Notre Dame Scholastic, Vol. 121, No. 02

Total Page:16

File Type:pdf, Size:1020Kb

Notre Dame Scholastic, Vol. 121, No. 02 Editor Dave Satterfield Managing Editor Bob Southard SCt10L!\ST ( Art Director Vol. 121, No.2, October 5, 1979 Jim Hofman .Notre Dame, Indiana Production Manager Theresa Rebeck News Editor Lisa Hartenberger Fiction Editor Tom Balcerek' FEATURES St. lUary's Literary lUagazine Copy Editor . 6 The Holocaust: A Lesson to Remember Pat Worklan Anthony Walton Marcia McBrien Culture Editor 8 Reflections on Death: Death, A Year Later CHIMES Greg Solman 9 A Question of Fate Anthony Walton Sports Editor Tom Westphal 10 Death Be Not Loud Christopher Antonio Stewart Now accepting poems, fiction, St. Mary's Editor 23 Theatre: Interview With an Actor Theresa Rebeck Kari Meyer photography and short plays. Layout Editor 26 Juniper Press: A Special Class Jim Sommers Clay Malaker 28. The Playboy of the WesternChur:ch Fr. R.. Griffin Fall Semester Deadline: 12/1/79 Photography Editor' OUR RECORD SELECTION Ken McAlpine Send manuscripts to: Business Manager Pahl Davis . SPEAKS' FOR ITSELF Max Westler Advertisement Ma'nager REGULARS Kevin Murphy •. ".. 4 Perspective Bob Southard JUST FOR THE RECORD 310 Madeleva Distribtuion Manager Jerry Murphy 5 'In Retrospect .100 CENTER COMPLEX Undergraduate Advisor 13 . Fiction Lisa Hartenberger Bernie Valenti MISHAWAKA 16 Gallery Ann Bridget Clark 259-1813 18 Film Tim Tedrick Staff 20 Music Peter Cleary Jo~n Maddog Muldoon, Don Schmid, chris 27 Perspective Tom Westphal Stewart, Mary Leavitt, Donna Teevan, Dave Satterfield Cathy Wisniewski, Pat Worklan, Jim 30 Last Word Sommers, Michael Diaz, Ken Scarbrough, Maryellen Bradley, Chuck Wood, David N. Randall, Keith Caughlin, Steve Burkart, r--"..:....--:-:-::--.;....:....--~--~----:-~-----l : Tom Orode, Rick Keppel, Brendan Brown, Dodee Carney, Michael Meisch, Ed 1 Scholastic Wimmer, Rich Marcello, Tim Tedrick, Lee 1 LaFortune Student Center Smolen, Tom Krueger, Ann Bridget Clarke, I. Notre Dame, Indiana 46556 Cecelia Mitchell, Susan. Labriola, Betsy .1' . Spinelli. Ever wonder what's happening back home? Well, 1 PleCiSe send .............. years of Scholastic believe it or. not, there are people back home who 1 would like to know how life is treating you.. Let them 1 at $7:00. per year to: in on the ideas, events, and people that are Notre 1 Dame. Give them a' subscription to Scholastic and Credits ! N'ame ............... ; ......................................... ; I. Photographs: Ken McAlpine, 3, 9, 30; they can see for themselves what is at the heart of The opinions expressed in Scholastic a"re those of the authors and editors of Scholastic Notre Dame life.' . Scholastic Archives, 22, Theresa Rebeck, and do not necessarily represent the opinions of the entire staff and editorial board of .! .'Address .............................................. ; ..... '.1: 23, 24; Pete Romzic, 28; Publicity Photos, Scholastic or the University of Notre Dame, its administration, faculty, or the student 18, 19. body." - . 1 City............................................................ 1 Illustrations: Jim Hofman, 7, 20; Katie The magazine is represented for national advertising by National Educational Advertising 1 . 1 O'Meara, 11; Paul Monardo, 12, 14; Cecilia Services and CASS Student Advertising, Inc. Published fortnightly during the school year 1 :. State ..................... ~ ................ Zip .............. ',) Mitchell, 29. except during vacation and examination periods, Scholastic is printed at Ave Maria Press; L ) Notre Dame, ·Ind. 46556. The subscription rate is $7.00 a year and back issues are --' Front Cover: Ken McAlpine. available from Scholastic. Please address all manuscripts to Scholastic, Notre Dame, Ind. 46556. All unsolicited material becomes the property of Scholastic. Advisory Board copyright © 1979 Scholastic / all rights reserved / none of the contents may be repro­ Jim Winters, Mario Pedi, Edward Fischer. duced without permission. 2 SCHOLASTIC OCTOBER 5, 1979 3 Editor Dave Satterfield Managing Editor Bob Southard SCt10L!\ST ( Art Director Vol. 121, No.2, October 5, 1979 Jim Hofman .Notre Dame, Indiana Production Manager Theresa Rebeck News Editor Lisa Hartenberger Fiction Editor Tom Balcerek' FEATURES St. lUary's Literary lUagazine Copy Editor . 6 The Holocaust: A Lesson to Remember Pat Worklan Anthony Walton Marcia McBrien Culture Editor 8 Reflections on Death: Death, A Year Later CHIMES Greg Solman 9 A Question of Fate Anthony Walton Sports Editor Tom Westphal 10 Death Be Not Loud Christopher Antonio Stewart Now accepting poems, fiction, St. Mary's Editor 23 Theatre: Interview With an Actor Theresa Rebeck Kari Meyer photography and short plays. Layout Editor 26 Juniper Press: A Special Class Jim Sommers Clay Malaker 28. The Playboy of the WesternChur:ch Fr. R.. Griffin Fall Semester Deadline: 12/1/79 Photography Editor' OUR RECORD SELECTION Ken McAlpine Send manuscripts to: Business Manager Pahl Davis . SPEAKS' FOR ITSELF Max Westler Advertisement Ma'nager REGULARS Kevin Murphy •. ".. 4 Perspective Bob Southard JUST FOR THE RECORD 310 Madeleva Distribtuion Manager Jerry Murphy 5 'In Retrospect .100 CENTER COMPLEX Undergraduate Advisor 13 . Fiction Lisa Hartenberger Bernie Valenti MISHAWAKA 16 Gallery Ann Bridget Clark 259-1813 18 Film Tim Tedrick Staff 20 Music Peter Cleary Jo~n Maddog Muldoon, Don Schmid, chris 27 Perspective Tom Westphal Stewart, Mary Leavitt, Donna Teevan, Dave Satterfield Cathy Wisniewski, Pat Worklan, Jim 30 Last Word Sommers, Michael Diaz, Ken Scarbrough, Maryellen Bradley, Chuck Wood, David N. Randall, Keith Caughlin, Steve Burkart, r--"..:....--:-:-::--.;....:....--~--~----:-~-----l : Tom Orode, Rick Keppel, Brendan Brown, Dodee Carney, Michael Meisch, Ed 1 Scholastic Wimmer, Rich Marcello, Tim Tedrick, Lee 1 LaFortune Student Center Smolen, Tom Krueger, Ann Bridget Clarke, I. Notre Dame, Indiana 46556 Cecelia Mitchell, Susan. Labriola, Betsy .1' . Spinelli. Ever wonder what's happening back home? Well, 1 PleCiSe send .............. years of Scholastic believe it or. not, there are people back home who 1 would like to know how life is treating you.. Let them 1 at $7:00. per year to: in on the ideas, events, and people that are Notre 1 Dame. Give them a' subscription to Scholastic and Credits ! N'ame ............... ; ......................................... ; I. Photographs: Ken McAlpine, 3, 9, 30; they can see for themselves what is at the heart of The opinions expressed in Scholastic a"re those of the authors and editors of Scholastic Notre Dame life.' . Scholastic Archives, 22, Theresa Rebeck, and do not necessarily represent the opinions of the entire staff and editorial board of .! .'Address .............................................. ; ..... '.1: 23, 24; Pete Romzic, 28; Publicity Photos, Scholastic or the University of Notre Dame, its administration, faculty, or the student 18, 19. body." - . 1 City............................................................ 1 Illustrations: Jim Hofman, 7, 20; Katie The magazine is represented for national advertising by National Educational Advertising 1 . 1 O'Meara, 11; Paul Monardo, 12, 14; Cecilia Services and CASS Student Advertising, Inc. Published fortnightly during the school year 1 :. State ..................... ~ ................ Zip .............. ',) Mitchell, 29. except during vacation and examination periods, Scholastic is printed at Ave Maria Press; L ) Notre Dame, ·Ind. 46556. The subscription rate is $7.00 a year and back issues are --' Front Cover: Ken McAlpine. available from Scholastic. Please address all manuscripts to Scholastic, Notre Dame, Ind. 46556. All unsolicited material becomes the property of Scholastic. Advisory Board copyright © 1979 Scholastic / all rights reserved / none of the contents may be repro­ Jim Winters, Mario Pedi, Edward Fischer. duced without permission. 2 SCHOLASTIC OCTOBER 5, 1979 3 ATTENTION SOPHS PcQfPlCTVc ARMY ROTC ,I i i In the late sixties there was a lot of controversy over the presence of the ROTC at Notre Dame. With the aid of General Program, SCHOLASTIC fought back. Confac'-your Professor of Military ScIence for InformatIon. Do nof delay. IF YOU'VE GOT WHAT IT TAKES TO BE AN ARMY OFFICER,' I'm not going to complain about pocket, and show it to policemen. No even the freshmen have be'en here DON'T SETTLE FOR LESS. SIGN UP NOW FOR ARMY ROTC inadequate drinking or beetle-brained matter; it'll be yours' and yours' a month and so should be able to A 5Pf'ClaI Anny ROTC pro-. , \\1th ROI'C training you can an Army officer's commission as Administrators. I'm not going to alone, and there won't be billions of gram dHigntd for CoU~ge mf'n .. Jearn . to organize and direct a Second Ueutenant. You need recognize the absurd. who did not take ROTC during others-to be a leader-with serve only two interesting years sniffle about sexual preferences or people you'll have to share it with. It may be your last hope, so get their first two years-wUl ~gln only a little extra effort on your ot active duty.- Liberal time is ,,'Uh Ill: ,,'e-eks of field traln1ng.:~ part. You'U obtain valuable ju,,;' allowed to pursue an advanced bankrupt social lives. You can stuff it in your closet, take out there and surrealize your poten­ starting In mid..June.. Youll ha\'e nior executive experience .•• degree. on-a.mpus training your junior - tuller, richer campus lite .•• ex· Talk to the Prott'SSOr ot )101· Because, frankly, I couldn't care, it to the movies, or push it off, tall ' tial! Let your shackled skulls free, and senJor yt"an with anothf'r tra spending money ($50 monthly tary Science today about this slx.wt'f'k camp .tter Junior year.
Recommended publications
  • Cloister and the Hearth, the 1 Cloister and the Hearth, The
    Cloister and the Hearth, The 1 Cloister and the Hearth, The Project Gutenberg Etext of The Cloister and the Hearth, by Reade Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. The Cloister and the Hearth by Charles Reade June, 1998 [Etext #1366] Project Gutenberg Etext of The Cloister and the Hearth, by Reade ******This file should be named chrth10.txt or chrth10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, chrth11.txt VERSIONS based on separate sources get new LETTER, chrth10a.txt Contributed by Neil McLachlan, [email protected] and Ted Davis, [email protected] Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United States, unless a copyright notice is included. Therefore, we do NOT keep these books in compliance with any particular paper edition, usually otherwise. We are now trying to release all our books one month in advance of the official release dates, for time for better editing.
    [Show full text]
  • The Pennsylvania State University the Graduate School
    The Pennsylvania State University The Graduate School DECOLONIZING HISTORY: HISTORICAL CONSCSIOUNESS, IDENTITY AND CIVIC ENGAGEMENT OF NIGERIAN YOUTH A Dissertation in Education Theory and Policy and Comparative and International Education by Rhoda Nanre Nafziger Ó 2020 Rhoda Nanre Nafziger Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2020 ii The dissertation of Rhoda Nanre Nafziger was reviewed and approved by the following: Mindy Kornhaber Associate Professor Education (Theory and Policy) Dissertation Co-Advisor Co-Chair of Committee Nicole Webster Associate Professor Youth and International Development, African Studies and Comparative and International Education Dissertation Co-Advisor Co-Chair of Committee David Gamson Associate Professor of Education (Theory and Policy) Rebecca Tarlau Assistant Professor of Education and Labor & Employment Relations Anthony Olorunnisola Professor of Media Studies and Associate Dean for Graduate Programs Kevin Kinser Department Head Education Policy Studies iii ABSTRACT Historical consciousness is the way in which we use knowledge of the past to inform our present and future actions. History and culture tie human societies together and provide them with reference points for understanding the past, present and future. Education systems that strip people from their culture and history are inherently violent as they attempt to alienate the individual from his or her cultural identity, separate them from their past and thus cultivate ruptures in the social fabric. Racism is a tool is used to justify neocolonialism and capitalist hegemony. As such, neocolonial education systems reproduce violence and social instability through the negation of history and culture. This dissertation examines the neocolonial and racist legacies in education in Africa through the analysis of Nigeria's history education policy and the historical consciousness of Nigerian youth.
    [Show full text]
  • Sean Elsbernd Prepares for Re-Election Tive Amendment Mandating the Supervisoral Candi- by John Dunbar Newsom Has Been Ratcheted up in 2008
    Volumn 20 No. 2 • 821-9443 • www.tpobserver.com • [email protected] • March 2008 then and Now Arden Wood Neighbors, Developers Closer life in the fat lane Neighbor’s PoiNt of VieW DeVeloPer’s MessAge RUMINATIONS OF A FORMER CITIZEN SUPERVISOR By Eric Castongia, Zephyr Real Estate By Robert Mendelsohn, Republic Urban Properties Big Changes presented on the Proposed Arden by Quentin Kopp Wood Development In January, one of our The developers of the proposed housing project daily newspapers which oc- on the Arden Wood property sponsored two work- casionally, like a blind pig shops in February to present their new vision for finding an acorn, identifies the 4.6 acre parcel. In Republic Urban’s words, ‘you taxpayer waste and abuse, talked, we listened’. Their new scheme was a signifi- reported that the Board cant and welcomed departure from the original 13 of Supervisors engaged in and six story towers, which were loudly opposed by fewer meetings while re- neighbors. ceiving vastly higher com- The new scheme consists of four new low-rise pensation than ever before buildings straddling a ‘village drive’ culminating at the relatively recent imposi- a cul-de-sac. Two existing buildings are to stay and tion of election by district. be remodeled as part of the development; building Specifically, in 2002, Charter section 2.100, establish- 701 which is currently staff housing and the director’s ing the compensation and salary of the 11 Board of house. Robert Mendelsohn, President of Republic Over the past year, the West Portal community Supervisors members, was rendered obsolete by a Urban Properties San Francisco Branch, states that has been providing us with their thoughts and ideas Charter amendment that essentially delegated to the although a Planned Unit Development will still be about the project and we have been listening.
    [Show full text]
  • The Phaedo by Plato
    Selections from The Phaedo by Plato The Death of Scorates, David, 1787. [The Phaedo tells the story of Socrates’ final moments spent, as one would expect, in philosophical dialogue with his friends. The main subject of the dialogue is the immortality of the soul. The Phaedo is one of Plato’s middle period dialogues and, as such, reveals much of Plato’s own philosophy. In the arguments Socrates puts forth for the immortality of the soul we find a clear exposition of both Plato’s metaphysics as well as his epistemology. In the first section we find Socrates explaining to his friends why a true philosopher does not fear death. Philosophy is here described as a preparation for death.] ECHECRATES: Were you there with Socrates yourself, Phaedo, when he was executed, or 57 did you hear about it from somebody else? PHAEDO: No, I was there myself, Echecrates. ECHECRATES: Then what did the master say before he died, and how did he meet his end? I should very much like to know. None of the people in Phlius go to Athens much in these days, and it is a long time since we had any visitor from there who could give us any definite b information, except that he was executed by drinking hemlock. Nobody could tell us anything more than that. PHAEDO: Then haven't you even heard how his trial went? 58 ECHECRATES: Yes, someone told us about that, and we were surprised because there was obviously a long interval between it and the execution. How was that, Phaedo? PHAEDO: A fortunate coincidence, Echecrates.
    [Show full text]
  • Bernhardt Hamlet Cast FINAL
    IMAGES AVAILABLE FOR DOWNLOAD HERE CAST ANNOUNCED FOR GEFFEN PLAYHOUSE WEST COAST PREMIERE OF “BERNHARDT/HAMLET” FEATURING GOLDEN GLOBE NOMINEE DIANE VENORA AS SARAH BERNHARDT WRITTEN BY THERESA REBECK AND DIRECTED BY SARNA LAPINE ALSO FEATURING NICK BORAINE, ALAN COX, ISAIAH JOHNSON, SHYLA LEFNER, RAYMOND McANALLY, LEVENIX RIDDLE, PAUL DAVID STORY, LUCAS VERBRUGGHE AND GRACE YOO PREVIEWS BEGIN APRIL 7 - OPENING NIGHT IS APRIL 16 LOS ANGELES (February 24, 2020) – Geffen Playhouse today announced the full cast for its West Coast premiere of Bernhardt/Hamlet, written by Theresa Rebeck (Dead Accounts, Seminar) and directed by Sarna Lapine (Sunday in the Park with George). The production features Diane Venora (Bird, Romeo + Juliet) as Sarah Bernhardt. In addition to Venora, the cast features Nick BoraIne (Homeland, Paradise Stop) as Louis, Alan Cox (The Dictator, Young Sherlock Holmes) as Constant Coquelin, Isaiah Johnson (Hamilton, David Makes Man) as Edmond Rostand, Shyla Lefner (Between Two Knees, The Way the Mountain Moved) as Rosamond, Raymond McAnally (Size Matters, Marvelous and the Black Hole) as Raoul, Rosencrantz, and others, Levenix Riddle (The Chi, Carlyle) as Francois, Guildenstern, and others, Paul David Story (The Caine Mutiny Court Martial, Equus) as Maurice, Lucas Verbrugghe (Icebergs, Lazy Eye) as Alphonse Mucha and Grace Yoo (Into The Woods, Root Beer Bandits) as Lysette. It’s 1899, and the legendary Sarah Bernhardt shocks the world by taking on the lead role in Hamlet. While her performance is destined to become one for the ages, Sarah first has to conVince a sea of naysayers that her right to play the part should be based on ability, not gender—a feat as difficult as mastering Shakespeare’s most Verbose tragic hero.
    [Show full text]
  • A Thesis Entitled Yoshimoto Taka'aki, Communal Illusion, and The
    A Thesis entitled Yoshimoto Taka’aki, Communal Illusion, and the Japanese New Left by Manuel Yang Submitted as partial fulfillment for requirements for The Master of Arts Degree in History ________________________ Adviser: Dr. William D. Hoover ________________________ Adviser: Dr. Peter Linebaugh ________________________ Dr. Alfred Cave ________________________ Graduate School The University of Toledo (July 2005) ACKNOWLEDGMENTS It is customary in a note of acknowledgments to make the usual mea culpa concerning the impossibility of enumerating all the people to whom the author has incurred a debt in writing his or her work, but, in my case, this is far truer than I can ever say. This note is, therefore, a necessarily abbreviated one and I ask for a small jubilee, cancellation of all debts, from those that I fail to mention here due to lack of space and invidiously ungrateful forgetfulness. Prof. Peter Linebaugh, sage of the trans-Atlantic commons, who, as peerless mentor and comrade, kept me on the straight and narrow with infinite "grandmotherly kindness" when my temptation was always to break the keisaku and wander off into apostate digressions; conversations with him never failed to recharge the fiery voltage of necessity and desire of historical imagination in my thinking. The generously patient and supportive free rein that Prof. William D. Hoover, the co-chair of my thesis committee, gave me in exploring subjects and interests of my liking at my own preferred pace were nothing short of an ideal that all academic apprentices would find exceedingly enviable; his meticulous comments have time and again mercifully saved me from committing a number of elementary factual and stylistic errors.
    [Show full text]
  • Raymond Resigns
    Non-Profit U.S. Postage Paid Waterville, ME.04901 Permit No. 39 i New student center i Raymond I grand opening set i resigns by David Scannell change is day to day student life. The grand opening of the student "The building is designed in such a Harold C. "Chris" Raymond has center is slated for Saturday, December way that it gives students a place to go resigned as head football coach at Col- 7 at noon, according to Jim Peacock , between classes. After you get your by College. President William R. Cot- director of student activities. mail , you 'll have a place to. go. Peo- ' \ ter announced yesterday that the col- The day's events will begin with a ple go back to their rooms now. I don 't lege will begin immediately to form a noon luncheon for student leaders, know where they go. It 's going to search co mmittee to find his faculty, administration , and trustees. change their habits. " ** replacement. , President William Cotter will address "It 's goi ng to be a real subtle but Colby's football players were in- th e group. real st rong change," he said. formed of the resignation at an early In addition , Jeff Riley, Ihe Peacock said that the ^student 's morning meeting in Robert 's Union , accor- building 's architect will speak adaptability to various social functions yesterday. ding lo Peacock. is another positive aspect * of the According to sources, Raymond did During the luncheon , the "Colby 's building. "There could be comedians, not attend the meeting. Cotter and 8 V the "Colbyettes " and "Tuxedo every type of band , plays, dinner Athletic Director Richard McGee, Junction " will perform.
    [Show full text]
  • Kingdom-Education-Articles.Pdf
    NORTH RALEIGH CHRISTIAN ACADEMY KINGDOM EDUCATION Articles — Page 1 — Kingdom Education School Core Values But whoever lives by the truth comes into the light, so that it may be seen School plainly that what they have done has been done in the sight of God. ~JOHN 3:21 As NRCA endeavors to fulfill its mission and realize its • Understand and focus on achieving the school’s Core vision, our ministry is characterized by the following: vision and expected outcomes. • Exhibit love, justice, humility, and service throughout the community. Values • Implement in all cultural contexts a thoroughly Truth biblical philosophy of education. Scripture is the revealed Word of God and is taught as truth, which • Reflect a Christ-like sensitivity relevant to a is then integrated into the learning experience. Students are taught diverse school community. that the Ends priorities are: • All truth is God’s truth. • They are created in the image of God. • They must confront the issue of sin and Potential in Christ redemption. Every learning experience aims to enable students to reach their full • They can know God as revealed in Christ and potential in Christ. Ends priorities will focus teaching on: made present by the Holy Spirit. • Providing programs and services appropriate for • They can have a personal relationship with our the student. Lord Jesus Christ. • Establishing awareness of the student’s relationship • They can live honestly and responsibly. and responsibility to society. • They can fulfill God’s plan for their lives. • Developing students intellectually, spiritually, socially, emotionally, physically through every curricular and co- curricular activity.
    [Show full text]
  • Edition 3 | 2018-2019
    by Theresa Rebeck directed by David Kennedy August 14 – September 1 THE HOWARD J. AIBEL THEATER CENTER WHAT’S INSIDE FROM ARTISTIC DIRECTOR MARK LAMOS 7 TITLE PAGE 11 THE CAST 13 PROGRAM NOTES 15 WHO’S WHO 21 ANNUAL CONTRIBUTORS 28 MAN OF LA MANCHA BOARD OF TRUSTEES AND STAFF 39 SEPTEMBER 25 – OCTOBER 13 ABOUT THE PLAYHOUSE 44 WRITTEN BY DALE WASSERMAN MUSIC BY MITCH LEIGH LYRICS BY JOE DARION DIRECTED BY MARK LAMOS WINNER OF 5 TONY AWARDS, INCLUDING BEST MUSICAL! The use of photographic or recording THOUSAND PINES devices is strictly prohibited. OCTOBER 30 – NOVEMBER 17 BY MATTHEW GREENE For the enjoyment of all patrons, DIRECTED BY AUSTIN PENDLETON WORLD PREMIERE FROM OUR NEW WORKS CIRCLE INITIATIVE please silence mobile phones, tablets, and other electronic devices. HERSHEY FELDER PRESENTS JOIN THE CONVERSATION WestportCountryPlayhouse DECEMBER 5–22, 2018 adapted and directed by HERSHEY FELDER based on the book @WCPlayhouse THE CHILDREN OF WILLESDEN LANE by Mona Golabek and Lee Cohen wcplayhouse WestportPlayhouse THE UNDERSTUDY 3 WCP | FROM THE ARTISTIC DIRECTOR Dear Friends, Welcome to the third production of our 88th season, There is superb work being done by actors in all The Understudy, Theresa Rebeck’s comedy of life back- fields right now: television, film, and in the hun- stage and onstage, of the overlap of drama and reality, dreds of non-profit regional theaters across our and the one’s infringement on the other, something country. The Understudy celebrates, analyzes and that often becomes the norm in our profession. explores the comedy and drama in the clash of acting “cultures” that can occasionally result in a Casting any production is always a challenge, and certain kind of casting.
    [Show full text]
  • South Coast Repertory Is a Professional Resident Theatre Founded in 1964 by David Emmes and Martin Benson
    IN BRIEF FOUNDING South Coast Repertory is a professional resident theatre founded in 1964 by David Emmes and Martin Benson. VISION Creating the finest theatre in America. LEADERSHIP SCR is led by Artistic Director David Ivers and Managing Director Paula Tomei. Its 33-member Board of Trustees is made up of community leaders from business, civic and arts backgrounds. In addition, hundreds of volunteers assist the theatre in reaching its goals, and about 2,000 individuals and businesses contribute each year to SCR’s annual and endowment funds. MISSION South Coast Repertory was founded in the belief that theatre is an art form with a unique power to illuminate the human experience. We commit ourselves to exploring urgent human and social issues of our time, and to merging literature, design, and performance in ways that test the bounds of theatre’s artistic possibilities. We undertake to advance the art of theatre in the service of our community, and aim to extend that service through educational, intercultural, and community engagement programs that harmonize with our artistic mission. FACILITY/ The David Emmes/Martin Benson Theatre Center is a three-theatre complex. Prior to the pandemic, there were six SEASON annual productions on the 507-seat Segerstrom Stage, four on the 336-seat Julianne Argyros Stage, with numerous workshops and theatre conservatory performances held in the 94-seat Nicholas Studio. In addition, the three-play family series, “Theatre for Young Audiences,” produced on the Julianne Argyros Stage. The 20-21 season includes two virtual offerings and a new outdoors initiative, OUTSIDE SCR, which will feature two productions in rotating rep at the Mission San Juan Capistrano in July 2021.
    [Show full text]
  • 1 Forever Alone in a Crowd, Arthur Fleck Seeks Connection. Yet, As He
    Forever alone in a crowd, Arthur Fleck seeks connection. Yet, as he trods the sooted Gotham City streets and rides the graffitied mass transit rails of a hostile town teeming with division and dissatisfaction, Arthur wears two masks. One, he paints on for his day job as a clown. The other he can never remove; it’s the guise he projects in a futile attempt to feel he’s a part of the world around him, and not the misunderstood man whom life is repeatedly beating down. Fatherless, Arthur has a fragile mother, arguably his best friend, who nicknamed him Happy, a moniker that’s fostered in Arthur a smile that hides the heartache beneath. But, when bullied by teens on the streets, taunted by suits on the subway, or simply teased by his fellow clowns at work, this social outlier only becomes even more out of sync with everyone around him. Directed, co-written and produced by Todd Phillips, “Joker” is the filmmaker’s original vision of the infamous DC villain, an origin story infused with, but distinctly outside, the character’s more traditional mythologies. Phillips’ exploration of Arthur Fleck, who is indelibly portrayed by Joaquin Phoenix, is of a man struggling to find his way in Gotham’s fractured society. Longing for any light to shine on him, he tries his hand as a stand-up comic, but finds the joke always seems to be on him. Caught in a cyclical existence between apathy and cruelty and, ultimately, betrayal, Arthur makes one bad decision after another that brings about a chain reaction of escalating events in this gritty, allegorical character study.
    [Show full text]
  • Hyperreality in Radiohead's the Bends, Ok Computer
    HYPERREALITY IN RADIOHEAD’S THE BENDS, OK COMPUTER, AND KID A ALBUMS: A SATIRE TO CAPITALISM, CONSUMERISM, AND MECHANISATION IN POSTMODERN CULTURE A Thesis Presented as Partial Fulfillment of the Requirements for the Attainment of the Sarjana Sastra Degree in English Language and Literature By: Azzan Wafiq Agnurhasta 08211141012 STUDY PROGRAM OF ENGLISH LANGUAGE AND LITERATURE DEPARTMENT OF ENGLISH LANGUAGE EDUCATION FACULTY OF LANGUAGES AND ARTS YOGYAKARTA STATE UNIVERSITY 2014 APPROVAL SHEET HYPERREALITY IN RADIOHEAD’S THE BENDS, OK COMPUTER, AND KID A ALBUMS: A SATIRE TO CAPITALISM, CONSUMERISM, AND MECHANISATION IN POSTMODERN CULTURE A THESIS By Azzan Wafiq Agnurhasta 08211141012 Approved on 11 June 2014 By: First Consultant Second Consultant Sugi Iswalono, M. A. Eko Rujito Dwi Atmojo, M. Hum. NIP 19600405 198901 1 001 NIP 19760622 200801 1 003 ii RATIFICATION SHEET HYPERREALITY IN RADIOHEAD’S THE BENDS, OK COMPUTER, AND KID A ALBUMS: A SATIRE TO CAPITALISM, CONSUMERISM, AND MECHANISATION IN POSTMODERN CULTURE A THESIS By: AzzanWafiqAgnurhasta 08211141012 Accepted by the Board of Examiners of Faculty of Languages and Arts of Yogyakarta State University on 14July 2014 and declared to have fulfilled the requirements for the attainment of the Sarjana Sastra degree in English Language and Literature. Board of Examiners Chairperson : Nandy Intan Kurnia, M. Hum. _________________ Secretary : Eko Rujito D. A., M. Hum. _________________ First Examiner : Ari Nurhayati, M. Hum. _________________ Second Examiner : Sugi Iswalono, M. A. _________________
    [Show full text]