DOCSLIB.ORG

Sound on CHR 1112, $6.98

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sound on CHR 1112, $6.98 the help of Ricardo Marrero (who also Lead guitarist Steve Hackett's "Voyage plays percussion here). of the Acolyte" will similarly distress those The Stairsteps is a seasoned, highly mu- who like their imaginative wanderings un- sical, and thoroughly professional group. dercut by reality. This disc features a series This is, I suspect, its most creative effort on of original compositions, each song specifi- records. M.A. cally related to a certain tarot card. The melodies are lilting and served well by the musicians, and the sound in many places GENESIS: A Trick of the Tail. Mike Ruther- conjures up the distinguished English one- ford, guitar, basses, and bass pedals; Tony man rock band Mike Oldfield. But there's Banks, keyboards, guitar, and vocals; Phil just so much soundtrack music one can lis- Collins, drums, percussion, and vocals; Steve ten to and enjoy, especially when there's no Hackett, guitars. Dancer on a Volcano; En- motion picture to use as a frame of refer- tangled; Squonk; five more. [David Hentschel ence. H.E. and Genesis, prod.] ATCOSD 36 129,$6.98. Tape: 41.0 CS 36 129, $7.97; TP 36 129, $7.97. RALPH TOWNER: Solstice. Ralph STEVE HACKETT: Voyage of the Acolyte. Towner, twelve -string and classical Steve Hackett, electric and acoustic guitars; guitars and piano; Jan Garbarek, tenor and instrumental and vocalaccompaniment. Ace soprano saxophones and flute; Eberhard We- Living -Room of Wands; Hands of the Priestess Part 1; A ber, cello and bass; Jon Christensen, drums Tower Struck Down; five more. CHRYSALIS and percussion. Oceanus; Drifting Petals; Sound On CHR 1112, $6.98. Red and Black; five more. [Manfred Eicher, prod.] ECM 1060, $6.98. Genesis' seventh LP, "A Trick of the Tail," RALPH TOWNER AND GARY BURTON: The Terrace has been a subject of major concern for this Matchbook. Ralph Towner, twelve - English rock group's many devoted fans. string and classical guitars; Gary Burton, vi- The Why? Because, after seven years of effort, braharp. Some Other Time; Song for a Genesis is finally on the verge of super -star- Friend; Goodbye Pork Pie Hat; six more. dom and this is no time to lose its lead [Manfred Eicher, prod.] ECM 1056, $6.98. singer. Tape: 00 CF 1056, $7.98;11.0_ 8F 1056, Lead vocalist Peter Gabriel has been $7.98. credited with most of the touches that have earned this group its reputation for the the- I'm sorry to say I had never heard of Ralph atrical. He has utilized mime, masks, and Towner until a friend played me the first of costume changes, and he has contributed these two albums, after which I quickly got odd, quirky song -writing and vocal per- hold of the other. ECM's logo is "The Crea- There's no reason you should leave the formances-most notably on the well -re- tive Label," and that's the truth. Both of intimate enjoyment of music behind ceived "concept" LP "The Lamb Lies Down these recordings are produced by the small when you move your living room out- on Broadway." German company's mastermind, Manfred doors. Though "A Trick of the Tail" is not a Eicher, who runs a classy operation. These "concept" disc,it maintains the fantasy are classy productions that in today's disco Bozak's BARD, the standard by which quality to which Genesis has always as- market stand out like jewels in mud. all other outdoor speakers for home pired. Odd subjects, a variety of composing One of the joys of these records is the music systems are judged, has been styles, and a sense of the unreal permeate it. simple one of listening to decent sound. designed to provide the kind of Drummer Phil Collins-who sounds some- They are crystal clear, in terms of engineer- presence outdoors for which Bozak what like Gabriel- carries on admirably as ing (Jan Erik Kongshaug for "Solstice," speakers are famous indoors. There's a singer. Genesis' musicianship has always Martin Wieland for "Matchbook"), master- no need to turn the volume up to hear been exemplary, and the group has an au- ing, and even pressing. The quality of the music; the BARD lets you enjoy thentic gift for novelty. Nevertheless, the American pressings has sunk to an inexcus- every nuance at levels which will still appeal of this recording depends on one's able low: in pop music nearly all discs de - let your neighbors enjoy their privacy. tolerance for rock whimsy fed tthepurpose of having a quality turn- Employing a waterproof wide -range driverinaweatherproof aluminum housing, a pair of BARDS can be left outside allyear round - providing Cr The best pop records party music in the summer and sea- ICEreviewed in recent months sonal music through the holidays. On the other hand, they can be brought in- side to provide an extra set of speakers Louis ARMSTRONG AND EARL HINES /1928. SMITHSONIAN COLLECTION R 002. in inclement seasons; it's perfect in an Apr. COUNT BASIE AND ZOOT SIMS: Basie and Zoot. PABLO 2310 745. June. informal den or playroom setting. TOMMY FLANAGAN: Tokyo Recital. PABLO 2310 724. May. CP 0163. May. Before you even consider buying any D OSIE GRAY: New Ray of Sunshine. CAPRICORN other outdoor speaker, you should GREAT BRITISH FILM SCORES. LONDON PHASE -4 SPC 21149. June. listentothe BARD atyour Bozak MAHAVISHNU ORCHESTRA Inner Worlds. COLUMBIAPC 33908. June. R 001. Apr. dealer's showroom. We'll gladly send KING OLIVER'S JAZZ BAND/1923. SMITHSONIAN COLLECTION you his name and descriptive literature PACIFIC OVERTURES. Original Broadway cast recording. RCA RED SEAL on the BARD. ARL 1-1367. May. DORY PREVIN: We're Children ofCoincidenceand Harpo Marx. WARNER BROS.BS 2908. June. QUEEN: A Night at the Opera. ELEKTRA7E 1053. Apr. RAINTREE COUNTY. Original film score. ENTR'ACTE ERS 6503 ST. June. D. J. ROGERS: It's Good to Be Alive.RCA APL 1-1099. May. Pnossa Snow: Second Childhood. COLUMBIA PC 33952. May. K ENNY STARR: The Blind Man in the Bleachers.MCA 2177. Apr. Bozak, Inc. Box 1166Darien, Connecticut 06820 JULY1976 105 AmericanRadioHistory.Com.
Load more

Recommended publications
  • Dec. 22, 2015 Snd. Tech. Album Arch
    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
    [Show full text]
  • Dedicated 10 the Needs of the Music /Record Industry
    DEDICATED 10 THE NEEDS OF THE MUSIC /RECORD INDUSTRY SINGLES SLEEPERS ALBUMS THE MIRACLES, "NIGHT LIFE" (prod. by Freddie THIN LIZZY, "THE BOYS ARE BACK IN TOWN" ROLLING STONES, "BLACK AND BLUE." Perren) (Jobete/Grimora, ASCAP). (prod. by John Alcock) (RSO, ASCAP). It's taken almost three years from start "Love Machine" was the group's big- t) One of 1976's brightest prospects is to finish with new friends and direc- .rnmu.rr/ gest across-the-board smash since this Anglo-American quartet that tions. The reggae influence is in full the departure of Smokey Robinson. has come into its own after several evidence ("Hot Stuff," "Cherry O Now they're about to do it all over overlooked outings. With a sound Baby"), along with some straightfor- again with more pulsating rhythms that could be compared to Bruce ward blues ("Melody") and some more and adventurous vocal lines. Instant Springsteen, Thin Lizzy is back in traditional sounding Stones ("Hand of pop/r&b play is assured. Tamla T town and should soon be making its Fate"). A bruiser of an album! Rolling 54268 (Motown). presence felt. Mercury 73786. Stones COC 79104 (Atlantic) (6.98). CAROLE KING, "HIGH OUT OF TIME" (prod. FOOLS GOLD, "RAIN, OH RAIN" (prod. by SEALS & CROFTS, "GET CLOSER." Their by Lou Adler) (Screen Gems -Colum- Glen Frey) (Frank Share/Big Shorty, Christmastime greatest hits package re- bia, ASCAP). An extravagant tapes- ASCAP). The group that recently minded everyone just what Seals & try of sound is woven by Ms. King served as back-up to Dan Fogelberg Crofts are capable of.
    [Show full text]
  • Genesis Go West Young Man (In the Motherlode) Mp3, Flac, Wma
    Genesis Go West Young Man (In The Motherlode) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Go West Young Man (In The Motherlode) Country: US Released: 1978 Style: Prog Rock MP3 version RAR size: 1367 mb FLAC version RAR size: 1325 mb WMA version RAR size: 1656 mb Rating: 4.5 Votes: 497 Other Formats: AA VQF XM AC3 DXD MMF TTA Tracklist Hide Credits Go West Young Man (In The Motherlode) A 3:35 Written-By – Rutherford* Scenes From A Night's Dream B 3:25 Written-By – Collins*, Banks* Companies, etc. Pressed By – Specialty Records Corporation Published By – Gelring Ltd. Published By – Run It Music, Inc. Manufactured By – Atlantic Recording Corporation Phonographic Copyright (p) – Atlantic Credits Engineer – David Hentschel Producer – David Hentschel, Genesis Notes A: edited version of "Deep In The Motherlode" from "...And Then There Were Three" Barcode and Other Identifiers Matrix / Runout (A Label): ST-A-35601 SP Matrix / Runout: ST-A-35602 SP Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year Go West Young Man (In The Motherlode) 3511 Genesis Atlantic 3511 US 1978 (7", Single) Go West Young Man (Deep In The PR 311 Genesis Atlantic PR 311 US 1978 Motherlode) (12", Promo) Go West Young Man (In The Motherlode) / SFL-2342 Genesis Charisma SFL-2342 Japan 1978 Scenes From A Night's Dream (7", Single) Go West Young Man (In The Motherlode) 3511 Genesis Atlantic 3511 US 1978 (7", Mono, Promo) Go West Young Man (In The Motherlode) AT 3511 Genesis Atlantic AT 3511 Canada 1978 (7", Promo) Related Music albums to Go West Young Man (In The Motherlode) by Genesis Genesis - Tonight, Tonight, Tonight / Land Of Confusion Genesis - ..
    [Show full text]
  • Genesis ...And Then There Were Three... Mp3, Flac, Wma
    Genesis ...And Then There Were Three... mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: ...And Then There Were Three... Country: Russia Released: 2017 Style: Prog Rock, Classic Rock MP3 version RAR size: 1804 mb FLAC version RAR size: 1983 mb WMA version RAR size: 1659 mb Rating: 4.2 Votes: 463 Other Formats: VOX MOD MP4 DTS VQF VOC ASF Tracklist Hide Credits Down And Out 1 5:25 Written-By – Rutherford*, Collins*, Banks* Undertow 2 4:45 Written-By – Banks* Ballad Of Big 3 4:43 Written-By – Rutherford*, Collins*, Banks* Snowbound 4 4:29 Written-By – Rutherford* Burning Rope 5 7:07 Written-By – Banks* Deep In The Motherlode 6 5:14 Written-By – Rutherford* Many Too Many 7 3:29 Written-By – Banks* Scenes From A Night's Dream 8 3:29 Written-By – Collins*, Banks* Say It's Alright Joe 9 4:18 Written-By – Rutherford* The Lady Lies 10 6:00 Written-By – Banks* Follow You Follow Me 11 3:55 Written-By – Rutherford*, Collins*, Banks* Companies, etc. Phonographic Copyright (p) – Virgin Records Ltd. Copyright (c) – Charisma Records Ltd. Published By – Gelring Ltd. Published By – Hit & Run Music (Publishing) Ltd. Distributed By – Virgin Records Ltd. Recorded At – Relight Studios Mixed At – Trident Studios Manufactured By – Polygram, Hanover, West Germany Credits Design [Sleeve Design], Photography By [Photographs] – Hipgnosis Drums, Voice [Voices] – Philip Collins* Engineer – David Hentschel Engineer [At Relight: Assisted By] – Pierre Geofroy Chateau* Engineer [At Trident: Assisted By] – Steve Short Guitar [Guitars], Bass [Basses] – Mike Rutherford Keyboards – Tony Banks Producer – David Hentschel, Genesis Technician [Equipment] – Andy Mackrill, Dale Newman, Geoff Banks Notes On traycard: Publisher: Gelring/Hit & Run Music Pub.
    [Show full text]
  • Get 'Em out by Friday the Official Release Dates 1968-78 Introduction
    Genesis: Get ‘Em Out By Friday The Official Release Dates 1968-78 Introduction Depending on where one looks for the information, the original release dates of Genesis singles and albums are often misreported. This article uses several sources, including music paper cuttings, websites and books, to try and determine the most likely release date in the UK for their officially released product issued between 1968 and 1978. For a detailed analysis to be completed beyond 1978 will require the input of others that know that era far better than I with the resources to examine it in appropriate levels of detail. My own collection of source material essentially runs dry after 1978. As most people searching for release dates are likely to go to Wikipedia that is where this search for the truth behind Genesis’ back catalogie. The dates claimed on Wikipedia would themselves have come from a number of sources referenced by contributors over the years but what these references lack is the evidence to back up their claims. This article aims to either confirm or disprove these dates with the added bonus of citing where this information stems from. It’s not without a fair share of assumptions and educated deductions but it offers more on this subject than any previously published piece. The main sources consulted in the writing of this article are as follows: 1. The Genesis File Melody Maker 16 December 1972 2. Genesis Information Newsletter Issue No. 1 October 1976 3. Wax Fax by Barry Lazzell - a series of articles on Genesis releases published in Sounds over several weeks in 1977 4.
    [Show full text]
  • MUSIC with STEVE SCOTT STEVE HACKETT
    MUSIC with STEVE SCOTT Hackett’s Genesis spirit Steve Hackett... picking the acoustic instrumental Horizons (Foxtrot) By Steve Scott compromised doing that. “For Please Don’t Touch I had the idea of doing an album that Former Genesis lead guitarist Steve Hackett is bringing his “I particularly remember our singer Nad mentioning to me was a cross between white European music and black own band to Auckland in July to perform under the banner his album Unifaun (2008). American music and I was fortunate to get stellar Steve Hackett and Genesis Revisited. “He said it was in the spirit of Genesis and it featured the performances from all those people. He says he is ‘absolutely thrilled’ that so many of Genesis’ kind of songs Genesis could have done. Three years later, Out Of The Tunnel’s Mouth (2009) songs written in the 1970s are considered to be worth more “So I believe Genesis was a very important band for him and revealed influences from Turkey. than a second listen. a big influence and it is wonderful that he reiterated to me On his latest release, his 25th solo album The Night Siren, ‘’I think songs that are written, often very quickly, well you that he is happy to keep doing this, even though he has been Hackett has incorporated musicians and instruments from have no idea of the longevity or effect that they are going to producing great solo stuff and constantly touring to rave a variety of countries. They include vocalists from Israel and have on listeners or concert-goers.
    [Show full text]
  • Forma Y Fondo En El Rock Progresivo
    Forma y fondo en el rock progresivo Trabajo de fin de grado Alumno: Antonio Guerrero Ortiz Tutor: Juan Carlos Fernández Serrato Grado en Periodismo Facultad de Comunicación Universidad de Sevilla CULTURAS POP Índice Resumen 3 Palabras clave 3 1. Introducción. Justificación del trabajo. Importancia del objeto de investigación 4 1.1. Introducción 4 1.2. Justificación del trabajo 6 1.3. Importancia del objeto de investigación 8 2. Objetivos, enfoque metodológico e hipótesis de partida del trabajo 11 2.1. Objetivos generales y específicos 11 2.1.1. Objetivos generales 11 2.1.2. Objetivos específicos 11 2.2. Enfoque metodológico 11 2.3. Hipótesis de partida 11 3. El rock progresivo como tendencia estética dentro de la música rock 13 3.1. La música rock como denostado fenómeno de masas 13 3.2. Hacia una nueva calidad estética 16 3.3. Los orígenes del rock progresivo 19 3.4. La difícil definición (intensiva) del rock progresivo 25 3.5. Hacia una definición extensiva: las principales bandas de rock progresivo 27 3.6. Las principales escenas del rock progresivo 30 3.7. Evoluciones ulteriores 32 3.8. El rock progresivo hoy en día 37 3.9. Algunos nombres propios 38 3.10. Discusión y análisis final 40 4. Conclusiones 42 5. Bibliografía 44 5.1. De carácter teórico-metodológico (fuentes secundarias) 44 5.2. General: textos sobre pop y rock 45 5.3. Específica: rock progresivo 47 ANEXO I. Relación de documentos audiovisuales de interés 50 ANEXO II. PROGROCKSAMPLER 105 2 Resumen Este trabajo, que constituye un ejercicio de periodismo cultural, en el que se han puesto en práctica conocimientos diversos adquiridos en distintas asignaturas del Grado de Periodismo, trata de definir el concepto de rock progresivo desde dos perspectivas complementarias: una interna y otra externa.
    [Show full text]
  • Vinyls-Collection.Com Page 1/64 - Total : 2470 Vinyls Au 03/10/2021 Collection "Pop/Rock International" De Lolivejazz
    Collection "Pop/Rock international" de lolivejazz Artiste Titre Format Ref Pays de pressage 220 Volt Mind Over Muscle LP 26254 Pays-Bas 50 Cent Power Of The Dollar Maxi 33T 44 79479 Etats Unis Amerique A-ha The Singles 1984-2004 LP Inconnu Aardvark Aardvark LP SDN 17 Royaume-Uni Ac/dc T.n.t. LP APLPA. 016 Australie Ac/dc Rock Or Bust LP 88875 03484 1 EU Ac/dc Let There Be Rock LP ALT 50366 Allemagne Ac/dc If You Want Blood You've Got I...LP ATL 50532 Allemagne Ac/dc Highway To Hell LP ATL 50628 Allemagne Ac/dc High Voltage LP ATL 50257 Allemagne Ac/dc High Voltage LP 50257 France Ac/dc For Those About To Rock We Sal...LP ATL 50851 Allemagne Ac/dc Fly On The Wall LP 781 263-1 Allemagne Ac/dc Flick Of The Switch LP 78-0100-1 Allemagne Ac/dc Dirty Deeds Done Dirt Cheap LP ATL 50 323 Allemagne Ac/dc Blow Up Your Video LP Inconnu Ac/dc Back In Black LP ALT 50735 Allemagne Accept Restless & Wild LP 810987-1 France Accept Metal Heart LP 825 393-1 France Accept Balls To The Walls LP 815 731-1 France Adam And The Ants Kings Of The Wild Frontier LP 84549 Pays-Bas Adam Ant Friend Or Foe LP 25040 Pays-Bas Adams Bryan Into The Fire LP 393907-1 Inconnu Adams Bryan Cuts Like A Knife LP 394 919-1 Allemagne Aerosmith Rocks LP 81379 Pays-Bas Aerosmith Live ! Bootleg 2LP 88325 Pays-Bas Aerosmith Get Your Wings LP S 80015 Pays-Bas Aerosmith Classics Live! LP 26901 Pays-Bas Aerosmith Aerosmith's Greatest Hits LP 84704 Pays-Bas Afrika Bambaataa & Soulsonic F..
    [Show full text]
  • On Record Royalty in Chicago, KILT in Houston and Utors Screening Dealer Returns with the Hour Show -"Hitbound
    08120 NEWSPAPER DIII $_ A Billboard Publication The International Musicoar -Record -Tape Newsweekly August 2, 1975 $1.50 New Disks Previewed Returns Via Fresh Faces Spark On Billboard Program 1 -Stop Buys Hearings LOS ANGELES -A new syndi- Lundy, a nationally -known air per- Irk Distribs By House cated radio show aimed at exposing sonality who has worked at such ra- By IS HOROWITZ new recorded product -specifically dio stations as WNBC in New York NEW new releases -has been launched by and other major markets like WLS YORK -Heightened activ- Billboard. ity by national one -stops has distrib- On Record Royalty in Chicago, KILT in Houston and utors screening dealer returns with The hour show -"Hitbound ... KFRC in San Francisco. In 1974 new By MILDRED HALL From Billboard " -is being offered to Lundy won an award as Major Mar- and often skeptical attention. Indie distributors, especially, are Electronics Show stations now, reports Lee Zhito, edi- ket Air Personality of the Year, WASHINGTON -For the first reporting that a significant number tor -in -chief and publisher. It is presented at Billboard's Inter- time in a 10 -year legislative battle of retailers are returning more prod- being marketed by Audio /Video national Radio Programming Fo- Scores In Russia between the record industry and uct than their purchases might indi- Programming, Los Angeles, for a rum, Plaza Hotel, New York. By VADIM YURCHENKOV broadcasters over the issue of per- cate as reasonable. What's happen- September debut. Among the first stations in the formance royalty for sound record- ing, they say, is that stores are MOSCOW -The recent Commu- The show is hosted by Steve (Continued on page 10) ings, there were new faces and a dra- returning to authorized wholesalers nication '75 (SVJAZ '75) was prob- matic shift in emphasis at a House unsold quantities of records and ably the largest showcase of inter- subcommittee hearing on the record tapes purchased originally from national consumer electronics ever royalty last week.
    [Show full text]
  • The Peter Vickers Genesis Collection Wednesday 16Th May 2018 at 10.00
    Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) The Peter Vickers Genesis Collection Wednesday 16th May 2018 at 10.00 Viewing: 14th May 10.00-16.00 For enquiries relating to the auction 15th May 2018 09:00 - 16:00 please contact: 09:00 morning of auction Otherwise by Appointment Saleroom One 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 David Martin Fax: 0871 714 6905 Music & Email: [email protected] Entertainment www.specialauctionservices.com As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price The Peter Vickers Genesis Collection Peter Vickers started collecting Genesis Records and Memorabilia in the Mid 1970s and became a well known and respected member of the Genesis fan community, writing a number of articles on the band for magazines and on line. Peter also self produced several limited edition books on the history of Genesis and Rare Collectibles. It is doubtful if anyone else had the depth and breadth of his knowledge regarding the Band’s Recorded output around the world.
    [Show full text]
  • TRAVERSES N° 34
    TRAVERSES n° 34 ● GENESIS REVISITED II : Concert au Festival de Cornouaille, le 26 juillet 2013, à Quimper Un guitariste « mythique » Pour le grand public rock, le nom de GENESIS évoque le trio Phil COLLINS, Mike RUTHERFORD et Tony BANKS, dernier avatar de cette formation qui s’est produite à Paris (pour la dernière fois ?), il y a quelques années. Pourtant, après une première époque (avec le guitariste Anthony PHILLIPS et le batteur John MAYHEW), peu après les débuts de sa renommée, dès 1971, ce groupe - dont le nom signifie la genèse -, était constitué de cinq musiciens. Les trois nommés (Phil : batterie/chant, Mike : guitares/basse, Tony : claviers/chant) ainsi que Steve HACKETT (guitare solo) et Peter GABRIEL (chant solo et flûte) enregistrèrent ensemble quatre albums qui sont à présent entrés dans la mythologie du rock progressif : Nursery crime (1971), Foxtrot (1972), Selling England by the Pound (1973), The Lamb Lies down on Broadway (1974). Après le départ de Peter GABRIEL en 1975, Steve restera le guitariste solo de GENESIS sur les deux albums studio suivants : A Trick of the Tail (1975) et Wind and Wuthering (1977). Steve HACKETT parti du groupe à son tour se consacra à sa carrière solo, ayant livré à ce jour un impressionnant nombre d’enregistrements rock, mais aussi de guitare classique (6 et 12 cordes). Depuis quelques années, notre musicien et chanteur présente le répertoire des « classiques » de GENESIS (Genesis Revisited) avec son groupe, donnant à entendre les partitions semblables à celles figurant sur les disques mentionnés. Un bon vieux concert ! Steve HACKETT s’est donc produit à Quimper le 26 juillet dernier entouré de Nad SYLVAN (chant), Roger KING (claviers), Gary O’TOOLE (batterie), Rob TOWNSEND (saxophones, flûte et percussions) et Dick CADBURY (basse et guitare double manche).
    [Show full text]
  • Die 3-Cd Genesis- Anthologie 'R-Kive'
    DIE 3-CD GENESIS- ANTHOLOGIE ‘R-KIVE’ VÖ: 03. Oktober 2014 Erstmals vereint: 37 der besten Songs von Genesis und aus den Solowerken der einzelnen Musiker Am 03. Oktober wird Virgin EMI / Universal Music Catalogue die drei CDs umfassende Genesis-Anthologie ‘R- Kive’ veröffentlichen. Das 37 Songs umfassende CD-Set, das 42 Schaffensjahre umfasst, dokumentiert die Bandgeschichte mit klassischen Arbeiten von Genesis und ausgewähltem Material aus den Solokarrieren von Tony Banks, Phil Collins, Peter Gabriel, Steve Hackett sowie Mike Rutherford / Mike + The Mechanics. Die Werke von Genesis und die aus der Band hervorgegangenen Soloprojekte sind im Laufe der Jahre zu einer mehr als bemerkenswerten Serie von Glanzleistungen angewachsen und haben es gemeinsam auf unglaubliche 14 Alben gebracht, die die Charts anführten, sowie zwei weitere Dutzend in den Top 10. Insgesamt wurden von Genesis und den Solowerken der Bandmusiker weltweit mehr als 300 Millionen Alben verkauft. ‘R-Kive’ enthält in chronologischer Reihenfolge die größten Hits von Genesis, darunter ‘Invisible Touch’, ‘Turn It On Again’, ‘Land of Confusion’ und ‘I Can’t Dance’. Dazu gesellen sich, in entsprechender Reihenfolge, Soloklassiker wie ‘The Living Years’ und ‘Over My Shoulder’ von Mike + The Mechanics, ‘In The Air Tonight’ von Collins und sein Duett mit Philip Bailey, ‘Easy Lover’, sowie Peter Gabriels ‘Solsbury Hill’. ‘R-Kive’ beginnt mit ‘The Knife’, einer neunminütigen Proto-Punk-Nummer, die bei den frühen Konzerten den krönenden Abschluss bildete und noch zu jener Zeit entstanden war, bevor Hackett und Collins zur Band stießen. Zu den insgesamt 22 Songs von Genesis ist jeder der fünf Musiker gleichberechtigt mit jeweils drei Songs seiner Solowerke vertreten.
    [Show full text]