Lettre Juin 2012 Version Anglaise
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Italian Cinema WL 3390/CTV 3390 No Prerequisites. in English
Italian Cinema WL 3390/CTV 3390 No prerequisites. In English. SYLLABUS Brandy Alvarez [email protected] 416 Clements Hall Tel. 214 768 1892 Required texts: Peter Bondanella, Italian Cinema from Noerealism to the Present ; Continuum, New York, 1997 (Third Edition 2001) and course packet Grading: 25 % class discussion 25 % daily response papers 25 % oral presentation 25 % final paper Methods of evaluation : Students will write short responses to each film (generally one page to a page and a half) and answer analytical questions that are distributed with each film, present to the class a summary of a critical film essay, and write a five-page final paper on one of the film's we viewed in class. Absences: Given the nature of the J-term course, any absence will affect the final grade (one grade for each absence). Student Learning Outcomes: (from Creativity and Aesthetics: Level One : 1). Students will be able to identify methods, techniques, or languages of a particular art form and explain how those inform its creation, performance, or analysis, and 2. Students will be able to demonstrate an understanding of concepts fundamental to the creative impulse through analysis. Overview and additional learning expectations : This course offers a brief chronological survey of renowned Italian films and directors as well as exemplars of popular cinema that enjoyed box office success abroad. We will explore the themes and cinematic style of Neorealism and the 'generational' waves of those directors who followed in its wake, including Fellini. Students will watch the films in original language with English subtitles. • Students learn the fundamentals of film analysis, including the basic structural and narrative components of a film, and the terminology necessary to describe both. -
United States District Court for the District of Columbia
UNDER EMBARGO UNTIL NOTICE GIVEN NO EARLIER THAN 7:00 PM EDT ON SATURDAY 9 JULY 2016 UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA CATHLEEN COLVIN, individually and as Civil No. __________________ parent and next friend of minors C.A.C. and L.A.C., heirs-at-law and beneficiaries Complaint For of the estate of MARIE COLVIN, and Extrajudicial Killing, JUSTINE ARAYA-COLVIN, heir-at-law and 28 U.S.C. § 1605A beneficiary of the estate of MARIE COLVIN, c/o Center for Justice & Accountability, One Hallidie Plaza, Suite 406, San Francisco, CA 94102 Plaintiffs, v. SYRIAN ARAB REPUBLIC, c/o Foreign Minister Walid al-Mualem Ministry of Foreign Affairs Kafar Soussa, Damascus, Syria Defendant. COMPLAINT Plaintiffs Cathleen Colvin and Justine Araya-Colvin allege as follows: INTRODUCTION 1. On February 22, 2012, Marie Colvin, an American reporter hailed by many of her peers as the greatest war correspondent of her generation, was assassinated by Syrian government agents as she reported on the suffering of civilians in Homs, Syria—a city beseiged by Syrian military forces. Acting in concert and with premeditation, Syrian officials deliberately killed Marie Colvin by launching a targeted rocket attack against a makeshift broadcast studio in the Baba Amr neighborhood of Homs where Colvin and other civilian journalists were residing and reporting on the siege. 2. The rocket attack was the object of a conspiracy formed by senior members of the regime of Syrian President Bashar al-Assad (the “Assad regime”) to surveil, target, and ultimately kill civilian journalists in order to silence local and international media as part of its effort to crush political opposition. -
The Myth of the Good Italian in the Italian Cinema
ISSN 2039-2117 (online) Mediterranean Journal of Social Sciences Vol 5 No 16 ISSN 2039-9340 (print) MCSER Publishing, Rome-Italy July 2014 The Myth of the Good Italian in the Italian Cinema Sanja Bogojević Faculty of Philosophy, University of Montenegro Doi:10.5901/mjss.2014.v5n16p675 Abstract In this paper we analyze the phenomenon called the “myth of the good Italian” in the Italian cinema, especially in the first three decades of after-war period. Thanks to the recent success of films such as Tarantino’s Inglorious Basterds or Academy Award- winning Benigni’s film La vita è bella and Spielberg’s Schindler’s List it is commonly believed that the Holocaust is a very frequent and popular theme. Nevertheless, this statement is only partly true, especially when it comes to Italian cinema. Soon after the atrocities of the WWII Italian cinema became one of the most prominent and influential thanks to its national film movement, neorealism, characterized by stories set amongst the poor and famished postwar Italy, celebrating the fight for freedom under the banners of Resistance and representing a nation opposed to the Fascist and Nazi regime. Interestingly, these films, in spite of their very important social engagement, didn’t even mention the Holocaust or its victims and it wasn’t until the 1960’s that Italian cinema focused on representing and telling this horrific stories. Nevertheless, these films represented Italians as innocent and incapable of committing cruel acts. The responsibility is usually transferred to the Germans as typically cold and sadistic, absolving Italians of their individual and national guilt. -
Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline. -
2018 DG Report on the Safety of Journalists and the Danger of Impunity
CI-18/COUNCIL-31/6/REV 2 2018 DG Report on the Safety of Journalists and the Danger of Impunity INTRODUCTION This report is submitted to the Intergovernmental Council of the International Programme for the Development of Communication (IPDC) in line with the Decision on the Safety of Journalists and the issue of Impunity adopted by the Council at its 26th session on 27 March 2008, and renewed at subsequent sessions in 2010, 2012, 2014 and 2016. In its latest Decision, adopted in November 2016, the IPDC Council urged Member States to “continue to inform the Director-General of UNESCO, on a voluntary basis, on the status of the judicial inquiries conducted on each of the killings condemned by the Director-General”. The present report provides an analysis of the cases of killings of journalists and associated media personnel that were condemned by the Director-General in 2016 and 2017. It also takes stock of the status of judicial enquiries conducted on each of the killings recorded by UNESCO between 2006 and 2017, based on information provided by Member States. TABLE OF CONTENTS 1. Executive Summary 2 2. Background and Context 2 3. Journalists’ killings in 2016 and 2017: key findings 7 3.1 Most dangerous regions 8 3.2 Rise in number of women journalists among fatalities 9 3.3 Highest number of killings among TV journalists 11 3.4 Majority of victims are local journalists 11 3.5 Freelance and staff journalists 12 3.6 More killings occurring in countries with no armed conflict 12 4. Member States’ responses: status of the judicial enquiries on cases of journalists killed from 2006 to end 2017 13 4.1 Decrease in Member State response rate to Director-General’s request 18 4.2 Slight reduction in impunity rate, but 89% of cases remain unresolved 19 4.3 Member States reporting on measures to promote safety of journalists and to combat impunity 22 5. -
Hitler from American Ex-Pats' Perspective
THE MONTHLY NEWSLETTER OF THE OVERSEAS PRESS CLUB OF AMERICA, NEW YORK, NY • MARCH 2012 Hitler From American Ex-Pats’ Perspective EVENT PREVIEW: MARCH 19 by Sonya K. Fry There have been many history books written about World War II, the economic reasons for Hitler’s rise to power, the psychology of Adolf Hitler as an art student, and a myriad of topics delving into the phenome- non that was Hitler. Andy Nagorski’s new book Hitlerland looks at this time frame from the perspective of American expatriates who lived in Andrey Rudakov Germany and witnessed the Nazi rise Andrew Nagorski to power. In researching Hitlerland, Na- Even those who did not take Hitler for the Kremlin. gorski tapped into a rich vein of in- seriously, however, would concede Others who came to Germany cu- dividual stories that provide insight that his oratory skills and charisma rious about what was going on there into what it was like to work or travel would propel him into prominence. include the architect Philip Johnson, in Germany in the midst of these Nagorski looks at Charles Lind- the dancer Josephine Baker, a young seismic events. berg who was sent to Germany in Harvard student John F. Kennedy Many of the first-hand accounts 1936 to obtain intelligence on the and historian W.E.B. Dubois. in memoirs, correspondence and in- Luftwaffe. Karl Henry von Wiegand, Andy Nagorski is an award win- terviews were from journalists and the famed Hearst correspondent was ning journalist with a long career at diplomats. There were those who the first American reporter to meet Newsweek. -
California State University, Sacramento Department of World Literatures and Languages Italian 104 a INTRODUCTION to ITALIAN CINEMA I GE Area C1 SPRING 2017
1 California State University, Sacramento Department of World Literatures and Languages Italian 104 A INTRODUCTION TO ITALIAN CINEMA I GE Area C1 SPRING 2017 Course Hours: Wednesdays 5:30-8:20 Course Location: Mariposa 2005 Course Instructor: Professor Barbara Carle Office Location: Mariposa Hall 2057 Office Hours: W 2:30-3:30, TR 5:20-6:20 and by appointment CATALOG DESCRIPTION ITAL 104A. Introduction to Italian Cinema I. Italian Cinema from the 1940's to its Golden Period in the 1960's through the 1970's. Films will be viewed in their cultural, aesthetic and/or historical context. Readings and guiding questionnaires will help students develop appropriate viewing skills. Films will be shown in Italian with English subtitles. Graded: Graded Student. Units: 3.0 COURSE GOALS and METHODS: To develop a critical knowledge of Italian film history and film techniques and an aesthetic appreciation for cinema, attain more than a mere acquaintance or a broad understanding of specific artistic (cinematographic) forms, genres, and cultural sources, that is, to learn about Italian civilization (politics, art, theatre and customs) through cinema. Guiding questionnaires will also be distributed on a regular basis to help students achieve these goals. All questionnaires will be graded. Weekly discussions will help students appreciate connections between cinema and art and literary movements, between Italian cinema and American film, as well as to deal with questionnaires. You are required to view the films in the best possible conditions, i.e. on a large screen in class. Viewing may be enjoyable but is not meant to be exclusively entertaining. -
UNESCO Condemns Killing of Journalists Assassinated Journalists in 2012
UNESCO Condemns Killing of Journalists Assassinated Journalists in 2012 Summary Total condemnations: 124 cases Local journalists killed: 118 Foreign journalists killed: 6 Female journalists killed: 5 Male journalists killed: 119 Journalists killed in Africa: 26 Journalists killed in Arab Region: 50 Journalists killed in Asia and the Pacific: 26 Journalists killed in Central and Eastern Europe: 1 Journalists killed in LAC: 21 Journalists killed in Western Europe and North America: 0 Haidar al-Sumudi (Syrian) Syrian TV cameraman Killed on 22 December 2012 in Syria [UNESCO Statement] Kazbek Gekkiyev (Russian) Television news presenter for the All-Russia State Television and Radio Company (VGTRK) Killed on 5 December 2012 in Russian Federation [UNESCO Statement] [Response from Member State 2016] (in Russian) Isaiah Diing Abraham Chan Awol (South Sudanese) Columnist Killed on 5 December 2012 in South Sudan [UNESCO Statement] Naji Asaad (Syrian) Journalist for Tishreen Newspaper Killed on 4 December 2012 in Syria [UNESCO Statement] 1 UNESCO Condemns Killing of Journalists Assassinated Journalists in 2012 Saqib Khan (Pakistani) Photojournalist for Dunya News TV Killed in November 2012 in Pakistan [UNESCO Statement] Guillermo Quiroz Delgado (Colombian) Journalist for the cable TV news programme Notisabanas and El Meridiano newspaper Killed on 27 November 2012 in Colombia [UNESCO Statement] Eduardo Carvalho (Brazilian) Owner and editor of the Ultima Hora News website Killed on 21 November 2012 in Brazil [UNESCO Statement] [Member State's Response -
Programme 2010.Indd
Table of contents 2 Welcome 4 Overview 8 Presentation of Reports 12 Meetings 14 Agenda › 6 December morning 19 Agenda › 6 December afternoon 28 Agenda › 7 December morning 34 Agenda › 7 December afternoon 38 Exhibitions 42 Speakers 47 Organisations 51 General Map 52 Development Village Plan 56 EDD 2010 OFF Programme 1 Welcome European Development Days is a landmark event in Objectives the European development calendar. It is Europe’s fore- The objective of European Development Days is to most platform for dialogue and discussion on develop- encourage a policy dialogue, where the development ment issues. In bringing together the global development community can exchange ideas on how to tackle community, European Development Days presents an challenges, and debate how best to get the most unmatched opportunity for key development actors to from the added value of development aid and its cost- share and develop ideas and debate the EU’s policies effectiveness. Europe’s development policy has to address for tackling poverty worldwide. The event, organised a variety of challenges to achieve “higher-impact” aid. jointly by the European Commission and the Belgian These challenges – many of which are highlighted in the Presidency of the European Union, will bring together Commission’s Green Paper on Development Policy to be Heads of State, representatives of national govern- published ahead of EDD – include the issue of ensuring ments, Members of the European Parliament, European more inclusive growth, as well as fairer, more effi cient and development fi nance institutions, key civil society repre- more environmentally sustainable development policies. sentatives, NGOs, as well as Business Europe and the Two essential prerequisites are effective cooperation and International Finance Corporation, to name but a few. -
How the Assad Regime Tracked and Killed Marie Colvin for Reporting on War Crimes in Syria Photo: AFP/Getty Images
TARGET: JOURNALIST How the Assad Regime Tracked and Killed Marie Colvin for Reporting on War Crimes in Syria Photo: AFP/Getty Images Johnny Dwyer, Ryan Gallagher April 9 2018, 7:49 a.m. It is a horrifying artifact of our digital era: a jumpy 18-minute-and-49- second cellphone video of a Skype call. Glimpses of an Arabic-language keyboard and laptop screen can be seen as the audio plays through tinny speakers. We hear panicked shouts in Arabic, the crack of explosions finding their way closer, a woman’s voice shouting. A man yells in English: “I’m hit! I need a tourniquet on my leg. I can’t move.” The video captures the frantic final moments of journalists Marie Colvin and Rémi Ochlik. The two were struck by a rocket on the morning of February 22, 2012, in the neighborhood of Baba Amr in Homs, Syria. It was the beginning of that country’s civil war, which has now stretched into seven years of devastating violence. In federal court in Washington, D.C., on Monday, the video was submitted as a key piece of evidence in a lawsuit accusing the Syrian government of targeting and murdering Colvin, a U.S. citizen raised on Long Island, as she sought to cover the war. The Colvin family filed the video and nearly 2,000 pages of documents, including military intelligence memoranda and testimony from Syrian defectors, as part of a federal civil lawsuit against the Syrian government. The documents provide detailed and unprecedented evidence to support the claim that Colvin was deliberately hunted and killed as part of a policy by the Assad regime to eliminate journalists. -
On the Roman Frontier1
Rome and the Worlds Beyond Its Frontiers Impact of Empire Roman Empire, c. 200 B.C.–A.D. 476 Edited by Olivier Hekster (Radboud University, Nijmegen, The Netherlands) Editorial Board Lukas de Blois Angelos Chaniotis Ségolène Demougin Olivier Hekster Gerda de Kleijn Luuk de Ligt Elio Lo Cascio Michael Peachin John Rich Christian Witschel VOLUME 21 The titles published in this series are listed at brill.com/imem Rome and the Worlds Beyond Its Frontiers Edited by Daniëlle Slootjes and Michael Peachin LEIDEN | BOSTON This is an open access title distributed under the terms of the CC-BY-NC 4.0 License, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at http://lccn.loc.gov/2016036673 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface. issn 1572-0500 isbn 978-90-04-32561-6 (hardback) isbn 978-90-04-32675-0 (e-book) Copyright 2016 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi and Hotei Publishing. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. -
The Safety of Journalists and the Danger of Impunity
CI-16/COUNCIL-30/4 Rev. PARIS, 7 October 2016 Original: English THE SAFETY OF JOURNALISTS AND THE DANGER OF IMPUNITY REPORT BY THE DIRECTOR-GENERAL TO THE INTERGOVERNMENTAL COUNCIL OF THE IPDC (THIRTIETH SESSION) INTRODUCTION This document is submitted to the Intergovernmental Council of the International Programme for the Development of Communication’s (IPDC) in accordance with its Decision on the Safety of Journalists and the Issue of Impunity adopted at its 26th session (27 March 2008) and renewed at subsequent sessions in 2010, 2012, and 2014. The latest Decision from 2014 reiterated “the continuing relevance of [previous] IPDC Decisions that request the Director-General of UNESCO to provide to the Intergovernmental Council of the IPDC, on a two-year basis at its biennial session, an analytical report on the Director- General’s condemnations of the killings of journalists, media workers and social media producers who are engaged in journalistic activities and who are killed or targeted in their line of duty”. The present report offers an overview of the killings of journalists condemned by the Director-General in 2014-2015 as well as providing an analysis of the killings condemned over the last 10 years, between 2006 and 2015. It presents an update on the status of investigations into these killings based on the information provided by Member States. Background information is also provided on the latest developments in the implementation of the UN Plan of Action on the Safety of Journalists and the Issue of Impunity and on UNESCO’s specific contribution to this process. Communication and Information Sector 2 Communication and Information Sector TABLE OF CONTENTS 1.