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Musical Imaginary, Identity and Representation: the Case of Gentleman the German Reggae Luminary
Ali 1 Musical Imaginary, Identity and Representation: The Case of Gentleman the German Reggae Luminary A Senior Honors Thesis Presented in partial fulfillment of the requirements for graduation with distinction in Comparative Studies in the undergraduate colleges of The Ohio State University By Raghe Ali April 2013 The Ohio State University Project Advisors Professor Barry Shank, Department of Comparative Studies Professor Theresa Delgadillo, Department of Comparative Studies Ali 2 In 2003 a German reggae artist named Gentleman was scheduled to perform at the Jamworld Entertainment Center in the south eastern parish of St Catherine, Jamaica. The performance was held at the Sting Festival an annual reggae event that dates back some twenty years. Considered the world’s largest one day reggae festival, the event annually boasts an electric atmosphere full of star studded lineups and throngs of hardcore fans. The concert is also notorious for the aggressive DJ clashes1 and violent incidents that occur. The event was Gentleman’s debut performance before a Jamaican audience. Considered a relatively new artist, Gentleman was not the headlining act and was slotted to perform after a number of familiar artists who had already “hyped” the audience with popular dancehall2 reggae hits. When his turn came he performed a classical roots 3reggae song “Dem Gone” from his 2002 Journey to Jah album. Unhappy with his performance the crowd booed and jeered at him. He did not respond to the heckling and continued performing despite the audience vocal objections. Empty beer bottles and trash were thrown onstage. Finally, unable to withstand the wrath and hostility of the audience he left the stage. -
Antigua and Barbuda an Annotated Critical Bibliography
Antigua and Barbuda an annotated critical bibliography by Riva Berleant-Schiller and Susan Lowes, with Milton Benjamin Volume 182 of the World Bibliographical Series 1995 Clio Press ABC Clio, Ltd. (Oxford, England; Santa Barbara, California; Denver, Colorado) Abstract: Antigua and Barbuda, two islands of Leeward Island group in the eastern Caribbean, together make up a single independent state. The union is an uneasy one, for their relationship has always been ambiguous and their differences in history and economy greater than their similarities. Barbuda was forced unwillingly into the union and it is fair to say that Barbudan fears of subordination and exploitation under an Antiguan central government have been realized. Barbuda is a flat, dry limestone island. Its economy was never dominated by plantation agriculture. Instead, its inhabitants raised food and livestock for their own use and for provisioning the Antigua plantations of the island's lessees, the Codrington family. After the end of slavery, Barbudans resisted attempts to introduce commercial agriculture and stock-rearing on the island. They maintained a subsistence and small cash economy based on shifting cultivation, fishing, livestock, and charcoal-making, and carried it out under a commons system that gave equal rights to land to all Barbudans. Antigua, by contrast, was dominated by a sugar plantation economy that persisted after slave emancipation into the twentieth century. Its economy and goals are now shaped by the kind of high-impact tourism development that includes gambling casinos and luxury hotels. The Antiguan government values Barbuda primarily for its sparsely populated lands and comparatively empty beaches. This bibliography is the only comprehensive reference book available for locating information about Antigua and Barbuda. -
Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering
Verge 5 Blatter 1 Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering Emily Blatter The Rastafarian movement was born out of the Jamaican ghettos, where the descendents of slaves have continued to suffer from concentrated poverty, high unemployment, violent crime, and scarce opportunities for upward mobility. From its conception, the Rastafarian faith has provided hope to the disenfranchised, strengthening displaced Africans with the promise that Jah Rastafari is watching over them and that they will someday find relief in the promised land of Africa. In The Sacred Canopy , Peter Berger offers a sociological perspective on religion. Berger defines theodicy as an explanation for evil through religious legitimations and a way to maintain society by providing explanations for prevailing social inequalities. Berger explains that there exist both theodicies of happiness and theodicies of suffering. Certainly, the Rastafarian faith has provided a theodicy of suffering, providing followers with religious meaning in social inequality. Yet the Rastafarian faith challenges Berger’s notion of theodicy. Berger argues that theodicy is a form of society maintenance because it allows people to justify the existence of social evils rather than working to end them. The Rastafarian theodicy of suffering is unique in that it defies mainstream society; indeed, sociologist Charles Reavis Price labels the movement antisystemic, meaning that it confronts certain aspects of mainstream society and that it poses an alternative vision for society (9). The Rastas believe that the white man has constructed and legitimated a society that is oppressive to the black man. They call this society Babylon, and Rastas make every attempt to defy Babylon by refusing to live by the oppressors’ rules; hence, they wear their hair in dreads, smoke marijuana, and adhere to Marcus Garvey’s Ethiopianism. -
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8/28/2020 An Appeal to the Soul of White America | Alexander Street Front Matter Frontispiece https://search-alexanderstreet-com.proxy.lib.umich.edu/view/work/bibliographic_entity%7Cbibliographic_details%7C4389507#page/1/mode/1/chapt… 1/271 8/28/2020 An Appeal to the Soul of White America | Alexander Street Title Page and Credits PHILOSOPHY AND OPINIONS OF MARCUS GARVEY https://search-alexanderstreet-com.proxy.lib.umich.edu/view/work/bibliographic_entity%7Cbibliographic_details%7C4389507#page/1/mode/1/chapt… 2/271 8/28/2020 An Appeal to the Soul of White America | Alexander Street Compiled by AMY JACQUES GARVEY PART II Sons and Daughters of Ethiopia! Let nothing deter you in your duty Toward bleeding Mother Africa. -A. J. G. Truth crushed to earth shall rise again, The eternal years of God are hers; But Error, wounded, writhes in pain And dies among his worshippers. -Bryant. DEDICATED TO THE TRUE AND LOYAL MEMBERS OF The Universal Negro Improvement Association and The Friends of the Negro Race In the Cause of African Redemption A Request Not to be read with the eye or mind of prejudice, but with a righteous desire to find the truth, and to help in the friendly and peaceful solution of a grave world problem for the betterment of humanity. Errata https://search-alexanderstreet-com.proxy.lib.umich.edu/view/work/bibliographic_entity%7Cbibliographic_details%7C4389507#page/1/mode/1/chapt… 3/271 8/28/2020 An Appeal to the Soul of White America | Alexander Street Page xiv For "Geroge Aexander" read "George Alexander" 11 line 8 For "practicing" -
Yearbook American Churches
1941 EDITION YEARBOOK s of AMERICAN CHURCHES (FIFTEENTH ISSUE) (BIENNIAL) Edited By BENSON Y. LANDIS Under the Auspices of the FEDERAL COUNCIL OF THE CHURCHES OF CHRIST IN AMERICA Published by YEARBOOK OF AMERICAN CHURCHES PRESS F. C. VIGUERIE, (Publisher) 37-41 85TH ST., JACKSON HEIGHTS, N. Y. PREVIOUS ISSUES Year of Publication Title Editor 1916 Federal Council Yearbook .............. H. K. Carroll 1917 Yearbook of the Churches................H. K. Carroll • . 1918 Yearbook of the Churches................C. F. Armitage 1919 Yearbook of the Churches................C. F. Armitage 1920 Yearbook of the Churches.............. S. R. Warburton 1922 Yearbook of the Churches................E. O. Watson 1923 Yearbook of the Churches............... E. O. Watson 1925 Yearbook of the Churches............... E. O. Watson 1927 The Handbook of the Churches....... B. S. Winchester 1931 The New Handbook of the Churches .. Charles Stelzle 1933 Yearbook of American Churches........ H. C. Weber 1935 Yearbook of American Churches.........H. C. Weber 1937 Yearbook of American Churches.........H. C. Weber 1939 Yearbook of American Churches.........H. C. Weber Printed in the United States of America COPYRIGHT, 1941, BY SAMUELWUEL McCREA CAVERTCAVEf All rights reserved H CONTENTS Introduction ........................................................................... iv I. The Calendar for the Christian Years 1941 and 1942 .................... v A Table of Dates A h e a d ....................................................... x II. Directories 1. Religious -
Pdf 1-8., Accessed March 2014
THE BIOCULTURAL IMPACT OF ETHNIC HEALTH AND BEAUTY PRODUCT CONSUMPTION AMONG SOUTH FLORIDA JAMAICAN WOMEN By BRITTANY MONIQUE OSBOURNE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2015 © 2015 Brittany Monique Osbourne To my ancestors and parents ACKNOWLEDGMENTS The following dissertation evolved over the course of five years with the help of many people. I would first like to pay honor and respect to my spiritual compass, my creator, whose love and wisdom guided me along this doctoral path. To my ancestors, both ancient and recently transitioned, I pay homage. No amount of verbal libations can ever truly honor the sacrifices they endured, so the living would not have to know their struggles. In particular, I would like to honor those ancestors who survived the Maafa. Without them, I would not be. I would also like to honor my Jamaican ancestors, particularly my Windward Maroon ancestors of Portland Parish. The legacy of their warrior spirits kept me strong throughout this process, and motivated me to continue the good fight of completing this work. I thank my intellectual ancestress Zora Neale Hurston, who I am very proud to have been directly trained by those who were trained by those who trained her. Her ethnographic and literary works spoke to me, and were always a constant reminder that those of us who are a blend of the fine arts and the social sciences are uniquely positioned to be a transformative voice for the voiceless. -
Rocky Dawuni Straddles the Boundaries Between Africa, the Caribbean and the U.S
I International music star and humanitarian activist Rocky Dawuni straddles the boundaries between Africa, the Caribbean and the U.S. to create an appealing sound that unites generations and cultures. With an easy-going charisma and reputation as a dedicated champion of social causes, Dawuni's infectious grooves and dance-inducing anthems have consistently excited fans across the globe. A galvanizing performer, Dawuni has shared the stage with Stevie Wonder, Peter Gabriel, Jason Mraz, Janelle Monae, John Legend, among many others. Named one of Africa's Top 10 global stars by CNN, he has showcased his talent at prestigious venues such as The Kennedy Center in Washington, D.C. and The Hollywood Bowl in Los Angeles. Dawuni's life began as the child of a cook on a military barracks in Ghana. His father’s innate intelligence and charm helped him quickly rise in his position to become the cook for the base's colonels and generals. During this time, his father – Koytau Dawuni, befriended many high-ranking officers and observed the deep pride they felt in sending their children to school. Dawuni's father began to raise his own children with the same standards, investing heavily in education. The second born of eight siblings, Dawuni excelled at school and eventually his father decided to move him back to their home village where he could immerse in his cultural heritage. As it turned out, Koyatu’s humble employment belied his status as a member of the royal family of the Konkomba tribe, which ruled from a village of Bunbon Nayili in Northern Ghana. -
CORE COLLECTION: Cds
CORE COLLECTION: CDs Artist Title Alice Cooper Killer Average White Band Pick Up the Pieces – The Very Best of the Average White Band Beautiful South Choke Tony Bennett The Essential Tony Bennett The Black Eyed Peas Elephunk Burning Spear Marcus Garvey Kate Bush The Kick Inside Michael Chapman Fully Qualified Survivor Kevin Coyne Marjory Razorblade Crowded House Woodface Culture Two Sevens Clash Sandy Denny No More Sad Refrains Dizzee Rascal Tongue N’ Cheek Boy in Da Corner Dr. Feelgood Down By the Jetty Steve Earle Jerusalem Grandmaster Flash The Message Green Day American Idiot Woody Guthrie The Ultimate Collection PJ Harvey Stories From the City, Stories From the Sea Jimi Hendrix Are You Experienced Lauryn Hill The Miseducation of Lauryn Hill Billie Holiday Lady in Satin Whitney Houston The Essential Whitney Houston Janis Joplin Pearl Fela Kuti Best Of Fela Kuti Led Zeppelin Led Zeppelin II Houses of the Holy John Lennon Working Class Hero Lindisfarne Fog on the Tyne Little Feat The Last record Album Manic Street Preachers The Holy Bible Bob Marley Legend: The Best of Bob Marley and the Wailers Dean Martin Dino: The Essential Dean Martin John Mayall Blues Breakers Muse Absolution My Bloody Valentine Loveless Robert Palmer At His Very Best Gram Parsons Grievous Angel Pet Shop Boys Discography Pink Floyd Meddle Prodigy Their Law R.E.M Document Damien Rice O Rolling Stones Beggars Banquet Max Romeo War Ina Babylon Diana Ross The Greatest Diana The Saw Doctors To Win Just Once Simon and Garfunkel Bookends Paul Simon Gracelands Frank Sinatra In the Wee Small Hours Slade Sladest Small Faces Ogden’s Nut Gone Flake The Smiths Meat is Murder Steely Dan Can’t Buy a Thrill Cat Stevens Tea for the Tillerman Teaser and the Firecat Al Stewart Essential On the Border Stone Roses Stone Roses Suede Suede James Taylor Sweet Baby James Wiley Playtime is Over Stevie Wonder Songs in the Key of Life Fulfillingness’ First Finale Neil Young Harvest Moon Soundtrack Saturday Night Fever . -
Assessing Fela Anikulapo-Kuti, Lucky Dube and Alpha Blondy
humanities Article Political Messages in African Music: Assessing Fela Anikulapo-Kuti, Lucky Dube and Alpha Blondy Uche Onyebadi Department of Journalism, Texas Christian University, Fort Worth, TX 76129, USA; [email protected] Received: 30 September 2018; Accepted: 30 November 2018; Published: 6 December 2018 Abstract: Political communication inquiry principally investigates institutions such as governments and congress, and processes such as elections and political advertising. This study takes a largely unexplored route: An assessment of political messages embedded in music, with a focus on the artistic works of three male African music icons—Fela Anikulapo-Kuti (Nigeria), Lucky Dube (South Africa), and Alpha Blondy (Côte d’Ivoire). Methodologically, a purposive sample of the lyrics of songs by the musicians was textually analyzed to identify the themes and nuances in their political messaging. Framing was the theoretical underpinning. This study determined that all three musicians were vocal against corruption, citizen marginalization, and a cessation of wars and bloodshed in the continent. Keywords: Political communication; African politics; African music; Fela Anikulapo-Kuti; Alpha Blondy; Lucky Dube; textual analysis 1. Introduction Music permeates significant aspects of African society, culture, and tradition. Adebayo(2017, p. 56) opined that “to the African, music is not just a pastime, it is a ritual” that describes the true essence and humaneness in being of African origin. Cudjoe(1953, p. 280) description of the place of music among the Ewe people in Ghana typifies this African musical heritage. He observed that “music has an important place in the social life of the Ewe people. There is no activity which does not have music appropriate to it: weaver, farmer and fisherman each sings in perfect time to the rhythmic movement of (one’s) craft .. -
Ursula Mctaggart
RADICALISM IN AMERICA’S “INDUSTRIAL JUNGLE”: METAPHORS OF THE PRIMITIVE AND THE INDUSTRIAL IN ACTIVIST TEXTS Ursula McTaggart Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy In the Departments of English and American Studies Indiana University June 2008 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy Doctoral Committee ________________________________ Purnima Bose, Co-Chairperson ________________________________ Margo Crawford, Co-Chairperson ________________________________ DeWitt Kilgore ________________________________ Robert Terrill June 18, 2008 ii © 2008 Ursula McTaggart ALL RIGHTS RESERVED iii ACKNOWLEDGEMENTS A host of people have helped make this dissertation possible. My primary thanks go to Purnima Bose and Margo Crawford, who directed the project, offering constant support and invaluable advice. They have been mentors as well as friends throughout this process. Margo’s enthusiasm and brilliant ideas have buoyed my excitement and confidence about the project, while Purnima’s detailed, pragmatic advice has kept it historically grounded, well documented, and on time! Readers De Witt Kilgore and Robert Terrill also provided insight and commentary that have helped shape the final product. In addition, Purnima Bose’s dissertation group of fellow graduate students Anne Delgado, Chia-Li Kao, Laila Amine, and Karen Dillon has stimulated and refined my thinking along the way. Anne, Chia-Li, Laila, and Karen have devoted their own valuable time to reading drafts and making comments even in the midst of their own dissertation work. This dissertation has also been dependent on the activist work of the Black Panther Party, the League of Revolutionary Black Workers, the International Socialists, the Socialist Workers Party, and the diverse field of contemporary anarchists. -
Nev Chap6.Pdf
FOR THE FIRST TIME, A PANORAMIC VIEW OF U.S. ACTIVISM ON AFRICA FROM 1950 TO 2000. “We were part of a worldwide movement that continues today to redress the economic and social injustices that kill body, mind, and spirit. No Easy Victories makes clear that our lives and fortunes around the globe are indeed linked.” —NELSON MANDELA Hundreds of thousands of Americans mobilized to oppose hear in No Easy Victories.” —Charlayne Hunter-Gault, author of apartheid in the 1980s.They built on decades of behind-the- New News out of Africa: Uncovering the African Renaissance scenes links between African liberation movements and American activists, both black and white. “With its mixture of history, personal stories and photographs, this richly detailed book has the feel of a family album.The family, No Easy Victories draws on the voices of activists of several genera- though, is a large one: multiracial, multicontinental. Some of its tions to explore this largely untold history.While U.S.-based members are well known, some unsung.All of them share a pas- groups and individuals contributed to African liberation,African sion for justice.” —Adam Hochschild, author, King Leopold’s Ghost struggles also inspired U.S. activism, including the civil rights and black power movements. “No Easy Victories is equal parts inspiration, education and celebration of how social change happens. It is a remarkable Today Africa and the world face global injustices as deadly as chronicle of how activists on opposite sides of the Atlantic apartheid. Understanding this history of solidarity is essential for united around their shared commitments to freedom and finding new paths to a future of equal human rights for all. -
Orthodox Mission Methods: a Comparative Study
ORTHODOX MISSION METHODS: A COMPARATIVE STUDY by STEPHEN TROMP WYNN HAYES submitted in fulfilment of the requirements for the degree of DOCTOR OF THEOLOGY in the subject of MISSIOLOGY at the UNIVERSITY OF SOUTH AFRICA Promoter: Professor W.A. Saayman JUNE 1998 Page 1 ACKNOWLEDGMENTS I would like to thank the University of South Africa, who awarded the Chancellor's Scholarship, which enabled me to travel to Russia, the USA and Kenya to do research. I would also like to thank the Orthodox Christian Mission Center, of St Augustine, Florida, for their financial help in attending the International Orthodox Christian Mission Conference at Holy Cross Seminary, Brookline, MA, in August 1996. To Fr Thomas Hopko, and the staff of St Vladimir's Seminary in New York, for allowing me to stay at the seminary and use the library facilities. The St Tikhon's Institute in Moscow, and its Rector, Fr Vladimir Vorobiev and the staff, for their help with visa applications, and for their patience in giving me information in interviews. To the Danilov Monastery, for their help with accom modation while I was in Moscow, and to Fr Anatoly Frolov and all the parishioners of St Tikhon's Church in Klin, for giving me an insight into Orthodox life and mission in a small town parish. To Metropolitan Makarios of Zimbabwe, and the staff and students of the Makarios III Orthodox Seminary at Riruta, Kenya, for their hospitality and their readiness to help me get the information I needed. To the Pokrov Foundation in Bulgaria, for their hospitality and help, and to the Monastery of St John the Forerunner in Karea, Athens, and many others in that city who helped me with my research in Greece.