored lines are a result of a transparency fl attener used by PDF creators and will sometimes appear around text boxes and masked images. Fortunately these hairlines are only visible in your PDF and will not print when the book is produced. These lines may appear on both cover and interior fi les. PDF hairlines often appear as 2 they do in this cover example: 1 1) Around text boxes (with or without text effects) 2) Around images using transparency 3) Around objects and text using dropshadows 4) Around outlined text 3 4 RESOURCES Please note that while the above examples are most common, hairlines may also present themselves in additional ways. If you have any concerns, it’s advisable to review your native working fi les to ensure the lines aren’t present. Physical proofs are also available for review. Copyright 2001-2019 • Lightning Source • All Rights Reserved FILE CREATION GUIDE RESOURCES 10/01/19 ALL book types INTRODUCTION FILES REQUIRED FOR THE INGRAMSPARK PROGRAM CONTENT SUBMISSION NOTES & NON-SUPPORTED PROGRAMS COVER TEMPLATE GENERATOR PROOF ISBN 978-1-913166-20-5 ,!7IB9B3-bggcaf!:t;K;k;K;k Content Type: Black & White Paper Type: 50lb Creme (CREAM13_5) Page Count: 354 File type: Internal PROOF ISBN 978-1-913166-20-5 ,!7IB9B3-bggcaf!:t;K;k;K;k Content Type: Black & White Paper Type: 50lb Creme (CREAM13_5) Page Count: 354 File type: Internal PROOF KISmet Chris Calder HEDDON PUBLISHING PROOF Second edition published in 2019 by Heddon Publishing. Copyright © Chris Calder 2019, all rights reserved. No part of this book may be reproduced, adapted, stored in a retrieval system or transmitted by any means, electronic, photocopying, or otherwise without prior permission of the author. ISBN 978-1-913166-20-5 Cover design by Catherine Clarke This is a work of fiction. Names, characters, businesses, places, events and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental. Book design and layout by Katharine Smith, Heddon Publishing. www.heddonpublishing.com www.facebook.com/heddonpublishing @PublishHeddon PROOF After ten happy years in rural France, Chris Calder has returned to England. He came late to writing novels, and now has four published with two more on the way. Chris says that he tries never to forget that readers of fiction expect to be diverted and entertained. He loves feedback and always responds to emails from readers. He believes passionately that taking on board what readers want is the best way to improve what he does. PROOF PROOF This book is dedicated to the memory of Lance Callaghan, whose wise counsel, generous help and continuous encouragement fuelled and sustained my writing ambitions. He leaves a vacuum that cannot be filled. For their advice and support I am also indebted to Karen Davies, Laura Lawrie and my long-suffering spouse Joan. My grateful thanks to you all. Chris Calder PROOF PROOFChris Calder CHAPTER ONE THEY ARE GOING TO KILL ME. NO ONE WILL LISTEN. YOU MUST HELP ME. The words jumped off the page. They were crudely handwritten in block capitals, like the rest of the letter that Edmund Lafitte, Member of Parliament for Somerford was holding in his hand. It had arrived the previous day, asking for an interview. Why a letter? Surely a simple phone call would have sufficed? He read it again and that sentence stood out. A hoax? Possibly. A crank? More likely. But if it was genuine, another matter altogether. He glanced at his watch. Ten to twelve. If the man was coming, he was cutting it fine. Edmund attended his constituency office on most Saturdays, from nine until noon. The last visitor had just left. If the man did not appear in the next few minutes, the letter was probably not genuine. A soft knock on the door and his secretary Rosie entered, holding a notepad. “Has he turned up?” Edmund asked. “He’s just come in. Mr Khan.” “Do we know him?” “I don’t think he’s been before. I asked what it was about 1 PROOFKISmet but he wouldn’t say. He hardly spoke at all. Scared out of his wits, if you ask me.” “Better wheel him in.” “Right. Oh, and you’ve had two calls; Beth Stanway and Amir. They said you’re not answering your mobile. I told them you’ve mislaid it and you’d call back.” Lafitte checked his watch again and picked up his desk phone. “I’ll do that now. Can you give me five minutes, then bring Mr Khan in? Whatever he wants, I’ll have to keep it short, I’m meeting Stella for lunch.” At just under six feet tall, slim, fit and still only thirty- eight, the man who had been called the most eligible bachelor in the House of Commons was sitting at a cheap pine desk in a room at the back of the rented premises. Formerly a grocery store, the place had been vacant when he took on the lease after being elected to the House of Commons seven years earlier. Edmund lived in London but spent most weekends in Somerford with his partner Stella. Rosie asked, “Do you want me to stay on?” “No, it’s OK, you go on home, I’ll lock up.” Edmund drew forward the pad on his desk. Rosie paused at the door. “I’ve searched reception and your mobile’s definitely not there.” “OK, no sweat. It’s probably somewhere at Stella’s, or in her car.” Rosie nodded and left. Edmund decided to call Beth Stanway first. She answered immediately. “Elizabeth Stanway.” “Hello, Beth. Ed Lafitte. You OK?” “Hello Edmund, I’m fine.” She sounded breathless and stressed, the words tumbling out. “What’s the latest? In The 2 PROOFChris Calder Globe this morning it says that the situation with Peter and the other hostages may be improving. Have you heard anything from the Foreign Office?” “I haven’t, but they’re not on full staff at weekends.” “Oh.” She sounded disappointed. “Nothing new since the last meeting?” “Negotiations take time, Beth. I’m sure that if something had happened they’d have told me. But I’ll be back in Westminster on Monday. I’ll see what I can find out and get back to you.” “Surely there’s someone at the Foreign Office today who’d know if there’s any news?” “If there was, I’d have been told, I’m sure. What does it say in the paper?” “It’s about the Red Cross in Syria. It says they’re expecting some news about the hostages.” “Nothing specific, then.