[BOOK] Intelligence in Nature (Narby, 2006).Pdf

Total Page:16

File Type:pdf, Size:1020Kb

[BOOK] Intelligence in Nature (Narby, 2006).Pdf INTELLIGENCE IN NATURE ALSO BY JEREMY NARBY The Cosmic Serpent: DNA and the Origins of Knowledge Shamans Through Time: 500 Years on the Path to Knowledge (with Francis Huxley) INTELLIGENCE IN NATURE AN INQUIRY INTO KNOWLEDGE JEREMY NARBY Jeremy P. Tarcher / Penguin a member of Penguin Group (USA) Inc. New York Jeremy P. Tarcher/Penguin Published by the Penguin Group Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA ⢠Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.) ⢠Penguin Books Ltd, 80 Strand, London WC2R 0RL, England ⢠Penguin Ireland, 25 St Stephenâs Green, Dublin 2, Ireland (a division of Penguin Books Ltd) ⢠Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) ⢠Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhiâ110 017, India ⢠Penguin Group (NZ), Cnr Airborne and Rosedale Roads, Albany, Auckland 1310, New Zealand (a division of Pearson New Zealand Ltd) ⢠Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England Copyright © 2005 by Jeremy Narby All rights reserved. No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the authorâs rights. Purchase only authorized editions. The Library of Congress catalogued the hardcover edition as follows: Narby, Jeremy. Intelligence in nature: an inquiry into knowledge / Jeremy Narby. p. cm. Includes bibliographical references and indexes. 1. Psychology, Comparative. 2. Animal intelligence. 3. OrganismsâMiscellanea. I. Title. BF671.N37 2005 2004058849 156'.3âdc22 ISBN: 978-1-1011-9089-0 While the author has made every effort to provide accurate Internet addresses at the time of publication, neither the publisher nor the author assumes any responsibility for errors, or for changes that occur after publication. Futher, the publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content. To Beatrice AUTHORâS NOTE The endnotes tell a story of their own, and I leave it to individual readers to determine how much or how little to use them. The narrative can be read entirely by itself, but for those who wish more information on a given topic or statement, many passages are calibrated by chapter, page number, and subject matter to endnotes that begin on page 149. CONTENTS Introduction SEARCHING FOR INTELLIGENCE IN NATURE Chapter 1 BRAINY BIRDS Chapter 2 AGNOSTIC VISIONS Chapter 3 TRANSFORMERS Chapter 4 CABIN FEVER Chapter 5 INSECT MINDS Chapter 6 PREDATORS Chapter 7 PLANTS AS BRAINS Chapter 8 SMART SLIME Chapter 9 JAPANESE BUTTERFLY MACHINES Chapter 10 MYSTERY JELLY Chapter 11 CHI-SEI AND KNOWING NATURE NOTES BIBLIOGRAPHY ACKNOWLEDGMENTS INDEX BIBLIOGRAPHIC INDEX  ⢠NATURE LOVES TO HIDE ⢠HERACLITUS INTELLIGENCE IN NATURE Introduction SEARCHING FOR INTELLIGENCE IN NATURE For fifteen years I have helped indigenous Amazonian people gain titles to their lands. These are people who believe that plants and animals have intentions, and that shamans communic- ate with other species in visions and dreams. Their way of knowing is difficult for rationalists to grasp. More than a decade ago, I began searching for common ground between indigenous knowledge and Western science, and ended up finding links between shamanism and molecu- lar biology. In the book The Cosmic Serpent, I presented the hypothesis that shamans take their consciousnesses down to the molecular level and gain access in their visions to information related to DNA, which they call âanimate essences,â or âspirits.â In the Amazon, indigenous leaders and shamans expressed broad interest and support for this approach. For them, it was not news that their knowledge is real. But on the other side of the equation, things were more complicated. Western science has some difficulty with the possibility of both nonhuman intelligence and the subjective acquis- ition of objective knowledge. Since its original publication in 1995, The Cosmic Serpent has not gained the attention I had hoped for from scientists. However, several biologists read it with interest and engaged me in dialogue. One biophysicist challenged me to test the hypo- thesis, saying that this was the true method of science. He had a point. As an anthropologist, I am no scientist and had never tested a hypothesis. I decided to take up this challenge. To test the hypothesis, I accompanied three molecular bio- logists to the Peruvian Amazon to see whether they could obtain biomolecular information by ingesting a psychoactive plant brew administered by an indigenous shaman. In the realm of visions, all three received clear answers about their work. One of these molecular biologists, Dr. Pia Malnoe, who teaches at a Swiss University and who directs a research laboratory, concluded: âThe way shamans get their knowledge is not very different from the way scientists get their knowledge. It has the same origin, but shamans and scientists use different methods.â I published an account of this encounter between parallel avenues of human knowledge and ultimately realized I was stuck on getting the approval of the scientific establishment. I decided to redirect my inquiry. One question seemed more important than any other. By digging into history, mythology, indigenous knowledge, and science, I had found clues pointing to intelligence in nature. This seemed like a new way of looking at living beings. I had grown up in the suburbs and re- ceived a materialist and rationalist educationâa worldview that denies intention in nature and considers living beings as âautomatonsâ and âmachines.â But now, there was increasing evidence that this is wrong, and that nature teems with intelligence. Even the cells in our own bodies seem to harbor a hive of deliberate activity. Toward the end of the 1990s I began focusing on the works of biologists who study or- ganisms rather than molecules. To my surprise I found a number of recent studies demon- strating that even simple creatures behave with intelligence. Scientists now show that brain- less single-celled slime molds can solve mazes and bees with brains the size of pinheads can handle abstract concepts. Philosopher John Locke proclaimed in the seventeenth century: âBrutes abstract not.â But, in fact, brutes abstract, and reductionist science recently proved it. I even found contemporary scientists who claim that natural beings can only be un- derstood by attributing humanness to them. This is what shamans have been saying all along. This led me to launch an investigation on the subject of âintelligence in nature,â a concept constructed by combining science and indigenous knowledge. I would later learn that Japanese researchers already possess a term for this âknowingnessâ of the natural world: chi-sei (pronounced CHEE-SAY). But I would begin the first leg of my search in the Amazon, where I had first met people who attribute spirits, intentions, and humanness to oth- er species. Then I intended to do an anthropology of science and visit scientists in their work- ing environment. I set off on a quest not knowing what I was going to find. I went hunting for treasure, whereabouts unknown.  ONE SUMMER DAY just before the beginning of this investigation I visited an old herbal healer living on an isolated farm in Estonia. Her name was Laine Roht, which means âWave Grassâ in Estonian. I was introduced to Roht by the Estonian translator of my previous book. She led us to a small outdoor shelter at the back of her garden, which contained a rudimentary fireplace decorated with empty Russian champagne bottles. Roht spoke only Estonian. I explained that I was an anthropologist and wanted to ask her some questions. Roht nod- ded her consent. She sat upright on a bench, with her two hands joined together on her lap. I started by asking if she could explain how she had become a healer. She said her great-uncle was a healer, and that she was born with the gift. She said that plants speak to her, telling her when they are most potent and when to pick them; this sometimes happens at night, while she is resting; she receives instructions, gets up, and goes to the plants she has just been told about. The information she receives is always correct, she said. And when people tell her of their illness, she feels the sickness in her own body, which acts as a mirror. Later, when she learns which plants will heal the illness, she feels relief in the part of her body that has the empathy with the sick person. She did not elaborate on how she receives instructions from or about plants. Her views reminded me of the notions held by some Amazonian shamans I had met. I decided to go straight to the point and asked what she could tell me about natureâs intel- ligence. She shook her head, and said: âNobody has asked me this before. It is difficult to penetrate nature. I have no words for it. There will never be such words. No one will ever know how plants and humans are made, or what will become of them. This will remain a secret.â I found her pale blue gaze hard to sustain. When she spoke, I could listen only to the melody of her voice. Estonian is not an Indo-European language, and I found it difficult to make out a single word. When she paused, I listened to the translation and noted word by word what she had said.
Recommended publications
  • 041Kulturmagazin April 18.Pdf
    INKLUSIV DIE WEIDLI-BAND UND BLIND BUTCHER EXKLUSIV DIE ZEHN BESTEN YOUNG-GODS-TRACKS AGGRESSIV FARBPOSTER 4 April 2018 CHF 9.– www.null41.ch 4 April 2018 O ZUM HERAUSLÖSEN! Unabhängige Monatszeitschrift für die Zentralschweiz mit Kulturkalender N DAS KULTURMARKETING VON RED BULL SEITE 40 ANZEIGEN OSCAR NOMINATIONEN u. a. BESTER FILM·BESTE REGIE 5BESTE HAUPTDARSTELLERIN MAS in GOLDEN GLOBES GEWINNER Kulturmanagement MUSICAL BESTE HAUPTDARSTELLERIN ODER Prägende Impulse setzen. BESTER FILM KOMÖDIE SAOIRSE RONAN DAS in Kulturreflexivem Management Basisjahr des MAS finanzieren, kommunizieren, vermitteln. Start: 12.10.18 CAS in Kulturpolitik und Kulturrecht Start: 17.08.18 CAS in Innovation und Change Start: 30.11.18 Drehbuch & Regie GRETA GERWIG CAS in Digitalen Kulturen Start: 30.11.18 Flieg los nach Hause. Infoveranstaltung Die Weiterbildung für Kulturschaffende, 26.04.18 18:30 Uhr KulturförderInnen und AB 19. APRIL IM KINO kulturmanagement.unibas.ch KulturveranstalterInnen. IG KULTUR IMPULS: IG KULTUR IMPULS: Tipps und Tricks zur Wie führe ich Steuererklärung ein Crowdfunding Dienstag, 17. April 2018 erfolgreich durch? Denkmalstrasse 2, 6006 Luzern ab 14.00 Uhr, Termine müssen vorab reserviert werden. Dienstag, 29. Mai 2018 IG Kultur Luzern, Bruchstrasse 53, 6003 Luzern Marc Busch, Buchhaltungen + Beratungen Luzern 18.30–21.00 Uhr, anschliessend Apéro Die Steuererklärung steht bevor, doch sind alle Unterlagen korrekt ausgefüllt, welche kleinen Tricks gibt es zu beachten, wie kann ich Lerne die Erfolgsfaktoren kennen, mit denen du ein Crowdfun- Steuern sparen? ding-Projekt erfolgreich finanzierst. Mit Projektbeispielen und Marc Busch gibt Tipps und Tricks in einem kurzen Beratungssetting wissenschaftlichen Insights. In Zusammenarbeit mir 100-days.net von 30 Minuten.
    [Show full text]
  • THE YOUNG GODS Bio 2010
    THE YOUNG GODS Bio 2010 Twenty five years and still no sign of wearing out. However youthful and godlike your name claims you are, it is still quite an impressive feat. Bigger, stronger, higher, the Young Gods chose a manic pace five years ago and they are taking no break in 2010. Never let routine get the best of you, always go forward, this is the new moto of the Swiss trio, now a fourtet since Vincent Hänni, the creative sidekick of many years, has become a full time member. Let us be clear, 2010 is going to be quite the year in the band’s prolific history; not only because of their fascinating new album („Everybody Knows“) but also because of the audio-video boxset of their recent and diverse sonic adventures. Their twentieth anniversary, celebrated on the prestigious stage of the Montreux Jazz Festival two nights in a row with, amongst others, the participation of a symphonic orchestra, marked the beginning of a frantic course of action for the band. After a best of ("XX Years 1985-2005" packed with surprises) and a musical magazine soundtrack for Truce Diaries, they went straight into the excellent "Super Ready / Fragmenté" album, where they bravely linked psychedelic experimentations with brutal punk abandon. Even then, the biggest shocks were to come on stage. The Young Gods took their audiences on a faux- acoustic musical journey, creating in the same breath one of their most impressive albums: the timeless "Knock On Wood". Once again, they turned the whole musical formula on its back and, for one mythical show at Les Eurockéennes, unleashed their collaboration with electro hip-hop pioneers Dälek, followed closely with the Barbouze De Chez Fior string quartet performances and finishing the collaborative trilogy with Koch-Schuetz-Studer ("More To Come" in 2010).
    [Show full text]
  • The Young Gods, Des Dieux Toujours Jeunes
    UNE PUBLICATION No 10 DU COLLECTIF MAI 2007 MENSUEL Daily Rock GRATUIT TOUTE L’ACTUALITÉ BRÛLANTE DU ROCK EN ROMANDIE Edito THE YOUNG GODS, DES Rockeuses, Rockeurs, Alors que la mode des chaussures à roulettes qui débarque nous agace DIEUX TOUJOURS JEUNES déjà, sans compter le dernier single de ce morveux de Timberlake qui est Conférences soniques, tournée génial et que le CD de Cascada qui acoustique ou relecture du film semble avoir lobotomisé une grande ‘Woodstock’. On avait croisé ces partie de la planète, je me dis qu’on dernières années les Young Gods est mal barré en ce mois de mai. dans des univers à la fois calmes et passablement éloignés de ce Heureusement quelques valeurs sûres nous sauvent qui leur avait ouvert les portes d’une dépression post-lobo certaine. L’ami Reznor qui, soit dit en passant, s’y connaît en dépression, de la notoriété. Voilà qu’un peu arrive à point nommé avec son Year Zero, sans prévenir, Franz Treichler, Al électroniquement vôtre, talonné par les culteux Comet et Bernard Trontin nous locaux Young Gods, qui la méritaient cette couv’ ! balancent un bon vieux coup de rock derrière la tête. Avec les douze Et si les festivals s’en mêlent, on ne va plus savoir où donner de la tête. En vrac, NIN aux Arènes titres d’une efficacité renversante d’Avenches, Arctic Monkeys, Eiffel, Arcade Fire de ‘Super Ready/Fragmenté’, ils et le dieu Rob Plant, sur la plaine de l’Asse, sans prouvent que la jeune garde a compter le toujours très Black-eyed rassemblement encore pas mal de boulot pour sacré d’Interlaken, Greenfield de son prénom et la leur piquer la place.
    [Show full text]
  • The Young Gods Lucidogen Mp3, Flac, Wma
    The Young Gods Lucidogen mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Lucidogen Country: UK & Europe Released: 2000 Style: Industrial MP3 version RAR size: 1320 mb FLAC version RAR size: 1157 mb WMA version RAR size: 1304 mb Rating: 4.9 Votes: 820 Other Formats: WAV FLAC DTS VQF AIFF XM DXD Tracklist 1 Lucidogen 4:12 2 Lucidogen (Braindance Mix) 6:39 3 Lucidogen (Speedfloor Mix) 7:08 Companies, etc. Phonographic Copyright (p) – Intoxygene Copyright (c) – Pas Mal Publishing Produced At – T.Y.G. Studio, Artamis Produced At – Studio Le Bocal Produced At – Studio Des Forces Motrices Recorded At – Relief Studio Mixed At – Relief Studio Mastered At – Greenwood Studios Glass Mastered At – Nimbus – D6638 Credits Cover – René Walker, T.Y.G.* Engineer – Bertrand Siffert Engineer [Assistant] – Benoît Saillet Lyrics By – Franz Treichler Management – Patrick Jammes Mastered By – Glenn Miller Music By – Alain Monod*, Bernard Trontin, Franz Treichler, T.Y.G.* Producer – Franz Treichler Notes Preprod at T.Y.G. Studio Artamis, The Bocal and Studio des Forces Motrices. Recorded and mixed at Relief Studio CH. Mastered at Greenwood Studio CH. ℗ 2000 Intoxygene © 1999 Pas Mal Publishing Barcode and Other Identifiers Barcode: 3 760019 320052 Matrix / Runout: D6638 PMP 001 PR : [Nimbus logo] Mastering SID Code: IFPI L123 Mould SID Code: ifpi 2311 Rights Society: mcps Label Code: LC 10740 Other versions Category Artist Title (Format) Label Category Country Year INTOX005 CDS, The Young Lucidogen (CD, Intoxygene, INTOX005 CDS, UK & 2000 INTOX 005 CDS Gods Single) Intoxygene INTOX 005 CDS Europe INTOX 005 CDS The Young Lucidogen (CD, INTOX 005 CDS Intoxygene France 2000 PR Gods Single, Promo) PR The Young Lucidogen (CD, Pas Mal PMP001PR PMP001PR France 2000 Gods Promo) Publishing Related Music albums to Lucidogen by The Young Gods The Young Gods - Only Heaven Kill The Thrill - Dig My Baby - Remedy The Young Gods - Second Nature Licia Fox - La Bambola Chewy - Chewy Innocence - I.NN.O..C.EN..C.E The Young Gods - Did You Miss Me?.
    [Show full text]
  • TIBETAN WARRIOR Press Kit
    TIBETAN WARRIOR Press Kit www.tibetanwarrior.ch DokLab GmbH | Gerberngasse 34a | 3011 Bern | Switzerland | [email protected] | +41 31 508 05 58 | www.doklab.com TIBETAN WARRIOR www.tibetanwarrior.ch | 2 Content Synopsis .................................................................................................3 Director's Statement ..............................................................................4 Quotes from the film .............................................................................5 Interview with Loten Namling, central character .................................7 Self-immolations in Tibet ....................................................................10 The Free Trade Agreement between Switzerland and China .............12 The History of Tibet ...........................................................................13 Tibet – the political status ...................................................................15 The Middle Way Approach of the Dalai Lama ..................................15 The Chinese view ................................................................................15 Interview with Dodo Hunziker, Director ............................................16 The Director ........................................................................................18 Cast ......................................................................................................19 Crew ....................................................................................................20 The Production
    [Show full text]
  • The Young Gods Bio 2010 Vingt-Cinq Années D'existence Et Pas Le
    The Young Gods Bio 2010 Vingt-cinq années d’existence et pas le moindre signe d’essoufflement. Même si on sait qu’un jeune dieu est doté de capacités hors norme, le phénomène impressionne. Toujours plus loin, toujours plus haut : en 2010 , les Young Gods poursuivent leur route sur le rythme effréné qui est le leur depuis 5 ans. Ne jamais laisser la routine gagner du terrain, aller de l’avant, tel est donc le credo réjouissant d’un trio suisse devenu quatuor avec l’arrivée définitive de Vincent Hänni, le complice défricheur qui épaulait le groupe depuis quelques années. On insiste, 2010 s’annonce comme un grand cru dans la saga du combo suisse avec la parution d’un nouvel album (« Everybody Knows ») et d’un coffret audio-visuel qui immortalise une partie de la récente épopée sonique des Young Gods. Depuis un vingtième anniversaire célébré deux soirs durant sur la scène prestigieuse du Montreux Jazz Festival au cours de l’été 2005 avec la complicité notamment d’un orchestre symphonique, le groupe mène une seconde vie affolante. Après un best of (« XX Years 1985-2005 ») riche en surprise et une parenthèse en forme de journal sonore concoctée pour le magazine zurichois Truce Diaries, on l’a vu renouer avec l’électricité de manière cinglante en osant le lien entre psychédélisme échevelé et punkitude avec l’impeccable « Super Ready / Fragmenté » (2007). Mais c’est de la scène une fois encore que les surprises les plus ahurissantes sont venues. Sur les planches, les Gods ont osé le dénuement lors de shows intenses et faussement acoustiques qui ont permis la naissance en 2008 d’un de leurs albums les plus extraordinaires (« Knock On Wood »).
    [Show full text]
  • Suisse Il Y a Deux Ans Et Dans L’Attente D’Une Décision D’Asile, Arbore L’Uniforme De La Voirie De Neuchâtel
    RAIL Les Etats accordent plus de six milliards PAGE 19 HOCKEY SUR GLACE Le casse-tête de Gary Sheehan PAGE 27 ARCHIVES DAVID MARCHON VENDREDI 30 NOVEMBRE 2012 | www.arcinfo.ch | N0 41277 | CHF 2.50 | J.A. - 2300 LA CHAUX-DE-FONDS Des trafiquants de marijuana aux méthodes mafieuses MONOPOLE Une bande de jeunes adultes CONTRAINTES, SÉQUESTRATIONS Ces trafiquants COUP DE FIL Le gang forçait ses victimes chaux-de-fonniers qui détenait la quasi-totalité aux méthodes de gangsters faisaient régner à souscrire des abonnements de téléphone du trafic d’herbe au Locle et une part la peur auprès des jeunes consommateurs pour revendre les smartphones. Un jeune à La Chaux-de-Fonds a été démantelée. et revendeurs fragilisés. s’est rebellé et a osé le dénoncer. PAGE 5 Attention, ça va chauffer fort du côté des mesures hivernales! DAVID MARCHON REQUÉRANTS D’ASILE Programmes d’occupation du canton pris d‘assaut PAGE 3 LA CHAUX-DE-FONDS Informations et petites perles au budget 2013 PAGE 7 SAINT-IMIER Une vie de palace pour la revue Saintimania PAGE 11 LA MÉTÉO DU JOUR pied du Jura à 1000m -1° 1° -6° -4° CHRISTIAN GALLEY LA CHAUX-DE-FONDS Les particuliers et les entreprises seront surveillés afin qu’ils ne se débarrassent pas SOMMAIRE de leur neige sur la voie publique. Davantage de dépanneuses seront mobilisées, les effectifs du Service Feuilleton, BD PAGE 16 Télévision PAGE 33 du domaine public ont été doublés. Hier, huit patrouilles veillaient à l’ordre en ville. Ça barde cet hiver! PAGE 9 Cinéma PAGE 17 Carnet P.
    [Show full text]
  • Appendix Swiss Music Prize 2014 Brief Biographies of the Nominees
    Federal Department of Home Affairs FDHA Federal Office of Culture FOC Appendix Swiss Music Prize 2014 Brief biographies of the nominees Reverend Beat-Man Born Beat Zeller in 1967 near Berne, Reverend Beat-Man has become a firm fixture on the music scene. He first tried his hand as a singer and musician at the age of 13 before forming his band The Monsters in 1986 and setting up his own record label Voodoo Rhythm Records in 1992. With The Monsters, Zeller created an entirely new genre that fuses psychobilly with garage punk and went on to showcase it with more than a thousand concerts in South America, Japan, Australia, the US and the rest of the world. His stage presence as frontman of The Monsters has captivated audiences in smaller clubs and large venues alike. Zeller attained cult status thanks in no small part to this work with Voodoo Rhythm Records, which has gained him a reputation as a resolute champion of innova- tive and experimental artists. In Switzerland, his achievements were honoured with the Canton of Berne Special Recognition Award in 2007. www.voodoorhythm.com/reverend.html Ensemble Phoenix Basel The Ensemble Phoenix Basel has taken an exciting approach to new music ever since it was formed in 1998 by Jürg Henneberger, Christoph Bösch and Daniel Buess. It specialises in electronic music, crossover projects, musical theatre and original performances that continually redefine and push the boundaries of “new music”. The Ensemble has worked with composers and authors such as Zbigniew Karkowski, Helmut Oehring, Alex Buess and Dror Feiler, to name but a few.
    [Show full text]
  • Ein Turbulentes Jubiläumsjahr Schaut Genauhin Biel Heutebeginntdas Festival, Mit Dem Der Bieler «Chessu»Seinen 50
    Nr.201 AZ CH-2501 Biel 1 CHF4.10 heute Immo- markt Die Zeitung für Biel und das Seeland Donnerstag, Einblickeins All Es bleibt beider Anzeige MartinaKocherhat genug 30. August2018 AstronautClaude Nicollier erzählt Obwohl der Post gelöscht ist: Die erfolgreichste Schweizer leidenschaftlichvon seiner Zeit als MohamedHamdaouiwill seine Rodlerin trittnach20Jahren www.bielertagblatt.ch Astronaut. – Seite4 Diffamierer belangen. – Seite6 zurück.Das Gespräch.–Seite18 Thomas Roost Ein turbulentes Jubiläumsjahr schaut genauhin Biel Heutebeginntdas Festival, mit dem der Bieler «Chessu»seinen 50. Geburtstag feiert. DasAutonome Jugendzentrum blickt aufeine bewegteGeschichte zurück, befasst sich aber auch intensiv mit seiner Zukunft. Eishockey Ihn interessiert nicht der Ausgang eines Matchs,sondern der Auf- trittder einzelnen Spieler –und diese nimmt er ganz genau unter die Lupe. Thomas Roostist Chef-Scout des EHC Bielund suchterfür den Bieler Klub potenzielle Spieler auf allen Altersstufen und aus allen HerrenLändern. Damit ihm möglichstkein Fisch durchs Netz geht, schaut Roostviel Eishockey –sehr viel.Pro Saison weilt er bei rund 100 Par- tien im Stadion. Hinzu kommen unzäh- ligeStunden vordem PC und dem TV. In den nunmehr 22 Jahren, in denen Roostals Scout unter anderem für die NHL tätig ist, hat er sich viel Wissen und Know-howangeeignet. Trotzdem sagt er bestimmt: «Glück istder wichtigste aller Faktoren. Niemand kann mit Sicherheit die Karriere eines Spielers vorhersagen.» Dennoch versuchtRoostnatürlich, so ge- naue Prognosen wie möglich abzugeben. Dafür prüft er Spieler auf verschiedenen Fähigkeiten. Je nachdem, in welcher Liga sich ein Team für die Dienste des Kandi- daten interessiert. bil – Sport Seite 15 Vonden Fans empfangen Young Boys Hunderte Fans warteten ges- tern Nachmittag am Flughafen Bern-Belp auf den Flug SX8671 aus Zagreb.AnBord waren jeneSpieler,welche dieYoung Boys am Dienstag zum ersten Mal in der Ver- einsgeschichte in dieChampionsLeague geschossen haben.
    [Show full text]
  • ALESSIO DI TURI (B) + More T.B.C
    . B . 1 2 / 7 4 1 3500.HASSELT.1 P BELGIE-BELGIQUE editie:juli. 2008 BELGIEBELGIE KUNSTENCENTRUMKUNSTENCENTRUM BURG.BOLLENSTR.54BURG.BOLLENSTR.54 3500-HASSELT3500-HASSELT NEW RELEASES / 17’ jaargang 5X per jaar: jan.-maart-mei-juli-okt / Afgiftekantoor: 3500 Hasselt 1 - P 206555 f e s t i v a l (20/9/08) > ANIMAL COLLECTIVE (US)< V.U. JO LIJNEN, Burg. Bollenstraat 54, 3500 Hasselt V.U. OINTO THE WILD(USA / 2007 / 147’ / 35mm) Regie > Sean Penn Cast > Emile Hirsch, Marcia Gay Harden, William Hurt, Jena Malone, O Golden Globe Award 2008 Catherine Keener,Vince Vaughn, Kristen Stewart, Hal Holbrook... Beste Originele Song (Eddy Vedder / Pearl Jam) Muziek > Eddie Vedder (Pearl Jam), Kaki King en Michael Brook O Oscar® nominaties 2008 Beste Mannelijke Bijrol (Hal Holbrook) Christopher McCandless (Emile Hirsch) is 22 jaar als hij afstudeert. De toekomst en Editing (Jay Casidy) lacht hem toe maar toch besluit hij zijn gepriviligeerd leventje op te geven en reso- luut te kiezen voor het avontuur. Hij verbrandt zijn spaarcenten, rijdt zijn wagen vast en trekt al liftend verder. De kleurrijke karakters die hij onderweg ontmoet leren hem veel over het leven maar McCandells heeft een ander doel voor ogen. Onvoorbereid trekt hij de sneeuwvlaktes van Alaska in... Na melodrama’s over vervreemding en verlies (The Indian Runner, The Crossing Guard & The Pledge) serveert Jack Kerouac-fan Sean Penn een grote Amerikaanse tragedie, geïnspireerd op het waargebeurde verhaal van de 22-jarige drop-out Chris McCandless. Zonder te oordelen of veel te verklaren gunt Penn ons een blik op de wereld van een rusteloze zwerver.
    [Show full text]
  • Director's Portrait Vincent Pluss
    1.1. BIOGRAPHY Born in Geneva in 1969. Cinema studies at New York University. Worked for more than ten years as an editor and director in the U.S., China, Germany and Switzerland. VINCENT Directed and produced fiction PLUSS cinema as well as films and videos on contemporary dance, theatre and music. In 2000 he became one of the spokesper- sons of the “Doegmeli” group, which aims “to improve the future of young Swiss cinema” (www.doegmeli.ch). Director Vincent Pluss, films that show Switzerland dancing of Intermezzo Films with the documentary film-maker Luc he wave has not yet reached the rest of the world, but the Peter, known for his portraits of contemporary artists T epicentre, in French-speaking Switzerland, quivers with excitement. In the last four of five years, Swiss cinema has been receiving a wake-up call from a new generation: Ursula Meier, Jean-Stéphane Bron, Xavier Ruiz, Elena Hazanov, Pierre-Yves Borgeaud and Vincent Pluss. Amongst this handful of thirty year olds, Pluss, a 35-year old Genevan, has established himself as photo: Christian photo: Lutz one of the main campaigners. Against his will, undoubtedly, but thanks to two talents, which are rarely compatible: managing, head-on, and with the same suc- cess, a fierce political struggle against the official bodies as well as a personal artistic work. To understand where Vincent Pluss fits into the landscape, we have to remember that French-speaking Swiss cinema has reverberated for forty years, for too long, with the names of Alain Tanner, Claude Goretta or Michel Soutter.
    [Show full text]
  • A 3D Film by Gilles Jobin
    WOMB A 3D film by Gilles Jobin File available for 3D projection only: DCP 3DHD 2K / 5.1 audio Distribution: Cie Gilles Jobin Geneva [email protected] Length: 32 minutes Directed by Gilles Jobin Set Sylvie Fleury Music Franz Treichler Costumes Jean-Paul Lespagnard Dance Susana Panadés Diaz, Gilles Jobin, Martin Roehrich Director of photography Patrick Tresch WOMB is a film in motion, a three-dimensional audio and visual cinematographic object. Three characters emerge from a womb and discover the volume of the world. Three-dimensional bodies, an abstract analogy of the unfolding of life, from fullness to emptiness. Three of the most international swiss artists are united for this project: Sylvie Fleury is a figure of the international art scene, Franz Treichler is the leader of the mythical band The Young Gods and Gilles Jobin is internationally renown on the contemporary dance scene. Belgium designer Jean-Paul Lespagnard completes this creative “power trio” with his unique style. WOMB - Pitch WOMB: Susana Panadés Diaz, Gilles Jobin, Martin Roehrich WOMB is a film in motion, an immersive cinematographic object. Designed and conceived for 3D technology the film deploys an immersive strategy. Three characters emerge from a womb to discover the volume of the world. Always moving forward, abstract analogy of the unfolding of life, they progress through a long sequence shot from one stage to the next. The luminous set created by Sylvie Fleury and the spatialised composition of Franz Treichler (leader of the internationaly acclaimed rock band The Young Gods) combine with the complex textures of Jean-Paul Lespagnard’s costumes and Gilles Jobin’s choreography to create an unusual dialogue in space.
    [Show full text]