DOCSLIB.ORG

BHU B.Music Intrumental 2010 Question Papers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
BHU B.Music Intrumental 2010 Question Papers \3. Mus. Question Booklet No. ~"",')'\.\'Me,,,\~ lOU/I09/21 (To be filled up by the candidate by bluelblack ball-point pen) Roll No. LI_...J..._...J..._...J..._...J..._...J..._...l...._...l...._...J R'all No. (Write the digits in words) ................................................................................................ Serial No. of Answer Sheet ............................................. Day and Date ................................................................... ( Signature of Iovigilator ) INSTRUCTIONS TO CANDIDATES (Use only blue/black bal/-point pen in the space above and on both sides of the Answer Sheet) 1. Within 10 minutes of the issue ofthe Question Booklet, check the Question Booklet to ensure that it contains all the pages in correct sequence and that no page/question is missing. In case of faulty Question Booklet bring it to the notice of the Superintendentllnvigilators immediately to obtain a fresh Question Booklet. 2. Do not bring any loose papcr, written or blank, inside the Examination Hall except tile Admit Card without its envelope. 3. A separate Answer Slleet is given. It should not be folded or mutilated. A second Answer Sheet shall not be provided. Only the Answer Sheet will be evaluated. 4. Write your Roll Number and Serial Number of the Answer Sheet by pen in the space prvided above. 5. On thefront page of the Answer Sheet, write by pen your Roll Number in the space provided at the top and by darkening tIre circles at the bottom. Also, wherever applicable, write the Question Booklet Number and the Set Number in appropriate places. 6. No overwriting is allowed in the entries of Roll No., Question Booklet no. and Set no. (if any) on OMR sheet alld Roll No. and OMR sheet no. on the Queston Booklet. 7. Any change in the aforesaid entries is to be verified by the invigilator, otherwise it will be taken as unfairmeans. 8. Each question in this Booklet is followed by four alternative answers. For each question, you are to record tile correct option on the Answer Sheet by darkening the appropriate circle in the corresponding row of the Answer Sheet, by pen as mentioned in tIre guidelines given on the first page of the Answer Sheet. 9. For each question, darken only one circle on the Answer Sheet. If you darken more than one circle or darken a circle partially, the answer will be treated as incorrect. 10. Note that the answer once filled in ink cannot be changed. lfyou do not wish to attempt a question, leave all the circles in the corresponding row blank (such question will be awarded zero marks). 11. For rough work, use the inner back page of the title eover and the blank page at the end of this Booklet. 12. Deposit both the Question Booklet and the Answer Sheet at the end of the Test. 13. You are not permitted to leave the Examination Hall until the end of the Test. 14. If a candidate attempts to usc any form of unfair means, he/she shall be liable to sueh punishment as the University may determine and impose on him/her. Total No. of Printed Pages :24 10U/I09/21 No. ofQuestioDs : 100 ~ <fiT"ffig!rr: 100 Time: :2 Hours Full Marks: 300 ,!,,11'cti ; 300 Note: (1) Attempt as many questions as you can. Each question carries 3 marks. One mark will be deducted for each incorrect answer. Zero mark will be awarded for each unattempted question. 3lf%lf"", ~ <it "'" <.fiB 'liT "If'Iffi 'Ii'( I ~ WI'! 3 (1ft:r ) 3iq; 'liT tl )11"4,,; 71MFr~iF;fi':nr~ at.f;q;rcr "liJ'iII~ 3lj"RCI WI'! 'liT QI '<I i'Ii 'IJ:'I .wrr I (2) If more than one alternative answers seem to be approximate to the correct answer, choose the closest one. <W:: ~"'" ~'liG<1'1i ~....n ~ it; f.riR"ll<fio m, mf.1'licCiA ....n ~ ~I 01. A series of seven notes is known as : (1 ) Samvadi (2) Graha (3) Saptak (4 ) Sangeet Saptak m<!~it;~<it~t: (1 ) *1k1I<i] (2) 110 (3) ~ (4) wmr~ P.T.D. IOV/109/21 02. Khali in 'Sool Taal' is on : (1) 4 & 5 (2) 3 & 9 (3) 7 & 11 (4) 8 & 12 '~ 1IR"!' ij ~ t : (1) 4 ~ 5 (2) 3 ~ 9 (3) 7 ~ 11 (4) 8 ~ 12 03. Vstad Amajad Ali is related to : (1) Sitar (2) Veena (3) Sarod (4) Tabla ;'0 ~ affit "" ~ t : (1) fum1: (2) cftun (3) mR (4) <fiIZ11 04. Who is a female Tabla playing Artist? (1 ) Dr. Aaban Mistry (2) Dr. Sharna Rani Ka ur (3) Dr. N. Rajam (4) Dr. Shishir Kana Dhar ..m m~ <fiIZ11 qlf<;"'1 "'011"'1( t? (1 ) '510 31'iR flRl!t (2) '510 ~ <T'il-w (3) mo 1l30 ,""" (4 ) '510 rotm: q;ujf m: 05. 'Rag Parichaya' is written by : (1 ) Satish Chandra (2) Barish Chandra Srivastava (3) Pt. Omkarnath (4) Pt. Ralwant Rai Bhatt 'WI qR'q'l' ffiw t : (1 ) mfm~ (2) -.;R~ ~ql«1q . ,. (3) 'q'o 3'f1q:;r<11~ (4) '10 '101~d l1'1 ~ 06. Who is Known as 'Ram Rang'? (I) Pt. Ramashray Jha (2) Pt. Lalmani Mishra (3) Pt. Jasaraj (4) Pt. Omkarna th Thakur 2 IOU/109/21 '<TIl "M' >I; "'flll it ~ "!f.\ .rnt ~? (I) -qc WlTW'! W (2) -qo <'11<'1qfUl m~ (3) -qc ,"~(I," (4) -qo ~ "11"1 ~ 07" Which "Raga" is originated from 'Thata" 'Ka\yan" ? (I) Desh (2) Bhairav (3) Yaman (4) Aasawari ~ mUTT' "'~I 0 I' o:[R; it 6«fi! Ji:3!1 ~? (I) ~ (2) ~ (3) '1'R (4) 31Hlr<Rl 08" Which one of the following is a "Raga' and 'Thata' too? (I) Durga (2) Bhairav (3) Yaman (4) Jaunpuri ...,-i'i it ~ m 'UTT' am: 'o:[R;' ~ ~ ? (I) ~ (2) ~ (3) '1'R (4) ~ 09" Re-Pa is Vadi-Samvadi of Raga: (I) Bhupa\i (2) 13hairav (3) 13ageshri (4 ) Desh ~. 'IT <mit-~"'ll~ ~ UTT: (I) ~"'!>T (2) ~"'!>T (3) <Wtm"'!>T (4) ~"'!>T 10. Jati of Rag Durga is : (I) Vakra-Audav-Shadav (2) Sampurna-Shadav (3) Audav-Sampurna (4) Audav-Audav {jlj ~ "'!>1 "1lfu ~ : (I) C[;f; ~ 'ITS'l (2) ~ -'ITS'l (3) ~-~ (4) ~ ... ~ 3 P.T.O. lOUjl09j21 11. Achal Swar is : (I) Sa-Ma (2) Sa-Pa (3) Re-l'a (4) Ga-Ni 31"'iR1 - B'R t : (1) <IT 11 (2) <IT'! (3) '{ '! (4) '1~ 12. The Vadi note of Rag 13himpalasi is : (1) Ga (2) Ma (3) l'a (4) Dha WT >il~q(1l~l 'liT "I'T«\ B'R t : (1) '1 (2) 11 (3) '! (4) 'I 13. In Deshkar 'Dhaiwat' (Dha) is : (1) Vadi Swar (2) Samvadi (3) Varjit Swar (4) Vivadi Swar ~~I"'I{ i! ~ ('I) t : ( 1 ) "I'T«\ B'R (2) W<lIGl B'R (3) ~B'R (4) fqqlGl B'R 14. Where is Tansen's Samadhi situated? (I) Gwalior (2) Varanasi (3) Lucknow (4) Delhi (3) (1{O 'jdi (4) ~ 15. What is the Shruti - interval between Sa-Ma? <IT 11 'liT ~ 3F<HI(1 'f'l1 t? (1) 6 (2) 9 (3) 14 (4) 15 4 10U/109/21 ~ 16. Ni - Pa denotes: -( I) Khatka (2) Kan (3) Meend (4) Murki ,,-.... f.!"'f \i ~ R1 q; 'fi«IT ~ : -qrn- ( I) ~ (2) 'fiUT (3) (4) ~ 17. The Rag having both Nishad is : ( I) Dahar (2) BhupaJi (3) Asawari (4) Malkauns <iRT f.r<rro: ~ mi\ CfTffi <fIT ~ : ( I) 'lOR (2) ~ (3) 6l1~lcRl (4) ~I"''''~'~ 18. S! l'a Dha Ma Ga, Sa Re Ga Sa !:Ii denotes Raga: ( I) Desh (2) Durga (3) Tilak Kamod (4) Jaunpuri -m 1f "l 11 Tf, 'ill ~ Tf 'ill f.niij;Q 'fi«IT ~ <fIT : ( I) ~ (2) ~ (3) fuwf;~ (4) <>i11~(1 19. Instrument with 100 strings is: ( I) Sitar (2) Sarod (3) Santoor (4) Sarangi '-m' <rrU CfTffi qm ~ : (I) fuOR (2) m'to: (3) ~ (4) ~ 20. Swar - Vistar in Rag is called: ( I) I\lap (2) Taan (3) Vadi (4) Samvadi <fIT it «R - fCif<ll{ 'lit ~ t : ( I) 3!fffiq (2) <fA (3) crr«l (4) ~><il~l 5 P.T.O. lOUj109j21 21. Who is a semi classical signer? (1) Kishori Amonkar (2) Girija Devi (3) Gangu Bai Jlangal (4) Parveen Sultana q;R dq~lldl'l 'lIfq'lH t? (1) fq;:IM iJi~11"'( (2) fllfl:orr ~ (3) <i'l~~ (4) 'W'iR ~'-"II'II 22. The oldest text of Indian classical music is : ( I) Sangeet Ratnakar (2) Sangeet Parijaat (3) Sangeet Makarand (4) N atyashastra 'Iffiil<I ~ II dl ~ wmr "" ~ I'<il'l d A JP!1 t : ( I) wmr (<"'11"'( (2) wmr qlfhlld (3) wmr A"'('<; (4) 'Ili!>l~lI<:'JI 23. What is 'Pakhawaj'? ( I) TatVadya (2) Awandya Vadya (3) Sushir Vadya (4) GhanVadya 'q'{5uCi\!il' CFn ~? ( I) O<l<ml (2) ~<ml (3) 'ijfin:<ml (4) '1"'l <ml 24. Who is not related to Flute? ( I) Pt. IIari Prasad Chaurasiya (2) Pt. Ronu Mazumdar (3) Rajendra Prasanna (4) Pt. Shiva Kumar Sharma 6 10U/I09/21 ~ ~ -B ~""r.-'tffl -=m t ? (1 ) 1ioffi >mlG J(rfl~1 (2) 1io trt q"l'l~R (3) ~ "5ffiiIT (4) 1io mer ~ WIll 25. Who is Vocalist? (1 ) Bhimsen Joshi (2) Ravi Shankar (3) 13ishmillah Khan (4 ) Amzad Ali ~ 1ff'ri!i ~? (1 ) ~~ (2) <f<I~ (3) rq~r'l'-"'116 <if (4) ~ 31<'il 26. Pt. Bhatkhande was born in : 1io 'lI<l~O$ 'liT "FIl ~311 2fT : (1 ) 1855 (2) 1860 (3) 1862 (4) 1868 27. What is Santoor : (1 ) TatVadya (2) VitatVadya (3) Avandya Vadya (4 ) Ghan Vadya ~~t? (1 ) ~~ (2) ~~ (3) 3N-m~ (4) 'R~ 28. The total no. of Vadi Swar in a Rag is : "(lTj i\ <m(h:CR "'l<i<§1!f men t : (1 ) 7 (2) 5 (3) 3 (4) I 7 P.T.O.
Load more

Recommended publications
  • Famous Indian Classical Musicians and Vocalists Free Static GK E-Book
    oliveboard FREE eBooks FAMOUS INDIAN CLASSICAL MUSICIANS & VOCALISTS For All Banking and Government Exams Famous Indian Classical Musicians and Vocalists Free static GK e-book Current Affairs and General Awareness section is one of the most important and high scoring sections of any competitive exam like SBI PO, SSC-CGL, IBPS Clerk, IBPS SO, etc. Therefore, we regularly provide you with Free Static GK and Current Affairs related E-books for your preparation. In this section, questions related to Famous Indian Classical Musicians and Vocalists have been asked. Hence it becomes very important for all the candidates to be aware about all the Famous Indian Classical Musicians and Vocalists. In all the Bank and Government exams, every mark counts and even 1 mark can be the difference between success and failure. Therefore, to help you get these important marks we have created a Free E-book on Famous Indian Classical Musicians and Vocalists. The list of all the Famous Indian Classical Musicians and Vocalists is given in the following pages of this Free E-book on Famous Indian Classical Musicians and Vocalists. Sample Questions - Q. Ustad Allah Rakha played which of the following Musical Instrument? (a) Sitar (b) Sarod (c) Surbahar (d) Tabla Answer: Option D – Tabla Q. L. Subramaniam is famous for playing _________. (a) Saxophone (b) Violin (c) Mridangam (d) Flute Answer: Option B – Violin Famous Indian Classical Musicians and Vocalists Free static GK e-book Famous Indian Classical Musicians and Vocalists. Name Instrument Music Style Hindustani
    [Show full text]
  • Categorization of Stringed Instruments with Multifractal Detrended Fluctuation Analysis
    CATEGORIZATION OF STRINGED INSTRUMENTS WITH MULTIFRACTAL DETRENDED FLUCTUATION ANALYSIS Archi Banerjee*, Shankha Sanyal, Tarit Guhathakurata, Ranjan Sengupta and Dipak Ghosh Sir C.V. Raman Centre for Physics and Music Jadavpur University, Kolkata: 700032 *[email protected] * Corresponding Author ABSTRACT Categorization is crucial for content description in archiving of music signals. On many occasions, human brain fails to classify the instruments properly just by listening to their sounds which is evident from the human response data collected during our experiment. Some previous attempts to categorize several musical instruments using various linear analysis methods required a number of parameters to be determined. In this work, we attempted to categorize a number of string instruments according to their mode of playing using latest-state-of-the-art robust non-linear methods. For this, 30 second sound signals of 26 different string instruments from all over the world were analyzed with the help of non linear multifractal analysis (MFDFA) technique. The spectral width obtained from the MFDFA method gives an estimate of the complexity of the signal. From the variation of spectral width, we observed distinct clustering among the string instruments according to their mode of playing. Also there is an indication that similarity in the structural configuration of the instruments is playing a major role in the clustering of their spectral width. The observations and implications are discussed in detail. Keywords: String Instruments, Categorization, Fractal Analysis, MFDFA, Spectral Width INTRODUCTION Classification is one of the processes involved in audio content description. Audio signals can be classified according to miscellaneous criteria viz. speech, music, sound effects (or noises).
    [Show full text]
  • And Joydeep Ghosh (Sarod)
    The Asian Indian Classical Music Society 51491 Norwich Drive Granger, IN 46530 Concert Announcement Vidushi Mita Nag (sitar) Pandit Joydeep Ghosh (sarod) with Pandit Subhen Chatterjee (Tabla) April 26, 2016, Tuesday, 7.00PM At: the Andrews Auditorium, Geddes Hall University of Notre Dame Cosponsored with the Liu Institute of Asia and Asian Studies Tickets available at gate. General Admission: $10, AICMS Members and ND/SMC faculty: $5, Students: FREE Mita Nag, daughter of the veteran sitarist, Pandit Manilal Nag and granddaughter of Sangeet Acharya Gokul Nag, belongs to the Vishnupur Gharana of Bengal, a school of music that is nearly 300 years old and which is known for its dhrupad style of playing. She was initiated into music at the age of four, and studied with her mother, grandfather and father. She appeared for her debut performance at the age of ten, when she also won the Government of India’s Junior National Talent Search Award. She has given many concert performances, both alone and with her father, in cities in the US, Canada, Japan and Europe as well as in India. Joydeep Ghosh is hailed as one of India’s leading sarod, surshringar and Mohanveena artists. He started his sarod training at the age of five, and has studied with the great masters the late Sangeetacharya Anil Roychoudhury , late Sangeetacharya Radhika Mohan Moitra and Padmabhusan Acharya Buddhadev Dasgupta all of the Shahajahanpur Gharana. He has won numerous awards and fellowships, including those from the Government of India, the title of “Suramani” from the Sur Singar Samsad (Mumbai) and “Swarshree” from Swarankur (Mumbai).
    [Show full text]
  • Teachers of Private Colleges (Under Section 17 – Elected Members (6) of the Kerala University Act, 1974)
    1 Price Rs. 100/- per copy UNIVERSITY OF KERALA Election to the Senate from the Teachers of Private Colleges (Under Section 17 – Elected Members (6) of the Kerala University Act, 1974) ELECTORAL ROLL OF TEACHERS OF PRIVATE COLLEGES-2018 ROLL No. Name Designation College 1. Dr.Caroline Beena Mendez DDO All Saints’ College. 2. Sonya J Nair Assistant Professor ,, 3. Kukku Xavier Assistant Professor ,, 4. Dr.Liji Varghese Assistant Professor ,, 5. Dr.Sr.Pascoela Adelrich Assistant Professor ,, D’Souza 6. Dr.Rajsree M.S Assistant Professor ,, 7. Sapna Srinivas Assistant Professor ,, 8. Simna S Stephen Assistant Professor ,, 9. Nishel Prem Elias Assistant Professor ,, 10. Diana V Prakash Assistant Professor ,, 11. Dr.Kavitha .N Assistant Professor ,, 12. Joveeta Justin Assistant Professor ,, 13. Celina James Assistant Professor ,, 14. Dr.C.Udayakala Assistant Professor ,, 15. Parvathy Menon Assistant Professor ,, 16. Vijayakumari K Assistant Professor ,, 17. Dr.Sreelekha Nair Associate professor ,, 18. Dr.Reshmi.R.Prasad Associate professor ,, 19. Lissy Bennet Assistant Professor ,, 20. Shirly Joseph Associate professor All Saints’ College. 21. Sebina Mathew C Assistant Professor ,, 22. Renjini Raveendran P Assistant Professor ,, 23. Vidhya T.R Assistant Professor ,, 24. Dr.Deepa M Associate professor ,, 25. Dr.Anjana P.S Assistant Professor ,, 2 26. Dr.Veena Suresh Babu Assistant Professor ,, 27. Dr.Sunitha Kurur Assistant Professor ,, 28. Dr.Sindhu Yesodharan Assistant Professor ,, 29. Dr.Siji V.L Assistant Professor ,, 30. Dr.Beena Kumari K.S Assistant Professor ,, 31. Dr.Nisha K.K Assistant Professor ,, 32. Dr.Sr.Shaina T J Assistant Professor ,, 33. Dr.Dhanalekshmi.T.G Assistant Professor ,, 34. Divya Grace Dilip Assistant Professor ,, 35.
    [Show full text]
  • DIRLIST6 01050000 01300000.Pdf
    Signatory ID Name CIN Company Name 01050011 KALRA SUNITA U74899DL1967PTC004762 R K INTERNATIOONAL PRIVATE 01050016 GUPTA VIVEK U51109OR2006PTC009068 MAHAKASH RENEWABLES (INDIA) 01050022 BHANDARI PARAMBIR SINGH U51909DL1999PTC100363 AKILA OVERSEAS PRIVATE LIMITED 01050036 BHUPENDRA GUPTA U70100MH1995PTC086049 SUNDER BUILDERS AND 01050064 KIRITKUMAR MERCHANT SHISHIR U51900MH2000PTC127408 HANS D TO R SOLUTIONS PRIVATE 01050071 AGARWAL BINDU U45201WB1997PTC084989 PRINCE SAGAR KUTIR PRIVATE 01050072 BIJOY HARIPRIYA JAIN U70109MH2008PTC180213 SAAT RASTA PROPERTIES PRIVATE 01050072 BIJOY HARIPRIYA JAIN U01403MH2008PTC182992 GREEN VALLEY AGRICULTURE 01050082 JAI KARUNADEVI PRITHVIRAJ U36993KA1999PTC025485 RODEO DRIVE LUXURY PRODUCTS 01050126 DEEPCHAND JAIN PRITHVIRAJ U36993KA1999PTC025485 RODEO DRIVE LUXURY PRODUCTS 01050174 JOGINDER SANDHU SINGH U67120CH2004PTC027291 JAGUAR CONSULTANTS PRIVATE 01050220 NARAYANAMURTHY U15421TN2006PLC060417 BHIMAAS SUGARS AND CHEMICALS 01050224 JITENDRA MEHTA U51109TN2007PTC062423 MOOLRAJ VYAPAR PRIVATE 01050251 PRAKASH SRIVASTAVA U72300DL2007PTC160451 PRODIGII ECALL PRIVATE LIMITED 01050251 PRAKASH SRIVASTAVA U63040DL2008PTC180031 REACHING WILD LIFE TOURISM 01050257 LALITKUMAR MERCHANT URMIL U51900MH2000PTC127408 HANS D TO R SOLUTIONS PRIVATE 01050273 KUSUM MISHRA U29248UP1999PTC024344 MAXWELL GEARS PRIVATE LIMITED 01050286 DUGGAL PRINCE U70109DL2006PTC153384 M R BUILDWELL PRIVATE LIMITED 01050290 JAI MISHRA SHANKAR U29248UP1999PTC024344 MAXWELL GEARS PRIVATE LIMITED 01050309 JAIN MUKESH U00000DL1992PTC050812
    [Show full text]
  • Sl No Localbody Name Ward No Door No Sub No Resident Name Address Mobile No Type of Damage Unique Number Status Rejection Remarks
    Flood 2019 - Vythiri Taluk Sl No Localbody Name Ward No Door No Sub No Resident Name Address Mobile No Type of Damage Unique Number Status Rejection Remarks 1 Kalpetta Municipality 1 0 kamala neduelam 8157916492 No damage 31219021600235 Approved(Disbursement) RATION CARD DETAILS NOT AVAILABLE 2 Kalpetta Municipality 1 135 sabitha strange nivas 8086336019 No damage 31219021600240 Disbursed to Government 3 Kalpetta Municipality 1 138 manjusha sukrutham nedunilam 7902821756 No damage 31219021600076 Pending THE ADHAR CARD UPDATED ANOTHER ACCOUNT 4 Kalpetta Municipality 1 144 devi krishnan kottachira colony 9526684873 No damage 31219021600129 Verified(LRC Office) NO BRANCH NAME AND IFSC CODE 5 Kalpetta Municipality 1 149 janakiyamma kozhatatta 9495478641 >75% Damage 31219021600080 Verified(LRC Office) PASSBOOK IS NO CLEAR 6 Kalpetta Municipality 1 151 anandavalli kozhathatta 9656336368 No damage 31219021600061 Disbursed to Government 7 Kalpetta Municipality 1 16 chandran nedunilam st colony 9747347814 No damage 31219021600190 Withheld PASSBOOK NOT CLEAR 8 Kalpetta Municipality 1 16 3 sangeetha pradeepan rajasree gives nedunelam 9656256950 No damage 31219021600090 Withheld No damage type details and damage photos 9 Kalpetta Municipality 1 161 shylaja sasneham nedunilam 9349625411 No damage 31219021600074 Disbursed to Government Manjusha padikkandi house 10 Kalpetta Municipality 1 172 3 maniyancode padikkandi house maniyancode 9656467963 16 - 29% Damage 31219021600072 Disbursed to Government 11 Kalpetta Municipality 1 175 vinod madakkunnu colony
    [Show full text]
  • Music from the Beginning
    Review Article iMedPub Journals 2015 Insights in Blood Pressure http://journals.imedpub.com Vol. 1 No. 1:2 ISSN 2471-9897 Music and its Effect on Body, Brain/Mind: Archi Banerjee, Shankha A Study on Indian Perspective by Neuro- Sanyal, Ranjan Sengupta, Dipak Ghosh physical Approach Sir CV Raman Centre for Physics and Music, Jadavpur University, Kolkata Keywords: Music Cognition, Music Therapy, Diabetes, Blood Pressure, Neurocognitive Benefits Corresponding author: Archi Banerjee Received: Sep 20, 2015, Accepted: Sep 22, 2015, Submitted:Sep 29, 2015 [email protected] Music from the Beginning Sir CV Raman Centre for Physics and Music, The singing of the birds, the sounds of the endless waves of the Jadavpur University, Kolkata 700032. sea, the magical sounds of drops of rain falling on a tin roof, the murmur of trees, songs, the beautiful sounds produced by Tel: +919038569341 strumming the strings of musical instruments–these are all music. Some are produced by nature while others are produced by man. Natural sounds existed before human beings appeared Citation: Banerjee A, Sanyal S, Sengupta R, on earth. Was it music then or was it just mere sounds? Without et al. Music and its Effect on Body, Brain/ an appreciative mind, these sounds are meaningless. So music Mind: A Study on Indian Perspective by has meaning and music needs a mind to appreciate it. Neuro-physical Approach. Insights Blood Press 2015, 1:1. Music therefore may be defined as a form of auditory communication between the producer and the receiver. There are other forms of auditory communication, like speech, but the past and Raman, Kar followed by Rossing and Sundberg later on, difference is that music is more universal and evokes emotion.
    [Show full text]
  • List of Empanelled Artist
    INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ
    [Show full text]
  • Registration No Name Father's Name Mother's Name Guardian's Name Alloted School ID Alloted School Name Class 20180083027 Eashan Walia Shailender Walia 1617184 ST
    Registration No Name Father's Name Mother's Name Guardian's Name Alloted School ID Alloted School Name Class 20180083027 eashan walia Shailender Walia 1617184 ST. FROEBEL SCHOOL Nur/ PreSch 20180135149 NANCY RAM NATH SANDHYA DEVI 1617184 ST. FROEBEL SCHOOL Nur/ PreSch 20180141923 SARIKA DEVRAJ SINGH MAMTA DEVI 1821191 SANT SHRI NAND LAL SARASWATI VIDYA MANDIR Nur/ PreSch 20180083227 MAYANK KRISHAN SUMAN DEVI 1310258 Maharaja Agarsain Public School Nur/ PreSch 20180002036 HRISHI DEV DEVANAND CHANDER KALA 1617164 MAHARAJA AGRASEN VIDYAPEETH Nur/ PreSch 20180083873 ADITYA MEENA ASHOK KUMAR MEENA REKHA MEENA 1822293 Shanti Gyan Vidhapeeth Nur/ PreSch 20180030372 SAMRAT SINGH KRISHAN DEV SINGH MUNNI DEVI 1822293 Shanti Gyan Vidhapeeth Nur/ PreSch 20180036437 GAURAV PARSAD MATHURA PRASAD NEEMA 1822293 Shanti Gyan Vidhapeeth Nur/ PreSch 20180143970 VIVAN KUMAR HARINDER KUMAR POOJA 1821159 DEEP MODEL SCHOOL Nur/ PreSch 20180031678 MAYANK KUMAR shiv kumar rakhi 1106267 INDIAN CAMBRIDGE PUBLIC SCHOOL ( RTE ) Nur/ PreSch 20180098188 Sumaya Naz Najani praveen 1310289 LK International School Nur/ PreSch 20180036497 PURV BAISOYA MONIKA 1719133 St. Joans Convent School ( RTE ) Nur/ PreSch 20180010872 SHIVAM KUMAR VIKRAM SINGH 1719133 St. Joans Convent School ( RTE ) Nur/ PreSch 20180110856 Gunjan Mandia Rajender Kumar Mahawar Geeta 1719133 St. Joans Convent School ( RTE ) Nur/ PreSch 20180026971 yashna Sewa Ram Daya Sewa Ram 1719133 St. Joans Convent School ( RTE ) Nur/ PreSch 20180006483 ISHIKA LAKSHMAN SAPNA 1411199 BLOOM ERA PUBLIC SCHOOL Nur/ PreSch
    [Show full text]
  • "Improvised" Music
    The University of Manchester Research Formulas and the building blocks of humr style: a study in "improvised" music Document Version Final published version Link to publication record in Manchester Research Explorer Citation for published version (APA): Alaghband-Zadeh, C. (2012). Formulas and the building blocks of humr style: a study in "improvised" music. Analytical Approaches to World Music Journal, 2(1), 1-48. Published in: Analytical Approaches to World Music Journal Citing this paper Please note that where the full-text provided on Manchester Research Explorer is the Author Accepted Manuscript or Proof version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version. General rights Copyright and moral rights for the publications made accessible in the Research Explorer are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Takedown policy If you believe that this document breaches copyright please refer to the University of Manchester’s Takedown Procedures [http://man.ac.uk/04Y6Bo] or contact [email protected] providing relevant details, so we can investigate your claim. Download date:06. Oct. 2021 Formulas and the Building Blocks of Ṭhumrī Style—A Study in “Improvised” Music Chloe Zadeh PART I: IMPROVISATION, STRUCTURE AND FORMULAS IN NORTH INDIAN CLASSICAL MUSIC usicians, musicologists and
    [Show full text]
  • Payment Report of District - MUZAFFARPUR, of Block - Aurai, of Panchayat - NAYA GAON Benficiary Name Father Name Payment Rejection Rejection Sl
    Payment Report Of District - MUZAFFARPUR, Of Block - Aurai, Of Panchayat - NAYA GAON Benficiary Name Father Name Payment Rejection Rejection Sl. No.
    [Show full text]
  • A History of Indian Music by the Same Author
    68253 > OUP 880 5-8-74 10,000 . OSMANIA UNIVERSITY LIBRARY Call No.' poa U Accession No. Author'P OU H Title H; This bookok should bHeturned on or befoAbefoifc the marked * ^^k^t' below, nfro . ] A HISTORY OF INDIAN MUSIC BY THE SAME AUTHOR On Music : 1. Historical Development of Indian Music (Awarded the Rabindra Prize in 1960). 2. Bharatiya Sangiter Itihasa (Sanglta O Samskriti), Vols. I & II. (Awarded the Stisir Memorial Prize In 1958). 3. Raga O Rupa (Melody and Form), Vols. I & II. 4. Dhrupada-mala (with Notations). 5. Sangite Rabindranath. 6. Sangita-sarasamgraha by Ghanashyama Narahari (edited). 7. Historical Study of Indian Music ( ....in the press). On Philosophy : 1. Philosophy of Progress and Perfection. (A Comparative Study) 2. Philosophy of the World and the Absolute. 3. Abhedananda-darshana. 4. Tirtharenu. Other Books : 1. Mana O Manusha. 2. Sri Durga (An Iconographical Study). 3. Christ the Saviour. u PQ O o VM o Si < |o l "" c 13 o U 'ij 15 1 I "S S 4-> > >-J 3 'C (J o I A HISTORY OF INDIAN MUSIC' b SWAMI PRAJNANANANDA VOLUME ONE ( Ancient Period ) RAMAKRISHNA VEDANTA MATH CALCUTTA : INDIA. Published by Swaxni Adytaanda Ramakrishna Vedanta Math, Calcutta-6. First Published in May, 1963 All Rights Reserved by Ramakrishna Vedanta Math, Calcutta. Printed by Benoy Ratan Sinha at Bharati Printing Works, 141, Vivekananda Road, Calcutta-6. Plates printed by Messrs. Bengal Autotype Co. Private Ltd. Cornwallis Street, Calcutta. DEDICATED TO SWAMI VIVEKANANDA AND HIS SPIRITUAL BROTHER SWAMI ABHEDANANDA PREFACE Before attempting to write an elaborate history of Indian Music, I had a mind to write a concise one for the students.
    [Show full text]