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  • Famous Indian Classical Musicians and Vocalists Free Static GK E-Book
    oliveboard FREE eBooks FAMOUS INDIAN CLASSICAL MUSICIANS & VOCALISTS For All Banking and Government Exams Famous Indian Classical Musicians and Vocalists Free static GK e-book Current Affairs and General Awareness section is one of the most important and high scoring sections of any competitive exam like SBI PO, SSC-CGL, IBPS Clerk, IBPS SO, etc. Therefore, we regularly provide you with Free Static GK and Current Affairs related E-books for your preparation. In this section, questions related to Famous Indian Classical Musicians and Vocalists have been asked. Hence it becomes very important for all the candidates to be aware about all the Famous Indian Classical Musicians and Vocalists. In all the Bank and Government exams, every mark counts and even 1 mark can be the difference between success and failure. Therefore, to help you get these important marks we have created a Free E-book on Famous Indian Classical Musicians and Vocalists. The list of all the Famous Indian Classical Musicians and Vocalists is given in the following pages of this Free E-book on Famous Indian Classical Musicians and Vocalists. Sample Questions - Q. Ustad Allah Rakha played which of the following Musical Instrument? (a) Sitar (b) Sarod (c) Surbahar (d) Tabla Answer: Option D – Tabla Q. L. Subramaniam is famous for playing _________. (a) Saxophone (b) Violin (c) Mridangam (d) Flute Answer: Option B – Violin Famous Indian Classical Musicians and Vocalists Free static GK e-book Famous Indian Classical Musicians and Vocalists. Name Instrument Music Style Hindustani
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  • And Joydeep Ghosh (Sarod)
    The Asian Indian Classical Music Society 51491 Norwich Drive Granger, IN 46530 Concert Announcement Vidushi Mita Nag (sitar) Pandit Joydeep Ghosh (sarod) with Pandit Subhen Chatterjee (Tabla) April 26, 2016, Tuesday, 7.00PM At: the Andrews Auditorium, Geddes Hall University of Notre Dame Cosponsored with the Liu Institute of Asia and Asian Studies Tickets available at gate. General Admission: $10, AICMS Members and ND/SMC faculty: $5, Students: FREE Mita Nag, daughter of the veteran sitarist, Pandit Manilal Nag and granddaughter of Sangeet Acharya Gokul Nag, belongs to the Vishnupur Gharana of Bengal, a school of music that is nearly 300 years old and which is known for its dhrupad style of playing. She was initiated into music at the age of four, and studied with her mother, grandfather and father. She appeared for her debut performance at the age of ten, when she also won the Government of India’s Junior National Talent Search Award. She has given many concert performances, both alone and with her father, in cities in the US, Canada, Japan and Europe as well as in India. Joydeep Ghosh is hailed as one of India’s leading sarod, surshringar and Mohanveena artists. He started his sarod training at the age of five, and has studied with the great masters the late Sangeetacharya Anil Roychoudhury , late Sangeetacharya Radhika Mohan Moitra and Padmabhusan Acharya Buddhadev Dasgupta all of the Shahajahanpur Gharana. He has won numerous awards and fellowships, including those from the Government of India, the title of “Suramani” from the Sur Singar Samsad (Mumbai) and “Swarshree” from Swarankur (Mumbai).
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  • Teachers of Private Colleges (Under Section 17 – Elected Members (6) of the Kerala University Act, 1974)
    1 Price Rs. 100/- per copy UNIVERSITY OF KERALA Election to the Senate from the Teachers of Private Colleges (Under Section 17 – Elected Members (6) of the Kerala University Act, 1974) ELECTORAL ROLL OF TEACHERS OF PRIVATE COLLEGES-2018 ROLL No. Name Designation College 1. Dr.Caroline Beena Mendez DDO All Saints’ College. 2. Sonya J Nair Assistant Professor ,, 3. Kukku Xavier Assistant Professor ,, 4. Dr.Liji Varghese Assistant Professor ,, 5. Dr.Sr.Pascoela Adelrich Assistant Professor ,, D’Souza 6. Dr.Rajsree M.S Assistant Professor ,, 7. Sapna Srinivas Assistant Professor ,, 8. Simna S Stephen Assistant Professor ,, 9. Nishel Prem Elias Assistant Professor ,, 10. Diana V Prakash Assistant Professor ,, 11. Dr.Kavitha .N Assistant Professor ,, 12. Joveeta Justin Assistant Professor ,, 13. Celina James Assistant Professor ,, 14. Dr.C.Udayakala Assistant Professor ,, 15. Parvathy Menon Assistant Professor ,, 16. Vijayakumari K Assistant Professor ,, 17. Dr.Sreelekha Nair Associate professor ,, 18. Dr.Reshmi.R.Prasad Associate professor ,, 19. Lissy Bennet Assistant Professor ,, 20. Shirly Joseph Associate professor All Saints’ College. 21. Sebina Mathew C Assistant Professor ,, 22. Renjini Raveendran P Assistant Professor ,, 23. Vidhya T.R Assistant Professor ,, 24. Dr.Deepa M Associate professor ,, 25. Dr.Anjana P.S Assistant Professor ,, 2 26. Dr.Veena Suresh Babu Assistant Professor ,, 27. Dr.Sunitha Kurur Assistant Professor ,, 28. Dr.Sindhu Yesodharan Assistant Professor ,, 29. Dr.Siji V.L Assistant Professor ,, 30. Dr.Beena Kumari K.S Assistant Professor ,, 31. Dr.Nisha K.K Assistant Professor ,, 32. Dr.Sr.Shaina T J Assistant Professor ,, 33. Dr.Dhanalekshmi.T.G Assistant Professor ,, 34. Divya Grace Dilip Assistant Professor ,, 35.
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  • Registration No Name Father's Name Mother's Name Guardian's Name Alloted School ID Alloted School Name Class 20180083027 Eashan Walia Shailender Walia 1617184 ST
    Registration No Name Father's Name Mother's Name Guardian's Name Alloted School ID Alloted School Name Class 20180083027 eashan walia Shailender Walia 1617184 ST. FROEBEL SCHOOL Nur/ PreSch 20180135149 NANCY RAM NATH SANDHYA DEVI 1617184 ST. FROEBEL SCHOOL Nur/ PreSch 20180141923 SARIKA DEVRAJ SINGH MAMTA DEVI 1821191 SANT SHRI NAND LAL SARASWATI VIDYA MANDIR Nur/ PreSch 20180083227 MAYANK KRISHAN SUMAN DEVI 1310258 Maharaja Agarsain Public School Nur/ PreSch 20180002036 HRISHI DEV DEVANAND CHANDER KALA 1617164 MAHARAJA AGRASEN VIDYAPEETH Nur/ PreSch 20180083873 ADITYA MEENA ASHOK KUMAR MEENA REKHA MEENA 1822293 Shanti Gyan Vidhapeeth Nur/ PreSch 20180030372 SAMRAT SINGH KRISHAN DEV SINGH MUNNI DEVI 1822293 Shanti Gyan Vidhapeeth Nur/ PreSch 20180036437 GAURAV PARSAD MATHURA PRASAD NEEMA 1822293 Shanti Gyan Vidhapeeth Nur/ PreSch 20180143970 VIVAN KUMAR HARINDER KUMAR POOJA 1821159 DEEP MODEL SCHOOL Nur/ PreSch 20180031678 MAYANK KUMAR shiv kumar rakhi 1106267 INDIAN CAMBRIDGE PUBLIC SCHOOL ( RTE ) Nur/ PreSch 20180098188 Sumaya Naz Najani praveen 1310289 LK International School Nur/ PreSch 20180036497 PURV BAISOYA MONIKA 1719133 St. Joans Convent School ( RTE ) Nur/ PreSch 20180010872 SHIVAM KUMAR VIKRAM SINGH 1719133 St. Joans Convent School ( RTE ) Nur/ PreSch 20180110856 Gunjan Mandia Rajender Kumar Mahawar Geeta 1719133 St. Joans Convent School ( RTE ) Nur/ PreSch 20180026971 yashna Sewa Ram Daya Sewa Ram 1719133 St. Joans Convent School ( RTE ) Nur/ PreSch 20180006483 ISHIKA LAKSHMAN SAPNA 1411199 BLOOM ERA PUBLIC SCHOOL Nur/ PreSch
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  • "Improvised" Music
    The University of Manchester Research Formulas and the building blocks of humr style: a study in "improvised" music Document Version Final published version Link to publication record in Manchester Research Explorer Citation for published version (APA): Alaghband-Zadeh, C. (2012). Formulas and the building blocks of humr style: a study in "improvised" music. Analytical Approaches to World Music Journal, 2(1), 1-48. Published in: Analytical Approaches to World Music Journal Citing this paper Please note that where the full-text provided on Manchester Research Explorer is the Author Accepted Manuscript or Proof version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version. General rights Copyright and moral rights for the publications made accessible in the Research Explorer are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Takedown policy If you believe that this document breaches copyright please refer to the University of Manchester’s Takedown Procedures [http://man.ac.uk/04Y6Bo] or contact [email protected] providing relevant details, so we can investigate your claim. Download date:06. Oct. 2021 Formulas and the Building Blocks of Ṭhumrī Style—A Study in “Improvised” Music Chloe Zadeh PART I: IMPROVISATION, STRUCTURE AND FORMULAS IN NORTH INDIAN CLASSICAL MUSIC usicians, musicologists and
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  • Members of the Local Authorities Alappuzha District
    Price. Rs. 150/- per copy UNIVERSITY OF KERALA Election to the Senate by the member of the Local Authorities- (Under Section 17-Elected Members (7) of the Kerala University Act 1974) Electoral Roll of the Members of the Local Authorities-Alappuzha District Name of Roll Local No. Authority Name of member Address 1 LEKHA.P-MEMBER SREERAGAM, KARUVATTA NORTH PALAPPRAMBILKIZHAKKETHIL,KARUVATTA 2 SUMA -ST. NORTH 3 MADHURI-MEMBER POONTHOTTATHIL,KARUVATTA NORTH 4 SURESH KALARIKKAL KALARIKKALKIZHAKKECHIRA, KARUVATTA 5 CHANDRAVATHY.J, VISHNUVIHAR, KARUVATTA 6 RADHAMMA . KALAPURAKKAL HOUSE,KARUVATTA 7 NANDAKUMAR.S KIZHAKKEKOYIPURATHU, KARUVATTA 8 SULOCHANA PUTHENKANDATHIL,KARUVATTA 9 MOHANAN PILLAI THUNDILVEEDU, KARUVATTA 10 Karuvatta C.SUJATHA MANNANTHERAYIL VEEDU,KARUVATTA 11 K.R.RAJAN PUTHENPARAMBIL,KARUVATTA Grama Panchayath Grama 12 AKHIL.B CHOORAKKATTU HOUSE,KARUVATTA 13 T.Ponnamma- ThaichiraBanglow,Karuvatta P.O, Alappuzha 14 SHEELARAJAN R.S BHAVANAM,KARUVATTA NORTH MOHANKUMAR(AYYAPP 15 AN) MONEESHBHAVANAM,KARUVATTA 16 Sosamma Louis Chullikkal, Pollethai. P.O, Alappuzha 17 Jayamohan Shyama Nivas, Pollethai.P.O 18 Kala Thamarappallyveli,Pollethai. P.O, Alappuzha 19 Dinakaran Udamssery,Pollethai. P.O, Alappuzha 20 Rema Devi Puthenmadam, Kalvoor. P.O, Alappuzha 21 Indira Thilakan Pandyalakkal, Kalavoor. P.O, Alappuzha 22 V. Sethunath Kunnathu, Kalavoor. P.O, Alappuzha 23 Reshmi Raju Rajammalayam, Pathirappally, Alappuzha 24 Muthulekshmi Castle, Pathirappaly.P.O, Alappuzha 25 Thresyamma( Marykutty) Chavadiyil, Pathirappally, Alappuzha 26 Philomina (Suja) Vadakkan parambil, Pathirappally, Alappuzha Grama Panchayath Grama 27 South Mararikulam Omana Moonnukandathil, Pathirappally. P.O, Alappuzha 28 Alice Sandhyav Vavakkad, Pathirappally. P.O, Alappuzha 29 Laiju. M Madathe veliyil , Pathirappally P O 30 Sisily (Kunjumol Shaji) Puthenpurakkal, Pathirappally. P.O, Alappuzha 31 K.A.
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  • Formulas and the Building Blocks of Ṭhumrī Style—A Study in “Improvised” Music
    Formulas and the Building Blocks of Ṭhumrī Style—A Study in “Improvised” Music Chloe Zadeh PART I: IMPROVISATION, STRUCTURE AND FORMULAS IN NORTH INDIAN CLASSICAL MUSIC usicians, musicologists and teenage backpackers alike speak of “improvisation” in M modern-day Indian classical music.1 Musicians use the term to draw attention to differences between different portions of a performance, distinguishing between the “composition” of a particular performance (in vocal music, a short melody, setting a couple of lines of lyrics) and the rest of the performance, which involves musical material that is different in each performance and that musicians often claim to have made up on the spur of the moment.2 In their article “Improvisation in Iranian and Indian music,” Richard Widdess and Laudan Nooshin draw attention to modern-day Indian terminology which reflects a conceptual distinction between improvised and pre-composed sections of a performance (2006, 2–4). The concept of improvisation has also been central to Western imaginings of North Indian classical music in the twentieth century. John Napier has discussed the long history of Western descriptions of Indian music as “improvised” or “extemporized,” which he dates back to the work of Fox Strangways in 1914. He points out the importance the concept took on, for example, in the way in which Indian music was introduced to mainstream Western audiences in the 1960s; he notes that the belief that the performance of Indian music 1 I am very grateful to Richard Widdess and Peter Manuel for their comments on draft versions of this article. 2 The relationship between those parts of the performance that musicians label the “composition” and the rest of the performance is actually slightly more complicated than this; throughout, a performance of North Indian classical music is normally punctuated by a refrain, or mukhra, which is a part of the composition.
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  • Inde Du Nord1
    Cité de la musique 1 L’Inde du Nord Traditions hindoustanies programme Jeudi 20, vendredi 21, samedi 22 et dimanche 23 mars 2003 Vous avez la possibilité de consulter les notes de programme en ligne, 2 jours maximum avant chaque concert : www.cite-musique.fr La découverte des Indes « fabuleuses » des XVIe et XVIIe siècles frappa durablement l’imaginaire collectif occidental. Depuis, maintes fois décrite comme une terre de diversité, de contrastes et de paradoxes aux richesses infinies, l’Inde n’a cessé de fasciner. Sa culture musicale, fortement imprégnée d’une ancestrale pensée religieuse, a su préserver un héritage prestigieux tout en s’enrichissant régulièrement d’apports exogènes. La musique jouée au XIIIe siècle à la cour du Sultan de Delhi était alors essentiellement importée d’Asie centrale. Par un lent processus d’intégration et d’assimilation 2 réciproques, des générations de musiciens iraniens, turcs et hindous développèrent une culture musicale syncrétique, issue des mondes persan et indien. C’est ce formidable métissage qui permit aux instruments, aux formes et aux répertoires de s’enrichir mutuellement, en donnant corps à une culture hindoustanie qui allait devenir en Occident, dans le courant du XXe siècle, l’ambassadrice des « musiques du monde ». ’Inde du Nord - Traditions hindoustanies Traditions - ’Inde du Nord L Jeudi 20 mars - 20h Salle des concerts Pandit Hariprasad Chaurasia, flûte bansuri Subhankar Banerjee, tabla Bhawani Shankar, pakhavaj Rupak Kulkarni, flûte bansuri 3 programme jeudi 20 mars - 20h Durée du concert : 2h Avec le soutien de l’Ambassade de France en Inde et de l’Indian Council for Cultural Relations Hariprasad Chaurasia Né en 1939, Hariprasad Chaurasia aurait dû, en bonne logique, reprendre le métier de son père, qui était lutteur.
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  • Pradhan Mantri Gram Sadak Yojana CUCPL - Comprehensive Up-Gradation Cum Consolidation Priority List
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