DOCSLIB.ORG

Haider Wins People's Choice Award at the Rome Film

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Haider Wins People's Choice Award at the Rome Film HAIDER WINS PEOPLE’S CHOICE AWARD AT THE ROME FILM FESTIVAL The film had an Italian Premiere on 24th October and is the first Indian Film to get this award Mumbai, 25th October: Haider produced by UTV Motion Pictures and VB Pictures which had its Italian premiere at the prestigious Rome Film Festival on 24th October, won the ‘People’s Choice Award’ in the Mondo Genre (World Genre) announced today. Out of the 7 films that featured under this genre, Haider was the only Asian film selected across the globe. This is the first time that an Indian film wins the Audience Award in a non- specialized (non-focused on Asian Cinema) wide-ranging International festival. After winning hearts across India, the movie continues to woo audiences across the globe. Winning the ‘People’s Choice Award’ is truly prestigious as it’s one of the most unbiased awards since its chosen by the audiences and Haider was clearly the choice of the people. This is a huge honour for the Film as well as the country. The Mondo Genre had a selection of feature films of young or already successful directors this year and the festival gave priority to films that are world premieres. The movies selected were from countries like Italy, USA, Brazil and France. Along with Haider other films selected at the festival included films like Gone Girl by David Fincher starring Ben Affleck, The Knick by Steven Soderbergh starring Clive Owen, Black and White by Mike, Binder starting Kevin Costner, Still Alice by Richard Glatzer starring Julianne Moore, Kristen Stewart and Alec Baldwin, Night Crawler by Dan Gilroy starring Jake Gyllenhaal, Jia Zhangke, UN Gars De Fenyang by Walter Salles,Time Out of Mine by Oren Moverman starring Richard Gere and movies starring Johnny Depp, Stonehearst Asylum by Richard Anderson starring Kate Beckinsale and Ben Kingsley among several others. In the past the ‘People’s Choice Award’ at The Rome Film Festival was won 'Dallas Buyers Club’ in 2013 and ‘The Motel Life’ in 2012."This is a huge achievement for the film and a matter of pride for India. Haider has been awarded with the Peoples choice award in the ‘Mondo genre’ of the Rome Film Festival. It truly affirms our belief that good cinema can transcend boundaries and this award puts Haider on the global map. After the overwhelming wave of appreciation in India now Haider embarks on its global journey with this feat,” says Amrita Pandey, VP & Head of Marketing and Distribution – Studios, Disney India. “Haider is a classic Shakespearean tale retold with Kashmir in India as its backdrop, it’s a story that we would like to take to the world and to get this award now is a proud moment for the entire team of Haider,” says Director Vishal Bhardwaj. “I am fortunate to get a chance to be a part of this breakthrough movie, it was one of the most difficult roles for me and I am ecstatic with the positive reviews and audience feedback Haider has received. It’s a moment of immense pride that the movie has got this award at the festival,” says Shahid Kapoor who plays the role of Haider. Directed by Vishal Bhardwaj, Haider is a modern-day adaptation of William Shakespeare’s Hamlet, set in the backdrop of the beautiful Kashmir and stars Shahid Kapoor, Shraddha Kapoor, Tabu, Kay Kay Menon and Irrfan. The movie saw a worldwide release on Oct 2nd, 2014 and with this movie the much-admired filmmaker completes his Shakespearean trilogy. About the Film: Vishal Bhardwaj's adaptation of William Shakespeare's 'Hamlet', Haider - a young man returns home to Kashmir on receiving news of his father's disappearance. Not only does he learn that security forces have detained his father for harboring militants, but that his mother is in a relationship with his very own uncle. Intense drama follows between mother and son as both struggle to come to terms with news of his father's death. Soon Haider learns that his uncle is responsible for the gruesome murder, what follows is his journey to avenge his father's death. About Rome Film Festival: The 9th Rome Film Festival will take place from October 16 to 25, 2014, at the Auditorium Parco della Musica. All the spaces in the Auditorium, for a total capacity of four thousand seats, will be open for the Festival. Thus, for ten days and will be the centre of attraction for professionals, journalists, and film buffs, hosting screenings, exhibitions, events, conferences, debates. The 1,300 square metres of the avenue leading to the Cavea (an open-air theatre square used) will become one of the largest red carpets in the world. The Official Selection of the Festival consists in four sections: Cinema d’Oggi (Cinema Today) will present films by both young and well-known authors, Gala will select the season’s great “popular but original” films, Mondo Genere (Genre World) will be a collection of films from various film genres, while Prospettive Italia will present a survey of the latest trends in Italian fiction films and documentaries. The parallel and independent sidebar Alice nella città will present a selection of youth- oriented films, following its own regulations. About Disney India Bringing together the best of both worlds, The Walt Disney Studios and UTV Motion Pictures have formed one of the leading film studios in India. The studio's activities span across creative development, production, marketing, distribution, licensing, merchandising and syndication of films in India and worldwide. UTV Motion Pictures as a dominant player in the Indian film industry has been in the forefront of bringing Indian films to a global audience and the last decade in Indian cinema has seen UTV delivering some of the most iconic films including Swades, Rang De Basanti, Jodhaa Akbar, A Wednesday, Dev D, Khosla Ka Ghosla, The Namesake, Life in a Metro, Oye Lucky! Lucky Oye!, Fashion, Kaminey, No One Killed Jessica, Raajneeti, Udaan, Peepli Live, Delhi Belly, Ek Main Aur Ekk Tu, Paan Singh Tomar, Rowdy Rathore, Barfi!, Heroine, Race 2, AnyBody Can Dance (ABCD), Kai Po Che!, Yeh Jawaani Hai Deewani, Ship of Theseus, Chennai Express, Satyagraha, The Lunchbox, Shahid and more recently Highway, 2 States, Heropanti, Filmistaan, Kick, Raja Natwarlal, Khoobsurat and Haider. The studio has to its credit 4 films in the last 10 years that have been selected to represent India at the Academy awards; Rang De Basanti (2006), Harishchandrachi Factory (2009), Peepli Live (2010) and Barfi! (2012). In 2011, UTV also became one of the few studios to successfully venture into South Indian cinema with Deivathirumagal and Muran, and has had a successful run so far with Vettai, Masala Café, Mugamoodi, Thaandavam, Settai , Theeya Velai Seiyyanum Kumaru and Ivan Veramathiri in Tamil, and Grandmaster & Husbands in Goa in Malayalam. UTV has a library of over 100 films including Hindi, Regional, Animation and International Productions, which have been showcased in over 50 festivals across 50 countries, receiving almost 400 awards in the last 10 years. The Walt Disney Studios witnessed an unprecedented box office success in India in 2012 with MARVEL's The Avengers which was distributed and marketed in India by UTV Motion Pictures. The film emerged as the 5th highest grosser of all-time amongst Hollywood films in India. Iron Man 3 released in 2013 became the highest Hollywood grosser for the year. More recently Captain America: The Winter Soldier became the second largest Hollywood film in India for the year 2014 so far and academy award winner Frozen emerged as the 3rd biggest Disney animation title in the region. Prior to this, Cars 2 and Pirates of the Caribbean 4 released in 2011 and were the biggest animation and live action titles of all time for Disney in the country. In 2010, Prince of Persia became the highest grossing western film in India that year. In 2014, a brand new offering from Marvel – Guardians of The Galaxy met with a great response in the Indian market. Our recent Tamil release, Anjaan with superstar Suriya has created waves down south. Earlier, Disney released its first live action Hindi feature Do Dooni Chaar in 2010 and subsequently after the success of the film, released Anaganaga-O-Dheerudu, a Telugu feature targeted at the southern audiences and second Hindi live-action film Zokkomon. Coming up is an inimitable slate with films that span a wide variety of genres from drama, action to romance, comedy and thriller including films like PK, ABCD 2, Jagga Jasoos and Fitoor in Hindi, Sigaram Thodu, Purambokku, Yatchan in Tamil; Big Hero Six and Avengers – Age of Ultron in English and many more. For further queries please contact: Sujata Chanda – 9892490579 [email protected] Sneh Kulkarni – 9820712440 [email protected] .
Load more

Recommended publications
  • India's Naxalite Insurgency: History, Trajectory, and Implications for U.S
    STRATEGIC PERSPECTIVES 22 India’s Naxalite Insurgency: History, Trajectory, and Implications for U.S.-India Security Cooperation on Domestic Counterinsurgency by Thomas F. Lynch III Center for Strategic Research Institute for National Strategic Studies National Defense University Institute for National Strategic Studies National Defense University The Institute for National Strategic Studies (INSS) is National Defense University’s (NDU’s) dedicated research arm. INSS includes the Center for Strategic Research, Center for Complex Operations, Center for the Study of Chinese Military Affairs, and Center for Technology and National Security Policy. The military and civilian analysts and staff who comprise INSS and its subcomponents execute their mission by conducting research and analysis, publishing, and participating in conferences, policy support, and outreach. The mission of INSS is to conduct strategic studies for the Secretary of Defense, Chairman of the Joint Chiefs of Staff, and the unified combatant commands in support of the academic programs at NDU and to perform outreach to other U.S. Government agencies and the broader national security community. Cover: Hard-line communists, belonging to the political group Naxalite, pose with bows and arrows during protest rally in eastern Indian city of Calcutta December 15, 2004. More than 5,000 Naxalites from across the country, including the Maoist Communist Centre and the Peoples War, took part in a rally to protest against the government’s economic policies (REUTERS/Jayanta Shaw) India’s Naxalite Insurgency India’s Naxalite Insurgency: History, Trajectory, and Implications for U.S.-India Security Cooperation on Domestic Counterinsurgency By Thomas F. Lynch III Institute for National Strategic Studies Strategic Perspectives, No.
    [Show full text]
  • Koel Chatterjee Phd Thesis
    Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar.
    [Show full text]
  • Adaptation of Shakespeare's Plays Into Films: the Dark Side
    European Journal of English Language and Literature Studies Vol. 4, Issue 7, pp. 35-39, November 201 Published by European Centre for Research Training and Development UK (www.eajournals.org) ADAPTATION OF SHAKESPEARE'S PLAYS INTO FILMS: THE DARK SIDE Azeez Jasim Mohammed Assistant Professor, Department of English Language and Literature, Jerash University, Jerash 26150, Jordan ABSTRACT: To what extent our innermost feelings can be revealed through our works? The unbearable face of human being cannot be hidden and what a director shot in a film may reveal the real sense of what is hidden from our eyes. Thus directors sometimes try to hide their dark side behind such interesting movies after having modified the events of the original text to achieve their end. This paper, however, is an overview about the technique of adaptation which varies from one adaptationist to another depending on the historical background of the screenplay writer. Although the director succeeds to project what is on one side of his curtain, he fails to hide what is on the other side that discloses his innermost feelings KEYWORDS: Dark side, Shakespeare, adaptation, Vishal Bhardwaj, Sadism, Masochism INTRODUCTION In this paper, I start from where I ended my last essay on media and literature which presented the relationship between the content of a literary work and its modified version after adaptation into films. The core of which was the role of the mass media which consisted of various layers of meaning superimposed on one another. I enhanced the study with two specific instances those served as illustrations; 'Best Defense', a Hollywood movie based on Robert Grossbach’s novel Easy and Hard Ways Out (1974) and 'World War Z'; another Hollywood movie based on the New York Times bestseller and an apocalyptic horror novel World War Z: An Oral History of the Zombie War (2006) by Max Brooks.
    [Show full text]
  • Adaptation of Shakespeare in Recent Bollywood Movies Dr
    Adaptation of Shakespeare in Recent Bollywood Movies Dr. Charu C Mishra Assoc. Prof. (English) KG Arts & Science College Raigarh, Chhatisgarh India Abstract Thanks to our drama professor who initiated us to the sheer joy of reading the high flown language and acting in Shakespeare‟s plays that eventually left us spellbound for life. Watching Shakespeare‟s plays in theatre for the yester year English educated Indians has been a hobby. This infatuation with the greatest dramatist has led some Film directors to experiment on the themes of comedies and tragedies. In recent years, director Vishal Bhardwaj holds the credit of adapting themes of his great tragedies to contemporary situation and work wonder through his experimentation. Maqbool is a 2003 Indian crime drama, an adaptation of the play Macbeth. The film had its North American premiere at the 2003 Toronto International Film Festival and was screened in the Marché du Film section of the 2004 Cannes Film Festival. Bhardwaj then moved on to adapt Othello in his 2006 film Omkara which won him commercial as well as critical success and Francis Ford Coppola's attention. Haider is the third installment of Bhardwaj's Shakespearean trilogy. The film is a modern-day adaptation of William Shakespeare's tragedy Hamlet, set amidst the insurgency-hit Kashmir during conflicts of 1995 and civilian disappearances. The film was screened at the 19th Busan International Film Festival and released worldwide on 2 October 2014 to wide critical acclaim, and garnered attention from the media due to its controversial subject matter. The present paper intends to study how the movies inspired by Shakespeare still appeal 21st century audience to concur his universality in changing times.
    [Show full text]
  • Artificial Intelligence and Healthcare in India
    CSD Working Paper Series: Towards a New Indian Model of Information and Communications Technology-Led Growth and Development Artificial Intelligence and Healthcare in India ICT India Working Paper #43 Nirupam Bajpai and Manisha Wadhwa January 2020 CSD Working Paper Series – Artificial Intelligence and Healthcare in India Abstract Artificial Intelligence (AI), also referred to as the new electricity, is the emerging focus area in India. AI refers to the ability of machines to perform cognitive tasks like thinking, perceiving, learning, problem solving and decision making. Most of the AI systems rely on historical large datasets for predicting future trends and outcomes at a pace which humans would not be able to match. The development of AI in India is in the initial stages and there is no regulatory body focused solely on AI. However, recently, Government of India has taken various initiatives related to AI such as establishment of Artificial Intelligence Task Force, formulation of NITI Aayog's National Strategy for Artificial Intelligence #AIFORALL, setting up of four Committees for AI under Ministry of Electronics and Information technology etc. Some of India’s state governments have also taken few initiatives, such as establishment of Centre of Excellence for Data Science and Artificial Intelligence (CoE-DS&AI) by Karnataka, Safe and Ethical Artificial Intelligence Policy 2020 and Face Recognition Attendance System by Tamil Nadu, AI-Powered System for monitoring driving behaviour by West Bengal, AI System to fight agricultural risks by Maharashtra etc. As with any other technology, AI brings with it a span of opportunities and challenges. In healthcare, AI could be beneficial in mining medical records; designing treatment plans; forecasting health events; assisting repetitive jobs; doing online consultations; assisting in clinical decision making; medication management; drug creation; making healthier choices and decisions; and solving public health problems etc.
    [Show full text]
  • Curriculum Vitae
    Curriculum Vitae Profile: Name: Dr. Mushtaq Hussain Magloo Pen Name: mushtaq haider Father’s Name: Gh Mohd Magloo Permanent Address: Kathi Maidan Alamgari Bazar, Srinagar Kashmir (J & K)-190011. Mobile: 9469423440 E-mail: [email protected] Designation: Senior Assistant Professor Place of Posting: Post Graduate Department of Urdu, University of Kashmir Academic Qualifications: Matric JKSBOSE 1992 Hr. Sec. - I JKSBOSE 1993 Hr. Sec. - II JKSBOSE 1995 B. G. University of Kashmir 2003 M.A Urdu University of Kashmir 2005 Professional Degrees(s) DIT CEDTI, New Delhi 2002 B.ED University of Kashmir 2007 DJMC MANUU, Hyderabad 2008 Research Degree(s): M.Phil. “A Critical History of Urdu Short Story up to 1936” 17-09-2009 Kashmir University Ph.D. “A Critical History of Urdu Short Story (1936- 2009)” 02-06-2014 Kashmir University Research Project: Working on a research Project entitled “Kashmir Mei Urdu Afsanay Ki Mukhtasar Tareekh” Sponsored by National Council for Promotion of Urdu Language, New Delhi. (Amount Sanctioned: Rs.0.99 lac) Research Publications Papers Published in Journals 1. "Faiz Ka Istiaarati Nizam" Hamara Adab, PP: 276-282,J&K Academy of Art Culture & Languages.(ISSN-2277-9841) 2. “Walidah Marhooma Ki Yaad Mein – Tahseen Wa Idrak” Bazyaft, the Department of Urdu, University of Kashmir, Srinagar, 48-49: 161-172, [ISSN: 0975-654X] 3. "Drama Navees Mantoo" Hamara Adab, PP: 234-244, J&K Academy of Art Culture & Languages.(ISSN-2277-9841) 4. "Mozeal" Bazyaft Vol 51-52, PP: 230-235, Department of Urdu, University of Kashmir. (ISSN- 0975-654X) 5. “Jadeed Takneeki Wasial Aur Urdu Zaban”, Urdu Duniya,Vol16(4),Pp23-25,NCPUL,New Delhi (ISSN:2249-0639) 1 6.
    [Show full text]
  • A Study of Kashmir As Portrayed Through Popular Indian Cinema
    The valley of desire : A study of Kashmir as portrayed through popular Indian cinema by Maliha Siddiqi M.A. (Mass communication), Jamia Millia Islamia, 2018 B.Sc., Kashmir University, 2016 Extended Essay Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication(Dual degree program in Global Communication) Faculty of communication, art and technology © Maliha Siddiqi 2020 SIMON FRASER UNIVERSITY Summer 2020 Copyright in this work rests with the author. Please ensure that any reproduction or re-use is done in accordance with the relevant national copyright legislation. Approval Name: Maliha Siddiqi Degree: Master of Arts Title: “The valley of desire”: A study of Kashmir as portrayed through popular Indian cinema Zoë Druick Senior Supervisor Professor Katherine Reilly Program director Associate Professor Date Defended/Approved: 31st August 2020 ii Abstract Indian-administered Kashmir has been a conflicted territory since 1947. This paper studies the representation of Kashmir and its civilian population in popular Hindi films. As Bollywood has an immensely dedicated audience, both in India as well as globally, the sensitive issues surrounding Kashmir make for extremely sought-after and therefore potentially influential content in films. I argue that these films reflect a sharp bias and a myopic approach towards showcasing the area and its civilian population. This paper employs the use of film analysis and critical discourse analysis to examine seven films — Mission Kashmir (2000), Yahaan (2005),Fanaa (2006), I am (2010), Lamhaa (2010), Haider (2014) and Hamid (2018) — to support the argument. The results show that all the films except Haider and Hamid misrepresent or underrepresent the realities of Kashmir.
    [Show full text]
  • Annual Report Fiscal Year 2015 Our Work 08
    ANNUAL REPORT FISCAL YEAR 2015 OUR WORK 08 ARTIST SUPPORT 11 PUBLIC PROGRAMS 35 TRANSFORMATIVE SUPPORT 42 INSTITUTIONAL HEALTH 44 FOCUS ON THE ARTIST 45 2 “ There will always be new terrain to explore as long as there are artists willing to take risks, who tell their stories without compromise. And Sundance will be here - to provide a range of support and a creative community in which a new idea or distinctive view is championed.” ROBERT REDFORD PRESIDENT AND FOUNDER Nia DaCosta and Robert Redford, Little Woods, 2015 Directors Lab, Photo by Brandon Cruz SUNDANCE INSTITUTE ANNUAL REPORT 2015 3 WELCOME ROBERT REDFORD PRESIDENT AND FOUNDER PAT MITCHELL CHAIR, BOARD OF TRUSTEES KERI PUTNAM EXECUTIVE DIRECTOR I also want to thank the nearly 750 independent artists who As we close another year spent supporting extraordinary shared their work with us last year. We supported them Sundance Institute offers an environment and opportunities The health, vitality, and diversity of the Institute’s year-round artists and sharing their work with audiences around the through our 25 residency Labs, provided direct grants for artists to take risks, experiment, and fail without fear. programs are a testament to both the independent artists world, it is my pleasure to share with you the Sundance of nearly $3 million, awarded fellowships and structured We see failure not as an end but as an essential step in the who are inspired to tell their unique stories as well as the Institute Annual Report — filled with insight into the nature mentorship, and of course celebrated and launched their road.
    [Show full text]
  • Download Download
    "Light Your Cigarette with My Heart's Fire, My Love": Raunchy Dances and a Golden- hearted Prostitute in Bhardwaj's Omkara (2006) Madhavi Biswas, University of Texas Dallas Abstract This essay argues that Omkara (dir. Vishal Bhardwaj, 2006) foregrounds contemporary gender concerns in modern, small-town India, primarily through the film's reformulation of the three female roles in Othello. Billo/Bianca, played by a glamorous, contemporary, female star, gets her own romance and two popular and raunchy song-and-dance tracks in Omkara. These dance tracks are a peculiar mixture of traditional folk Nautanki and identifiable Bollywood masala "item numbers," whose layered lyrics have been penned by Gulzar, a well-known poet, lyricist, scriptwriter, and ex-film-director who closely collaborates with Bhardwaj. The essay argues for the recognition of the songs in Omkara as a parallel narrative that intertwines with and intersects the central narrative of the plot, inflecting it with a range of cultural and social intertexts, along with a dash of metatextual flavor. The article examines how the two song-and-dance sequences by Billo/Bianca in the film use the familiar tropes of the "courtesan" figure of Hindi films and draw upon traditional folk-theater — reflecting both its local poetry and its vulgarity — to evoke a new kind of verbal and visual "realism" that intertwines Bollywood glamor with local histories. Omkara, with its big budget stars, glossy production values, and popular song- and-dance numbers interspersing the narrative — elements that are often associated with the "Bollywood" style of Hindi cinema — is the most obviously commercial of Vishal Bhardwaj's three Shakespearean adaptations.
    [Show full text]
  • South Asia's Lessons, Evolving Dynamics, and Trajectories
    South Asia’s Lessons, Evolving Dynamics, and Trajectories Edited by Sameer Lalwani and Hannah Haegeland South Asia’s Lessons, Evolving Dynamics, and Trajectories Edited by Sameer Lalwani and Hannah Haegeland JANUARY 2018  © Copyright 2018 by the Stimson Center. All rights reserved. Printed in Washington, D.C. ISBN 978-0-9997659-0-6 Library of Congress Control Number: 2017919496 Stimson Center 1211 Connecticut Avenue, NW 8th Floor Washington, D.C. 20036 U.S.A. Visit www.stimson.org for more information about Stimson’s research. Investigating Crises: South Asia’s Lessons, Evolving Dynamics, and Trajectories CONTENTS Preface . 7 Key Terms and Acronyms . 9 Introduction . 11 Sameer Lalwani Anatomy of a Crisis: Explaining Crisis Onset in India-Pakistan Relations . 23 Sameer Lalwani & Hannah Haegeland Organizing for Crisis Management: Evaluating India’s Experience in Three Case Studies . .57 Shyam Saran Conflict Resolution and Crisis Management: Challenges in Pakistan-India Relations . 75 Riaz Mohammad Khan Intelligence, Strategic Assessment, and Decision Process Deficits: The Absence of Indian Learning from Crisis to Crisis . 97 Saikat Datta Self-Referencing the News: Media, Policymaking, and Public Opinion in India-Pakistan Crises . 115 Ruhee Neog Crisis Management in Nuclear South Asia: A Pakistani Perspective . 143 Zafar Khan China and Crisis Management in South Asia . 165 Yun Sun & Hannah Haegeland Crisis Intensity and Nuclear Signaling in South Asia . 187 Michael Krepon & Liv Dowling New Horizons, New Risks: A Scenario-based Approach to Thinking about the Future of Crisis Stability in South Asia . 221 Iskander Rehman New Challenges for Crisis Management . 251 Michael Krepon Contributors . 265 Contents 6 PREFACE With gratitude and pride I present Stimson’s latest South Asia Program book, Investigating Crises: South Asia’s Lessons, Evolving Dynamics, and Trajectories.
    [Show full text]
  • Title ID Titlename D0043 DEVIL's ADVOCATE D0044 a SIMPLE
    Title ID TitleName D0043 DEVIL'S ADVOCATE D0044 A SIMPLE PLAN D0059 MERCURY RISING D0062 THE NEGOTIATOR D0067 THERES SOMETHING ABOUT MARY D0070 A CIVIL ACTION D0077 CAGE SNAKE EYES D0080 MIDNIGHT RUN D0081 RAISING ARIZONA D0084 HOME FRIES D0089 SOUTH PARK 5 D0090 SOUTH PARK VOLUME 6 D0093 THUNDERBALL (JAMES BOND 007) D0097 VERY BAD THINGS D0104 WHY DO FOOLS FALL IN LOVE D0111 THE GENERALS DAUGHER D0113 THE IDOLMAKER D0115 SCARFACE D0122 WILD THINGS D0147 BOWFINGER D0153 THE BLAIR WITCH PROJECT D0165 THE MESSENGER D0171 FOR LOVE OF THE GAME D0175 ROGUE TRADER D0183 LAKE PLACID D0189 THE WORLD IS NOT ENOUGH D0194 THE BACHELOR D0203 DR NO D0204 THE GREEN MILE D0211 SNOW FALLING ON CEDARS D0228 CHASING AMY D0229 ANIMAL ROOM D0249 BREAKFAST OF CHAMPIONS D0278 WAG THE DOG D0279 BULLITT D0286 OUT OF JUSTICE D0292 THE SPECIALIST D0297 UNDER SIEGE 2 D0306 PRIVATE BENJAMIN D0315 COBRA D0329 FINAL DESTINATION D0341 CHARLIE'S ANGELS D0352 THE REPLACEMENTS D0357 G.I. JANE D0365 GODZILLA D0366 THE GHOST AND THE DARKNESS D0373 STREET FIGHTER D0384 THE PERFECT STORM D0390 BLACK AND WHITE D0391 BLUES BROTHERS 2000 D0393 WAKING THE DEAD D0404 MORTAL KOMBAT ANNIHILATION D0415 LETHAL WEAPON 4 D0418 LETHAL WEAPON 2 D0420 APOLLO 13 D0423 DIAMONDS ARE FOREVER (JAMES BOND 007) D0427 RED CORNER D0447 UNDER SUSPICION D0453 ANIMAL FACTORY D0454 WHAT LIES BENEATH D0457 GET CARTER D0461 CECIL B.DEMENTED D0466 WHERE THE MONEY IS D0470 WAY OF THE GUN D0473 ME,MYSELF & IRENE D0475 WHIPPED D0478 AN AFFAIR OF LOVE D0481 RED LETTERS D0494 LUCKY NUMBERS D0495 WONDER BOYS
    [Show full text]
  • Code Date Description Channel TV001 30-07-2017 & JARA HATKE STAR Pravah TV002 07-05-2015 10 ML LOVE STAR Gold HD TV003 05-02
    Code Date Description Channel TV001 30-07-2017 & JARA HATKE STAR Pravah TV002 07-05-2015 10 ML LOVE STAR Gold HD TV003 05-02-2018 108 TEERTH YATRA Sony Wah TV004 07-05-2017 1234 Zee Talkies HD TV005 18-06-2017 13 NO TARACHAND LANE Zee Bangla HD TV006 27-09-2015 13 NUMBER TARACHAND LANE Zee Bangla Cinema TV007 25-08-2016 2012 RETURNS Zee Action TV008 02-07-2015 22 SE SHRAVAN Jalsha Movies TV009 04-04-2017 22 SE SRABON Jalsha Movies HD TV010 24-09-2016 27 DOWN Zee Classic TV011 26-12-2018 27 MAVALLI CIRCLE Star Suvarna Plus TV012 28-08-2016 3 AM THE HOUR OF THE DEAD Zee Cinema HD TV013 04-01-2016 3 BAYAKA FAJITI AIKA Zee Talkies TV014 22-06-2017 3 BAYAKA FAJITI AIYKA Zee Talkies TV015 21-02-2016 3 GUTTU ONDHU SULLU ONDHU Star Suvarna TV016 12-05-2017 3 GUTTU ONDU SULLU ONDU NIJA Star Suvarna Plus TV017 26-08-2017 31ST OCTOBER STAR Gold Select HD TV018 25-07-2015 3G Sony MIX TV019 01-04-2016 3NE CLASS MANJA B COM BHAGYA Star Suvarna TV020 03-12-2015 4 STUDENTS STAR Vijay TV021 04-08-2018 400 Star Suvarna Plus TV022 05-11-2015 5 IDIOTS Star Suvarna Plus TV023 27-02-2017 50 LAKH Sony Wah TV024 13-03-2017 6 CANDLES Zee Tamil TV025 02-01-2016 6 MELUGUVATHIGAL Zee Tamil TV026 05-12-2016 6 TA NAGAD Jalsha Movies TV027 10-01-2016 6-5=2 Star Suvarna TV028 27-08-2015 7 O CLOCK Zee Kannada TV029 02-03-2016 7 SAAL BAAD Sony Pal TV030 01-04-2017 73 SHAANTHI NIVAASA Zee Kannada TV031 04-01-2016 73 SHANTI NIVASA Zee Kannada TV032 09-06-2018 8 THOTAKKAL STAR Gold HD TV033 28-01-2016 9 MAHINE 9 DIWAS Zee Talkies TV034 10-02-2018 A Zee Kannada TV035 20-08-2017
    [Show full text]