Robert Cray Bio 2014 with 5 Grammy Awards, 15 Nominations, Millions of Record Sales Worldwide, and Thousands of Sold out Perform

Total Page:16

File Type:pdf, Size:1020Kb

Robert Cray Bio 2014 with 5 Grammy Awards, 15 Nominations, Millions of Record Sales Worldwide, and Thousands of Sold out Perform Robert Cray Bio 2014 With 5 Grammy Awards, 15 nominations, millions of record sales worldwide, and thousands of sold out performances, rock blues icon Robert Cray is considered “one of the greatest guitarists of his generation.” Rolling Stone Magazine in their April 2011 issue credits Cray with reinventing the blues with his “distinct razor sharp guitar playing” that “introduced a new generation of mainstream rock fans to the language and form of the blues” with the release of his Strong Persuader album in 1986. Since then, Cray has gone on to record fifteen Billboard charting studio albums and has written or performed with everyone from Eric Clapton to Stevie Ray Vaughan, from Bonnie Raitt to John Lee Hooker. Recently inducted into the Blues Hall of Fame at the age of 57, he is one of the youngest living legends to receive the prestigious honor. And while he can look back over an astonishing three-decade career punctuated by his trademark sound and distinct playing style, Robert Cray is too busy moving forward on an amazing journey that has him releasing his sixteenth studio album and embarking on yet another world tour. Nothin But Love will be released on August 28, 2012 and will be both his first collaboration with the Provogue record label and super-producer Kevin Shirley (Aerosmith, The Black Crowes, Journey). This ten-song stand includes material from all four Robert Cray Band members; Cray (vocals/guitar), Jim Pugh (keyboards), Richard Cousins (bass) and Tony Braunagel (drums) that blends blues, rock, soul and jazz with a lyric-sheet that examines the triumphs, fallouts and follies of life and love. “Kevin did an amazing job producing this album and I’m really happy with the outcome,” says Cray, “he captured the real essence of the Robert Cray Band, that live energy we deliver on the road that is usually so difficult to nail down in the studio. I think it’s one of the strongest records that we’ve had in some time.” And he’s right. In terms of production, long-time fans will be thrilled with a recording featuring what Shirley calls “the dirt under the fingernails.” Recorded live over a two-week burst at the Revolver Studios in LA, Nothin But Love features the soaring breakup blues of “Won’t Be Coming Home”, the jazz chops of “I’ll Always Remember You”, the soul- drenched ode to repossession that is “Great Big Old House” to the frantic ’50s-flavoured rocker “Side Dish.” Cray still remembers the first love that led him here. “My dad was in the army, so we moved around quite a bit,” he explains. “I had a lot of time and the guitar became my friend. Also, when I first picked up a guitar, The Beatles were just out, and that’s why I got one. That’s why a lot of kids got guitars. The whole atmosphere of that time was, ‘Hey, I learnt this’. ‘Well, let me show you this…’ So that’s what sparked my interest, and it never really went away.” Cray cites Jimi Hendrix, Buddy Guy and B.B. King as formative guitar influences, alongside singers like Bobby ‘Blue’ Bland, but just as pivotal for the aspiring bluesman was witnessing Albert Collinsplay a set at his high-school dance. It was that Collins performance that led to the formation of the Robert Cray Band in 1974, a four piece touring band featuring Cray on lead vocals and guitar and longtime friend Richard Cousins on bass, whose thrillingly modern take on the blues was the talk of the circuit, even if the singer was a bit of an introvert on stage. “I just couldn’t speak to the audience,” says Robert with a smile, “so Richard would do all the introductions. These days I think I’m better at it.” In 1976 after two years of touring and in the first of many pinch-yourself moments the band was invited to be the house band for Albert Collins; a stellar musical apprenticeship and schoolboy fantasy that lasted over 18 months. Opening their account with 1980’s Who’s Been Talkin’, the Robert Cray Band fired off three albums in quick succession, and although 1985’s False Accusations hijacked the charts and won an industry blues award, it was the following year’s Strong Persuader that achieved lift-off, hitting a US#13 chart position that was unprecedented for a blues record in the synthesizer age. “I guess Strong Persuader just captured a good spirit and energy,” Cray reflects. “People are still calling out for some of those songs at shows. It gave us a good springboard. I guess it was the songs, but it was also the era, because radio and MTV gave us a foothold, and we had videos out too.” Cray had arrived in the big leagues. As songs like “Smoking Gun” scaled the singles charts across the planet and word spread of his incendiary live shows, his name began to be mentioned in the same breath as the blues heavyweights, and he was regularly to be found working alongside them. He spent the years that followed guesting on Eric Clapton’sJourneyman album, jamming live with Keith Richards, appearing in Tina Turner’s TV special Break Every Rule, posthumously inducting Howlin’ Wolf into the Rock ‘n’ Roll Hall of Fame, and supplying solos for the late John Lee Hooker. “We became good friends,” says Cray of this latter hero. “We were with the same agency, so we did a lot of shows together. I went to Japan with John Lee and watched as the Japanese fans mobbed him. It was fantastic. He was a real one-off.” The oft-quoted line reads ‘that bluesmen improve with age’, and Cray’s evolving output through the next two decades gives weight to the theory. “In the ’90s, we had the I Was Warned album (1992), and then Sweet Potato Pie (1997), which was a Memphis kind of thing that got into the soul bag,” he recalls. “I really liked those two records: there was some good songwriting.” In 2000 he took home a Grammy for the album Take Your Shoes Off and went on to release two additional Grammy nominated albums Twenty (2005) featuring the poignant anti-Iraq war song of the same name, and This Time (2009) featuring the soul drenched favorite “I Can’t Fail.” The following year, the Robert Cray Band released the live album Cookin’ In Mobile (2010) and once again toured worldwide to sellout crowds. “We have been very lucky,” says Cray, “with music becoming mostly digital in recent years and artists not selling the same number of physical records, we’re afforded the luxury of having a great loyal and amazing fan base around the world, allowing a band like ours to continue to work.” It’s quite a humble and unassuming statement, given his illustrious career – but that’s always been Cray’s style. He doesn’t take anything for granted, doesn’t rest on his laurels. So on this sixteenth studio release, Robert Cray is once again laying down his cards, testing his talent, fusing that dazzling voice to some of the most powerful material in his three-decade back catalogue and offering his fans Nothin But Love. .
Recommended publications
  • The Book of Souls Free
    FREE THE BOOK OF SOULS PDF James Oswald | 432 pages | 04 Jul 2013 | Penguin Books Ltd | 9781405913164 | English | London, United Kingdom The Book of Souls: Live Chapter - Wikipedia The Book of Souls is the sixteenth studio album by English heavy metal band Iron Maidenreleased on 4 September It is the band's first studio double albumand The Book of Souls their longest to date, with a The Book of Souls length of 92 minutes. Its launch and supporting tour were delayed to allow vocalist Bruce Dickinson time to recover from the removal of a cancerous tumour in early It is also their first album to be released on Parlophonesince the end of their year relationship with EMI Records. The band wrote and immediately recorded many tracks in the studio, resulting in a spontaneous live feel. The album's first release, " Speed of Light ", was issued as a music video on 14 August, and simultaneously as a digital download and CD single exclusive to Best Buy. In addition to being their longest studio record, it also contains the band's longest song, " Empire of the Clouds ", at 18 minutes in length, which was also issued as a single The Book of Souls Record Store Day on 16 April While not a concept album, references to the soul and mortality are prominent, realised in the Maya -themed cover artwork, created by Mark Wilkinson. A critical and commercial success, The Book of Souls topped the album charts in 24 countries. In the US, it matched The Final Frontier' s success on the Billboardrepeating the group's highest placement at no.
    [Show full text]
  • Read Book the Book of Souls Ebook Free Download
    THE BOOK OF SOULS PDF, EPUB, EBOOK James Oswald | 432 pages | 04 Jul 2013 | Penguin Books Ltd | 9781405913164 | English | London, United Kingdom The Book of Souls PDF Book It is seemingly self-contained. Namespaces Article Talk. Retrieved 8 September Nebserek Mayling Ng McClean's own house is burned down. Use the HTML below. IFPI Norway. It is also available for digital purchase alongside its audio counterpart, with no physical edition announced. Going into this one, I expected it so I was not surprised. Uruk Katy Louise Saunders Tuesday 22 September Bruce Dickinson. Play track. Saturday 15 August Together they search for a legendary relic known as The Book of Souls, which will allow them to put an end to an evil warlord. Chained to his right wrist, Destiny carried the Book everywhere, protecting it from beings like the Luck Lords who have coveted the Book for millennia. Full Cast and Crew. We were delighted to discover the same magical vibe is still alive and very much kicking there! Wednesday 16 September That being said. Although Oswald never really describes McLean ok, there may have been a sentence about his jaw being scruffy , I keep imagining that Tony McLean looks exactly like Oswald himself. It is also their first album to be released on Parlophone, since the end of their year relationship with EMI Records. I read the first book in this series last week and was hooked. Retrieved 27 November Looking for something to watch? Monday 17 August Second in the Inspector McLane series of police procedurals with a paranormal twist, the inspector relives his grief as the new killer escalates to taking a victim almost every week, adding to his nightmares.
    [Show full text]
  • Lightning in a Bottle
    LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved.
    [Show full text]
  • Blues Rock Star Joe Bonamassa Announces Highly Anticipated New Studio Album
    BLUES-ROCK STAR JOE BONAMASSA ANNOUNCES NEW SINGLE "TIME CLOCKS" TAKEN FROM HIS NEW STUDIO ALBUM 'TIME CLOCKS' TO BE RELEASED OCT 29 PRE-ORDER “TIME CLOCKS” https://smarturl.it/JoeB-MLG LISTEN TO THE “TIME CLOCKS” SINGLE HERE: https://smarturl.it/JoeBonamassa WATCH THE MUSIC VIDEO FOR “TIME CLOCKS” HERE: https://youtu.be/Z7116ryQV-I Guitar legend Joe Bonamassa today reveals his stunningly sweeping new single, "Time Clocks." This is the third song taken from his forthcoming brand-new studio album of the same name, released on October 29 via Provogue (Europe) and J&R Adventures (North America). Joe continues his soul-searching evolution on this beautifully poignant Bonamassa-Shirley penned song. At just over seven minutes long, it has all the epic musical grandeur of him at his most expressive and ambitious. With a heart on sleeve narrative weaving its way throughout, the rousing chorus rises to the heavens as he sings, "and the rain soaking through my coat, about to capsize my boat I push it along away from the docks, I was never a good puncher of time clocks." Backed with cascading vocals from Juanita Tippins and Prinnie Stevens, as well as the supreme musicianship of Anton Fig (Drums), Steve Mackey (Bass), Lachy Doley (Piano/Organ) and Kevin Shirley (Percussion), it has an aura of pure timelessness. The album was recorded in New York City and took Joe back to his early roots and rediscovers him at a newfound peak with an unparalleled Blues Rock prowess. Known as the man in the suit, loved by many as the ultimate guitar hero, and cited by critics as "the world's biggest blues guitarist" (Guitar World), somehow the music mastermind has found yet another layer of immense new artistry to share with his fans.
    [Show full text]
  • 5, 2015 •Marina Park, Thunder
    14TH ANNUAL BLUESFEST Your free festival program courtesy of your friends at The Chronicle-Journal JOHNNY REID • JULY 3 - 5, 2015 JULY • MARINA PARK, THUNDER BAY KENNY WAYNE SHEPHERD BAND PAUL RODGERS JOHNNY REID • ALAN FREW • THE PAUL DESLAURIERS BAND • THE BOARDROOM GYPSIES • KENNY WAYNE SHEPHERD BAND • ALAN DOYLE • THE WALKERVILLES • KELLY RICHEY • BROTHER YUSEF • THE BRANDON NIEDERAUER BAND • THE GROOVE MERCHANTS • LOOSE CANNON• PAUL RODGERS • DOYLE BRAMHALL II • WALTER TROUT • THE SHEEPDOGS • THE BROS. LANDRETH • JORDAN JOHN • THE HARPOONIST AND THE AXE MURDERER • THE KRAZY KENNY PROJECT THE VOICE... KEN WRIGHT rock guitar for more than two decades, Kenny Wayne SPECIAL TO THE CHRONICLE-JOURNAL Shepherd will hot wire the marquee on Saturday. Not to be missed, Paul Rogers, the peerless, 90-million-record-sell- What is it about a blues festival, that antsy sense of ing, oh-so-soulful voice of authoritative bands Free, Bad anticipation that we feel? It's a given that the music and Company and Queen will close the festival with the ulti- Ken Wright its performers will be royally entertaining. Yet, we all arrive mate in front man style and swagger on Sunday. with fingers crossed, hoping for that transcendent experi- Newfoundland's unstoppable native son, Alan Doyle, will Has the blues, but in a good way. He writes about them. A veteran director of ence that will reverse the spin of our world if only for an introduce East Coast reels to Top 40 pop with mandolins, fiddles and bouzoukis. Considered by Eric Clapton to be the Thunder Bay Blues Society, Wright puts his writing ability together with an hour to be relived again and again with all who shared it.
    [Show full text]
  • My Guitar Is a Camera
    My Guitar Is a Camera John and Robin Dickson Series in Texas Music Sponsored by the Center for Texas Music History Texas State University–San Marcos Gary Hartman, General Editor Casey_pages.indd 1 7/10/17 10:23 AM Contents Foreword ix Steve Miller Acknowledgments xi Introduction xiii Tom Reynolds From Hendrix to Now: Watt, His Camera, and His Odyssey xv Herman Bennett, with Watt M. Casey Jr. 1. Witnesses: The Music, the Wizard, and Me 1 Mark Seal 2. At Home and on the Road: 1970–1975 11 3. Got Them Texas Blues: Early Days at Antone’s 31 4. Rolling Thunder: Dylan, Guitar Gods, and Joni 54 5. Willie, Sir Douglas, and the Austin Music Creation Myth 60 Joe Nick Patoski 6. Cosmic Cowboys and Heavenly Hippies: The Armadillo and Elsewhere 68 7. The Boss in Texas and the USA 96 8. And What Has Happened Since 104 Photographer and Contributors 123 Index 125 Casey_pages.indd 7 7/10/17 10:23 AM Casey_pages.indd 10 7/10/17 10:23 AM Jimi Hendrix poster. Courtesy Paul Gongaware and Concerts West. Casey_pages.indd 14 7/10/17 10:24 AM From Hendrix to Now Watt, His Camera, and His Odyssey HERMAN BENNETT, WITH WATT M. CASEY JR. Watt Casey’s journey as a photographer can be In the summer of 1970, Watt arrived in Aus- traced back to an event on May 10, 1970, at San tin with the intention of getting a degree from Antonio’s Hemisphere Arena: the Cry of Love the University of Texas. Having heard about a Tour.
    [Show full text]
  • Updates & Amendments to the Great R&B Files
    Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the
    [Show full text]
  • WHO's GUITAR Is That?
    2013 KBA -BLUES SOCIETY OF THE YEAR CELEBRATING OUR 25TH YEAR IN THIS ISSUE: -Who’s Guitar is That? -The Colorado-Alabama Connection Volume 26 No3 April/May2020 -An Amazing Story -Johnny Wheels Editor- Chick Cavallero -Blues Boosters Partners -CBS Lifetime Achievement WHO’s GUITAR is Award to Mark Sundermeier -CBS Lifetime Achievement That? Award to Sammy Mayfield By Chick Cavallero -CD Reviews –CBS Members Pages Guitar players and their guitar pet names what’s in a name, eh? Not every guitar player names his CONTRIBUTERS TO THIS ISSUE: guitars, heck be pretty hard since some of them have hundreds, and some big stars have Chick Cavallero, Jack Grace, Patti thousands. Still, there have been a few famous Cavallero, Gary Guesnier, Dr. Wayne ones in the Blues World. Most every blues fan Goins, Michael Mark, Ken Arias, Peter knows who Lucille was, B.B. King’s guitar, right? “Blewzzman” Lauro But why? Well, in 1949 BB was a young bluesman playing at a club in Twist, Arkansas that was heated by a half-filled barrel of kerosene in the middle of the dance floor to keep it warm. A fight broke out and the barrel got knocked over with flaming kerosene all over the wooden floor. “It looked like a river of fire, so I ran outside. But when I got on the outside, I realized I left my guitar inside.” B.B. Said he then raced back inside to save the cheap Gibson L-30 acoustic he was playing …and nearly lost his life! The next day he found out the 2 men who started the fight-and fire- had been fighting over a woman named Lucille who worked at that club.
    [Show full text]
  • Michael Downs Trying to Find My Li'l All 'N All (Sitting on Top of the World)
    Michael Downs Trying to Find My Li’l All ’n All (Sitting on Top of the World) campground in Mississippi, a cold December dawn: I climbed from a A sleeping bag, befuddled by the clarity of morning. Blinking into sun-glare off the steady surfaces of ponds. Stumbling across frozen, heaved ground that had been mud the night before. Coffee could have helped, but I didn’t have any. My old dog nosed through dry leaves for the best place to piss. For two weeks she and I had traveled, a road-trip start to my fiftieth year. I’ d envisioned back roads from Baltimore to Austin, campgrounds and books, barbecue, reunion with loved ones—my parents, especially, given Mom’s flagging health and chronic pain. Kaimin would gain canine prestige by marking territory at the Clinton Library in Little Rock and Faulkner’s Rowan Oak in Oxford. That had been the plan, and much of it had come to pass. But this day involved a different agenda. Today I’ d see a man about a song—and not just any song, but one that for more than two decades had held me with an inex- plicable grip. On its face, “Sitting on Top of the World” is just an old blues tune, first recorded in 1930 by the Mississippi Sheiks. But it’s a shapeshifter, too, having been performed or recorded hundreds of times in everything from jazz to bluegrass to Texas swing, folk, and rock. Ray Charles, Jack White, the Carter Family, the Carolina Chocolate Drops, Bill Frisell, The Grateful Dead—even the “Bye, bye, Miss American Pie” guy: they’ve all done it.
    [Show full text]
  • Billboard-1987-11-21.Pdf
    ICD 08120 HO V=.r. (:)r;D LOE06 <0 4<-12, t' 1d V AiNE3'c:0 AlNClh 71. MW S47L9 TOO, £L6LII.000 7HS68 >< .. , . , 906 lIOIa-C : , ©ORMAN= $ SPfCl/I f011I0M Follows page 40 R VOLUME 99 NO. 47 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT November 21, 1987/$3.95 (U.S.), $5 (CAN.) CBS /Fox Seeks Copy Depth Many At Coin Meet See 45s As Strong Survivor with `Predator' two -Pack CD Jukeboxes Are Getting Big Play "Predator" two-pack is Jan. 21; indi- and one leading manufacturer Operators Assn. Expo '87, held here BY AL STEWART vidual copies will be available at re- BY MOIRA McCORMICK makes nothing else. Also on the rise Nov. 5-7 at the Hyatt Regency Chi- NEW YORK CBS /Fox Home Vid- tail beginning Feb. 1. CHICAGO While the majority of are video jukeboxes, some using la- cago. More than 7,000 people at- eo will test a novel packaging and According to a major -distributor jukebox manufacturers are confi- ser technology, that manufacturers tended the confab, which featured pricing plan in January, aimed at re- source, the two -pack is likely to be dent that the vinyl 45 will remain a say are steadily gaining in populari- 185 exhibits of amusement, music, lieving what it calls a "critical offered to dealers for a wholesale viable configuration for their indus- ty. and vending equipment. depth -of-copy problem" in the rent- price of $98.99. Single copies, which try, most are beginning to experi- Those were the conclusions Approximately 110,000 of the al market.
    [Show full text]
  • 5 25 Voice 9 16.Indd
    Old Firehouse Winery 5499 Lake Road East Geneva-on-the-Lake, Ohio Hours: Open 7 days Noon - Midnight SEE INSIDE BACK COVER FOR ENTERTAINMENTSun-Thurs 12-6 LISTING 1-800-Uncork-1 (1-800-862-6751) Visit us for your next Vacation or Get-Away! Four Rooms Complete with Private Hot Tubs 4573 Rt. 307 East, Harpersfield, Ohio Three Rooms at $80 & Outdoor Patios 440.415.0661 One Suite at $120 www.bucciavineyard.com JOIN US FOR LIVE Live Entertainment Fridays & Saturdays! ENTERTAINMENT ALL WEEKEND! www.debonne.com Appetizers & Full Entree Menu See Back Cover See Back Cover For Full Info For Full Info www.grandrivercellars.com 2 North Coast Voice Magazine | northcoastvoice.com • (440) 415-0999 | May 25 - June 8, 2016 And A Little Brew, too 8800 Euclid Chardon Rd. Lake Metroparks Farmpark Kirtland, Ohio 1-10 pm Each Friday, June 10 Day 5:00-8:00 th th, August 5 & 6 2016 CHALK Chef Renee Grill & Chill Presented by Ohio Wine Producers Association the WALK Celebrate the end Patio Cookout Use code VB216NC on advance sale of the school year! .OTHINGSAYSSUMMERQUITE ƟĐŬĞƚƐƚŽƌĞĐĞŝǀĞΨϭϬŽīƚŚĞŐĂƚĞ Save the date: ƟĐŬĞƚƉƌŝĐĞŽĨΨϯϱ LIKEACHILLEDGLASSOFWINE MAYÊÓÈÌ ÊUÊx«Ç« ANDAPERFECTLYCOOKED Rotary Pavilion 440-466-4417 West Main St. STEAK*OIN0AIRINGSTHE www.OhioWines.org (next to Capo's Pizza SECOND&RIDAYOFEVERY in Geneva) MONTHFOROURPATIOCOOKOUT The Midwest’s Wine, Food and Music Festival FEATURINGTWOFRESHANDLOCAL SIDESTHATHIGHLIGHTTHERICH Y AGRICULTURALENVIRONMENTWE oga HAVERIGHTHEREINTOWN on the )NCLUDESYOURCHOICEOF Now Open PROTEIN ASEASONALSIDE AS WINE TIME GIFT SHOP River WELLASDESSERT#HECKOUT 9am ~ 4:30pm WEBSITEFORTHE MOUTHWATERINGMENU Monday ~ Friday June 4th PERCOUPLE HAVE A SAFE 1 S Broadway, Geneva, Ohio >ÌÊÇ> A Great Selection Of PAIRINGS Wine Related Items Harpersfield 0ARK3TREETs'ENEVA /( For More Information Call Covered Bridge 440.361.2222 440.466.4417 or Visit OhioWines.org Hours: Tuesday-Saturday 11:00-6:00 AND HAPPY Limited space with extended hours for classes and events.
    [Show full text]
  • The Robert Cray Band Shame + a Sin Mp3, Flac, Wma
    The Robert Cray Band Shame + A Sin mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: Shame + A Sin Country: UK Released: 1993 Style: Blues Rock, Modern Electric Blues MP3 version RAR size: 1319 mb FLAC version RAR size: 1589 mb WMA version RAR size: 1501 mb Rating: 4.6 Votes: 175 Other Formats: AU MP3 AC3 MOD MP2 WAV MIDI Tracklist Hide Credits 1 1040 Blues 5:02 2 Some Pain, Some Shame 4:28 3 I Shiver 5:07 You're Gonna Need Me 4 3:36 Guitar – Albert Collins 5 Don't Break This Ring 4:50 6 Stay Go 3:35 7 Leave Well Enough Alone 5:17 8 Passing By 5:09 9 I'm Just Lucky That Way 3:57 10 Well I Lied 2:49 11 Up And Down 6:36 Companies, etc. Phonographic Copyright (p) – PolyGram Records, Inc. Copyright (c) – PolyGram Records, Inc. Glass Mastered At – PDO, UK – 10256871 Credits Executive-Producer – Mike Kappus Mixed By, Recorded By, Engineer – Steve Savage Producer – Robert Cray Notes Album credited to "Robert Cray" on front cover (only). UK release/manufacture as distinct from The Robert Cray Band - Shame + A Sin and The Robert Cray Band - Shame + A Sin Barcode and Other Identifiers Barcode (Text): 7 31451 85172 8 Matrix / Runout: 5185172 10256871 01 & MADE IN U.K. BY PDO Rights Society: BIEM STEMRA Label Code: LC 0268 Price Code (Polygram): PG 900 Other versions Category Artist Title (Format) Label Category Country Year The Robert Cray Shame + A Sin (CD, 518 517-2 Mercury 518 517-2 Europe 1993 Band Album) The Robert Cray Shame + A Sin (Cass, 518517-4 Mercury 518517-4 UK 1993 Band Album) The Robert Cray Shame + A Sin (Cass, 518 517-4 Mercury 518 517-4 Malaysia 1993 Band Album) The Robert Cray Shame + A Sin (CD, 518 517-2 Mercury 518 517-2 Europe 1994 Band Album, RP) The Robert Cray Shame + A Sin (CD, 314 518 237-2 Mercury 314 518 237-2 Canada 1993 Band Album) Related Music albums to Shame + A Sin by The Robert Cray Band 1.
    [Show full text]