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BHU B.Music Intrumental 2010 Question Papers

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\3. Mus. Question Booklet No. ~"",')'\.\'Me,,,\~ lOU/I09/21 (To be filled up by the candidate by bluelblack ball-point pen) Roll No. LI_...J..._...J..._...J..._...J..._...J..._...l...._...l...._...J R'all No. (Write the digits in words) ................................................................................................ Serial No. of Answer Sheet ............................................. Day and Date ................................................................... ( Signature of Iovigilator ) INSTRUCTIONS TO CANDIDATES (Use only blue/black bal/-point pen in the space above and on both sides of the Answer Sheet) 1. Within 10 minutes of the issue ofthe Question Booklet, check the Question Booklet to ensure that it contains all the pages in correct sequence and that no page/question is missing. In case of faulty Question Booklet bring it to the notice of the Superintendentllnvigilators immediately to obtain a fresh Question Booklet. 2. Do not bring any loose papcr, written or blank, inside the Examination Hall except tile Admit Card without its envelope. 3. A separate Answer Slleet is given. It should not be folded or mutilated. A second Answer Sheet shall not be provided. Only the Answer Sheet will be evaluated. 4. Write your Roll Number and Serial Number of the Answer Sheet by pen in the space prvided above. 5. On thefront page of the Answer Sheet, write by pen your Roll Number in the space provided at the top and by darkening tIre circles at the bottom. Also, wherever applicable, write the Question Booklet Number and the Set Number in appropriate places. 6. No overwriting is allowed in the entries of Roll No., Question Booklet no. and Set no. (if any) on OMR sheet alld Roll No. and OMR sheet no. on the Queston Booklet. 7. Any change in the aforesaid entries is to be verified by the invigilator, otherwise it will be taken as unfairmeans. 8. Each question in this Booklet is followed by four alternative answers. For each question, you are to record tile correct option on the Answer Sheet by darkening the appropriate circle in the corresponding row of the Answer Sheet, by pen as mentioned in tIre guidelines given on the first page of the Answer Sheet. 9. For each question, darken only one circle on the Answer Sheet. If you darken more than one circle or darken a circle partially, the answer will be treated as incorrect. 10. Note that the answer once filled in ink cannot be changed. lfyou do not wish to attempt a question, leave all the circles in the corresponding row blank (such question will be awarded zero marks). 11. For rough work, use the inner back page of the title eover and the blank page at the end of this Booklet. 12. Deposit both the Question Booklet and the Answer Sheet at the end of the Test. 13. You are not permitted to leave the Examination Hall until the end of the Test. 14. If a candidate attempts to usc any form of unfair means, he/she shall be liable to sueh punishment as the University may determine and impose on him/her. Total No. of Printed Pages :24 10U/I09/21 No. ofQuestioDs : 100 ~ <fiT"ffig!rr: 100 Time: :2 Hours Full Marks: 300 ,!,,11'cti ; 300 Note: (1) Attempt as many questions as you can. Each question carries 3 marks. One mark will be deducted for each incorrect answer. Zero mark will be awarded for each unattempted question. 3lf%lf"", ~ <it "'" <.fiB 'liT "If'Iffi 'Ii'( I ~ WI'! 3 (1ft:r ) 3iq; 'liT tl )11"4,,; 71MFr~iF;fi':nr~ at.f;q;rcr "liJ'iII~ 3lj"RCI WI'! 'liT QI '<I i'Ii 'IJ:'I .wrr I (2) If more than one alternative answers seem to be approximate to the correct answer, choose the closest one. <W:: ~"'" ~'liG<1'1i ~....n ~ it; f.riR"ll<fio m, mf.1'licCiA ....n ~ ~I 01. A series of seven notes is known as : (1 ) Samvadi (2) Graha (3) Saptak (4 ) Sangeet Saptak m<!~it;~<it~t: (1 ) *1k1I<i] (2) 110 (3) ~ (4) wmr~ P.T.D. IOV/109/21 02. Khali in 'Sool Taal' is on : (1) 4 & 5 (2) 3 & 9 (3) 7 & 11 (4) 8 & 12 '~ 1IR"!' ij ~ t : (1) 4 ~ 5 (2) 3 ~ 9 (3) 7 ~ 11 (4) 8 ~ 12 03. Vstad Amajad Ali is related to : (1) Sitar (2) Veena (3) Sarod (4) Tabla ;'0 ~ affit "" ~ t : (1) fum1: (2) cftun (3) mR (4) <fiIZ11 04. Who is a female Tabla playing Artist? (1 ) Dr. Aaban Mistry (2) Dr. Sharna Rani Ka ur (3) Dr. N. Rajam (4) Dr. Shishir Kana Dhar ..m m~ <fiIZ11 qlf<;"'1 "'011"'1( t? (1 ) '510 31'iR flRl!t (2) '510 ~ <T'il-w (3) mo 1l30 ,""" (4 ) '510 rotm: q;ujf m: 05. 'Rag Parichaya' is written by : (1 ) Satish Chandra (2) Barish Chandra Srivastava (3) Pt. Omkarnath (4) Pt. Ralwant Rai Bhatt 'WI qR'q'l' ffiw t : (1 ) mfm~ (2) -.;R~ ~ql«1q . ,. (3) 'q'o 3'f1q:;r<11~ (4) '10 '101~d l1'1 ~ 06. Who is Known as 'Ram Rang'? (I) Pt. Ramashray Jha (2) Pt. Lalmani Mishra (3) Pt. Jasaraj (4) Pt. Omkarna th Thakur 2 IOU/109/21 '<TIl "M' >I; "'flll it ~ "!f.\ .rnt ~? (I) -qc WlTW'! W (2) -qo <'11<'1qfUl m~ (3) -qc ,"~(I," (4) -qo ~ "11"1 ~ 07" Which "Raga" is originated from 'Thata" 'Ka\yan" ? (I) Desh (2) Bhairav (3) Yaman (4) Aasawari ~ mUTT' "'~I 0 I' o:[R; it 6«fi! Ji:3!1 ~? (I) ~ (2) ~ (3) '1'R (4) 31Hlr<Rl 08" Which one of the following is a "Raga' and 'Thata' too? (I) Durga (2) Bhairav (3) Yaman (4) Jaunpuri ...,-i'i it ~ m 'UTT' am: 'o:[R;' ~ ~ ? (I) ~ (2) ~ (3) '1'R (4) ~ 09" Re-Pa is Vadi-Samvadi of Raga: (I) Bhupa\i (2) 13hairav (3) 13ageshri (4 ) Desh ~. 'IT <mit-~"'ll~ ~ UTT: (I) ~"'!>T (2) ~"'!>T (3) <Wtm"'!>T (4) ~"'!>T 10. Jati of Rag Durga is : (I) Vakra-Audav-Shadav (2) Sampurna-Shadav (3) Audav-Sampurna (4) Audav-Audav {jlj ~ "'!>1 "1lfu ~ : (I) C[;f; ~ 'ITS'l (2) ~ -'ITS'l (3) ~-~ (4) ~ ... ~ 3 P.T.O. lOUjl09j21 11. Achal Swar is : (I) Sa-Ma (2) Sa-Pa (3) Re-l'a (4) Ga-Ni 31"'iR1 - B'R t : (1) <IT 11 (2) <IT'! (3) '{ '! (4) '1~ 12. The Vadi note of Rag 13himpalasi is : (1) Ga (2) Ma (3) l'a (4) Dha WT >il~q(1l~l 'liT "I'T«\ B'R t : (1) '1 (2) 11 (3) '! (4) 'I 13. In Deshkar 'Dhaiwat' (Dha) is : (1) Vadi Swar (2) Samvadi (3) Varjit Swar (4) Vivadi Swar ~~I"'I{ i! ~ ('I) t : ( 1 ) "I'T«\ B'R (2) W<lIGl B'R (3) ~B'R (4) fqqlGl B'R 14. Where is Tansen's Samadhi situated? (I) Gwalior (2) Varanasi (3) Lucknow (4) Delhi (3) (1{O 'jdi (4) ~ 15. What is the Shruti - interval between Sa-Ma? <IT 11 'liT ~ 3F<HI(1 'f'l1 t? (1) 6 (2) 9 (3) 14 (4) 15 4 10U/109/21 ~ 16. Ni - Pa denotes: -( I) Khatka (2) Kan (3) Meend (4) Murki ,,-.... f.!"'f \i ~ R1 q; 'fi«IT ~ : -qrn- ( I) ~ (2) 'fiUT (3) (4) ~ 17. The Rag having both Nishad is : ( I) Dahar (2) BhupaJi (3) Asawari (4) Malkauns <iRT f.r<rro: ~ mi\ CfTffi <fIT ~ : ( I) 'lOR (2) ~ (3) 6l1~lcRl (4) ~I"''''~'~ 18. S! l'a Dha Ma Ga, Sa Re Ga Sa !:Ii denotes Raga: ( I) Desh (2) Durga (3) Tilak Kamod (4) Jaunpuri -m 1f "l 11 Tf, 'ill ~ Tf 'ill f.niij;Q 'fi«IT ~ <fIT : ( I) ~ (2) ~ (3) fuwf;~ (4) <>i11~(1 19. Instrument with 100 strings is: ( I) Sitar (2) Sarod (3) Santoor (4) Sarangi '-m' <rrU CfTffi qm ~ : (I) fuOR (2) m'to: (3) ~ (4) ~ 20. Swar - Vistar in Rag is called: ( I) I\lap (2) Taan (3) Vadi (4) Samvadi <fIT it «R - fCif<ll{ 'lit ~ t : ( I) 3!fffiq (2) <fA (3) crr«l (4) ~><il~l 5 P.T.O. lOUj109j21 21. Who is a semi classical signer? (1) Kishori Amonkar (2) Girija Devi (3) Gangu Bai Jlangal (4) Parveen Sultana q;R dq~lldl'l 'lIfq'lH t? (1) fq;:IM iJi~11"'( (2) fllfl:orr ~ (3) <i'l~~ (4) 'W'iR ~'-"II'II 22. The oldest text of Indian classical music is : ( I) Sangeet Ratnakar (2) Sangeet Parijaat (3) Sangeet Makarand (4) N atyashastra 'Iffiil<I ~ II dl ~ wmr "" ~ I'<il'l d A JP!1 t : ( I) wmr (<"'11"'( (2) wmr qlfhlld (3) wmr A"'('<; (4) 'Ili!>l~lI<:'JI 23. What is 'Pakhawaj'? ( I) TatVadya (2) Awandya Vadya (3) Sushir Vadya (4) GhanVadya 'q'{5uCi\!il' CFn ~? ( I) O<l<ml (2) ~<ml (3) 'ijfin:<ml (4) '1"'l <ml 24. Who is not related to Flute? ( I) Pt. IIari Prasad Chaurasiya (2) Pt. Ronu Mazumdar (3) Rajendra Prasanna (4) Pt. Shiva Kumar Sharma 6 10U/I09/21 ~ ~ -B ~""r.-'tffl -=m t ? (1 ) 1ioffi >mlG J(rfl~1 (2) 1io trt q"l'l~R (3) ~ "5ffiiIT (4) 1io mer ~ WIll 25. Who is Vocalist? (1 ) Bhimsen Joshi (2) Ravi Shankar (3) 13ishmillah Khan (4 ) Amzad Ali ~ 1ff'ri!i ~? (1 ) ~~ (2) <f<I~ (3) rq~r'l'-"'116 <if (4) ~ 31<'il 26. Pt. Bhatkhande was born in : 1io 'lI<l~O$ 'liT "FIl ~311 2fT : (1 ) 1855 (2) 1860 (3) 1862 (4) 1868 27. What is Santoor : (1 ) TatVadya (2) VitatVadya (3) Avandya Vadya (4 ) Ghan Vadya ~~t? (1 ) ~~ (2) ~~ (3) 3N-m~ (4) 'R~ 28. The total no. of Vadi Swar in a Rag is : "(lTj i\ <m(h:CR "'l<i<§1!f men t : (1 ) 7 (2) 5 (3) 3 (4) I 7 P.T.O.
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    68253 > OUP 880 5-8-74 10,000 . OSMANIA UNIVERSITY LIBRARY Call No.' poa U Accession No. Author'P OU H Title H; This bookok should bHeturned on or befoAbefoifc the marked * ^^k^t' below, nfro . ] A HISTORY OF INDIAN MUSIC BY THE SAME AUTHOR On Music : 1. Historical Development of Indian Music (Awarded the Rabindra Prize in 1960). 2. Bharatiya Sangiter Itihasa (Sanglta O Samskriti), Vols. I & II. (Awarded the Stisir Memorial Prize In 1958). 3. Raga O Rupa (Melody and Form), Vols. I & II. 4. Dhrupada-mala (with Notations). 5. Sangite Rabindranath. 6. Sangita-sarasamgraha by Ghanashyama Narahari (edited). 7. Historical Study of Indian Music ( ....in the press). On Philosophy : 1. Philosophy of Progress and Perfection. (A Comparative Study) 2. Philosophy of the World and the Absolute. 3. Abhedananda-darshana. 4. Tirtharenu. Other Books : 1. Mana O Manusha. 2. Sri Durga (An Iconographical Study). 3. Christ the Saviour. u PQ O o VM o Si < |o l "" c 13 o U 'ij 15 1 I "S S 4-> > >-J 3 'C (J o I A HISTORY OF INDIAN MUSIC' b SWAMI PRAJNANANANDA VOLUME ONE ( Ancient Period ) RAMAKRISHNA VEDANTA MATH CALCUTTA : INDIA. Published by Swaxni Adytaanda Ramakrishna Vedanta Math, Calcutta-6. First Published in May, 1963 All Rights Reserved by Ramakrishna Vedanta Math, Calcutta. Printed by Benoy Ratan Sinha at Bharati Printing Works, 141, Vivekananda Road, Calcutta-6. Plates printed by Messrs. Bengal Autotype Co. Private Ltd. Cornwallis Street, Calcutta. DEDICATED TO SWAMI VIVEKANANDA AND HIS SPIRITUAL BROTHER SWAMI ABHEDANANDA PREFACE Before attempting to write an elaborate history of Indian Music, I had a mind to write a concise one for the students.