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Text and Image in Translation
CLEaR, 2016, 3(2), ISSN 2453 - 7128 DOI: 10.1515/clear - 2016 - 0013 Text and Image in T ranslation Milena Yablonsky Pedagogical University of Cracow, Poland [email protected] Abstract The primary objective of the following paper is t he analysis of selected issues related to the translation of comic books. The paper aims at investigating the relationships between the text and the image and their implications in the process of translation. It reflects on the status of the translation of comics/graphic novels - a still largely unexp loited area within Translation Studies and briefly presents a definition and specificity of the genre. Moreover, it discusses Jakobson’s (1971) tripartite distinction into interlinguistic, intralinguistic and intersemiotic translation. The paper concludes with the analysis of certain issues associated with the Polish translation of V like Vendetta by Alan Moore, a text that is copious with intertextual and cultural references. Keywords: graphic novel, comics, V like Vendetta , Jakobson, constrained translat ion, intertextuality Introduction The translation of comic books still occupies a rather unexploited area within the discipline of Translation Studies, maybe due to the fact that it “might be perceived as a field of l esser interest” (Zanettin 273) and comics are usually regarded as an artistic form of a lower status. In Dictionary of Translation Studies by Shuttleworth and Cowie there is no t a single entry on comics. They refer to them only when they explain the term “multi - medial texts” ( 109 - 1 10) as: “ . The multi - medial category consists of texts in which the ver bal content is supplemented by elements in other media; however, all such texts will also simultaneously belong to one of the other, main text - type . -
Alan Moore V for Vendetta
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Humanities Commons Early draft of essay eventually published in Sexual Ideology in the Works of Alan Moore Comer 1 “Body Politics: Unearthing an Embodied Ethics in V for Vendetta” Todd A. Comer In light of the oft-made allegation that superheroes are in many respects carbon copies of the fascist world that they were consciously or unconsciously intended to oppose, V for Vendetta may be Alan Moore’s most direct commentary on the superheroic body and its desires. Intimations of fascism, of course, are everywhere in Moore’s work. The German soldier who shatters Alice’s mirror in Lost Girls, William Gull’s bird-like transcendence in From Hell, Superman’s repression of the too-earthy Swamp Thing in “The Jungle Line,” Moriarty’s cavorite- fueled journey toward heaven (and death) in The League of Extraordinary Gentlemen—all speak to Moore’s critique of the superheroic tendency to marginalize the world and others. Moore and David Lloyd’s graphic novel is the most direct commentary on the superhero body if only because the body of the hero and villain are obnoxiously present, even as they strangely absent themselves. The novel appears to ground agency to an embodied totalitarian world in terms of (dis)embodiment. Agency is, of course, an issue of the body and its representation, but Moore and Lloyd get it wrong, at least on one overt level, by misunderstanding the ultimate goal of fascism and reproducing a notion of agency that merely reproduces on another level the (ontological) state that it presumes to counter. -
Writing About Comics
NACAE National Association of Comics Art Educators English 100-v: Writing about Comics From the wild assertions of Unbreakable and the sudden popularity of films adapted from comics (not just Spider-Man or Daredevil, but Ghost World and From Hell), to the abrupt appearance of Dan Clowes and Art Spiegelman all over The New Yorker, interesting claims are now being made about the value of comics and comic books. Are they the visible articulation of some unconscious knowledge or desire -- No, probably not. Are they the new literature of the twenty-first century -- Possibly, possibly... This course offers a reading survey of the best comics of the past twenty years (sometimes called “graphic novels”), and supplies the skills for reading comics critically in terms not only of what they say (which is easy) but of how they say it (which takes some thinking). More importantly than the fact that comics will be touching off all of our conversations, however, this is a course in writing critically: in building an argument, in gathering and organizing literary evidence, and in capturing and retaining the reader's interest (and your own). Don't assume this will be easy, just because we're reading comics. We'll be working hard this semester, doing a lot of reading and plenty of writing. The good news is that it should all be interesting. The texts are all really good books, though you may find you don't like them all equally well. The essays, too, will be guided by your own interest in the texts, and by the end of the course you'll be exploring the unmapped territory of literary comics on your own, following your own nose. -
{PDF} Promethea: Book 4
PROMETHEA: BOOK 4 PDF, EPUB, EBOOK J. H. Williams,Alan Moore | 192 pages | 01 May 2005 | DC Comics | 9781401200312 | English | La Jolla, CA, United States Promethea: Book 4 PDF Book Mick Gray. We plot a triangle. I'm starting to get a better understanding of the narrative and of Alan Moore's hermetic principles in general: embrace the way things are if you want to change them. For a better shopping experience, please upgrade now. Yeah - I had planned on cutting my losses and going digital but then choosing a device and having to buy them for a similar price anyway. This is God. Sophie finally returns to the mortal plane, to her own Earth, to He was the longest-lasting Promethea, from —, and acted as a "science-hero" in the ABC universe with Tom Strong during that period. Original Title. Get A Copy. Apr 23, Amanda rated it it was ok Shelves: graphic-novels. We have made it to the top of the Tree of Life. It's really indulgent--a dive into Moore's mindset, with plenty of references to Alesiter Crowley and other mystics. Uh-oh, it looks like your Internet Explorer is out of date. Jan 27, Kevin rated it it was amazing. Sophie Bangs, still in Millennium City, lives a quiet but happy life. Everybody is suggesting you just read them digitally, but that doesn't really work for those of us that like to buy books, put them on a shelf, take them to the park with us, loan them to our friends, etc. -
Moore Layout Original
Bibliography Within your dictionary, next to word “prolific” you’ll created with their respective co-creators/artists) printing of this issue was pulped by DC hierarchy find a photo of Alan Moore – who since his profes - because of a Marvel Co. feminine hygiene product ad. AMERICA’S BEST COMICS 64 PAGE GIANT – Tom sional writing debut in the late Seventies has written A few copies were saved from the company’s shred - Strong “Skull & Bones” – Art: H. Ramos & John hundreds of stories for a wide range of publications, der and are now costly collectibles) Totleben / “Jack B. Quick’s Amazing World of both in the United States and the UK, from child fare Science Part 1” – Art: Kevin Nowlan / Top Ten: THE LEAGUE OF EXTRAORDINARY GENTLEMEN like Star Wars to more adult publications such as “Deadfellas” – Art: Zander Cannon / “The FIRST (Volume One) #6 – “6: The Day of Be With Us” & Knave . We’ve organized the entries by publishers and First American” – Art: Sergio Aragonés / “The “Chapter 6: Allan and the Sundered Veil’s The listed every relevant work (comics, prose, articles, League Of Extraordinary Gentlemen Game” – Art: Awakening” – Art: Kevin O’Neill – 1999 artwork, reviews, etc...) written by the author accord - Kevin O’Neill / Splash Brannigan: “Specters from ingly. You’ll also see that I’ve made an emphasis on THE LEAGUE OF EXTRAORDINARY GENTLEMEN Projectors” – Art: Kyle Baker / Cobweb: “He Tied mentioning the title of all his penned stories because VOLUME 1 – Art: Kevin O’Neill – 2000 (Note: Me To a Buzzsaw (And It Felt Like a Kiss)” – Art: it is a pet peeve of mine when folks only remember Hardcover and softcover feature compilation of the Dame Darcy / “Jack B. -
Mechanisms of Control in Alan Moore's "V for Vendetta" and George Orwell's "1984"
Mechanisms of Control in Alan Moore's "V for Vendetta" and George Orwell's "1984" Prtenjača, Zvonimir Undergraduate thesis / Završni rad 2018 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences / Sveučilište Josipa Jurja Strossmayera u Osijeku, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:142:668248 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-26 Repository / Repozitorij: FFOS-repository - Repository of the Faculty of Humanities and Social Sciences Osijek Sveučilište J.J. Strossmayera u Osijeku Filozofski fakultet Osijek Studij: Dvopredmetni sveučilišni preddiplomski studij engleskoga jezika i književnosti i povijesti Zvonimir Prtenjača Mehanizmi kontrole u romanima "O za osvetu" Alana Moorea i "1984." Georgea Orwella Završni rad Mentor: doc. dr. sc. Ljubica Matek Osijek, 2018. Sveučilište J.J. Strossmayera u Osijeku Filozofski fakultet Osijek Odsjek za engleski jezik i književnost Studij: Dvopredmetni sveučilišni preddiplomski studij engleskoga jezika i književnosti i povijesti Zvonimir Prtenjača Mehanizmi kontrole u romanima "O za osvetu" Alana Moorea i "1984." Georgea Orwella Završni rad Znanstveno područje: humanističke znanosti Znanstveno polje: filologija Znanstvena grana: anglistika Mentor: doc. dr. sc. Ljubica Matek Osijek, 2018. J.J. Strossmayer University of Osijek Faculty of Humanities and Social Sciences Study Programme: Double Major BA Study Programme -
Tom Strong Book 4: Book 4 Free
FREE TOM STRONG BOOK 4: BOOK 4 PDF Moore a. | 160 pages | 30 Dec 2005 | DC Comics | 9781401205720 | English | United States Tom Strong, Book 4 | Mervi's Book reviews Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Geoff Johns. Peter Hogan. This amazing fourth collection by acclaimed author Alan Moore begins with a 3-part epic that takes the reader on a parallel journey through time Learn new revelations about Tom's past, including the introduction of a newly discovered Strong family member, Tom Strong's best pal, and the final fate of Tom's girlfriend Greta. Get A Copy. Hardcoverpages. Tom Strong Book 4: Book 4 Details Original Title. Other Editions 6. Friend Reviews. To see what your friends thought of this book, please Tom Strong Book 4: Book 4 up. To ask other readers questions about Tom Strong, Book 4please sign up. Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Start your review of Tom Strong, Book 4. Jan 23, Patrick rated it it was amazing Shelves: graphic-novels-you-should- read. You'll need to have read the others in the series to appreciate it Tom Strong Book 4: Book 4 Excellent comic blending superhero and pulp style story lines. -
Alan Moore the Courtyard Companion
[Free] Alan Moore The Courtyard Companion Alan Moore The Courtyard Companion Alan Moore, Jacen Burrows audiobook | *ebooks | Download PDF | ePub | DOC #1720287 in Books 2000-02-10 2000-02-10Original language:EnglishPDF # 1 6.75 x .20 x 10.25l, .30 #File Name: 159291016572 pages | File size: 38.Mb Alan Moore, Jacen Burrows : Alan Moore The Courtyard Companion before purchasing it in order to gage whether or not it would be worth my time, and all praised Alan Moore The Courtyard Companion: 0 of 0 people found the following review helpful. Moore does for Mythos what he's done for the Superhero genre with Watchmen.By James KirklandContaining Moore's original short story this is the springboard for Neonomicon and Providence. What Moore did for the superhero genre he's doing for Lovecraftian mythos. If you thought he made superhero dark wait until you see what he has in store for madness inducing eldritch gibbering horrors!4 of 25 people found the following review helpful. bad binding.By John H. Donnelly IITwo days from receipt of this item, the binding broke, and all the pages fell out in a cascade onto the floor. What lurks in The Courtyard? Lovecraftian scholar N.G. Christakos and Antony Johnston tackle the mystery with painstaking research into Alan Moore's masterpiece THE COURTYARD and its roots in the Cthulhu Mythos of H.P. Lovecraft. This volume reprints Moore's original short story, Johnston's accurately adapted script, pin-up artwork by artist Jacen Burrows unseen in the original graphic novella, hundreds of annotations on all of Moore's Lovecraftian references, and more! About the AuthorAlan Moore is widely considered to be the greatest comic book writer of all time. -
V for Vendetta
Study Guide: V For Vendetta popular in that title; during the 26 issues of Warrior several covers featured V for Vendetta. When the publishers cancelled Warrior in 1985 (with two completed issues unpublished due to the cancellation), several companies attempted to convince Moore and Lloyd to let them publish and complete the story. In 1988 DC Comics published a ten-issue series that reprinted the Warrior stories in color, then continued the series to completion. The first new material appeared in issue #7, which included the unpublished episodes that would have appeared in Warrior #27 and #28. Tony Weare drew one chapter ("Vincent") and contributed additional art to two others ("Valerie" and "The Vacation"); Steve Whitaker and Siobhan Dodds worked as colourists on the entire series. The series, including Moore's "Behind the Painted ! Smile" essay and two "interludes" outside the central continuity, then appeared in collected form as a trade The complete film script of V for Vendetta is paperback, published in the US by DC's Vertigo imprint available from the Internet Movie Script Database: (ISBN 0-930289-52-8) and in the UK by Titan Books http://www.imsdb.com/scripts/V-for-Vendetta.html (ISBN 1-85286-291-2). V for Vendetta is a ten-issue comic book series written by Alan Moore and illustrated mostly by David Background Lloyd, set in a dystopian future United Kingdom David Lloyd's paintings for V for Vendetta in imagined from the 1980s to about the 1990s. A Warrior originally appeared in black-and-white. The DC mysterious masked revolutionary who calls himself "V" Comics version published the artwork "colourised" in works to destroy the totalitarian government, profoundly pastels. -
Alan Moore - Wikiquote
Alan Moore - Wikiquote http://en.wikiquote.org/wiki/Alan_Moore Alan Moore From Wikiquote Alan Moore (born November 18, 1953) is a British writer, most famous for his influential work in comic-books and graphic novels. See also: V for Vendetta (1986) Watchmen (1987) The League of Extraordinary Gentlemen (1999 - present) Hellblazer (comic series based on characters created by Moore) From Hell (2001 film based on the comic series created by Moore) The League of Extraordinary Gentlemen (2003 film based on the comic series by Moore) Life isn’t divided into V for Vendetta (2006 film based on his graphic novel) genres. It’s a horrifying, Watchmen (2009 film based on his graphic novel) romantic, tragic, comical, science-fiction cowboy detective novel Contents … with a bit of pornography if you're lucky. 1 Quotes 1.1 Alan Moore's Hypothetical Lizard (January 2005 - May 2005) 1.2 Swamp Thing (1983–1987) 1.3 Watchmen (1986–1987) 1.4 Batman : The Killing Joke (1988) 2 Whatever Happened to the Man of Tomorrow? (1986) 2.1 V for Vendetta (1989) 2.2 De Abaitua interview (1998) 2.3 What Is Reality? It struck me that it 3 Quotes about Moore might be interesting for 4 External links once to do an almost blue-collar warlock. Somebody who was streetwise, working Quotes class, and from a different background There's been a growing dissatisfaction and distrust with the conventional than the standard run of publishing industry, in that you tend to have a lot of formerly reputable comic book mystics. imprints now owned by big conglomerates. -
The V's Motivation of Being a Terrorist As Seen in Alan
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI V’S MOTIVATION OF BEING A TERRORIST AS SEEN IN ALAN MOORE’S V FOR VENDETTA GRAPHIC NOVEL A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfilment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Andreas Leo Kresnawan Putra Student Number: 131214163 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI V’S MOTIVATION OF BEING A TERRORIST AS SEEN IN ALAN MOORE’S V FOR VENDETTA GRAPHIC NOVEL A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfilment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Andreas Leo Kresnawan Putra Student Number: 131214163 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI “It gives me strength to have somebody to fight for; I can never fight for myself, but, for others, I can kill.” Emilie Autumn, The Asylum for Wayward Victorian Girls This thesis is dedicated to: My Parents Cyprianus Louis Noviatno And Agnes Widyastuti “Being deeply loved by someone gives you strength, while loving someone deeply gives you courage.” Lao Tzu iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI STATEMENT OF WORK’S ORIGINALITY I honestly declare that this thesis, which I have written, does not contain the work or parts of the work of other people, except those cited in the quotations and the references, as a scientific paper should. -
MATT YOCKEY, Ph.D
MATT YOCKEY, Ph.D. Professor, Associate Chair, Head of Film Program Department of Theatre and Film University of Toledo 2801 W. Bancroft St., Toledo, OH 43606 [email protected] EDUCATION Doctor of Philosophy, Communication and Culture/American Studies (2007) Indiana University, Bloomington, IN Dissertation: The New Crusaders: Apocalypse, Utopia and the Contemporary Superhero Film (Advisor: Barbara Klinger) Master of Arts, International Film Studies (2001) Ohio University, Athens, OH Thesis: Myths of the Near Future: National Identity in American Science Fiction Films (Advisor: Jenny Lau) Bachelor of Arts, English (1988) Indiana University, Bloomington, IN PROFESSIONAL APPOINTMENTS University of Toledo, Toledo, OH (2010 – present) Associate Professor, Department of Theatre and Film University of California, Irvine, CA (2007 – 2010) Visiting Assistant Professor, Department of Film and Media Studies Miami University, Oxford, OH (2006 – 2007) Visiting Lecturer, Department of Communication/American Studies Program PUBLICATIONS Books Authored Batman (TV Milestones Series) (Wayne State University Press, 2014). Yockey Page 1 Books Edited Make Ours Marvel: Media Convergence and a Comics Universe (University of Texas Press, 2017). Journal Articles “Ti-Girl Power: American Utopianism in the Queer Superhero Text.” European Journal of American Studies. Summer 2015. “The Invisible Teenager: Comic Book Materiality and the Amateur Films of Don Glut.” Transformative Works and Cultures. June 2014. “Retopia: The Dialectics of the Superhero Comic Book.” Studies in Comics, vol. 3, no. 2. December 2012. “Monster Mashups: At Home with Famous Monsters of Filmland.” Journal of Fandom Studies, vol. 1, no. 1. November 2012. “Wonder Woman For a Day: Affect, Agency and Amazons.” Transformative Works and Cultures. June 2012.