Chandramukhi Full Movie in Hindi

Total Page:16

File Type:pdf, Size:1020Kb

Chandramukhi Full Movie in Hindi Chandramukhi full movie in hindi Continue This article is about the 2005 Tamil film. For the 1995 Hindi film, see Chandra Mucha. For the fictional character in Devdas, see Chandramuhi (character). 2005 film. Vasu ChandramuhiTheatrical poster releaseDirector. VasuProducedRamkumar GanesanPrabhuScreenplay byP. Vasu Relys onManichitrathahajubi Madhu MuttamTarringRainicAnthuGioticaJuDivel NayantaharaMusik byVidyasagarSinematographySehar B. JosephEd bySuresh UrsProductioncompany Sivaji ProductionsRelease Date April 14, 2005 (2005-04-14) Duration ₹164 minutes (transl. moon face beauty) is a 2005 Indian Tamil-language horror comedy film written and directed. Vasu, and was prepared and distributed by Ramkumar Ganesan of Sivaji Productions. The film stars Rajinikanth, Prabhu, Jiotica, Vadivelu and Nayantara, who lead an ensemble that includes Nassar, Shila, Vijayakumar, Vinaya Prasad, Sonu Sud, Suvarna Matthew, Vinet, Malawika and K. R. Vijaya. This is a remake of Vasu's Aptamitra (2004), which in itself is a remake of the Malialam film Manichitatu (1993). The soundtrack and background score were written by Vidyasagar. The cameraman was Sehar W. Joseph, and the editor was Suresh Urs. Chandramuhi's story revolves around a woman who suffers from dissociative identity disorder that affects the family, and a psychiatrist who intends to solve the case, risking his life. The film was shot with a budget of ₹ 190 million dollars. The main photograph began on 24 October 2004 and was completed in March 2005. It was released on April 14, 2005 on the eve of the Tamil New Year. The film was a major box office success; it was the longest-running South Indian film, with a theatrical run of 890 days until its record was overtaken by the film Telugu Magadheera (2009), which completed a theatrical run of 1000 days. The film won five Tamil Nadu State Awards, four FilmMen's Association awards and two Filmfare Awards. Jyothika and Vadivelu were awarded the Kalaimamani Award for their work on the film. Chandramuhi was named in Telugu and was simultaneously released with the same name as the Tamil version. It was also named and released in Bhojpuri under the name Chandramuhi Ke Hongkaar. It was the first Tamil film to be named in German. It was released in Germany under the name Der Geisterj'ger (English: Ghostbusters). The film was also duplicated in Turkish. Chandramuhi was named in Hindi and released on February 29, 2008 by Dilip Dhanwani, owner of the Royal Film Company. The Hindi version was released in collaboration with producer A. M. Ratnam. Plot Saravanan, a psychiatrist, meets with his friend Senthilnathan Senthil, and his wife Ganga while on vacation. Senthil Casturi's mother wanted Sentil to marry Prie, his father's cousin Kandaswami to reunite the two branches of the family after 30 years of separation, because Senthil's father decided to marry Kasturi instead of Kandaswami's sister, Ahilandeshwari, who is also his cousin. Saravanan learns that Senthil bought the Vetteapuram mansion, despite attempts by local village elders to dissuade them, and moved in with them. Ahilandeshwari is jealous of Saravanan and plans to kill him with the help of his assistant Oomayan. When the family visits their ancestral temple, the high priest reveals the reason why everyone is afraid of the mansion. 150 years ago, a king named Vettayian went to Vizianagaram in Andhra Pradesh, where he met and fell in love with a dancer named Chandramuhi. However, she did not reciprocate his feelings, as she was already in love with another dancer named Gunasecaran. As a result, Vettayan forcibly took her to his palace. Unknown to him Chandramuhi forced Gunasekaran to stay in the next house and secretly met him. When Wettayan discovered this, he decapitated Gunasecaran on Durgashtam and burned Chandramuhi alive. As a result, the ghost of Chandramuhi tried to take revenge on Vettayan, who with the help of various priests and sorcerers from all over the country tamed the ghost, locking him in a room located in the southwest corner of the palace. Priya is in love with Viswanathan, a dance professor who reciprocates her feelings. Their love is supported by Saravanan, who asks Kandaswami to arrange their marriage. Hearing the story of Chandramuhi, Ganga, who believes that the story was fabricated to scare thieves from stealing treasures in the room, wants to go there. She receives the key from the room of the gardener Durga's granddaughter and opens the door to the room. Saravanan later receives an email to visit the patient. Saravanan assures Sentil to call him if anything happens. Subsequently, strange things begin to happen in the house: the ghost scares people in the house, things inexplicably break down, and the sari Gangi lights up. Suspicion turns in Durga's direction. Sentil immediately calls Saravanan to solve the case. As soon as Saravanan returns, the mysterious creature tries to kill Prie. Saravanan is also investigating other incidents, such as attempts to kill Sentil made by poisoning his coffee and shoving an aquarium at him, as well as a mysterious voice singing at night. Ganga mysteriously disappears during the engagement of Prie and Viswanathan. Saravanan notices her absence and searches for her, but she is attacked by Omayan, sent by Ahilandeshwari. Saravanan conquers Oomayan and with the help of Sentila finds Ganga, who is allegedly sexually harassed by Viswanathan. Saravanan shows Senthilu and Viswanathan that Ganga suffers from a forked personality disorder. Sarawanan tells them that the Ganga who turned into Chandramuhi was trying to Priya and Senthil, and framed Viswanathan for sexual harassment, because, from Chandramuha's point of view, Viswanathan is her lover Gunasekaran, as he remains in the same place as Gunasekaran. Framing Viswanathan and framing Durga through possession, Chandramuhi planned to end the engagement. The only way to stop Chandramuhi is to make her believe that she has killed Vettayan in Durgashtam since Saravanan pretended to be Vettayan and plucked one of the pujas led by exorcist Ramachandra Acharya, talking to Chandramuha to find out his wish. Before drawing out his plan, Saravanan asks the Sentinel to summon the Ganges to see for herself whether she is turning into Chandramuhi or not. When Senthil does this, she turns into Chandramuhi, which shocks him. Concerned Sentil shouts at the Ganges, turning it back to normal. Ahilandeshwari eavesdrops on Saravanan's idea of self-sacrifice and apologizes to him. At Durgashtam, in the dance hall, the family and Ramachandra Acharya allow Chandramuhi to burn Sarawanan alive. Ramachandra Acharya then blows smoke and ashes on the Ganges' face when she is given a torch to burn Saravanan. Sentil then opens the hatch to allow Saravanan to escape, and instead burns a effigy of Vettayan. Convinced that Vettayian is dead, Chandramuhi leaves ganga's body, treats her. Two families reunite after 30 years, Saravanan and Durga fall in love, and the couple Swarna and Murugesan become parents after eight years of marriage. Starring Rajinikanth as Dr. Sarawanan and Vettayan Raja Prabhu as Senthilnathan Jyothika as Chandramuhi and Ganga Senthilnathan Vadivelu as Murugusan Nayantara as Durga Nassar, as Kandaswamy Vineeth as Viswanathan and Gunasekaran Viakujamar, as Durga's grandfather R. Vijaya as Casturi Avinash as Ramachandra Acharya Suvarna Matthew as Swarna Murugesan Malawika as Priya Viswanathan Vinaya Prasad as Lakshmi Kandaswami Manobala as fake exorcist Soku Suda as Oomayan Thiagu as Kumar Moha as a car owner T. Gajendran as an assistant to Senthilnatan Sudha Rani as the mother of Ganga Sujibala as the youngest daughter of Kandalassami Unnikrishnan Nambulatiri as a temple priest (not listed) Sivaji Ganesan as the father of Senthilnatan (not listed in the credits, only photo shown) Director. Vasu, producer Ramkumar Ganesan and Raj Bahadur perform guest performances in the song Devuda Devuda. Four weeks ago, four weeks ago, Rajiniquant called me on a Sunday afternoon and asked me what I was doing. I told him that I had a lot of biryani and I spend time with my sons! He laughed in his stylish way and then asked if I was doing any new production. I told him that we are thinking of making a Hindi movie with Rajkumar Santoshi in March. We're also doing the Telugu series, which my cousins look after. I was completely free at the time. Then he asked me: Are we making a movie, Rama? It was a pleasant surprise. On Sunday afternoon, after a heavy lunch, this offer from Rajnikanth was like a superb dessert! I said, I'm very happy, sir. He told me he'd heard the subject, and we'd make a movie about it. - Ramkumar Ganesan on how Chandramuhi developed, in October 2004 during the successful meeting of Mannan (1992), Rajinikanth announced that he would star in the 50th film Sivaji Productions, which will eventually become Chandramuhi. In September 2004, Rajinicant congratulated him. Vasu with the success of his film Aptamicra (2004) and was impressed with the script of the film. Vasu then asked to remake the film in Tamil with Rajinikanth, who in turn called Ramkumar Ganesan and asked him to shoot it under the banner of Ramkumar, Sivaji Productions. Ramkumar called Vas, who was worshipping in the Guruwayor temple at the time, informing him of Rajinicanant's desire to make Aptamitra in Tamil under his leadership. Vasu reworked the script he wrote for Apthamitra to match Rajininicant's acting style. The film focused on the concept of dissociative identity disorder, commonly known as multiple personality disorder (MPD) or personality disorder. Another film, Annyan (2005), in which Vikram starred and was released two months after Chandramuha, was also based on the same mess. Tota Tarani was the film's art director and also designed the costumes used in the film. As for the design of the Palace of Vettayapuram, he watched both Apthamitra and his source Malayalam film Manichitrathazhu (1993) to get the main idea of the plot of the film.
Recommended publications
  • Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
    University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films.
    [Show full text]
  • Unni Menon…. Is Basically a Malayalam Film Playback Singer
    “FIRST ICSI-SIRC CSBF MUSICAL NITE” 11.11.2012 Sunday 6.05 p.m Kamarajar Arangam A/C Chennai In Association With Celebrity Singers . UNNI MENON . SRINIVAS . ANOORADA SRIRAM . MALATHY LAKSHMAN . MICHAEL AUGUSTINE Orchestra by THE VISION AND MISSION OF ICSI Vision : "To be a global leader in promoting Good Corporate Governance” Mission : "To develop high calibre professionals facilitating good Corporate Governance" The Institute The Institute of Company Secretaries of India(ICSI) is constituted under an Act of Parliament i.e. the Company Secretaries Act, 1980 (Act No. 56 of 1980). ICSI is the only recognized professional body in India to develop and regulate the profession of Company Secretaries in India. The Institute of Company Secretaries of India(ICSI) has on its rolls 25,132 members including 4,434 members holding certificate of the practice. The number of current students is over 2,30,000. The Institute of company Secretaries of India (ICSI) has its headquarters at New Delhi and four regional offices at New Delhi, Chennai, Kolkata and Mumbai and 68 Chapters in India. The ICSI has emerged as a premier professional body developing professionals specializing in Corporate Governance. Members of the Institute are rendering valuable services to the Government, Regulatory `bodies, Trade, Commerce, Industry and society at large. Objective of the Fund Financial Assistance in the event of Death of a member of CBSF Upto the age of 60 years • Upto Rs.3,00,000 in deserving cases on receipt of request subject to the Guidelines approved by the Managing
    [Show full text]
  • Redirected from Films Considered the Greatest Ever) Page Semi-Protected This List Needs Additional Citations for Verification
    List of films considered the best From Wikipedia, the free encyclopedia (Redirected from Films considered the greatest ever) Page semi-protected This list needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be chall enged and removed. (November 2008) While there is no general agreement upon the greatest film, many publications an d organizations have tried to determine the films considered the best. Each film listed here has been mentioned in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources focus on American films or we re polls of English-speaking film-goers, but those considered the greatest withi n their respective countries are also included here. Many films are widely consi dered among the best ever made, whether they appear at number one on each list o r not. For example, many believe that Orson Welles' Citizen Kane is the best mov ie ever made, and it appears as #1 on AFI's Best Movies list, whereas The Shawsh ank Redemption is #1 on the IMDB Top 250, whilst Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. None of the surveys that produced these citations should be viewed as a scientif ic measure of the film-watching world. Each may suffer the effects of vote stack ing or skewed demographics. Internet-based surveys have a self-selected audience of unknown participants. The methodology of some surveys may be questionable. S ometimes (as in the case of the American Film Institute) voters were asked to se lect films from a limited list of entries.
    [Show full text]
  • National Disaster Management Authority (NDMA) 15-16 09
    Directory of Institutions and Resource Persons in Disaster Management Towards a disaster free India NATIONAL INSTITUTE OF DISASTER MANAGEMENT (Ministry of Home Affairs, Govt. of India) 5B - I.P. Estate Mahatma Gandhi Marg, New Delhi-110002 (India) Tel. 011-23702432, 23705583, 23766145, Fax : 011-23702442, 23702446 Website : www.nidm.gov.in Directory of Institutions and Resource Persons in Disaster Management Compiled & Edited By Dr. Satendra Dr. A.D. Kaushik Shri Rajinder Pall Sharma NIDM, New Delhi Ms. Megha Kohli Published by NIDM New Delhi Editions: First, 2012 Second, 2014 © Copyright NIDM, New Delhi www.nidm.net This document may be freely reviewed, reproduced or translated, in part or whole, purely on non-profit basis. We welcome receiving information and suggestions on its adaptation or use in actual training situations. Designing & Printing Salasar Imaging System Lusg yrk dqekj Hkkjr ljdkj lfpo (lhek izca/u) GOVERNMENT OF INDIA Sneh Lata Kumar Secretary (BM) x`g ea=kky; MINISTRY OF HOME AFFAIRS ukFkZ CykWd] ubZ fnYyh&110001 NORTH BLOCK (R. NO.124), ubZ fnYyh / NEW DELHI nwjHkk"k / TEL : 011 – 2309 2440 iQSDl / FAX: 011 – 2309 2717 FOREWORD Disasters have been mankind's constant companion since the times immemorial. Natural disasters continue to strike without notice and are perceived to be on the increase in their magnitude, complexity, frequency and economic impact. Worldwide, 90% of the natural disasters and 95% of the total disaster-related deaths occur only in the developing countries. In these countries, the problems of disaster management are unique due to the seemingly competing needs between the basic necessities for people and economic progress.
    [Show full text]
  • List of Films Considered the Best
    Create account Log in Article Talk Read View source View history Search List of films considered the best From Wikipedia, the free encyclopedia Main page This list needs additional citations for verification. Please Contents help improve this article by adding citations to reliable sources. Featured content Current events Unsourced material may be challenged and removed. (November Random article 2008) Donate to Wikipedia Wikimedia Shop While there is no general agreement upon the greatest film, many publications and organizations have tried to determine the films considered the best. Each film listed here has been mentioned Interaction in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources Help About Wikipedia focus on American films or were polls of English-speaking film-goers, but those considered the Community portal greatest within their respective countries are also included here. Many films are widely considered Recent changes among the best ever made, whether they appear at number one on each list or not. For example, Contact page many believe that Orson Welles' Citizen Kane is the best movie ever made, and it appears as #1 Tools on AFI's Best Movies list, whereas The Shawshank Redemption is #1 on the IMDB Top 250, whilst What links here Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. Related changes None of the surveys that produced these citations should be viewed as a scientific measure of the Upload file Special pages film-watching world. Each may suffer the effects of vote stacking or skewed demographics.
    [Show full text]
  • CII-ITC Sustainability Awards 2008 Chemplast Sanmar Gets Recognition in the Large Business Category Awards
    1 Sanmar Holdings Limited Sanmar Chemicals Corporation Sanmar Engineering Corporation Chemplast Sanmar Limited BS&B Safety Systems (India) Limited PVC Flowserve Sanmar Limited Chlorochemicals Sanmar Engineering Services Limited Trubore Piping Systems Fisher Sanmar Limited TCI Sanmar Chemicals LLC (Egypt) Regulator Valves Tyco Sanmar Limited Sanmar Metals Corporation Xomox Sanmar Limited Sanmar Foundries Limited Pacific Valves Division Sand Foundry Investment Foundry Sanmar Speciality Chemicals Limited Machine Shop ProCitius Research Matrix Metals LLC Intec Polymers Keokuk Steel Castings Company (USA) Performance Chemicals Richmond Foundry Company (USA) Bangalore Genei Acerlan Foundry (Mexico) Cabot Sanmar Limited NEPCO International (USA) Sanmar Ferrotech Limited Eisenwerk Erla GmBH (Germany) Sanmar Shipping Limited The Sanmar Group 9, Cathedral Road, Chennai 600 086. Tel.: + 91 44 2812 8500 Fax: + 91 44 2811 1902 2 In this issue... Momentous Moments MNC Flying to the Moon 4 MNC Celebrates 19th Anniversary 28 5th National Workshop on Early Intervention for Cover Story Mental Retardation 29 Sanmar’s Egyptian Sojourn 8 Social Responsibility Guest Column India’s Environment Ambassador Bata by Choice -Thomas G Bata 12 Voyages to the Arctic 30 A New Financial World Order - Arvind Subramanian 15 CII-Tsunami Rehabilitation Scorecard 32 Celebrating Art Chemplast Sanmar Distributes Rice in Hurricane- ravaged Villages in Cuddalore & Karaikal 34 Strumming to Spanish Music 19 Renovation of Park at Karaikal 35 Sruti Magazine Celebrates Silver Jubilee 20 The First Mrs Madhuram Narayanan Endowment Lecture 36 Pristine Settings Around Sanmar 22 Events Awards Sanmar Stands Tall 37 Flowserve Sanmar’s Training Centre 24 Trubore Dealers’ Meet 25 Legends from the South The 9th AIMA-Sanmar National Management Quiz 26 Padmini 42 Matrix can be viewed at www.sanmargroup.com Designed and edited by Kalamkriya Limited, 9, Cathedral Road, Chennai 600 086.
    [Show full text]
  • Arizona State University Commencement and Convocation Program
    TE TA UN S E ST TH AT I F E V A O O E L F A DITAT DEUS N A E R R S I O Z T S O A N Z E I A R I T G R Y A 1912 1885 ARIZONA STATE UNIVERSITY COMMENCEMENT AND CONVOCATION PROGRAM Spring 2015 May 11–16, 2015 THE NATIONAL ANTHEM THE STAR SPANGLED BANNER O say can you see, by the dawn’s early light, What so proudly we hailed at the twilight’s last gleaming? Whose broad stripes and bright stars through the perilous fight O’er the ramparts we watched, were so gallantly streaming? And the rockets’ red glare, the bombs bursting in air Gave proof through the night that our flag was still there. O say does that Star-Spangled Banner yet wave O’er the land of the free and the home of the brave? ALMA MATER ARIZONA STATE UNIVERSITY Where the bold saguaros Raise their arms on high, Praying strength for brave tomorrows From the western sky; Where eternal mountains Kneel at sunset’s gate, Here we hail thee, Alma Mater, Arizona State. —Hopkins-Dresskell MAROON AND GOLD Fight, Devils down the field Fight with your might and don’t ever yield Long may our colors outshine all others Echo from the buttes, Give em’ hell Devils! Cheer, cheer for A-S-U! Fight for the old Maroon For it’s Hail! Hail! The gang’s all here And it’s onward to victory! Students whose names appear in this program are candidates for the degrees listed, which will be conferred subject to completion of requirements.
    [Show full text]
  • Unpaid Dividend Data for the Year 2007-08
    NDTV - UNPAID DIVIDEND DATA FOR THE YEAR 2007-08 First Name Middle Name Last Name Father/Husba Father/Husba Father/Husba Address Country State District PINCode Folio Number of Investment Type Amount Proposed Date nd First Name nd Middle nd Last Name Securities Due(in Rs.) of transfer to Name IEPF (DD-MON- YYYY) JAIDEEP ANIL BHANDARKAR NA M A 2/1, APPTS GD, GARDEN ESTATE, GURGAON INDIA Haryana Gurgaon NDT040999 Amount for unclaimed and unpaid dividend 3000.00 27-NOV-2015 M 7 AKARSHAN BHAWAN 23 ANSARI ROAD GAURI SHANKER GOYAL NA DARYAGANJ NEW DELHI INDIA DELHI NEW DELHI 110002 NDT950201 Amount for unclaimed and unpaid dividend 1.00 27-NOV-2015 MANJU BHARGAVA NEERAJ BHARGAVA 2226 MASJID KHAZOOR DHARMPURA DELHI INDIA DELHI NEW DELHI 110006 NDT040135 Amount for unclaimed and unpaid dividend 1.00 27-NOV-2015 MANJU BHARGAVA NEERAJ BHARGAVA 2226 MASJID KHAZWR DHARM PURA DELHI INDIA DELHI NEW DELHI 110006 NDT040351 Amount for unclaimed and unpaid dividend 1.00 27-NOV-2015 MANJU BHARGAVA NEERAJ BHARGAVA 2226 MASJID KHAZWR DHARM PURA DELHI INDIA DELHI NEW DELHI 110006 NDT040352 Amount for unclaimed and unpaid dividend 1.00 27-NOV-2015 MANJU BHARGAVA NEERAJ BHARGAVA 2226 MASJID KHAZWR DHARM PURA DELHI INDIA DELHI NEW DELHI 110006 NDT040353 Amount for unclaimed and unpaid dividend 1.00 27-NOV-2015 ATUL KUMAR JAIN NA 511 512 HAIDER KULI CHANDNI CHOWK DELHI INDIA DELHI NEW DELHI 110006 NDT950049 Amount for unclaimed and unpaid dividend 1.00 27-NOV-2015 ARUN KUMAR JAIN NA 511-512 HAIDER KULI CHANDNI CHOWK DELHI INDIA DELHI NEW DELHI 110006 NDT950050
    [Show full text]
  • Applications Received During 1 to 31 January, 2020
    Applications received during 1 to 31 January, 2020 The publication is a list of applications received during 1 to 31 January, 2020. The said publication may be treated as a notice to every person who claims or has any interest in the subject matter of Copyright or disputes the rights of the applicant to it under Rule 70 (9) of Copyright Rules, 2013. Objections, if any, may be made in writing to copyright office by post or e-mail within 30 days of the publication. Even after issue of this notice, if no work/documents are received within 30 days, it would be assumed that the applicant has no work / document to submit and as such, the application would be treated as abandoned, without further notice, with a liberty to apply afresh. S.No. Diary No. Date Title of Work Category Applicant 1 1/2020-CO/L 01/01/2020 TAGORE-2 Literary/ Dramatic RANGANATHA.Y.C SHRI BHRIGUSANHITA 2 10/2020-CO/L 01/01/2020 NASHTAJANMANG Literary/ Dramatic DR. GHANSHYAM CHANDRA UPADHYAY VIDHAN SHRI BHRIGUSANHITA 3 11/2020-CO/L 01/01/2020 Literary/ Dramatic DR. GHANSHYAM CHANDRA UPADHYAY STRIPHALIT PRAKARAN KNOWLEDGE 4 12/2020-CO/L 01/01/2020 MANAGEMENT MODEL Literary/ Dramatic DR.AVINASH SHIVAJI KHAIRNAR FOR THE MSME SHRI BHRIGUSANHITA 5 13/2020-CO/L 01/01/2020 PHALIT PRASANG Literary/ Dramatic DR. GHANSHYAM CHANDRA UPADHYAY DWITIYA PRABHAG SHRI BHRIGUSANHITA 6 14/2020-CO/L 01/01/2020 PHALIT PRASANG Literary/ Dramatic DR. GHANSHYAM CHANDRA UPADHYAY TRITIYA PRABHAG SHRI BHRIGUSANHITA 7 15/2020-CO/L 01/01/2020 Literary/ Dramatic DR.
    [Show full text]
  • Hinduja Foundation Corporate Responsibility Newsletter 2020
    For the latest updates, click to follow us on Hinduja Foundation @hindujafoundation NEWSLETTER, June 2020 OUR FOUNDER HUDDLE AT OUR HQ, MARCH 3, 2020 L to R, seated: Niyati Sareen, Hinduja Foundation; Paul Abraham, Hinduja Foundation; Sasi Kumar, Ashok Leyland; Dr Avinash Supe, Hinduja Hospital, Khar L to R, standing: Manish Thirumalpad, Hinduja Global Services; Adwait Hebbar, IndusInd Bank; Rajdeep Rudra, IndusInd Media; Shilpa Harsh, Hinduja Global Services; GV Subramanyam, Hinduja Renewables; Srinivas Reddy, IndusInd-Bharat Financial Inclusion Limited; Dr Ashish Bondia, Hinduja Foundation; VA Durai, Hinduja Power; Joy Chakraborthy, PD Hinduja Hospital; Freddy Martis, Hinduja Foundation; Anju Palani, Hinduja Tech; Rajshri Mehta, Hinduja Group “I WORK SO I CAN GIVE” FROM OUR PRESIDENT ~ Parmanand Deepchand Hinduja lived unsustainably. We have forgotten that this world is a community of citizens at its core, regardless of the Our Focus Areas boundaries of geography and history imposed on us. We need to protect Together, our projects deliver on and preserve our natural resources all 17 of the UN’s Sustainable because they are the essence of life. Development Goals (SDG) We need to develop a new paradigm in education because the knowledge WATER imparted by our current methods has Creating surplus obviously failed us and hasn’t taught for companies and RURAL communities us to understand and prioritise the DEVELOPMENT real issues confronting the planet. 1 Making measurable, The healthcare challenges facing sustainable impact 2 EDUCATION countries today is unprecendented, starkly exposing the fragility of our Strengthening educators, delivering We at the Foundation have been busy infrastructure, social responses and HEALTH results these past few months trying to do our planning mechanisms.
    [Show full text]
  • (Ìž'í'ˆìœ¼ë¡Œ) ˪…˶€ : ̦​ʲ¨ Ì°¾Ê¸°Ì—​͈¬Í'œ
    P. Vasu ì˜í​ ™” 명부 (작품으로) Sethupathi IPS https://ko.listvote.com/lists/film/movies/sethupathi-ips-3644978/actors Pillaikkaga https://ko.listvote.com/lists/film/movies/pillaikkaga-12932045/actors Kathanayakudu https://ko.listvote.com/lists/film/movies/kathanayakudu-16250236/actors Malabar Police https://ko.listvote.com/lists/film/movies/malabar-police-6740755/actors Rickshaw Mama https://ko.listvote.com/lists/film/movies/rickshaw-mama-7332000/actors Udan Pirappu https://ko.listvote.com/lists/film/movies/udan-pirappu-16254909/actors Mr. Madras https://ko.listvote.com/lists/film/movies/mr.-madras-15246345/actors Puli Vesham https://ko.listvote.com/lists/film/movies/puli-vesham-7259315/actors Jeevana Jyothi https://ko.listvote.com/lists/film/movies/jeevana-jyothi-18126259/actors En Thangachi Padichava https://ko.listvote.com/lists/film/movies/en-thangachi-padichava-16248239/actors Seenu https://ko.listvote.com/lists/film/movies/seenu-7445924/actors Ponnu Veetukkaran https://ko.listvote.com/lists/film/movies/ponnu-veetukkaran-7227926/actors Sadhu https://ko.listvote.com/lists/film/movies/sadhu-7397863/actors Vanna Thamizh Pattu https://ko.listvote.com/lists/film/movies/vanna-thamizh-pattu-12988732/actors Asathal https://ko.listvote.com/lists/film/movies/asathal-4803654/actors Kadhal Kisu Kisu https://ko.listvote.com/lists/film/movies/kadhal-kisu-kisu-16852113/actors Vaimaye Vellum https://ko.listvote.com/lists/film/movies/vaimaye-vellum-17075827/actors Adhikari https://ko.listvote.com/lists/film/movies/adhikari-12913438/actors Senthamizh
    [Show full text]
  • Bharathanatyam Dancers in Olden Day Cinema
    S.B.ABARNA. International Journal of Engineering Research and Applications www.ijera.com ISSN: 2248-9622, Vol. 10, Issue 6, (Series-VI) June 2020, pp. 01-03 RESEARCH ARTICLE OPEN ACCESS Bharathanatyam Dancers in Olden Day Cinema S.B.ABARNA1, Dr. SUJATHA MOHAN2 1Research Scholar Department of music and fine arts,Vels University Vistas, Chennai-600117 2RESEARCH GUIDE: Department of music and fine arts,Vels University, Vistas,Chennai-60017 ABSTRACT: Bharathanatyam is the dance form practiced in Tamil Nadu. A reference to dance in Tamil texts goes back about2000 year ago to the period of sangam literature. Bharathanatyam was earlier performed by the Devadasis and Rajadasis, who performed in the temple and court respectively. Tanjorequartets who were supported by Maratha king, crafted the repertoire known as Margam. The Margam forms the basis of the bharatanatyam performance former even today.In film industry olden film also enlighten with all types of abhinaya. Many famous dancers are success in film industry andgot popularity as well. Few examples are Travancore sisters, Vyjayanthimala, Kumari Kamala, L.Vijayalakshmi, VenniraAadai Nirmala, M.K.Saroja, E.V Saroja ,Rajasulochana, HemaMalini are dancers who got popularity and success in film industry. KEYWORDS: Abhinaya, Bharathanatyam, Cinema, Dancers, Gurus. ----------------------------------------------------------------------------------------------------------------------------- ---------- Date of Submission: 07-06-2020 Date of Acceptance: 23-06-2020 ----------------------------------------------------------------------------------------------------------------------------- ---------- I. INTRODUCTION: convenient medium for people to understand such Bharathanatyam is a major form of Indian themes. Among the forms of classical dance classical dance that originated in the State of Tamil prevalent in India, bharathanatyam occupies pre- Nadu. It is one of eight forms of dance recognized eminent position.
    [Show full text]