DOCSLIB.ORG

Control, Cultural Production and Consumption

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

LP_inlaga.book Page 1 Tuesday, December 11, 2007 10:02 AM Control, Cultural Production and Consumption 1 LP_inlaga.book Page 2 Tuesday, December 11, 2007 10:02 AM EFI Mission EFI, the Economic Research Institute at the Stockholm School of Economics, is a scientific institution that works independently of economic, political and sectional interests. It con- ducts theoretical and empirical research in the management and economic sciences, includ- ing selected related disciplines. The Institute encourages and assists in the publication and distribution of its research findings and is also involved in the doctoral education at the Stock- holm School of Economics. At EFI, the researchers select their projects based on the need for theoretical or practical development of a research domain, on their methodological interests, and on the generality of a problem. Research Organization The research activities at the Institute are organized into 21 Research Centres. Centre Directors are professors at the Stockholm School of Economics. EFI Research Centre: Centre Director: Management and Organisation (A) Sven-Erik Sjöstrand Centre for Entrepreneurship and Business Creation (E) Carin Holmquist Public Management (F) Nils Brunsson Information Management (I) Mats Lundeberg Centre for People and Organization (PMO) Andreas Werr (acting) Centre for Innovation and Operations Management (T) Pär Åhlström Centre for Media and Economic Psychology (P) Guje Sevón Centre for Consumer Marketing (CCM) Magnus Söderlund Centre for Information and Communication Research (CIC) Per Andersson (acting) Marketing, Distribution and Industrial Dynamics (D) Björn Axelsson Centre for Strategy and Competitiveness (CSC) Örjan Sölvell Centre for Business and Economic History (BEH) Håkan Lindgren Accounting and Managerial Finance (B) Johnny Lind Centre for Financial Analysis and Managerial Economics in Kenth Skogsvik Accounting (BFAC) Finance (FI) Clas Bergström Centre for Health Economics (CHE) Magnus Johannesson International Economics and Geography (IEG) Mats Lundahl Economics (S) Paul Segerstrom Economic Statistics (ES) Anders Westlund Law (RV) Johnny Herre Centre for Tax Law (SR) Bertil Wiman Chair of the Board: Professor Carin Holmquist Director: Associate Professor Filip Wijkström Address EFI, Box 6501, SE-113 83 Stockholm, Sweden • Website: www.hhs.se/efi/ Telephone: +46(0)8-736 90 00 • Fax: +46(0)8-31 62 70 • E-mail [email protected] 2 LP_inlaga.book Page 3 Tuesday, December 11, 2007 10:02 AM Control, Cultural Production and Consumption Theoretical Perspectives, Empirical Dilemmas, and Swedish Music Industry Practices Linda Portnoff 3 LP_inlaga.book Page 4 Tuesday, December 11, 2007 10:02 AM Dissertation for the Degree of Doctor of Philosophy, Ph.D. Stockholm School of Economics, 2007 Keywords: Cultural production and consumption, Popular music industry, Manage- ment control, Financial control, Social controls, Gemeinschaft and Gesellschaft, Social constructionism, Bourdieu, Commodification, Commercial sociability, Award-and-list culture, Pseudo-Gemeinschaft Control, Cultural Production and Consumption © 2007 Linda Portnoff and EFI ISBN 978-91-7258-742-7 Produced by: eddy.se ab, Visby 2007 Printed by: Elanders, Vällingby 2007 Distributed by: The Economic Research Institute (EFI) Stockholm School of Economics Box 6501, SE-113 83 Stockholm, Sweden Internet: www.hhs.se/efi/ The duplication of the content of this book, whether in whole or in part, without the consent of EFI, is prohibited pursuant to the Copyright Act (1960:729). The prohibition applies to every form of duplication such as printing, copying, recording, etc. 4 LP_inlaga.book Page 5 Tuesday, December 11, 2007 10:02 AM PREFACE The world is full of complex connections, some of which may be explained and understood, some of which are harder to perceive, yet others that are too complicated or even impossible to talk about. Certain dimensions of life are most plainly communicated and com- prehended through aesthetic experiences. This is why art plays an important role in our human existence. To speak for myself, life would be poorer, more boring, and more difficult to appreciate without a cultural water hole able of providing a particular consola- tion outside of work and social life. This dissertation originates from an interest in two rather separate matters; in the role of culture and the significance of music, and in structures and processes of control in society. I am fortunate to be able to satisfy a curiosity regarding both these matters, on one hand as a practicing musician, and on the other hand as a doctoral stu- dent in The Department of Accounting and Commercial law at the Stockholm School of Economics. Being able to cogitate on the role and status of culture and economy in society from a musician’s perspective, as well as from a business administration viewpoint, puts me in a unique position to explore the development of social and economic relationships and their inextricable linkages to the development of control mechanisms in the Swedish popular music industry, which this book is all about. In this prelude I want to take the opportunity to express some acknowl- edgments. 5 LP_inlaga.book Page 6 Tuesday, December 11, 2007 10:02 AM Despite the numerous obstacles I have stumbled across in this dis- sertation project, it has been a privilege and a great pleasure to do research and write a book about a topic that has genuinely inter- ested me. I am grateful to my primary supervisor Professor Lars Öst- man for making this possible. Several years ago, Lars and I entered into a conversation about scientific and intellectual matters that soon extended to questions about music in particular and life in general. I want to express my enjoyment of our discussions and my appreciation especially for the humanistic sides of your personality Lars, which these talks revealed. I also want to thank the other three professors of the supervising committee; Johnny Lind, Trevor Hop- per, and Sven-Erik Sjöstrand for much appreciated guidance and feedback on my work. I am happy that Professor Hopper encouraged me to go spend some time at The University of New South Wales in Australia, and I want to thank Professor Wai Fong Chua and the rest of the staff at the School of Accounting for making my visit productive and fun. I especially want to thank Christina Boedker, Habib Mahama, Mandy Chong, Paul Andon, Nicole Ang, and Sean Bedard at UNSW, and Chris Poullaos and Jane Baxter at The University of Sydney, for giv- ing valuable feed-back on my theoretical chapters at a seminar in Sydney in May 2006. I also want to thank Richard Seymour at The University of Sydney for inspiring discussions on the differences and similarities between phenomenological and social constructionist approaches to research. Recognition also goes out to my colleagues and former colleagues at The Department of Accounting and Commercial Law and Center for Financial Analysis and Managerial Economics in Accounting, whom I want to thank for having read and/or discussed my evolving manuscript at different points in time, thereby helping to improve the final outcome, or for just having been supportive colleagues; Karin, Henrik, Anna-Karin, Martin, Henning, Anna-Stina, Eva, Niclas, Katerina, Anja, Tomas, Peter, Sven-Erik, Kalle, Gunnar, Malin, 6 LP_inlaga.book Page 7 Tuesday, December 11, 2007 10:02 AM Hans, Göran, Catharina, Walter, Hanna, Kenth, Stina, Torkel, Elvi, Håkan, and Ulrika. I also want to thank Paul Schrieber at Stockholm University for help- ing me with the editing and proofreading. I am grateful that I have had research models such as David Cooper, Jenny Lantz, and Anna Wahl to look up to and get inspired by in my research process. Jenny is also one of my best, supporting friends, and I am greatly thankful that I got to know you during my doctoral studies. For all the faith in my research as well as my musical efforts, I want to thank you Theodor. I also want to give a big hug to Heléne, Anna, Erica, Julia, Anna-Karin, Hanna, and my dear band mates Tove, Tobias, and Andreas, and my former band mate Jenny, for being such good and wise friends. Without the encouragement of my friends and family over the years, I wouldn’t have been able to fulfill this task. I want to express my love to my parents Anita and Guy, my brother Jimmy and Sebastian, my sisters Heléne and Sara and her family. And lastly and most fervently, for unfailing love and support – thank you Niklas! This research was made possible by the participation of numerous music industry actors, whom I all want to thank, and by the generous financial support of SSE, Bo Fridmans Stipendium from KPMG Bohlins ABs Stipendiestiftelse, The Fields of Flow Research Pro- gram, which is financed by Riksbankens Jubileumsfond, and Louis Fraenckels Stiftelse. Stockholm, October 2007 Linda Portnoff 7 LP_inlaga.book Page 8 Tuesday, December 11, 2007 10:02 AM 8 LP_inlaga.book Page 9 Tuesday, December 11, 2007 10:02 AM TABLE OF CONTENTS Introduction . 13 Research issue . 13 Positioning in a management control discourse . 16 Relating to previous studies on cultural production and consumption . 20 Research aim . 22 Research questions . 25 Structure of the dissertation . 28 PART I: EPISTEMOLOGICAL, THEORETICAL, AND METHODOLOGICAL CONSIDERATIONS Epistemology . 35 On the links between epistemology, ontology, and axioms . 35 Social constructionism . 36 The epistemology of critical theory . 37 The epistemology of reflexive sociology . 39 Engaging dialectical and reflexive thinking . 40 Control in Reciprocal Relations . 43 Gemeinschaft and Gesellschaft . 44 An analytical dialectical model . 44 Dialectical understanding . 48 The theoretical affinities of Gemeinschaft and Gesellschaft . 50 Gesellschaft axiomatic studies . 56 Gemeinschaft/Gesellschaft dialectical studies . 60 9 LP_inlaga.book Page 10 Tuesday, December 11, 2007 10:02 AM A conceptual framework of control in reciprocal relations . 65 Theorizations of Society, Culture, and Economy . 69 A sociological theory of practice . 69 The praxeology of Bourdieu . 71 Bourdieuan concepts . 72 The logic of the field of cultural production .
Recommended publications
  • MTV Music Group and Warner Music Group Form Industry-Leading Partnership

    MTV Music Group and Warner Music Group Form Industry-Leading Partnership

    MTV Music Group and Warner Music Group Form Industry-Leading Partnership Combines the Power of MTV Music Group's Compelling Content Across Multiple Screens, Marketing & Ad Sales Expertise With WMG's Expansive Library and Stellar Roster of Artists NEW YORK, June 30, 2010 /PRNewswire via COMTEX/ -- MTV Networks, a division of Viacom Inc. (NYSE: VIA and VIA.B), and one of the world's leading creators of television and digital entertainment, and Warner Music Group Corp. (NYSE: WMG), one the world's premier music companies, have announced a broad-reaching, multi-year partnership that strengthens MTV Music Group's leadership position in the digital music category while expanding WMG's artist-centered video strategy. The agreement also offers one-stop shopping for advertising inventory around the industry's most comprehensive source of music-related programming and music videos. MTV Music Group will now have the exclusive right to sell advertising inventory around WMG premium music video content in the U.S. across MTV Music Group digital properties and mobile services, as well as on WMG's growing network of proprietary artist sites and third-party affiliate sites. As part of the deal, WMG's video views will now be counted as part of MTV Music Group's. Through this new partnership, WMG artists will have multiple ways to reach MTVN's hyper-connected audience across its flagship music franchises, covering multiple genres and platforms such as MTV's Emmy Award winning Unplugged series, VH1's Behind the Music and CMT's Crossroads. "At WMG our highest priority is to keep the artists at the center of everything we do, and this alliance enables us to offer our artists the marketing and sales firepower of the world's most widely-recognized and highly-trafficked music destinations to help them drive revenue from their video content, on the artist's own site, as well as through the many other places that fans access their music," said Lyor Cohen, Vice Chairman and Chairman and CEO, Recorded Music - Americas and the U.K., WMG.
  • The Per Gessle Selection - Sommartider Vitt Och Rosé Har Premiär Idag!

    The Per Gessle Selection - Sommartider Vitt Och Rosé Har Premiär Idag!

    2013-04-08 12:09 CEST The Per Gessle Selection - Sommartider vitt och rosé har premiär idag! Per Gessle är van vid succéer och eftersom både kritiker och publik älskade hans italienska viner ”Furet” och ”Kurt och Lisa” är han, liksom vi, mer än nöjd med sin debut i vinbranschen. Nu är det dags för två läckra franska uppföljare i The Per Gessle Selection - boxarna ”Sommartider” - en vit och en rosé. Världspremiär i beställningssortimentet idag, den 8 april! Inget kan vara mer efterlängtat efter en evighetslång vinter än ett löfte om ljusare och varmare tider! Per Gessle står själv för den somriga box-dekoren som leder tankarna till härliga, lata sommardagar. Tillsammans med en av Frankrikes mest kända vinproducenter, François Lurton, har han skapat de två nya vinerna av sydfranska druvor. Det vita ”Sommartider” är en läcker kombination av druvorna gros manseng och sauvignon blanc. Friskt, fruktigt och fräscht som en sommardag med fina toner av citrus, lime och svart vinbärsblad. Härligt alldeles på egen hand och jättegott till fisk, kyckling och sallader. ”Sommartider” rosé är skapad av 100% syrah. Sydfranskt somrigt med doft och smak av hallon, röda vinbär och örter. Svalkande gott och sommarens bästa pick-nickvin som matchar det mesta i matväg! . Per Gessle håller världsklass som artist och han väljer förstås att samarbeta med de bästa i sitt vinprojekt ”The Per Gessle Selection”. Tillsammans med topproducenten Allegrini skapade han två hyllade viner från Toscana, ”Furet” döpt efter Pers hemmakvarter i Halmstad och ”Kurt & Lisa" - en hyllning till Pers föräldrar. Francois Lurton är alltså nästa kvalitetsproducent att medverka i ”The Per Gessle Selection”.
  • Zoltan KRISKO, Plaintiff, V. MARVEL ENTERTAINMENT, LLC, Warner

    Zoltan KRISKO, Plaintiff, V. MARVEL ENTERTAINMENT, LLC, Warner

    Krisko v. Marvel Entertainment, LLC, 473 F.Supp.3d 288 (2020) 2020 Copr.L.Dec. P 31,687 [6] owner failed to alleged contributory infringement or 473 F.Supp.3d 288 vicarious liability for infringement. United States District Court, S.D. New York. Zoltan KRISKO, Plaintiff, Motion granted in part and denied in part. v. MARVEL ENTERTAINMENT, LLC, Warner Chappell Music, Inc., the West Headnotes (49) Walt Disney Co. Fox Corp., Buena Vista Television, LLC, Nbcuniversal [1] Federal Courts Presumptions and burden Media, LLC, Amazon.com, Inc., Apple, of proof A plaintiff bears the burden of demonstrating Inc., Ronald Aaron Wasserman, personal jurisdiction over a person or entity Shuki Levy, Haim Saban, Defendants. against whom it seeks to bring suit. 1:19-cv-9256-GHW | [2] Federal Courts Presumptions and burden Signed 07/21/2020 of proof Synopsis To defeat a jurisdiction-testing motion, the Background: Composer of copyrighted song sued creators plaintiff's burden of proof varies depending on and distributors of television show whose theme music the procedural posture of the litigation. allegedly infringed. Creators moved to dismiss. [3] Federal Courts Weight and sufficiency Holdings: The District Court, Gregory H. Woods, J., held At the pleading stage—and prior to discovery— that: a plaintiff seeking to defeat a jurisdiction-testing motion need only make a prima facie showing [1] theme composer did not “transact business” in New York that jurisdiction exists. within meaning of New York long-arm statute; [2] composer was never physically present
  • Billboard-1997-08-30

    Billboard-1997-08-30

    $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) $5.95 (U.S.), IN MUSIC NEWS BBXHCCVR *****xX 3 -DIGIT 908 ;90807GEE374EM0021 BLBD 595 001 032898 2 126 1212 MONTY GREENLY 3740 ELM AVE APT A LONG BEACH CA 90807 Hall & Oates Return With New Push Records Set PAGE 1 2 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT AUGUST 30, 1997 ADVERTISEMENTS 4th -Qtr. Prospects Bright, WMG Assesses Its Future Though Challenges Remain Despite Setbacks, Daly Sees Turnaround BY CRAIG ROSEN be an up year, and I think we are on Retail, Labels Hopeful Indies See Better Sales, the right roll," he says. LOS ANGELES -Warner Music That sense of guarded optimism About New Releases But Returns Still High Group (WMG) co- chairman Bob Daly was reflected at the annual WEA NOT YOUR BY DON JEFFREY BY CHRIS MORRIS looks at 1997 as a transitional year for marketing managers meeting in late and DOUG REECE the company, July. When WEA TYPICAL LOS ANGELES -The consensus which has endured chairman /CEO NEW YORK- Record labels and among independent labels and distribu- a spate of negative m David Mount retailers are looking forward to this tors is that the worst is over as they look press in the last addressed atten- OPEN AND year's all- important fourth quarter forward to a good holiday season. But few years. Despite WARNER MUSI C GROUP INC. dees, the mood with reactions rang- some express con- a disappointing was not one of SHUT CASE. ing from excited to NEWS ANALYSIS cern about contin- second quarter that saw Warner panic or defeat, but clear -eyed vision cautiously opti- ued high returns Music's earnings drop 24% from last mixed with some frustration.
  • POP Medley 2020

    POP Medley 2020

    POP Medley 2020 I Couldn’t Do This Without YouWords & Music by Ruth Olajugbagbe, CHORUS ONLY Daniel Priddy & Lawrie Martin You’re like cold, cold water. ALL I AM Jess Glynne HIGH HOPES Panic! At The Disco You’re washing over me Mama said fulfll the prophecy, like a gentle breeze. Ooh. Every butterfy I get belongs to you, You’re cold, cold water. you don’t believe me, but it’s true. be something greater, go make a legacy. You’re all I never need, Sure, the freckles on my arm spell out your name, Manifest destiny, back in the days I couldn’t do this without you. real feelings coming through. we wanted everything, wanted everything. I couldn’t do this without you. ’Cause all I know and all I am is you. Ooh. Mama said burn your biographies, Yeah, all I know and all I am is you. Ooh. rewrite your history, light up your wildest dreams. I’m breaking my silence, I know this is true. Museum victories, everyday, Copyright © 2019 Lawrie Martin Publishing Designee, CANAL MUSIC PUBLISHING PV and BEST LAID PLANS MUSIC LTD. I just can’t deny it, we wanted everything, wanted everything. All Rights for CANAL MUSIC PUBLISHING PV and BEST LAID PLANS MUSIC LTD. Administered by UNIVERSAL MUSIC PUBLISHING LIMITED. International Copyright Secured All Rights Reserved that all I know and all I am is you. Mama said don’t give up, it’s a little complicated. Every time I think I’m falling, All tied up, no more love and I’d hate to see you waitin’.
  • John Marks Exits Spotify SIGN up HERE (FREE!)

    John Marks Exits Spotify SIGN up HERE (FREE!)

    April 2, 2021 The MusicRow Weekly Friday, April 2, 2021 John Marks Exits Spotify SIGN UP HERE (FREE!) If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES John Marks Exits Spotify Scotty McCreery Signs With UMPG Nashville Brian Kelley Partners With Warner Music Nashville For Solo Music River House Artists/Sony Music Nashville Sign Georgia Webster Sony Music Publishing Renews With Tom Douglas John Marks has left his position as Global Director of Country Music at Spotify, effective March 31, 2021. Date Set For 64th Annual Grammy Awards Marks joined Spotify in 2015, as one of only two Nashville Spotify employees covering the country market. While at the company, Marks was instrumental in growing the music streaming platform’s Hot Country Styles Haury Signs With brand, championing new artists, and establishing Spotify’s footprint in Warner Chappell Music Nashville. He was an integral figure in building Spotify’s reputation as a Nashville global symbol for music consumption and discovery and a driver of country music culture; culminating 6 million followers and 5 billion Round Hill Inks Agreement streams as of 4th Quarter 2020. With Zach Crowell, Establishes Joint Venture Marks spent most of his career in programming and operations in With Tape Room terrestrial radio. He moved to Nashville in 2010 to work at SiriusXM, where he became Head of Country Music Programming. During his 5- Carrie Underwood Deepens year tenure at SiriusXM, he brought The Highway to prominence, helping Her Musical Legacy With ‘My to bring artists like Florida Georgia Line, Old Dominion, Kelsea Ballerini, Chase Rice, and Russell Dickerson to a national audience.
  • KALIE SHORR Artist

    KALIE SHORR Artist

    WHAT’S THIS ALL ABOUT? I hate these lists. How can you possibly Some of these names are just getting decide definitively who belongs? I’ll tell you warmed up, and while this may be the first how we decided. An anonymous panel of time you hear of them, it certainly won’t be Nashville industry leaders was assembled the last. (including leaders, legends and pioneers) to submit potential names. A second This list includes artists, songwriters, anonymous panel made the final selections. producers, publishers, managers, agents, publicists, and entrepreneurs. The future’s This list is about shining a light on those looking bright here in Nashville! who accomplished amazing things in 2020, despite a global pandemic, and those who we believe will continue to inspire in 2021. LET’S DIVE IN! Some of these names are established players who have already earned #1 songs, worked closely with the biggest acts in Nashville, and one was even trusted with keeping secrets related to Ed Sheeran. Zak Kuhn FOUNDER OF THE NASHVILLE BRIEFING WWW.THENASHVILLEBRIEFING.COM Page 1 ALEX GOODMAN Artist Manager - Dylan Brady // Director of Digital Media and Strategy at Riser House Entertainment (Age 27) Alex Goodman manages Nashville recording artist Dylan Brady. While still living in New York, Goodman navigated deals for Brady with Sony/ATV Nashville and Barry Weiss’ RECORDS. In 2018, he moved to Nashville to oversee Brady’s career. In addition to his management role, he also heads up Digital Media and Strategy for Riser House Entertainment, working with artists such as Mitchel Tenpenny, Dillon Carmichael, and Megan Patrick.
  • Report-On-Japan.Pdf

    Report-On-Japan.Pdf

    Contents 1. Executive Summary p. 4 2. An Introduction to the Music Market p. 6 3. The Entertainment Environment p. 7 (I)TV p. 8 (II) Radio p. 9 (III) Mobile p. 10 (IV) Online p. 12 (V) Print p. 13 (VI) Record Labels p. 14 (VII) Music Publishing p. 15 (VIII) Local Talent p. 16 (IX) Clubs and Dance p. 17 (X) Live Performance p. 18 4. The Digital Landscape p. 21 Mobile Music p. 22 Internet Music Downloads p. 24 Digital Music Services p. 26 5. Market Entry Recommendations p. 26 6. Appendices p. 28 Top 10 Selling Domestic Albums in 2011 p. 28 Top 10 Selling International Albums in 2011 p. 28 Market Statistics p. 28 Music-related Trade Bodies and Associations p. 29 2 CONFIDENTIALITY NOTICE & DISCLAIMER This document was prepared for internal use by Canadian Government and CAAMA members plus Canadian Music Week attendees only and is not for forwarding or distribution to any third party. It may not be posted on any website. All details referenced are the latest available to us at the time of writing, and all information utilized is believed to be accurate and reliable at the time of submission. However, Swat Enterprises Pte. Ltd. accepts no liability whatsoever for any loss or damage resulting from errors, inaccuracies or omissions 3 1. Executive Summary Japan, an archipelago of 6,852 islands with 47 prefectures, has the world’s tenth largest population with over 127 million people. Its area of 377,873 km2 is close to that of Germany and Switzerland. The greater Tokyo area is the largest metropolis in the world with a population of around 36 million, more than the entire population of Canada.
  • The Smog the Collapse of the Soviet Empire to the Volga in a Volga Secretive Turkmenistan Wet Dreams in Moscow’S Clubland Charming Abramtsevo

    The Smog the Collapse of the Soviet Empire to the Volga in a Volga Secretive Turkmenistan Wet Dreams in Moscow’S Clubland Charming Abramtsevo

    MOSCOW SEPTEMBER 2010 www.passportmagazine.ru The Smog The collapse of the Soviet Empire To the Volga in a Volga Secretive Turkmenistan Wet Dreams in Moscow’s Clubland Charming Abramtsevo September_covers.indd 1 20.08.2010 12:42:09 September_covers.indd 2 20.08.2010 18:12:32 Contents 3. What’s On in September 5. Previews 8. Clubs Moscow’s Nightlife Swims, Miguel Francis 5 10. Music Magical but dangerous tours, Radif Kashapov 12. The Way It Was Romanian Reflections, Helen Womack The collapse of the East European Soviet empire, John Harrison Testaments: Marc Barrie, Ian Mitchell and Miguel Francis 12 18. The Way It Is Beyond the Reset, Art Franczek A Grey Shadow of Soviet Man, Part II, Elena Rubinova Understanding the sales and service culture of Russia, Luc Jones The Smog, John Harrison 27. Your Moscow Abramtsevo: colony of Russian Art Nouveau, 22 Katrina Marie Green Parts – the North, Ross Hunter 30. Real Estate Private Rental brokers: Better Safe than Sorry?, Vadim Lamin New Trends on the Real Estate Market, Ekaterina Batynkova 32. Sport 27 To the Volga in a Volga, Ian Mitchell 34. Travel Turkmenistan, Luc Jones Endless bustle in Singapore’s Chinatown, John Bonar 38. Out & About 40. My World Dare to ask Dare 32 41. Wine & Dining Listings 43. Coming Up The Trafalgar Ball 44. Family Pages Poems and quizzes compiled by Ross Hunter 38 47. Book review September 2010 3 Letter from the Publisher I used to scoff at talk of Moscow being called a hardship post. I don’t any longer. With at least 5,000 people dead as direct result of the Moscow heat wave and the smog, which many called a gas attack; living in Moscow in July and August was almost unbearable.
  • Phil Guerini Joins Jonas Group Entertainment As

    Phil Guerini Joins Jonas Group Entertainment As

    May 21, 2021 The MusicRow Weekly Friday, May 21, 2021 Phil Guerini Joins Jonas Group SIGN UP HERE (FREE!) Entertainment As CEO If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES Phil Guerini Joins Jonas Group Entertainment RCA Records Partners With Sony Music Nashville On Elle King Blake Shelton To Hit The Road In August Kelsea Ballerini To Join Jonas Brothers On Tour Jonas Group Entertainment has announced that music industry power player Phil Guerini has joined the team as CEO, effective immediately. James Barker Band Signs To Villa 40/Sony Music Nashville Based in Nashville, Guerini will be at the helm of Jonas Group Entertainment. The company was founded in 2005 by Kevin Jonas, Sr., Logan Turner Inks With who was managing his sons, Grammy-nominated, multi-Platinum selling UMPG Nashville group Jonas Brothers. Jonas Group Entertainment now houses entertainment, publishing, and marketing divisions, with offices in Nashville Jason Aldean Announces and Charlotte, North Carolina. Back In The Saddle Tour Guerini last oversaw music strategy for Disney Channels Worldwide Lady A To Launch What A networks, alongside all aspects of Radio Disney and Radio Disney Country. He played a vital role within three divisions and five businesses of Song Can Do Tour The Walt Disney Company with highlights that include spearheading the development and launch of the annual Radio Disney Music Awards in Jacob Durrett Inks With Big 2013, and reimagining Radio Disney’s highly-acclaimed artist development Loud And Warner Chappell program Next Big Thing (NBT). Prior to that he spent time in roles at radio stations in Miami and Atlanta, in addition to record labels like MCA More Tour Announcements Records, A&M Records, Chrysalis Records, and East West Records.
  • ROXETTE Aflyser Alt !

    ROXETTE Aflyser Alt !

    2016-04-18 17:20 CEST ROXETTE aflyser alt ! Roxette were supposed to start the last leg of their massive RoXXXette 30th Anniversary Tour on June 3rd. However, singer Marie Fredriksson has been advised by her doctorsto refrain from touring and as a consequence all the summer shows are cancelled. Their last performance was to be at the Grand Arena in Cape Town, South Africa on February 8 earlier this year. Marie Fredriksson:”It’s been an amazing 30 years! I feel nothing but joy and happiness when I look back ontheRoxette world tours. All our showsand memories over the years will forever be a big part of my life. I’m particularly proud and grateful for coming back in 2009 after my severe illness and to have been able to take Roxette around the globe a couple of more times. Sadly, now my touring days are over and I want to take this opportunity to thank our wonderful fans that has followed us on our long and winding journey. I look forward to the release of our album ”Good Karma” in June – for me it’s our best album ever!” Per Gessle: Who would have thought this small town band from the Swedish west coast wereto be still on the looseafter 30 years! We’ve done mind-blowing gigs all over the world that has taken us far beyond our wildest and craziest dreams. I want to thank all our fellow musicians and collaborators on and off the road. Thanks also to our beautiful fans, all of you who have listened, encouraged, waited, travelled, all of you who have shared the singing, laughter, joy and tears.
  • Pressespiegel Andi Jud / SONIC LAB Sound+Vision Gmbh 30.06.2010

    Pressespiegel Andi Jud / SONIC LAB Sound+Vision Gmbh 30.06.2010

    Pressespiegel Andi Jud / SONIC LAB sound+vision GmbH!30.06.2010 2004 Swissdox Dokument 28.06.10 17:47 © St. Galler Tagblatt; 25. Februar 2004; Stadt Kultur Hauptblatt Harte Gitarren für Song Contest Die St. Galler Band Mizan startet an der österreichischen Vorausscheidung für den European Song Contest Sowohl werbewirksamer Effekt für die bevorstehende CD als auch ein Spass: Die St. Galler Rockband Mizan nimmt am 5. März in Wien an der Vorausscheidung des European Song Contest teil. Michael Hasler Ganz ihrem aus der mystischen Sufi-Philosophie abgeleiteten Namen verpflichtet (Mizan heisst sehr frei übersetzt: das Abwägen der Seele auf gute und schlechte Taten), schlagen in der Brust der St. Galler Alternativ-Ethno-Rockband derzeit wohl tatsächlich zwei Seelen. Seit über zwei Jahren schreibt, textet, komponiert, arrangiert und laboriert St. Gallens erfolgreicher Musik-Export an seinem neusten Album. Das will - kompromissloser noch als sein Vorgänger «angelized» - Alternativ-Rock und fernöstliche Sound-Elemente miteinander verbinden. Nur ein Werbegag? Überraschend also, dass die für ihre tiefgründigen Texte bekannte, minutiös arbeitende Band ihre geplante Single-Auskoppelung «my istanbul» ausgerechnet an der österreichischen Vorausscheidung für den European Song Contest platzieren wollte. «Das ist auch für uns irgendwie seltsam», will Bandleader und Initiant Can Isik den experimentellen Charakter dieser Aktion gar nicht erst verbergen. «Es war eine Idee unseres neuen Managements BMG Austria, unsere Single und die kommende CD möglichst werbewirksam zu begleiten. Der European Song Contest ist eine Möglichkeit, eine sehr populäre sogar», sagt Can Isik. Bereits Mitte April wird ihr Contest-Beitrag als Single lanciert, in diesem Herbst schliesslich wird das neue Album folgen, dessen Arbeitstitel «Eurasia» heisst.